Nothing Goes Right

It's a Mad, Mad, Mad, Mad World

Stanley Kramer's sprawling 1963 comedy about a search for buried treasure by at least a dozen people--all played by well-known entertainers of their day--is the kind of mass comedy that Hollywood hasn't made in many years. (Another example from around the same time is Blake Edwards's The Great Race.) After a number of strangers (including Milton Berle, Jonathan Winters, Sid Caesar, Phil Silvers, and others) witness a dying stranger (Jimmy Durante) identify the location of hidden money, a conflict-ridden hunt begins, watched over carefully by a suspicious cop (Spencer Tracy). The ensuing two and a half hours of mayhem has its ups and downs--some bits and performers are certainly funnier than others. But Kramer, who is better known for socially conscious, serious cinema (Guess Who's Coming to Dinner?), is in a mood for broad comic characterization, and some of his jokes are so intentionally obvious (Durante literally kicks a bucket when he dies), they'd have a place in Airplane! Watch for lots of cameo appearances, including Jerry Lewis (who had called Kramer and asked him why he hadn't been invited to participate). --Tom Keogh

Spencer Tracy heads a hilariously zany cast that stars Hollywood's greatest comedians (Milton Berle Sid Caesar Buddy Hackett Ethel Merman Mickey Rooney Dick Shawn Phil Silvers Terry-Thomas and Jonathan Winters) and features cameo appearances by every joker and jester in the business from Don Knotts and Jerry Lewis to The Three Stooges. Nominated* for 6 Oscars® It's A Mad Mad Mad Mad World is "an explosive motion picture experience" (Variety)!On a winding desert highway eight vacation-bound motorists share an experience that alters their plans and their lives! After a mysterious stranger divulges the location of a stolen fortune they each speed off in a mind-bending car-bashing race for the loot and the most side-splitting laughfest in history.*1963: Sound Effects (won) Cinematography Sound Song Score Film Editing.System Requirements:Running Time: 154 Min.Format: DVD MOVIE Genre: COMEDY Rating: G UPC: 027616902740 Manufacturer No: 1006051

This Is Spinal Tap (Special Edition)

Director Marty DiBergi (Rob Reiner) solemnly alerts us to the glory that was Spinal Tap in his introduction to this "rockumentary" about the legendary British heavy-metal group, featuring lead guitarist Nigel Tufnel (Christopher Guest), lead singer David St. Hubbins (Michael McKean), bassist Derek Smalls (Harry Shearer), and a succession of drummers whose careers were cut short by spontaneously combusting on their stool, drowning in somebody else's vomit, or otherwise perishing in untimely fashion. Under DiBergi's studious interrogation, the band and their familiars retrace the band's evolution from head-bopping Mersey Beat poseurs to head-banging metal poseurs, each change in musical direction or tonsorial chic having little effect on the surviving trio's sublime idiocy. For, as St. Hubbins (he's the "deep" one, relatively speaking) sagely observes, "It's such a fine line between stupid and clever."

Happily for us, director Reiner, who developed the underlying story line with Guest and former Credibility Gap pranksters McKean and Shearer, stays squarely on the right side of the line, even as his writer-actors remain hilariously trapped on the other side. In lieu of a formal shooting script, the quartet created an extensive and detailed band history ripe with the sort of dead-pan detail that hard-core rock historians and screwball aficionados will savor on countless replays; with the three Tap members also musicians themselves, the "band" developed its stage act under the unsuspecting noses of L.A. club denizens, who accepted them as just as loud, flashy, sexist, and obvious as any other mullet-tressed, leather-garbed brigade of guitar slingers, circa 1984. The resulting footage thus manages to lob its punch lines and build its characters (including some thinly veiled character assassinations of various industry folks) with a loose, tossed-away verve rooted in the improvisational approach. This Is Spinal Tap remains the funniest, and most truthful, look at rock culture ever filmed and a personal best for all involved. --Sam Sutherland

You're about to get personal with one of music history's greatest and loudest heavy metal bands, Spinal Tap! Whether or not you're a die-hard fan of the group, you'll love this detailed "rockumentary" of Engand's legendary Spinal Tap. Acclaimed commercial director Marty DiBergi takes you behind the scenes for an intimate look at a band whose time has come and gone and come again and.... Through interviews, rare footage and lots of musicincluding classic Tap tunes like "Big Bottom" and "Hell Hole"you'll get acquainted with David St. Hubbins (lead guitar), Nigel Tufnel (lead guitar), Derek Smalls (lead bass) and every drummer who ever livedand diedfor this renowned rock band. Be a part of the sights, sounds and smells of this celebrated heavy metal phenomenon. It's an experience you'll never forget.

