Class Differences

Sordid Lives

If you've got a taste for big hair, broad Texas accents, and gay rights, this mixture of white-trash comedy and coming-out melodrama is for you. Sordid Lives starts out as chicken-fried farce, as a funeral is prepared for a woman who died when she tripped over her adulterous lover's wooden legs; about midway the emphasis shifts to a drag queen unfairly held in a mental institution and the dead woman's grandson, an actor in Los Angeles who hasn't come out to his mother. The tone shifts wildly, and the humor depends on your fondness for the white-trash genre--if you like it, this will tickle your ribs; if you don't, it'll fall flat as the panhandle landscape. But it must be said that the cast (including Bonnie Bedelia, Beau Bridges, Delta Burke, and Olivia Newton-John) dives right in, no matter how over-the-top their characters get. --Bret Fetzer

Get ready for laughs the size of Texas when Olivia Newton-John, Beau Bridges, Bonnie Bedelia and Delta Burke lead an all-star cast in this twisted, white-trash tale "that puts the 'fun' in 'dysfunctional'" (Toronto Sun). The hilariously sordid details about a southern family surface with a vengeance when relatives converge for the funeral of "Grandma Peggy," who died after tripping over her lover's wooden legs! Toss in a couple of feuding, big-haired daughters, a jumpy aunt who just quit smoking, the scorned neighbor from hell, and crazy, cross-dressing "Brother Boy" - and you've got an outrageous "train wreck you can't help but watch!" (Chicago Tribune)

Emma (A&E, 1997)

Emma Woodhouse imagines that she dominates those around her in the small town of Highbury, but her matchmaking creates problems for herself and others.
Genre: Feature Film-Drama
Rating: NR
Release Date: 26-OCT-1999
Media Type: DVD

Similar to the equally excellent Valmont, this version of Jane Austen's classic novel had the misfortune of following a sumptuous big-star version with Gwyneth Paltrow, which was released the summer before. And, just as 1989's Valmont suffered comparisons with Dangerous Liaisons, inevitably these Emmas were held up next to one another.

This delicious Emma concerns a young woman of financial substance (Kate Beckinsale), who fancies herself a matchmaker, especially with shy Miss Harriet Smith (Samantha Morton, who also appears in A&E's Jane Eyre). In Emma's swirling world of social activity and social consciousness, one's position and stature is a constant preoccupation. But to her credit, Emma, albeit a busybody, has compassion for all classes, and for her kindly but hypochondriacal father (Bernard Hepton).

This miniseries is more subtle than the grand theatrical release, is truer to the novel, and gives a richer explanation of the relationship between Emma associates Jane Fairfax (beautiful Olivia Williams of Rushmore) and the duplicitous Frank Churchill (Raymond Coulthard). Of course, at the center, as in all Austen stories, is the romance between the unsuspecting leading lady and an unlikely, but wholly suitable gentleman. In this case, it's Emma and her brother-in-law, the righteous (as played here) Mr. Knightley (Mark Strong). Strong's Mr. Knightley is more reserved, less coy than Jeremy Northam's; he plays Knightley more like Mr. Darcy (the leading man in Austen's Pride and Prejudice, which A&E also offers in a wonderful miniseries). Beckinsale proves to be utterly delightful and in no way should this excellent adaptation be ignored. --N.F. Mendoza

Pretty Woman (15th Anniversary Special Edition)

Like a pumpkin that transforms into a carriage, some very shrewd casting (and the charisma of Julia Roberts, in particular) morphed this story of a Hollywood whore into a Disneyfied Cinderella story--and a mainstream megahit. This is the movie that made Roberts a star; the charm of her personality helping tremendously to carry viewers over the rough spots in the script (which was originally a cynical tale about prostitution called 3000--after the amount of money Richard Gere's character pays the prostitute to stay with him for the week). Gere is the silver-haired Wall Street knight who sweeps streetwalker Roberts into a fantasy world of room service at the Regent Beverly Wilshire Hotel and fashion boutique shopping on Rodeo Drive. The supporting cast is also appealing, including Laura San Giacomo as Roberts's hooker pal, Hector Elizondo as the hotel manager, Jason Alexander, Ralph Bellamy, and Hank Azaria. Now, is this something you want your sons and daughters to see? That's entirely up to you. --Jim Emerson

