Rob Reiner

This Is Spinal Tap (Special Edition)

Director Marty DiBergi (Rob Reiner) solemnly alerts us to the glory that was Spinal Tap in his introduction to this "rockumentary" about the legendary British heavy-metal group, featuring lead guitarist Nigel Tufnel (Christopher Guest), lead singer David St. Hubbins (Michael McKean), bassist Derek Smalls (Harry Shearer), and a succession of drummers whose careers were cut short by spontaneously combusting on their stool, drowning in somebody else's vomit, or otherwise perishing in untimely fashion. Under DiBergi's studious interrogation, the band and their familiars retrace the band's evolution from head-bopping Mersey Beat poseurs to head-banging metal poseurs, each change in musical direction or tonsorial chic having little effect on the surviving trio's sublime idiocy. For, as St. Hubbins (he's the "deep" one, relatively speaking) sagely observes, "It's such a fine line between stupid and clever."

Happily for us, director Reiner, who developed the underlying story line with Guest and former Credibility Gap pranksters McKean and Shearer, stays squarely on the right side of the line, even as his writer-actors remain hilariously trapped on the other side. In lieu of a formal shooting script, the quartet created an extensive and detailed band history ripe with the sort of dead-pan detail that hard-core rock historians and screwball aficionados will savor on countless replays; with the three Tap members also musicians themselves, the "band" developed its stage act under the unsuspecting noses of L.A. club denizens, who accepted them as just as loud, flashy, sexist, and obvious as any other mullet-tressed, leather-garbed brigade of guitar slingers, circa 1984. The resulting footage thus manages to lob its punch lines and build its characters (including some thinly veiled character assassinations of various industry folks) with a loose, tossed-away verve rooted in the improvisational approach. This Is Spinal Tap remains the funniest, and most truthful, look at rock culture ever filmed and a personal best for all involved. --Sam Sutherland

You're about to get personal with one of music history's greatest and loudest heavy metal bands, Spinal Tap! Whether or not you're a die-hard fan of the group, you'll love this detailed "rockumentary" of Engand's legendary Spinal Tap. Acclaimed commercial director Marty DiBergi takes you behind the scenes for an intimate look at a band whose time has come and gone and come again and.... Through interviews, rare footage and lots of musicincluding classic Tap tunes like "Big Bottom" and "Hell Hole"you'll get acquainted with David St. Hubbins (lead guitar), Nigel Tufnel (lead guitar), Derek Smalls (lead bass) and every drummer who ever livedand diedfor this renowned rock band. Be a part of the sights, sounds and smells of this celebrated heavy metal phenomenon. It's an experience you'll never forget.

The American President

The world's most powerful man has met his match! Michael Douglas is the widower President wooing environmental lobbyist Annette Bening in this romantic hit by Rob Reiner.Running Time: 115 min.System Requirements:Starring: Michael Douglas Anette Bening Martin Sheen Michael J. Fox Anna Deavere Smith Samantha Mathis Shawna Waldron and David Paymer. Directed By: Rob Reiner Running Time: 115 Min. Color. This film is presented in "Widescreen" format. Copyright 1999 Warner Home Video.Format: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 053939255027

What sounds like the high-concept romantic comedy pitch from hell--widower president falls for smart lobbyist while the world watches--is actually intelligent, charming, touching, and quite funny. Granted, it's wish fulfillment all the way (when was the last time you saw a president who was truly presidential?), but in the capable hands of writer Aaron Sorkin (TV's Sports Night) and director Rob Reiner, The American President is incredibly enjoyable entertainment with quite a few ideas about both romance and the government. Michael Douglas stars as the president, who after three years in office starts thinking about the possibility of dating. When he auspiciously encounters cutthroat environmental lobbyist Sydney Ellen Wade (Annette Bening), sparks begin to crackle and the two begin a tentative but heartfelt romance. Of course, his job gets in the way--their first kiss is interrupted by a Libyan bombing--but darn it if these two kids aren't going to try and make it work! However, they hadn't counted on the president's Republican antagonist (Richard Dreyfuss), who starts carping about family values. The predictable plot--Douglas finally goes to bat for his lady and his country--is leavened by Sorkin's wonderful, snappy dialogue and a light touch from the usually subtle-as-a-sledgehammer Reiner. Both manage to create a believable White House-office atmosphere (with a crack staff including Martin Sheen, Michael J. Fox, Anna Deavere Smith, and Samantha Mathis) as well as a plausible and funny dating scenario. The true success of the movie, though, rides squarely on Douglas and Bening; this is unequivocally Douglas's best comedic performance (ergo his best performance, period) and Bening, usually such a good bad girl, takes a standard career-woman role and fleshes it out magnificently. You can see in an instant why Douglas would fall for her. One of the best unsung romantic comedies of the '90s. --Mark Englehart

When Harry Met Sally...

