Comedy of Errors

The Birdcage

The great improvisational comedy team of Mike Nichols and Elaine May reunited to (respectively) direct and write this update of the French comedy La Cage Aux Folles. Robin Williams stars as a gay Miami nightclub owner who is forced to play it straight and ask his drag-queen partner (Nathan Lane) to hide out when Williams's son invites his prospective--and highly conservative--in-laws and fiancée to a meet-and-greet dinner party. Gene Hackman and Dianne Wiest play the straight-laced senator and his wife, and Calista Flockhart (from television's Ally McBeal) plays their daughter in a culture-clash with outrageous consequences. May's witty screenplay incorporates some pointed observations about the political landscape of the 1990s and takes a sensitive approach to the comedy's underlying drama. Topping off the action is Hank Azaria in a scene-stealing role as Williams's and Lane's flamboyant housekeeper, "Agador Spartacus." --Jeff Shannon

Lies and deception -- its all in the family when Robin Williams must convince conservative in-laws Gene Hackman and Dianne Wiest that he is as upstanding and uptight as they are in this raucously funny comedy. Armand (Williams) and Albert (Nathan Lane) have built the perfect life for themselves tending to their successful and gaudy nightclub on the Miami strip. But their pastel tranquility is suddenly shaken by the arrival of Armands son... who is getting married to the daughter of ultra-conservative Senator Keeley (Hackman). Whats more the Senator and his wife (Wiest) are on the way over for dinner and expecting to meet Mr. and Mrs. Family Values!Starring: Robin Williams Gene Hackman Nathan Lane Diane Wiest Dan Futterman Calista Flockhart Hank AzariaDirector: Mike NicholsProduced by Mike Nichols Marcello Danon written by Elaine May; running time of 119 minutes; Closed Captioned. Copyright: 1996 MGM/UASystem Requirements:Interactive Menus Theatrical Trailer Video Format: Widescreen (no AR specified) Enhanced for 16x9 TVs Subtitles: English Spanish and French Track Info: English: Dolby Digital Surround Spanish: Dolby Digital Surround French: Dolby Digital SurroundFormat: DVD MOVIE Genre: COMEDY Rating: R UPC: 027616603395 Manufacturer No: M100538

Waking Ned Devine

When local wag Jackie O'Shea (Ian Bannen) discovers that one of his neighbors in the village of Tulaigh Mohr is a lottery winner he sees a chance to share in the wealth. Things get complicated when Jackie and his pal Michael O'Sullivan (David Kelly) discover that the winner, Ned Devine, died of shock at the very moment he learned of becoming a millionaire. Undaunted, Jackie and Michael dispose of the lucky stiff and hatch a plot to impersonate him and claim the prize. Soon the whole village is involved and the plot rapidly thickens.

This film has been compared to The Full Monty, but it lacks the vein of desperation that added depth to that film. Instead, Waking Ned Devine is closer in tone to classic British comedies like Whisky Galore!, with its cast of eccentrics gleefully conspiring to outwit the authorities. Those with a low tolerance for twinkly eyed Irish charm might be tempted to steer clear, although the movie is saved, for the most part, by its central performances. Bannen is superb as an old man who is clearly hungry for any excitement he can drum up and David Kelly is remarkable as his scrawny sidekick. Kelly has had a long career as a character actor in film and television, but here he has a chance to really let loose. His naked motorcycle ride is a marvelous set piece and in all of his other scenes his twitchy, perfectly timed performance quite simply steals the movie. --Simon Leake

When Ned Devine dies from shock after winning the lottery, two longtime friends, Micheal and Jackie, discover the body and agree Ned would want them to benefit from his good luck. They embark upon an outrageous scheme to claim the ticket but first they have to get all the townsfolk to go along with their plan!