A successful corporate mogul meets an independent and carefree prostitute. He teaches her about the finer things in life and she teaches him that love could be the best investment he ever made.
Genre: Feature Film-Comedy
Rating: R
Release Date: 30-AUG-2005
Media Type: DVD

Overboard

Real-life couple Kurt Russell and Goldie Hawn star in this enjoyable 1987 comedy by Garry Marshall (Pretty Woman) about an imperious heiress (Hawn) who loses her memory after a boating accident and is identified as the wife of a handyman (Russell). Russell's character brings her "home" to his messy house and unruly kids, and the laughs follow as the aristocratic Hawn tries fitting in. Marshall delivers the comic goods, the leads are entertaining (Russell needs to do more comedy), and the supporting cast is made up of happily familiar faces, including Roddy McDowall, Edward Herrmann, and Marshall favorite Hector Elizondo in an unbilled bit. --Tom Keogh

A bored super-rich woman falls off her yacht and into the life of a carpenter with four children in need of attention.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 30-JUL-2002
Media Type: DVD

National Lampoon's Animal House (Widescreen Double Secret Probation Edition)

This is one of those movies that works for all the wrong reasons--disgusting, lowbrow, base humor that we are all far too sophisticated to find amusing. So, just don't tell anyone you still think it's a riot to watch John Belushi as the brutish Bluto slurp Jell-O or terrorize his less-aggressive fellow students. This crude parody of college life in the '60s spawned many imitations, but none could match the fresh-faced talent or bad taste of this huge box office success. (Remember all those toga parties in the '80s?) The first of the National Lampoon movies, this was originally released as National Lampoon's Animal House. Keep an eye out for a very young Kevin Bacon in his first credited screen appearance. --Rochelle O'Gorman

Eddie Murphy Raw

Live performance, filmed at New York's Felt Forum. Includes celebrity impersonations, scatological humor, and observations on love, sex, marriage, and mom.
Genre: Spoken Word Comedy
Rating: R
Release Date: 2-MAY-2006
Media Type: DVD

The audacious concert film Eddie Murphy Raw rubbed some people the wrong way upon its release in 1987, but there's no denying that between Murphy's more insensitive bits about women and gay men is some of his most inspired material. While the young comedian indulges an unattractive homophobia and rants about the sexual manipulativeness of all females, he makes up for it with an amazing story about being chided by Bill Cosby for obscene humor and does a great impression of Mr. T falling under the spell of a Jedi mind trick. The best stuff comes deep into the show, particularly a long tale of being pressured into a fight at a club, resulting in a phone call to Murphy's drunk father, the latter in the middle of a verbal attack on his wife. The scene is genuinely horrifying and funny, testament to Murphy's early reputation as heir to Richard Pryor's mercilessly autobiographical brilliance. --Tom Keogh

It Happened One Night

Director Frank Capra (Mr. Smith Goes to Washington) took home every Oscar in the book (well, okay, all the major ones) for this seminal 1934 comedy starring Clark Gable as a hard-bitten reporter who stays close to a runaway heiress (Claudette Colbert) rather than lose a good story. Funny and sexy, the film is full of memorable scenes often referred to in other films, such as the "walls of Jericho" (a mere bedcover hung on a line down the middle of a room so opposite-sex roommates can get undressed), and Colbert's famous flash of thigh to stop a speeding car in its tracks. Capra's brisk, urbane brand of wit was a perfect complement to his populist faith in the common man (in this case, Gable's character), and that inspired combination makes this film both a spirited entertainment and an uplifting experience. --Tom Keogh

