Mistaken Identity

Three Amigos

Three Western stars (Martin Short, Steve Martin, Chevy Chase) from Hollywood silent films go to Mexico for what they assume will be a publicity appearance, and find they've actually been summoned to fight a local bandit. John Landis directed this 1986 comedy with self-conscious artifice, and it's hard to get into his self-congratulatory joke. Even the three main stars, brilliant comics all, can't sustain anything funny in it. --Tom Keogh

Donovan's Reef

John Wayne's last film with mentor and long-time collaborator John Ford (The Searchers) is a 1963 comedy about a group of war veterans settled on a South Pacific island. When the daughter of one of them (Jack Warden) comes for a visit, the freewheeling status quo between the boys is disrupted. This is Ford in his chummy, amiable, roughhousing mode--think of Victor McLaglen's drunken fight scene in Ford's She Wore a Yellow Ribbon--and it is entirely pleasurable. Wayne is comfortable in his man's-man role, and Lee Marvin (who played Wayne's nemesis in The Man Who Shot Liberty Valance) is effectively roguish. --Tom Keogh

Two ex-Navy buddies are living a life of leisure on a South Pacific island until they are interrupted by a prim Bostonian in search of her father.
Genre: Feature Film-Comedy
Rating: NR
Release Date: 28-MAR-2006
Media Type: DVD

How To Marry A Millionaire

Nunnally Johnson's Broadway comedy was brought to the big screen by director Jean Negulesco, built around a trio of female stars, Lauren Bacall, Marilyn Monroe, and Betty Grable. They play friends who come up with a plan to find and marry rich men. They rent a lavish penthouse and use it as their launching pad to lure men with money in the bank. But each eventually finds that love is more important that material possessions, though it takes a while. One running joke has Monroe so insecure about her looks that she refuses to wear glasses, though this means she bumps into furniture and walls. The other has Bacall rejecting suitor Cameron Mitchell because he doesn't wear a tie, assuming this means he's low-class when, in fact, he's the Donald Trump of 1954. Pre-feminist comedy captures the mindset of an era in which women's identities were based on the men they married. It has its moments, but much of the humor seems dated, though its take on sexual politics is occasionally acute. --Marshall Fine

Three women rent an expensive New York penthouse apartment in the hope of catching rich husbands.
Genre: Feature Film-Comedy
Rating: NR
Release Date: 20-APR-2004
Media Type: DVD

Soapdish

Though this movie did decent box-office business, it was never as funny as it should have been or as clever as it thought it was. The film is set behind the scenes at The Sun Also Sets, a soap opera starring Sally Field that is suffering a ratings slump. To lure the audience back, the producers resurrect a dead character, played by Kevin Kline, with whom Field was once a lover of but is now at odds (and helped exile to dinner theater, where he is first glimpsed playing Willy Loman). Written by Andrew Bergman and Robert Harling, the script has its funny moments but never manages to string them together, despite a cast that includes Whoopi Goldberg, Robert Downey Jr., Cathy Moriarty, and Carrie Fisher. --Marshall Fine

The Big Lebowski (Widescreen Collector's Edition)

After the tight plotting and quirky intensity of Fargo, this casually amusing follow-up from the prolifically inventive Coen (Ethan and Joel) brothers seems like a bit of a lark, and the result was a box-office disappointment. The good news is, The Big Lebowski is every bit a Coen movie, and its lazy plot is part of its laidback charm. After all, how many movies can claim as their hero a pot-bellied, pot-smoking loser named Jeff "The Dude" Lebowski (Jeff Bridges) who spends most of his time bowling and getting stoned? And where else could you find a hairnetted Latino bowler named Jesus (John Turturro) who sports dazzling purple footgear, or an erotic artist (Julianne Moore) whose creativity consists of covering her naked body in paint, flying through the air in a leather harness, and splatting herself against a giant canvas? Who else but the Coens would think of showing you a camera view from inside the holes of a bowling ball, or an elaborate Busby Berkely-styled musical dream sequence involving a Viking goddess and giant bowling pins? The plot--which finds Lebowski involved in a kidnapping scheme after he's mistaken for a rich guy with the same name--is almost beside the point. What counts here is a steady cascade of hilarious dialogue, great work from Coen regulars John Goodman and Steve Buscemi, and the kind of cinematic ingenuity that puts the Coens in a class all their own. Be sure to watch with snacks in hand, because The Big Lebowski might give you a giddy case of the munchies. --Jeff Shannon