Nora Ephron wrote the brisk screenplay for this 1989 romantic comedy, director Rob Reiner made a nicely glossy New York story (very much in a Woody Allen vein) out of it, and Billy Crystal's unstoppable charm made it something really special. Crystal and Meg Ryan play longtime platonic friends who keep dancing around their deeper feelings for one another, and Bruno Kirby and Carrie Fisher are their respective pals who fall in love and get married. Ryan doesn't get a lot of funny material, but her performance is typically alive and intuitive, and she more than holds her own with Crystal's comic motor mouth and sweet sentimentality. Reiner is on comfortable ground, liberated from the burden of making serious statements in the lead-footed manner of subsequent features. --Tom Keogh

On the DVD
The Collector's Edition offers seven new featurettes (the previous Special Edition only had one documentary), beginning with a sit-down between director Rob Reiner and writer Nora Ephron waxing nostalgic on how the movie originated: He, recently divorced from Penny Marshall, was a miserable single man, while she was the screenwriter who rejected his initial pitch over lunch ("It was a shame," she remembers, "because we hadn't even eaten yet."). It's easy to see that Reiner is clearly Harry, and Ephron is clearly Sally: He's the squawking chatterbox and she's constantly corrects his memory (Sally's meticulous method of ordering food is also a direct rip-off of Ephron herself). Other featurettes show Billy Crystal's attempts to play Harry (or Reiner, as it were); location filming in New York; the love stories that served as interludes between scenes (again, the counselors-at-camp story is from Ephron's parents); the significance of the film over time; and more discussion on the film's famous question: "Can men and women really be friends?" Most of the stories from the featurettes are recycled in the new film commentary by Reiner, Ephron, and Crystal (Reiner mentions that the "I'll have what she's having" line, spoken by his mother, is in the top 10 of AFI's top 100 movie lines no less than five times overall), but the inclusion of Crystal, who contributed many improvised lines in the movie, makes for a nice easygoing repartee. Fans may be interested to know that Reiner originally thought Harry and Sally shouldn't get together, until he himself fell in love with his future wife on the set, but the most hilarious tidbit involves Reiner storming the production offices and polling all the women on whether or not they "fake it" because didn't believe that really happened. Seven deleted scenes--which were also included in the previous version--and original theatrical trailer round out the set, but Harry Connick Jr.'s "It Had to Be You" music video is missing. Still, the special features are a great look into a romantic comedy that clearly remains a meaningful experience for cast, crew, and audience alike. --Ellen A. Kim

"Brimming over with style, intelligence and flashing wit" (Rolling Stone), this "splendid and irresistible" (Los Angeles Times) film from director Rob Reiner(American President is one of the best-loved romantic comedies of all time. Featuring dazzling performances from Meg Ryan, Billy Crystal, Carrie Fisher and Bruno Kirby, exceptional music from Harry Connick Jr., and an OscarÂ(r)-nominated* screenplay by Nora Ephron, When Harry Met Sally is an "explosively funny" commentary on friendship, courtships - and other hardships - of the modern age (Newsweek)! Will sex ruin a perfect relationship between a man and a woman? that's what Harry (Crystal) and Sally (Ryan) debate during their travels from Chicago to New York. And eleven years and later, they're still no closer to finding the answer. Will these two best friends ever accept that they're meant for each other...or will they continue to deny the attraction that's existed since the first moment When Harry Met Sally? *1989

This Is Spinal Tap - Criterion Collection

Director Marty DiBergi (Rob Reiner) solemnly alerts us to the glory that was Spinal Tap in his introduction to this "rockumentary" about the legendary British heavy-metal group, featuring lead guitarist Nigel Tufnel (Christopher Guest), lead singer David St. Hubbins (Michael McKean), bassist Derek Smalls (Harry Shearer), and a succession of drummers whose careers were cut short by spontaneously combusting on their stool, drowning in somebody else's vomit, or otherwise perishing in untimely fashion. Under DiBergi's studious interrogation, the band and their familiars retrace the band's evolution from head-bopping Mersey Beat poseurs to head-banging metal poseurs, each change in musical direction or tonsorial chic having little effect on the surviving trio's sublime idiocy. For, as St. Hubbins (he's the "deep" one, relatively speaking) sagely observes, "It's such a fine line between stupid and clever."