The Parent Trap (Special Edition)

If you were a kid in the early 1960s, then you saw The Parent Trap with Hayley Mills--it's as simple as that. Now Disney has pulled the beloved comedy--about a pair of twins who meet for the first time at summer camp and vow to reunite their long-divorced parents--out of the mothballs and remade it with a decidedly '90s feel. This time, the twins act is performed by newcomer Lindsay Lohan, who plays both Hallie and Annie, who each live with one of their parents (Dennis Quaid and Natasha Richardson). Adversaries when they first meet at camp, Hallie and Annie become, well, sisters when they figure out that they are siblings. The comedy springs from their efforts to sabotage Dad's impending marriage to the gold-digging Elaine Hendrix, while reintroducing Dad to Mom. Quaid has a nice, loosey-goosey way with slapstick, as does Richardson, who plays a very funny drunk scene. --Marshall Fine

What makes the Special Edition of THE PARENT TRAP so cool isn't just that you get to enjoy Lindsay Lohan's amazing theatrical debut, but that's it's filled with bonus materials you've never seen before. Hallie Parker, a hip Californian, and Annie James, a proper London miss (both played by Lohan) are identical twins who don't even know each other exists -- until they accidentally meet at summer camp. Now they're up to their freckles in schemes and dreams to switch places, get their parents (Dennis Quaid and Natasha Richardson) back together, and have the family they've always wished for!

Just One of the Guys

Though marketed as a raunchy teen sex comedy à la Porky's, Just One of the Guys is an amusing and well-acted comic riff on gender roles. Believing that she's lost a journalism contest because she's a woman, high school student Joyce Hyser disguises herself as a boy in order to see how the other half lives. Her investigation leads her to discover some interesting truths about how men and women treat each other in social and romantic situations. The screenplay by coproducers Jeff Franklin (a veteran TV scribe) and Dennis Feldman nicely balances the sex-driven gags with more character-driven material, which is well delivered by Hyser, Clayton Rohner as her eccentric pal, and especially Billy Jacoby as her perpetually aroused brother; the capable cast also includes Sherilyn Fenn and Arye Gross. Eighties music fans should also appreciate the soundtrack, which features tracks by Berlin, Lindsay Buckingham, and the Stooges. --Paul Gaita

She's 18, she's beautiful and she's about to set off an epidemic of comic hysteria when she enrolls in a new high school as JUST ONE OF THE GUYS. Stars Golden Globe nominated actress Sherilyn Fenn ("Twin Peaks").

Zoolander (Special Collector's Edition)

As Derek Zoolander searches for meaning in his life at the end of his fashion modeling career, he is brainwashed by the evil fashion guru Mugatu to kill the Prime Minister of Malaysia.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 12-DEC-2003
Media Type: DVD

Charge your micro-mini cell phones and whip up some orange mocha Frappuccino, 'cuz Zoolander is on the runway, and you're gonna laugh your booty off! Based on a sketch created by writer-director Ben Stiller and cowriter Drake Sather for the 1996 VH1/Vogue Fashion Awards, Zoolander is a delirious send-up of New York's fashion scene as epitomized by male model Derek Zoolander (Stiller), a dimwitted preener who's oblivious to a Manchurian Candidate-like plot to turn him into a brainwashed assassin. Tipped off by a reporter (Christina Taylor), Zoolander teams with rival model Hansel (Owen Wilson) to foil the poodle-haired fashion designer (Will Ferrell) who's behind the nefarious scheme. The goofy plot's only half the fun; with roles for Stiller's parents (Jerry Stiller and Anne Meara), dozens of celebrity cameos, endlessly quotable dialogue, and improvisational energy to spare, Zoolander is very smart about being very stupid, easily matching the Austin Powers franchise for inspired comedic lunacy. --Jeff Shannon

Some Like It Hot

When Chicago musicians Joe and Jerry witness a gangland murder they realize that their only escape is to dress as women and join an all-girls band on the way to a tour of Florida.
Genre: Feature Film-Comedy
Rating: NR
Release Date: 22-MAY-2001
Media Type: DVD

Maybe "nobody's perfect," as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St. Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy." Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behavior. The results, however, are sublime. --Robert Horton