After the tight plotting and quirky intensity of Fargo, this casually amusing follow-up from the prolifically inventive Coen (Ethan and Joel) brothers seems like a bit of a lark, and the result was a box-office disappointment. The good news is, The Big Lebowski is every bit a Coen movie, and its lazy plot is part of its laidback charm. After all, how many movies can claim as their hero a pot-bellied, pot-smoking loser named Jeff "The Dude" Lebowski (Jeff Bridges) who spends most of his time bowling and getting stoned? And where else could you find a hairnetted Latino bowler named Jesus (John Turturro) who sports dazzling purple footgear, or an erotic artist (Julianne Moore) whose creativity consists of covering her naked body in paint, flying through the air in a leather harness, and splatting herself against a giant canvas? Who else but the Coens would think of showing you a camera view from inside the holes of a bowling ball, or an elaborate Busby Berkely-styled musical dream sequence involving a Viking goddess and giant bowling pins? The plot--which finds Lebowski involved in a kidnapping scheme after he's mistaken for a rich guy with the same name--is almost beside the point. What counts here is a steady cascade of hilarious dialogue, great work from Coen regulars John Goodman and Steve Buscemi, and the kind of cinematic ingenuity that puts the Coens in a class all their own. Be sure to watch with snacks in hand, because The Big Lebowski might give you a giddy case of the munchies. --Jeff Shannon

The Big Lebowski (Full Screen Collector's Edition)

After the tight plotting and quirky intensity of Fargo, this casually amusing follow-up from the prolifically inventive Coen (Ethan and Joel) brothers seems like a bit of a lark, and the result was a box-office disappointment. The good news is, The Big Lebowski is every bit a Coen movie, and its lazy plot is part of its laidback charm. After all, how many movies can claim as their hero a pot-bellied, pot-smoking loser named Jeff "The Dude" Lebowski (Jeff Bridges) who spends most of his time bowling and getting stoned? And where else could you find a hairnetted Latino bowler named Jesus (John Turturro) who sports dazzling purple footgear, or an erotic artist (Julianne Moore) whose creativity consists of covering her naked body in paint, flying through the air in a leather harness, and splatting herself against a giant canvas? Who else but the Coens would think of showing you a camera view from inside the holes of a bowling ball, or an elaborate Busby Berkely-styled musical dream sequence involving a Viking goddess and giant bowling pins? The plot--which finds Lebowski involved in a kidnapping scheme after he's mistaken for a rich guy with the same name--is almost beside the point. What counts here is a steady cascade of hilarious dialogue, great work from Coen regulars John Goodman and Steve Buscemi, and the kind of cinematic ingenuity that puts the Coens in a class all their own. Be sure to watch with snacks in hand, because The Big Lebowski might give you a giddy case of the munchies. --Jeff Shannon

After the tight plotting and quirky intensity of Fargo, this casually amusing follow-up from the prolifically inventive Coen (Ethan and Joel) brothers seems like a bit of a lark, and the result was a box-office disappointment. The good news is, The Big Lebowski is every bit a Coen movie, and its lazy plot is part of its laidback charm. After all, how many movies can claim as their hero a pot-bellied, pot-smoking loser named Jeff "The Dude" Lebowski (Jeff Bridges) who spends most of his time bowling and getting stoned? And where else could you find a hairnetted Latino bowler named Jesus (John Turturro) who sports dazzling purple footgear, or an erotic artist (Julianne Moore) whose creativity consists of covering her naked body in paint, flying through the air in a leather harness, and splatting herself against a giant canvas? Who else but the Coens would think of showing you a camera view from inside the holes of a bowling ball, or an elaborate Busby Berkely-styled musical dream sequence involving a Viking goddess and giant bowling pins? The plot--which finds Lebowski involved in a kidnapping scheme after he's mistaken for a rich guy with the same name--is almost beside the point. What counts here is a steady cascade of hilarious dialogue, great work from Coen regulars John Goodman and Steve Buscemi, and the kind of cinematic ingenuity that puts the Coens in a class all their own. Be sure to watch with snacks in hand, because The Big Lebowski might give you a giddy case of the munchies. --Jeff Shannon

The Coen brothers' irreverent cult hit comes to DVD as a Collector's Edition, with all-new bonus material. The hilariously twisted comedy-thriller stars Jeff Bridges, John Goodman, Steve Buscemi and Julianne Moore. Join the "Dude" and his bowling buddies on their journey that blends unforgettable characters, kidnapping, a case of mistaken identity and White Russians. Enter the visually unique and entertaining world from the creative minds of the Coen brothers and remember: the Dude abides.

