Small Town Life

Waking Ned Devine

When local wag Jackie O'Shea (Ian Bannen) discovers that one of his neighbors in the village of Tulaigh Mohr is a lottery winner he sees a chance to share in the wealth. Things get complicated when Jackie and his pal Michael O'Sullivan (David Kelly) discover that the winner, Ned Devine, died of shock at the very moment he learned of becoming a millionaire. Undaunted, Jackie and Michael dispose of the lucky stiff and hatch a plot to impersonate him and claim the prize. Soon the whole village is involved and the plot rapidly thickens.

This film has been compared to The Full Monty, but it lacks the vein of desperation that added depth to that film. Instead, Waking Ned Devine is closer in tone to classic British comedies like Whisky Galore!, with its cast of eccentrics gleefully conspiring to outwit the authorities. Those with a low tolerance for twinkly eyed Irish charm might be tempted to steer clear, although the movie is saved, for the most part, by its central performances. Bannen is superb as an old man who is clearly hungry for any excitement he can drum up and David Kelly is remarkable as his scrawny sidekick. Kelly has had a long career as a character actor in film and television, but here he has a chance to really let loose. His naked motorcycle ride is a marvelous set piece and in all of his other scenes his twitchy, perfectly timed performance quite simply steals the movie. --Simon Leake

When Ned Devine dies from shock after winning the lottery, two longtime friends, Micheal and Jackie, discover the body and agree Ned would want them to benefit from his good luck. They embark upon an outrageous scheme to claim the ticket but first they have to get all the townsfolk to go along with their plan!

Napoleon Dynamite

A high school outcast throws caution to the wind to help his new friend get elected class president.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 2-AUG-2006
Media Type: DVD

As deadpan comedies go, Napoleon Dynamite stands in a class all its own. Played by John Heder, the title character is (in the words of critic Roger Ebert) "the kind of nerd other nerds avoid," a mouth-breathing dweeb with a mangy nest of orange hair, and ungainly features that suggest a perpetual state of half-conscious depression. He lives in Preston, Idaho (former home of 24-year-old director Jared Hess) with his thrill-seeking grandma and 32-year-old brother, and his days at high school consist mostly of being abused or ignored by indifferent classmates. Napoleon's sad-sack story doesn't offer the scathing, impassioned humor of Welcome to the Dollhouse because Hess (who cowrote the nearly plotless screenplay with his wife, Jerusha) doesn't have an angst-ridden axe to grind. Instead, the comedy (which exists in a tacky universe of worn-out rural suburbia) is so low-key that some will find it difficult to laugh, while others (i.e., those who feel superior to Napoleon) will have plenty of fun at Napoleon's expense. The result is a curiously uneven film, hilarious at times, but hampered by its own sense of affectionate mockery. An audience favorite at the Sundance film festival, Napoleon Dynamite may not be entirely lovable, but it's definitely unique. --Jeff Shannon

Bye Bye Birdie

Lots of laughs and great songs have made this all-time favorite based on the hit Broadway show one of the most memorable musicals of all time. When rock star and teenage heart-throb Conrad Birdie gets drafted the nation's teenagers go haywire and Conrad's manager Albert (Dick Van Dyke) faces unemployment. So Albert and his girlfriend (Janet Leigh) organize a nationwide contest in which one lucky girl wins a farewell kiss from Conrad on the Ed Sullivan Show. Kim McAfee (Ann-Margret) turns outto be the lucky teenager and Conrad's whole entourage moves into her quiet Midwestern home much tothe chagrin of her ever irritable father (Paul Lynde) and her jealous boyfriend (Bobby Rydell). Theresult is chaos and a series of hilarious romantic complications.System Requirements:Running Time: 112 minutesFormat: DVD MOVIE Genre: COMEDY/CLASSICS Rating: NR UPC: 043396015098 Manufacturer No: 01509

When Elvis-like rock & roll star Conrad Birdie is drafted into the military, the teen nation is united by a contest in which the winner bestows a farewell kiss upon their idol while on the Ed Sullivan Show. Ann-Margret (in her film debut) is the lucky little lady from Sweet Apple, Ohio, who wins the contest, much to the chagrin of her steady beau (Bobby Rydell) and miserable parents (Paul Lynde and Mary LaRoche). Dick Van Dyke and Janet Leigh are an older couple kept from marrying by his meddlesome mother, played to the hilt by Maureen Stapleton. Lightweight but fun, this features an exuberant soundtrack with such memorable ditties as "Put on a Happy Face" and "Kids" and the title track. This is a much better choice than the lackluster, 1995 made-for-TV version. --Rochelle O'Gorman