Happily for us, director Reiner, who developed the underlying story line with Guest and former Credibility Gap pranksters McKean and Shearer, stays squarely on the right side of the line, even as his writer-actors remain hilariously trapped on the other side. In lieu of a formal shooting script, the quartet created an extensive and detailed band history ripe with the sort of dead-pan detail that hard-core rock historians and screwball aficionados will savor on countless replays; with the three Tap members also musicians themselves, the "band" developed its stage act under the unsuspecting noses of L.A. club denizens, who accepted them as just as loud, flashy, sexist, and obvious as any other mullet-tressed, leather-garbed brigade of guitar slingers, circa 1984. The resulting footage thus manages to lob its punch lines and build its characters (including some thinly veiled character assassinations of various industry folks) with a loose, tossed-away verve rooted in the improvisational approach. This Is Spinal Tap remains the funniest, and most truthful, look at rock culture ever filmed and a personal best for all involved. --Sam Sutherland

Rob Reiner's directorial debut has developed into a cult phenomenon. The film that invented the "rockumentary" has now outlasted most of the bands it mocked. Following the ill-fated American comeback tour of an aging heavy metal group, this film has joined the ranks of the greatest comedies ever made.

When Harry Met Sally

Nora Ephron wrote the brisk screenplay for this 1989 romantic comedy, director Rob Reiner made a nicely glossy New York story (very much in a Woody Allen vein) out of it, and Billy Crystal's unstoppable charm made it something really special. Crystal and Meg Ryan play longtime platonic friends who keep dancing around their deeper feelings for one another, and Bruno Kirby and Carrie Fisher are their respective pals who fall in love and get married. Ryan doesn't get a lot of funny material, but her performance is typically alive and intuitive, and she more than holds her own with Crystal's comic motor mouth and sweet sentimentality. Reiner is on comfortable ground, liberated from the burden of making serious statements in the lead-footed manner of subsequent features. --Tom Keogh

On the DVD
The Collector's Edition offers seven new featurettes (the previous Special Edition only had one documentary), beginning with a sit-down between director Rob Reiner and writer Nora Ephron waxing nostalgic on how the movie originated: He, recently divorced from Penny Marshall, was a miserable single man, while she was the screenwriter who rejected his initial pitch over lunch ("It was a shame," she remembers, "because we hadn't even eaten yet."). It's easy to see that Reiner is clearly Harry, and Ephron is clearly Sally: He's the squawking chatterbox and she's constantly corrects his memory (Sally's meticulous method of ordering food is also a direct rip-off of Ephron herself). Other featurettes show Billy Crystal's attempts to play Harry (or Reiner, as it were); location filming in New York; the love stories that served as interludes between scenes (again, the counselors-at-camp story is from Ephron's parents); the significance of the film over time; and more discussion on the film's famous question: "Can men and women really be friends?" Most of the stories from the featurettes are recycled in the new film commentary by Reiner, Ephron, and Crystal (Reiner mentions that the "I'll have what she's having" line, spoken by his mother, is in the top 10 of AFI's top 100 movie lines no less than five times overall), but the inclusion of Crystal, who contributed many improvised lines in the movie, makes for a nice easygoing repartee. Fans may be interested to know that Reiner originally thought Harry and Sally shouldn't get together, until he himself fell in love with his future wife on the set, but the most hilarious tidbit involves Reiner storming the production offices and polling all the women on whether or not they "fake it" because didn't believe that really happened. Seven deleted scenes--which were also included in the previous version--and original theatrical trailer round out the set, but Harry Connick Jr.'s "It Had to Be You" music video is missing. Still, the special features are a great look into a romantic comedy that clearly remains a meaningful experience for cast, crew, and audience alike. --Ellen A. Kim

The Sure Thing

Two mismatched college students (John Cusack and Daphne Zuniga) find themselves trapped together during a cross-country road trip, trying to make it home for the holidays. She can't stand him, and he just wants to get to L.A., where a sexy "sure thing" is waiting to greet him with open arms. It's not hard to predict where this sweetly old-fashioned romantic comedy is going to end up, but along the way there are many pleasures to be had. Director Rob Reiner, in his second feature (after This Is Spinal Tap), has a nice eye for the kitschy flotsam found along the American highway, and his identification with the college kids doesn't condescend to them one bit. The movie helped make a star of John Cusack, who gives a delightfully spritzy performance--kind of a precursor to his similarly energetic, likable turn in Say Anything. Given the usual crass tenor of Hollywood college movies, The Sure Thing is something to treasure. --Robert Horton