The Big Lebowski

After the tight plotting and quirky intensity of Fargo, this casually amusing follow-up from the prolifically inventive Coen (Ethan and Joel) brothers seems like a bit of a lark, and the result was a box-office disappointment. The good news is, The Big Lebowski is every bit a Coen movie, and its lazy plot is part of its laidback charm. After all, how many movies can claim as their hero a pot-bellied, pot-smoking loser named Jeff "The Dude" Lebowski (Jeff Bridges) who spends most of his time bowling and getting stoned? And where else could you find a hairnetted Latino bowler named Jesus (John Turturro) who sports dazzling purple footgear, or an erotic artist (Julianne Moore) whose creativity consists of covering her naked body in paint, flying through the air in a leather harness, and splatting herself against a giant canvas? Who else but the Coens would think of showing you a camera view from inside the holes of a bowling ball, or an elaborate Busby Berkely-styled musical dream sequence involving a Viking goddess and giant bowling pins? The plot--which finds Lebowski involved in a kidnapping scheme after he's mistaken for a rich guy with the same name--is almost beside the point. What counts here is a steady cascade of hilarious dialogue, great work from Coen regulars John Goodman and Steve Buscemi, and the kind of cinematic ingenuity that puts the Coens in a class all their own. Be sure to watch with snacks in hand, because The Big Lebowski might give you a giddy case of the munchies. --Jeff Shannon

After the tight plotting and quirky intensity of Fargo, this casually amusing follow-up from the prolifically inventive Coen (Ethan and Joel) brothers seems like a bit of a lark, and the result was a box-office disappointment. The good news is, The Big Lebowski is every bit a Coen movie, and its lazy plot is part of its laidback charm. After all, how many movies can claim as their hero a pot-bellied, pot-smoking loser named Jeff "The Dude" Lebowski (Jeff Bridges) who spends most of his time bowling and getting stoned? And where else could you find a hairnetted Latino bowler named Jesus (John Turturro) who sports dazzling purple footgear, or an erotic artist (Julianne Moore) whose creativity consists of covering her naked body in paint, flying through the air in a leather harness, and splatting herself against a giant canvas? Who else but the Coens would think of showing you a camera view from inside the holes of a bowling ball, or an elaborate Busby Berkely-styled musical dream sequence involving a Viking goddess and giant bowling pins? The plot--which finds Lebowski involved in a kidnapping scheme after he's mistaken for a rich guy with the same name--is almost beside the point. What counts here is a steady cascade of hilarious dialogue, great work from Coen regulars John Goodman and Steve Buscemi, and the kind of cinematic ingenuity that puts the Coens in a class all their own. Be sure to watch with snacks in hand, because The Big Lebowski might give you a giddy case of the munchies. --Jeff Shannon

King Of Hearts

This film was a touchstone of the late 1960s, when it was seen as an antiwar allegory for a world in which madness seemed to reign. Of course, that would probably be true whenever this movie was shown, wouldn't it? Directed by Philippe de Broca and set during World War I, King of Hearts stars Alan Bates as a Scottish soldier separated from his unit in France. He wanders into a small French village that has been abandoned by its residents in the face of oncoming combat. Instead, the town is populated by the residents of a nearby insane asylum, whose keepers have fled--a fact that escapes the innocent soldier, who assumes these are the regular folks. A film that celebrates the innocence and wisdom of the insane, even as it questions who the real madmen are. --Marshall Fine

A Scottish soldier is sent to disarm a bomb in a French village that has been evacuated except for the inmates of an insane asylum. He doesn't realize that all his new friends are mentally unstable until he is crowned King.
Genre: Feature Film-Comedy
Rating: NR
Release Date: 7-SEP-2004
Media Type: DVD