In & Out

When a Hollywood heartthrob (Matt Dillon, playing a Brad Pitt look-alike) "outs" his small-town high-school drama teacher Howard Brackett (Kevin Kline) during the Oscar telecast, the entire (fictional) town of Greenleaf, Indiana, wonders if Howard's really gay. More to the point, Howard wonders, too--quite a dilemma considering his pending marriage to Emily (Joan Cusack), who's patiently tolerated a three-year engagement. While a TV reporter (Tom Selleck) covers the ensuing furor, screenwriter Paul Rudnick and director Frank Oz make good-natured humor their highest priority, turning the "crisis" of coming out into a laugh-out-loud spin on conventional romantic comedy. The result is a film that delivers constant laughs and a golden opportunity for its fine cast to show off their considerable comedic talents--especially Cusack, who deservedly earned an Oscar nomination for her hilarious performance as the bride who's almost as confused as her would-be husband. That Rudnick and Oz have made a great comedy that's both old-fashioned and relevant to the late 20th century is no small feat, but In & Out has no hidden agenda apart from its triumphant desire to entertain. --Jeff Shannon

High school teacher Howard Brackett is outed by former student during the Oscars and does his frantic best to assert his manliness.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 9-AUG-2005
Media Type: DVD

Doc Hollywood

At first glance, this 1991 comedy looks like another formulaic fluff-piece with a standard fish-out-of-water scenario--in this case a hotshot young doctor (Michael J. Fox) whose cross-country drive to become a Beverly Hills cosmetic surgeon is interrupted when he crashes in the rural hamlet of Grady, South Carolina. But as Fox's character is urged by the folksy locals to stay--an offer made tempting by his romance with a law student (Julie Warner)--this unassuming little movie just gets better and better thanks to a sharp script and a splendid supporting cast. Well, okay ... maybe Woody Harrelson and Bridget Fonda aren't used to the fullest of their abilities, but for the most part this is a charming and surprisingly intelligent comedy that's good enough to compare favorably to My Cousin Vinny, a film with which it shares much in common. Fox has all the right moves to make his character both bullish and ultimately agreeable, and Julie Warner's performance may leave you wondering why this fine actress didn't immediately rise to stardom. --Jeff Shannon

A brash young medical resident is driving across the country to begin a career in Beverly Hills as a cosmetic surgeon to the stars. But an accident of fate strands him in a small southern town. There, his outlook on life - and love - gets a down-home twist that changes him forever.

Waiting for Guffman

One of the funniest films in many a moon was hiding at art house theaters in 1998. Former Saturday Night Live comedian and Spinal Tap member Christopher Guest creates the ultimate parody of small-town dramatics, Waiting for Guffman. Corky St. Claire (Guest), an overwhelming drama director hiding out in Blaine, Missouri, thinks he has found the vehicle to put him back on Broadway: the city's 150th anniversary play, Red, White, and Blaine. As rehearsals start, we learn of the town's history ("the stool capital of the world") including a brush with a UFO. The mockumentary follows the various townsfolk wishing for stardom: Parker Posey as a Dairy Queen clerk, Catherine O'Hara and Fred Willard as stage-struck travel agents, Matthew Keeslar as the town's bad boy, and Eugene Levy (who cowrote the film with Guest) as a dentist who dreams of glory on the stage. The film is a hoot from beginning to end, and be sure to watch the closing credits. Fans of Guest's deft dry humor should not miss his other parody of the entertainment world, The Big Picture (Kevin Bacon as a student filmmaker who goes to Hollywood). --Doug Thomas

The Englishman Who Went Up a Hill But Came Down a Mountain

Comedy favorite Hugh Grant (BRIDGET JONES'S DIARY) stars as a young man who offends an entire town by declaring their mountain -- a prized landmark -- to be a "hill." But soon he finds the eccentric locals, led by a witty innkeeper (Colm Meaney -- STAR TREK: THE NEXT GENERATION) will stop at nothing to defend their honor! While the townspeople rally around their "mountain," a fiery young woman (Tara Fitzgerald -- SIRENS) charms the puzzled out-of-towner into seeing things their way! You'll be elevated by laughter as the hilarious townspeople rise to the occasion -- and the bewildered visitor stumbles into love when he least expects it!

Pleasantville (New Line Platinum Series)

Tobey Maguire (The Cider House Rules) and Reese Witherspoon (Election) star as two modern american teenagers who are sucked into their television set and end up living in a black-and-white fifties sitcom.Running Time: 134 min.System Requirements:Directed by Gary Ross Writing credits Gary Ross Cast overview: Tobey Maguire Jeff Daniels Joan Allen William H. Macy J.T. Walsh Reese Witherspoon Don Knotts Paul Walker (I) Marley Shelton Jane Kaczmarek Jason Behr Weston Blakesley Dawn Cody Jeanine Jackson Jenny Lewis (I) Erik MacArthur Jason Maves Justin Nimmo Marissa Ribisi Danny Strong ;Runtime: USA:124; Color: Black and White / Color (DeLuxe) Sound Mix: DTS / Dolby Digital / SDDS Format: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 794043472824

