Midlife Crises

Grandma's Boy (Unrated Edition)

Gamers, grannies and stoners unite! From Adam Sandler's Happy Madison Productions comes a raucously funny, "fish-out-of bongwater comedy" (Playboy) that'll have you rolling with laughter! Life is sweet for 35-year-old video game tester Alex (Allen Covert), until he's forced to move in with his overbearing grandmother Lilly (Doris Roberts) and her two roommates: oversexed Grace (Shirley Jones) and overmedicated Bea (Shirley Knight). To save face with his much younger co-workers and super-sexy new boss (Linda Cardellini), Alex brags about the "three hot babes" living with him, but soon that cat's out of the bag?and the real party at Grandma's house has just begun! If you love footie pajamas, techno-talk and karate-chopping chimps (and who doesn't?), grab your buds and watch Grandma's Boy!

Father of the Bride 2

Just when a father is getting used to his daughter being married, he finds out that he will become a grandfather for the first time as well as a father again!
Genre: Feature Film-Comedy
Rating: PG
Release Date: 25-JAN-2005
Media Type: DVD

Everybody important from the first film, including the writing-directing team of Charles Shyer and Nancy Meyers, regroups for this sequel involving a pair of pregnancies. Steve Martin's patriarch has a crisis when his married daughter (Kimberly Williams) is with child, and an even bigger one when his middle-aged wife (Diane Keaton) announces that another bambino is on the way. Martin Short is more effectively used this time around (he played the wedding coordinator in the first film), and while this movie's inevitable climax has both women giving birth on the same chaotic night, the overall effect of the film is less contrived than its predecessor. --Tom Keogh

The Life Aquatic with Steve Zissou - Criterion Collection (2-Disc Special Edition)

In The Life Aquatic with Steve Zissou, director Wes Anderson takes his familiar stable of actors on a field trip to a fantasy aquarium, complete with stop-motion, candy-striped crabs and rainbow seahorses. And though Anderson does expand his horizons in terms of retro-special effects and a whimsical use of color, fans will otherwise find themselves in well-charted waters. As The Life Aquatic opens, Zissou (Bill Murray), a self-involved, Jacques Cousteau-like filmmaker, has just released a documentary depicting the death of his best friend Esteban, who was eaten by some sort of sea creature--possibly a jaguar shark. Zissou's troubles also include his waning popularity with the public, and a nemesis (Jeff Goldblum) who hogs up all the grant money. Hope arrives in the form of Ned Plimpton (Owen Wilson), an amiable Kentuckian who may be Zissou's son. Despite his lack of enthusiasm for fatherhood, Zissou welcomes Ned--and Ned in turn saves Zissou's new documentary (in which he seeks revenge on the jaguar shark) in more ways than one.

One of Wes Anderson's greatest achievements as a director to date has been launching the autumnal melancholy phase of Bill Murray's career, starting with Rushmore in 1998, and Murray delivers a similarly comedic yet low-key performance here. Unfortunately, Zissou is one of the few characters in this ensemble to achieve multi-dimensionality. Even co-star Wilson doesn't get to develop Ned much beyond Noble Southerner, and he ends up seeming more like a prop for illustrating Zissou's emotional development rather than his own man. The Life Aquatic probably won't be remembered as a great film, but it is still one that no Anderson (or Murray) fan can afford to miss.--Leah Weathersby

Internationally famous oceanographer Steve Zissou (Bill Murray) and his crew -- Team Zissou -- set sail on a expedition to hunt down the mysterious, elusive -- possibly nonexistent -- Jaguar Shark that killed Zissou's partner during the documentary filming of their latest adventure. They are joined on their voyage by a young airline co-pilot, who may or may not be Zissou's son (Owen Wilson), a beautiful journalist (Cate Blanchett) assigned to write a profile of Zissou, and his estranged wife and co-producer, Eleanor (Anjelica Huston). They face overwhelming complications including pirates, kidnapping, and bankruptcy. Oscar(R)-nominated writer-director (Best Original Screenplay, THE ROYAL TENENBAUMS, 2001) Wes Anderson has assembled an all-star cast that also includes Willem Dafoe, Jeff Goldblum, Michael Gambon, Noah Taylor, and Bud Cort in this wildly original adventure-comedy.

The Life Aquatic with Steve Zissou - Criterion Collection

In The Life Aquatic with Steve Zissou, director Wes Anderson takes his familiar stable of actors on a field trip to a fantasy aquarium, complete with stop-motion, candy-striped crabs and rainbow seahorses. And though Anderson does expand his horizons in terms of retro-special effects and a whimsical use of color, fans will otherwise find themselves in well-charted waters. As The Life Aquatic opens, Zissou (Bill Murray), a self-involved, Jacques Cousteau-like filmmaker, has just released a documentary depicting the death of his best friend Esteban, who was eaten by some sort of sea creature--possibly a jaguar shark. Zissou's troubles also include his waning popularity with the public, and a nemesis (Jeff Goldblum) who hogs up all the grant money. Hope arrives in the form of Ned Plimpton (Owen Wilson), an amiable Kentuckian who may be Zissou's son. Despite his lack of enthusiasm for fatherhood, Zissou welcomes Ned--and Ned in turn saves Zissou's new documentary (in which he seeks revenge on the jaguar shark) in more ways than one.