Midnight Run

Director Martin Brest rocketed to the top of Hollywood's A list with the blockbuster success of Beverly Hills Cop, and this 1988 follow-up is even better. Midnight Run is a genuine rarity--an action comedy that's dramatically satisfying--thanks to a sharp script by George Gallo, the superb teaming of Robert De Niro and Charles Grodin, and Brest's consummate skill in combining suspense and humor with well-developed characters. De Niro plays a maverick bounty hunter whose latest assignment is Grodin, an accountant accused of embezzling from the Mob. De Niro thinks he's in for an easy job, transporting Grodin (who's afraid to fly) from New York to Los Angeles, but soon discovers that both the FBI and the Mafia are hot on Grodin's trail. Equal parts road trip, action thriller, and a quirky character study, Midnight Run moves at a breakneck pace but still gives De Niro and Grodin time to create rich, memorable performances as two men who seem to be opposites, but gradually develop mutual respect and admiration. Mainstream entertainment at its best. --Jeff Shannon

Nothing to Lose

With a story that's too flimsy to support its running time, this road-movie comedy has plenty of problems, but at its best it's a surprisingly inspired vehicle for the clever teaming of Tim Robbins and Martin Lawrence. Robbins plays an addled advertising executive who comes home early one day and discovers his wife in bed with his boss. To make matters worse, he's later carjacked by a struggling, unemployed family-man-turned-petty-thief (Lawrence), and that's when he loses his cool completely. He takes the carjacker hostage and recruits him on a road-trip scheme of revenge against his wife and boss. Plotting to break into his boss's high-security vault, Robbins gets a criminal assist from Lawrence, but they're also on the run from another pair of would-be thieves who trail them to the vault's location. The routine plot is occasionally limp and sluggish, but writer-director Steve Oedekerk (who makes a wacky cameo appearance as a security guard) mines comedy gold during several scenes that detour from the plot for the sake of sheer lunacy. Robbins and Lawrence have great comedic chemistry (if you can tolerate Lawrence's constant profanity), and although the movie ends on a false note with some unlikely turns of fate, it's definitely good for more than a few solid laughs. --Jeff Shannon

This hugely funny action-comedy hit stars big-screen favorites Martin Lawrence (BAD BOYS) and Tim Robbins (HIGH FIDELITY). Advertising executive Nick Beam (Robbins) has completely bottomed out. His career is a mess, his marriage is on the rocks ... and a fast-talking would-be carjacker (Lawrence) has just jumped into his car! So what does he do? Nick throws common sense out the window and turns the tables on his captor! Soon this mismatched pair speeds off on a comical crime spree that includes holdups, high-speed chases, and revenge! Set to a hot hit soundtrack, NOTHING TO LOSE is another wild comedy success from the creator of ACE VENTURA and THE NUTTY PROFESSOR!

Monster-in-Law (New Line Platinum Series)

After years of incredibly bad dates Charlie (Jennifer Lopez) thinks she's met the perfect man...until she meets his possessive and merciless mother! Jane Fonda returns to Hollywood to play the worst mother-in-law ever who will do everything she can to break up the happy couple!Running Time: 102 min.System Requirements: Running Time 102 MinFormat: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 794043831423 Manufacturer No: N8314

As an esteemed television journalist put out to pasture by the networks and faced with the engagement of her son, Jane Fonda is fierce, funny, and ready to rumble as the title character in Monster-in-Law in a way that the rest of the film itself never really is. Jennifer Lopez, the film's other above-the-title star, is set to marry handsome, wealthy Michael Vartan but has one helluva time dealing with his insanely possessive mother. The result is pretty much what you'd expect--lots of snarls and slapstick and an easy, kisses-all-around conclusion, though it is surprising (and maybe a little disheartening) to watch Fonda throw herself into such disposable comedy with such gusto. Director Robert Luketic, who slept while Reese Witherspoon tottered off with his Legally Blonde, once again relies solely on the assembled talent: He leaves a high-wattage Lopez playing things a little too cute, a reedy Vartan looking visibly disinterested, and canny comedian Wanda Sykes making what she can--which, luckily, is a lot--of her role as Fonda's wisecracking personal assistant (the type of black sidekick role that's an indication of how creakily formulaic the film is). See it for Fonda, if you feel like it, then wish her a better engagement in the future. --Steve Wiecking