Planes, Trains and Automobiles

Given the presence of both Steve Martin and John Candy, one would expect this John Hughes comedy to be much, much funnier than it is. Certainly it's not for lack of effort on the part of its stars. Martin is an uptight businessman trying to get home from New York for the holidays. But one thing after another gets in his way--most of it having to do with Candy, a boorish but well-meaning boob who takes a liking to him. Together they travel all over the map; no matter how hard Martin tries to shake him, he can't. But Hughes's writing is never as sharp as it should be and this film winds up being only intermittently humorous. --Marshall Fine

No Description Available.
Genre: Feature Film-Comedy
Rating: R
Release Date: 8-JAN-2002
Media Type: DVD

What's Up, Doc?

Director Peter Bogdanovich (The Last Picture Show) tipped his hat to the classic screwball comedies of the 1930s, and especially the most glorious of them all, Howard Hawks' Bringing Up Baby. Barbra Streisand plays a charming flake who distracts a self-absorbed musicologist (Ryan O'Neal). He's engaged to be married, but soon Streisand's character has him chasing after stolen jewelry and getting into one madcap fix after another. Bogdanovich, who is also a film critic, understands the engine of the screwball genre, and his loving revival of the form brings a smile, though it is not quite consistently inspired or funny. There are plenty of great moments, however, including a slap at O'Neal's own star-making vehicle, Love Story. --Tom Keogh

Too many kooks spoil the comedy soup? Not when BARBRA STREISAND and RYAN O'NEAL lead a madcap cast (including screen-debuting MADELINE KAHN) on a zany quest that's like a classic screwball comedy - only screwier!

Donovan's Reef

Two ex-Navy buddies are living a life of leisure on a South Pacific island until they are interrupted by a prim Bostonian in search of her father.
Genre: Feature Film-Comedy
Rating: NR
Release Date: 28-MAR-2006
Media Type: DVD

John Wayne's last film with mentor and long-time collaborator John Ford (The Searchers) is a 1963 comedy about a group of war veterans settled on a South Pacific island. When the daughter of one of them (Jack Warden) comes for a visit, the freewheeling status quo between the boys is disrupted. This is Ford in his chummy, amiable, roughhousing mode--think of Victor McLaglen's drunken fight scene in Ford's She Wore a Yellow Ribbon--and it is entirely pleasurable. Wayne is comfortable in his man's-man role, and Lee Marvin (who played Wayne's nemesis in The Man Who Shot Liberty Valance) is effectively roguish. --Tom Keogh

Victor/Victoria

Blake Edwards's delightful Victor/Victoria may be one of the last of the great, old-style movie musical comedies--it is so good, it was turned into a hit Broadway stage musical years later. And both versions starred Edwards's wife Julie Andrews (the former Mary Poppins) in the title role--as Victor and Victoria. She's a down-and-out singer who hooks up with a flamboyantly gay theatrical veteran (Robert Preston), and together they become the toast of 1934 Paris by dreaming up a provocative nightclub act in which Victoria assumes the identity of a man in drag. So, in other words, Andrews plays a woman playing a man playing a woman ... and that's only the beginning of the sexual identity confusions that provide the fuel for this splendidly classy slapstick musical farce. (Yes, it's all those things.) James Garner, as a Chicago club owner, finds himself strangely besotted with this stylish, androgynous creature--even though he thinks Victor/Victoria is a man. Legendary Hollywood composer Henry Mancini (a longtime collaborator with Edwards) won his last Oscar for the score; Andrews, Preston, and Lesley Ann Warren, as Garner's cheeky girlfriend, were also nominated. Musical highlights include Victor/Victoria's sizzling "Le Jazz Hot" (in which Andrews shows off her incredible vocal range); another showstopper for Victor/Victoria, "The Shady Dame from Seville"; Preston's witty ode to "Gay Paree"; Warren's hilarious burlesque number, "King's Can-Can"; and a charmingly casual yet elegant side-by-side number, "You and Me," done in a small club by Preston and Andrews in tuxedos. --Jim Emerson