The Man Who Knew Too Little

Only die-hard Bill Murray fans will likely consider this movie for their home-video library, but it's not without its rewards. You can see why someone as comically astute as Murray would agree to play a dimwitted American who can't tell the difference between improvised theater and a real-life espionage plot. There's certainly plenty of potential for belly laughs, and Murray milks the opportunities like the old pro that he is. Here he plays an American tourist in London who thinks he's been recruited into a street-theater act called "Theater of Life"; actually, he's stepped into a complicated spy scheme that plays like a cross between Hitchcock and the Marx Brothers. Joanne Whalley costars as the femme fatale who may or may not be a double agent, and along the way there's enough comical confusion to foil any number of idiotic villains. The movie stretches its one-joke premise to desperate extremes (Murray thinks he's in a play, so he's oblivious to genuine danger), and 95 minutes is more than enough time to exhaust the comedic possibilities. But, as always, Murray finds a way to mine gold from a few clever bits, and he cuts loose with some inspired lunacy during a climactic scene involving a hidden bomb and a troupe of dancing Cossacks. It's not Murray's finest hour, but give him credit for making the best out of a challenging situation. --Jeff Shannon

A naive American in London is mistaken for a spy by a group bent on reviving the good old days of Cold War skullduggery. Believing it's all a game he treats every dramatic situation and threat as a joke. Based on the novel "Watch That Man" by Robert Farrar.Running Time: 95 min.System Requirements:Feature-Length Audio Commentary by Director Jon Amiel Alternate Music Only Track (5.1) Interactive Menus Production Notes 4 Theatrical Trailers 3 TV Spots Scene Access Languages: English & French Subtitles: English French and Spanish Dolby Digital English & French: Dolby Surround 5.1 Standard version formatted from its original version to fit your screen. Widescreen version presented in a "matted" widescreen format preserving the aspect ratio of its original theatrical exhibition. Enhanced for widescreen TVs. Video Format: Widescreen (no AR specified) Standard 1.33:1 (4.3) Enhanced for 16x9 TVs Format: DVD MOVIE Genre: COMEDY Rating: PG UPC: 085391562627

Desperately Seeking Susan

This likeable, feminist screwball comedy about several incidents of mistaken identity is remembered more as the film that made Madonna a movie star. She's flip, hip, and energetic as Susan, the wild tramp with whom bored, suburban New Jersey housewife Roberta Glass (Rosanna Arquette) becomes obsessed after reading of her sexual conquests in the personal ads. Of course, since Madonna essentially played herself, the role's hardly a stretch. Director Susan Seidelmen presents a series of zany incidents too complicated to recount, but the result is that Roberta swaps lifestyles with her fixation to explore New Wave culture on New York's Lower East Side. It's territory Seidelmen knew well as her more offbeat, indie debut, Smithereens, reveled in the same setting. But where Smithereens took a more edgy approach to its characters, Susan is a fairy tale romantic comedy, and eventually becomes as conventional as the suburban characters it mocks by settling conflicts with predictable Hollywood formulae. Still, there's much to be enjoyed. The film's at its funniest when juxtaposing New York hip and New Jersey suburbia, like when Arquette's straight, suit-and-tie husband dances with Madonna in a punk club. The performances, too, are engaging, especially Arquette and Aidan Quinn, playing a romantic film projectionist who becomes her grubby Prince Charming. --Dave McCoy

If you know what to look for, you can find almost anything in the personal ads...including the loveof your life! Rosanna Arquette (Pulp Fiction) is "irresistible" (Newsweek) and, in her first starring role, pop star Madonna (Evita) gives a "marvelously comic" (Time) performance in this "delightful madcap comedy" (US) about mistaken identity. Bored New Jersey housewife Roberta (Arquette) fills her days by reading the personal ads and following an ongoing romance between "Jim" (Robert Joy) and "Susan" (Madonna), a mysterious drifter who leads the kind of free-spirited life about which Roberta can only dream. And dream she does, until the day she actually shows up at the couple's prearranged rendezvous in New York City...and after a bump on the head, a bout of amnesia turns Roberta into Susan and opens the door to intrigue, laughter and love!