Adventures in Babysitting

A boring evening of babysitting turns into high adventure when a babysitter and her three charges set out to rescue her friend from the downtown Chicago bus station.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 1-MAR-2005
Media Type: DVD

Way before she grabbed an Oscar nomination for her searing performance as a world-weary prostitute in Leaving Las Vegas, Elisabeth Shue was known as one of the squeaky-clean actresses of the '80s. Having made a splash in The Karate Kid and the '60s-nostalgia TV series Call to Glory, Shue cemented her good-girl reputation with the charming but badly titled Adventures in Babysitting. Set in the John Hughes-style suburbs of Chicago, the titular adventures follow babysitter Chris (Shue), who agrees to watch the Anderson kids (Keith Coogan and Maia Brewton) when her boyfriend cancels their anniversary date. All is quiet on the home front until Chris is called upon to rescue her best friend (Penelope Ann Miller, also doing good-girl duty) from the seedy downtown bus station. She can't leave the kids, and she can't leave her friend alone in the big bad city, so she packs everyone in the station wagon and heads into Chicago. Screwball craziness begins as they encounter car thieves, knife-wielding gangs, gun-toting truck drivers, and, worst of all, Chris's duplicitous boyfriend. It's hardly mature entertainment, but Shue makes it work; when she wins over the audience at a blues club with her improv singing, you'll be won over, too. In his directorial debut, Chris Columbus (who later went on to helm the sap-fests Mrs. Doubtfire and Home Alone) gently skewers the suburbia white-bread mindset of the main characters, and plays up the comedy over the schmaltz with a subtlety of which he now seems incapable; the near romance between Shue and Coogan is played lightly and adorably. Look for brief appearances by art-house faves Lolita Davidovich as a college party girl and Vincent D'Onofrio as an unlikely savior. --Mark Englehart

Fear and Loathing in Las Vegas

The original cowriter and director of Fear and Loathing in Las Vegas was Alex Cox, whose earlier film Sid and Nancy suggests that Cox could have been a perfect match in filming Hunter S. Thompson's psychotropic masterpiece of "gonzo" journalism. Unfortunately Cox departed due to the usual "creative differences," and this ill-fated adaptation was thrust upon Terry Gilliam, whose formidable gifts as a visionary filmmaker were squandered on the seemingly unfilmable elements of Thompson's ether-fogged narrative. The result is a one-joke movie without the joke--an endless series of repetitive scenes involving rampant substance abuse and the hallucinogenic fallout of a road trip that's run crazily out of control. Johnny Depp plays Thompson's alter ego, "gonzo" journalist Raoul Duke, and Benicio Del Toro is his sidekick and so-called lawyer Dr. Gonzo. During the course of a trip to Las Vegas to cover a motorcycle race, they ingest a veritable chemistry set of drugs, and Gilliam does his best to show us the hallucinatory state of their zonked-out minds. This allows for some dazzling imagery and the rampant humor of stumbling buffoons, and the mumbling performances of Depp and Del Toro wholeheartedly embrace the tripped-out, paranoid lunacy of Thompson's celebrated book. But over two hours of this insanity tends to grate on the nerves--like being the only sober guest at a party full of drunken idiots. So while Gilliam's film may achieve some modest cult status over the years, it's only because Fear and Loathing is best enjoyed by those who are just as stoned as the characters in the movie. --Jeff Shannon

Napoleon Dynamite

A high school outcast throws caution to the wind to help his new friend get elected class president.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 2-AUG-2006
Media Type: DVD

As deadpan comedies go, Napoleon Dynamite stands in a class all its own. Played by John Heder, the title character is (in the words of critic Roger Ebert) "the kind of nerd other nerds avoid," a mouth-breathing dweeb with a mangy nest of orange hair, and ungainly features that suggest a perpetual state of half-conscious depression. He lives in Preston, Idaho (former home of 24-year-old director Jared Hess) with his thrill-seeking grandma and 32-year-old brother, and his days at high school consist mostly of being abused or ignored by indifferent classmates. Napoleon's sad-sack story doesn't offer the scathing, impassioned humor of Welcome to the Dollhouse because Hess (who cowrote the nearly plotless screenplay with his wife, Jerusha) doesn't have an angst-ridden axe to grind. Instead, the comedy (which exists in a tacky universe of worn-out rural suburbia) is so low-key that some will find it difficult to laugh, while others (i.e., those who feel superior to Napoleon) will have plenty of fun at Napoleon's expense. The result is a curiously uneven film, hilarious at times, but hampered by its own sense of affectionate mockery. An audience favorite at the Sundance film festival, Napoleon Dynamite may not be entirely lovable, but it's definitely unique. --Jeff Shannon