Fantastical writer Gary Ross (Big, Dave) makes an auspicious directorial debut with this inspired and oddly touching comedy about two '90s kids (Tobey Maguire and Reese Witherspoon) thrust into the black-and-white TV world of Pleasantville, a Leave It to Beaver-style sitcom complete with picket fences, corner malt shop, and warm chocolate chip cookies. When a somewhat unusual remote control (provided by repairman Don Knotts) transports them from the jaded real world to G-rated TV land, Maguire and Witherspoon are forced to play along as Bud and Mary Sue, the obedient children of George and Betty Parker (William H. Macy and Joan Allen). Maguire, an obsessive Pleasantville devotee, understands the need for not toppling the natural balance of things; Witherspoon, on the other hand, starts shaking the town up, most notably when she takes basketball stud Skip (Paul Walker) up to Lover's Lane for some modern-day fun and games. Soon enough, Pleasantville's teens are discovering sex along with--gasp!--rock & roll, free thinking, and soul-changing Technicolor. Filled with delightful and shrewd details about sitcom life (no toilets, no double beds, only two streets in the town), Pleasantville is a joy to watch, not only for its comedy but for the groundbreaking visual effects and astonishing production design as the town gradually transforms from crisp black and white to glorious color. Ross does tip his hand a bit about halfway through the film, obscuring the movie's basic message of the unpredictability of life with overloaded and obvious symbolism, as the black-and-white denizens of the town gang up on the "coloreds" and impose rules of conduct to keep their strait-laced town laced up. Still, the characterizations from the phenomenal cast--especially repressed housewife Allen and soda-shop owner Jeff Daniels, doing some of their best work ever--will keep you emotionally invested in the film's outcome, and waiting to see Pleasantville in all its final Technicolor glory. --Mark Englehart

The Dish

The Dish, a good-natured and effortlessly funny Australian drama-comedy directed by Rob Sitch (The Castle), is filled with warm-hearted characters and has a factual hook that's irresistibly inspiring. This cumulative goodwill springs forth from the rural town of Parkes in New South Wales, where a 1,000-ton radio observatory dish is recruited to relay telemetry, voice, and television signals from the historic Apollo 11 moon landing in July 1969. To make sure the dish delivers Neil Armstrong's "giant leap for mankind" to 600 million eager viewers, site director Cliff Buxton (Sam Neill, at his gentle best) relies on a three-man crew consisting of an American NASA watchdog (Patrick Warburton, resembling a bearish Clark Kent), a sarcastic engineer (Kevin Harrington), and a lovestruck math whiz (Tom Long) who's pining for the sister of the dish's rather dimly overzealous security guard (Taylor Kane).

Numerous other supporting characters add color to the proceedings, and crises arise (albeit briefly) when power outage, signal loss, and windstorms threaten to spoil Parkes's proudest hour. It all rates a bit high on the cuteness meter, but The Dish is so smoothly amusing that you won't object to its eagerness to please. By focusing on the Aussie locals, the film reminds us that the moon landing was an occasion of global unity, and pride in all humanity is reflected in the wondrous smiles of Cliff, his crew, and the citizens of Parkes. That they played such a small but pivotal role in this historical milestone is just one of many joys to be discovered in this delightful little movie. --Jeff Shannon

Groundhog Day (Special Edition)

Bill Murray does warmth in his most consistently effective post-Stripes comedy, a romantic fantasy about a wacky weatherman forced to relive one strange day over and over again, until he gets it right. Snowed in during a road-trip expedition to watch the famous groundhog encounter his shadow, Murray falls into a time warp that is never explained but pays off so richly that it doesn't need to be. The elaborate loop-the-loop plot structure cooked up by screenwriter Danny Rubin is crystal-clear every step of the way, but it's Murray's world-class reactive timing that makes the jokes explode, and we end up looking forward to each new variation. He squeezes all the available juice out of every scene. Without forcing the issue, he makes us understand why this fly-away personality responds so intensely to the radiant sanity of the TV producer played by Andie MacDowell. The blissfully clueless Chris Elliott (Cabin Boy) is Murray's nudnik cameraman. --David Chute

Do you ever have deja vu? Didn't you just ask me that? Bill Murray is at his wry, wisecracking bestin this riotous romantic comedy about a weatherman caught in a personal time warp on the worst day of his life. Teamed with a relentlessly cheerful producer (Andie MacDowell) and a smart-aleck cameraman (Chris Elliott), TV weatherman Phil Connors (Bill Murray) is sent to Punxsutawney, Pennsylvania,to cover the annual Groundhog Day festivities. But on his way out of town, Phil is caught in a giant blizzard, which he failed to predict, and finds himself stuck in small-town hell. Just when thingscouldn't get worse, they get worse; Phil wakes the next morning to find it's Groundhog Day all overagain... and again... and again.