One of Wes Anderson's greatest achievements as a director to date has been launching the autumnal melancholy phase of Bill Murray's career, starting with Rushmore in 1998, and Murray delivers a similarly comedic yet low-key performance here. Unfortunately, Zissou is one of the few characters in this ensemble to achieve multi-dimensionality. Even co-star Wilson doesn't get to develop Ned much beyond Noble Southerner, and he ends up seeming more like a prop for illustrating Zissou's emotional development rather than his own man. The Life Aquatic probably won't be remembered as a great film, but it is still one that no Anderson (or Murray) fan can afford to miss.--Leah Weathersby

Bread and Tulips

Italy's magical fantasy of midlife crisis and rebirth in Venice, the city of lovers, swept the Italian film awards and charmed all of Europe. Director Silvio Soldini turns the tourist mecca of piazzas, canals, and stone bridges into a quaint little village out of time and fills the film with the charm of the city and the gentle quirks of his delightful cast. Licia Maglietta is winning as Rosalba, the frustrated and ignored middle-aged mom who impulsively takes a vacation from her family. She hitchhikes to Venice and falls for lonely, suicidal Icelandic waiter-poet Bruno Ganz (whose soulful, sad eyes recall his fallen angel from Wings of Desire), blossoming as she rediscovers her smile and joy for life. Sweetly sexy and beautifully shot, this story of second chances may not be original or surprising (think Shirley Valentine), but it's no less lovely or enchanting for it. --Sean Axmaker

Deconstructing Harry

Woody Allen roared back at his detractors with Deconstructing Harry, a bitterly funny treatise about the creative process. Known to mine his often tumultuous personal life for his movies, the embattled writer-director-star didn't bother to make his alter ego likable in this movie: Harry Block (Allen) pops pills, frequents prostitutes, and cheats on the women in his life, then writes about their foibles in thinly disguised fiction. No wonder they're all furious with him. As Harry journeys to his alma mater with a hooker, ill pal, and kidnapped son, a series of flashbacks unravel, juxtaposing Harry's relationships with their "slightly exaggerated" fictional counterparts. There are amusing cameos throughout, including a humorous turn by Demi Moore as a fictitious ex-wife who "became Jewish with a vengeance," and Billy Crystal as the devil who found Hollywood too nasty for his liking. The humor is dark and caustic, but well worth it; Deconstructing Harry is a near-brilliant mediation on the sometimes queasy relationship between art, creator, and critic. --Diane Garrett

Blame It On Rio

Welcome to the most exciting and sensual city in the world Rio de Janeiro! The "ultimate naughtiness" (Vogue) of Brazil's hottest town is captured in this "wild and wacky, zany screwball romantic comedy" (Los Angeles) with a red-hot cast that includes Michael Caine (The Cider HouseRules), Joseph Bologna (Big Daddy), Michelle Johnson (The Glimmer Man) and Demi Moore (Ghost).Upon arriving in exotic Rio, longtime friends Matthew (Caine) and Victor (Bologna) and their teenage daughters (Moore & Johnson) barely unpack before this infamous pleasure spot begins to cast its torrid spell. Matthew quickly succumbs to Cupid's arrow, but when guilt gets the better of this married man, he vows to end the affair and keep it a secret even from Victor. But as his white lies grow, so does his libido, and Matthew continues his indiscretions until his wife shows up!

Mother (1996)

When Albert Brooks cast Debbie Reynolds to play his mother in this acclaimed 1996 comedy, the veteran singer-dancer-actress hadn't had a leading film role in nearly 30 years. Brooks had to pour on the charm to persuade her to make a comeback. The results were triumphant for writer-director Brooks and his on-screen mom, who earned some of the best reviews of their respective careers. The movie's about a science-fiction writer named John (Brooks), who's just weathered a second divorce and blames his failure with women on his dysfunctional relationship with his widowed mother (Reynolds). He decides that the best way to improve his romantic future is to move back in with his mother and resolve their simmering differences--a wild leap of logic that seems outrageous to John's brother (Rob Morrow), who has always been their mother's favorite son. As this domestic experiment unfolds, Brooks uses hilarious dialogue to convey a wealth of observant detail about familial tensions and annoying quirks of behavior. Mother is a movie about people who know how to push each other's buttons--all the wrong buttons--and the comedy will be recognized by anyone who's ever been exasperated by one or both of their parents. That means just about everyone, doesn't it? --Jeff Shannon

10

As a famous composer turns forty-two he enters his mid-life crisis and chases a young woman he sees on her way to her wedding.
Genre: Feature Film-Comedy
Rating: R
Release Date: 2-NOV-2004
Media Type: DVD

One of the best comedies of the 1970s, Blake Edwards's ode to midlife crisis and the hazards of infidelity now plays like a valentine to that self-indulgent decade, and it's still as funny as it ever was. In the signature role of his career (along with "Arthur"), Dudley Moore plays a songwriter with a severe case of marital restlessness, and all it takes is a chance encounter with Bo Derek (in her screen debut) to jump-start his libido. Julie Andrews plays Moore's wife, who will only tolerate so much of her husband's desperate need to reaffirm his sexual vitality, while Moore pursues Derek to a tropical rendezvous. The action builds to the now-famous bedroom scene that sent everyone rushing to the music store for their own copy of Ravel's Boléro. Talk about a classical climax! --Jeff Shannon

The Prisoner of Second Avenue

Mel Edison, a soon-to-be-unemployed advertising executive, is driven to the brink of a nervous breakdown by New York City living. In an attempt to escape from a garbage strike, nosy neighbors and an unreliable air conditioner in the middle of a head wave, Mel and his long-suffering wife Edna visit his brother in the country. Unfortunately, the dark cloud of tribulation seems to follow Mel in this comic nightmare.