Harold & Kumar Go to White Castle (Unrated Extended Edition)

From the director of Dude, Where's My Car? comes another crazed tale of two friends on a perilous quest--in this case, to eat burgers at the fast food restaurant White Castle. The pair--repressed Harold (John Cho, Better Luck Tomorrow) and freewheeling Kumar (Kal Penn, Love Don't Cost a Thing)--get extremely high and set off on the road, only to be sidetracked by skateboarding hooligans, racist cops, an inbred tow truck driver, and Neil Patrick Harris--yes, Doogie Howser, M.D. The humor is all over the map, and it would be nice if there were one female character who wasn't a caricature, but Harold and Kumar Go to White Castle has a loose, gregarious charm, and the movie's canniness about the cliches of the buddy-movie genre give it a sneaky subversive feel--just the fact that neither of the heroes is white puts a different spin on just about every circumstance. Surprisingly clever, cheerfully stupid. --Bret Fetzer

In the year's funniest comedy, two guys on a quest to satisfy their cravings for burgers find themselves on a hilarious all-night adventure as they run into one screwy obstacle after another.

DVD Features:
Audio Commentary
DVD ROM Features
Deleted Scenes
Featurette
Interviews
Music Video
Other:Spansh Subtitles!

Planes, Trains and Automobiles

Given the presence of both Steve Martin and John Candy, one would expect this John Hughes comedy to be much, much funnier than it is. Certainly it's not for lack of effort on the part of its stars. Martin is an uptight businessman trying to get home from New York for the holidays. But one thing after another gets in his way--most of it having to do with Candy, a boorish but well-meaning boob who takes a liking to him. Together they travel all over the map; no matter how hard Martin tries to shake him, he can't. But Hughes's writing is never as sharp as it should be and this film winds up being only intermittently humorous. --Marshall Fine

No Description Available.
Genre: Feature Film-Comedy
Rating: R
Release Date: 8-JAN-2002
Media Type: DVD

Super Troopers

Always looking for action, five over-enthusiastic, but under-stimulated Vermont State Troopers raise hell on the highway, keeping motorists anxiously looking in their rear view mirrors. Between an ongoing feud with the local cops over whose you-know-what is bigger and the state government wanting to shut them down, the Super Troopers find themselves patrolling the boundaries of good taste as they hilariously and unwittingly skid towards solving the crime of their lives.

The Great Outdoors

This hit-and-miss 1988 comedy pairs John Candy and Dan Aykroyd in a story of one family's summer vacation all but ruined by the uninvited appearance of another, more loutish family. Howard Deutch (Some Kind of Wonderful) directs from a half-hearted John Hughes script, which reduces Hughes's jokes-and-epiphanies formula (The Breakfast Club, Home Alone) to true gaudiness. On the other hand, Annette Bening makes her screen debut here. The DVD release has a widescreen presentation, production notes, trailer, optional French soundtrack, and optional Spanish subtitles. --Tom Keogh

The 'Burbs

A suburbanite cancels his vacation trip to help keep watch on his creepy new neighbor. When a grouchy neighbor disappears the watch group descends on the suspect house.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 3-JUN-2003
Media Type: DVD

Ray Peterson (Tom Hanks) would like nothing better than to spend a quiet week's vacation in his suburban home, drinking beer and watching TV. But, spurred on by his two friends' spinning of boyish paranoid fantasies about their reclusive neighbors, the Klopeks, the usually down-to-earth Ray begins to suspect his idyllic neighborhood has been invaded by an evil force, to the point where he and his friends become psychotically nosey. You see where this is going, and you see it from a mile off. Only the general surface-thin plot is somewhat offset by director Joe Dante's fine sense of the absurd, and a host of engagingly played neighbor-types, namely Rick Ducommun as Ray's best friend who's always proposing bad ideas, and Bruce Dern as a sometimes wild-eyed ex-vet who'd love some action. Dante and crew seem to have a knack for keeping these broad characterizations light enough that you don't mind their superficiality. But the best jokes in this unprepossessing film come from composer Jerry Goldsmith's score; Bruce Dern's presence, for instance, is announced by the theme from Patton, and the boys' first approach to the Klopeks' for a meet-and-greet is buttressed by classic strains from Sergio Leone spaghetti Westerns. Kudos to the Klopeks, for their evil ways are ably embodied by Henry Gibson, Courtney Gains, and Brother Theodore. In particular, any suburb that finds it's inhabited by the likes of Brother Theodore is in dire need of new zoning laws. But Carrie Fisher's role as Ray's amiably long-suffering wife is thankless, and she deserves better. --Jim Gay