Hugh Grant

Sense & Sensibility (Special Edition)

Emma Thompson scores a double bull's-eye with this marvelous adaptation of Jane Austen's novel. Not only does Thompson turn in a strong (and gently humorous) performance as one of the Dashwood sisters--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister. Winslet attracts the wooing of shy Alan Rickman (a nice change of pace from his bad-guy roles) and dashing Greg Wise, while Thompson must endure an incredibly roundabout courtship with Hugh Grant, here in fine and funny form. All of this is doled out with the usual eye-filling English countryside and handsome costumes, yet the film always seems to be about the careful interior lives of its characters. The director, an inspired choice, is Taiwan-born Ang Lee, who brings the same exquisite taste and discreet touch he displayed in his previous Asian films (such as Eat Drink Man Woman). Thompson's script won an Oscar, and 1995 was a fine year for Jane Austen all around: Persuasion was made into an excellent picture, and Emma became the spritzy high school comedy Clueless. --Robert Horton

Emma Thompson Alan Rickman Kate Winslet and Hugh Grant star in this captivating romantic comedy that swept the Ten Best lists and won the Golden Globe Award as Best Picture of the Year (Drama).Based on Jane Austen's classic novel Sense And Sensibility tells of the Dashwood sisters sensible Elinor (Thompson) and passionate Marianne (Winslet) whose chances at marriage seem doomed by their family's sudden loss of fortune. Rickman Grant and Greg Wise co-star as the well-intentioned suitors who are trapped by the strict rules of society and the conflicting laws of desire.Bonus Features: Interactive Menus 2 Audio Commentaries: - Emma Thompson Producer Lindsay Dorin - Director Ang Lee Co-producer James Schamus Deleted scenes Emma Thompson's Golden Globe acceptance speech Original Theatrical Trailer Bonus Trailers Production Notes Scene SelectionsSystem Requirements:Starring: Emma Thompson Kate Winslet Hugh Grant Gemma Jones and Alan Rickman. Directed By: Ang Lee. Running Time: 136 Min. Color. This film is presented in "Widescreen" format. Copyright 2002 Columbia TriStar.Format: DVD MOVIE Genre: DRAMA Rating: PG UPC: 043396115996 Manufacturer No: 11599

Love Actually (Widescreen Edition)

With no fewer than eight couples vying for our attention, Love Actually is like the Boston Marathon of romantic comedies, and everybody wins. Having mastered the genre as the writer of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time director Richard Curtis is just like his screenplays: He just wants to be loved, and he'll go to absurdly appealing lengths to win our affection. With Love Actually, Curtis orchestrates a minor miracle of romantic choreography, guiding a brilliant cast of stars and newcomers as they careen toward love and holiday cheer in London, among them the Prime Minister (Hugh Grant) who's smitten with his caterer; a widower (Liam Neeson) whose young son nurses the ultimate schoolboy crush; a writer (Colin Firth) who falls for his Portuguese housekeeper; a devoted wife and mother (Emma Thompson) coping with her potentially unfaithful husband (Alan Rickman); and a lovelorn American (Laura Linney) who's desperately attracted to a colleague. There's more--too much more--as Curtis wraps his Christmas gift with enough happy endings to sweeten a dozen other movies. That he pulls it off so entertainingly is undeniably impressive; that he does it so shamelessly suggests that his writing fares better with other, less ingratiating directors. --Jeff Shannon

"Get ready for fun!" (Leah Rozen, People) with the "feel good movie of the year!" (Clay Smith, Access Hollywood) Love Actually is the ultimate romantic comedy from the makers of Bridget Jones's Diary and Notting Hill. Funny, irresistible and heartwarming, an all-star cast (Hugh Grant, Liam Neeson, Colin Firth and Emma Thompson, to name a few!) will take you on a breathtaking tour of love's delightful twists and turns. Fall under the spell of Love Actually and share the laughs and charm again and again.

Notting Hill (Collector's Edition)

They don't really make many romantic comedies like Notting Hill anymore--blissfully romantic, sincerely sweet, and not grounded in any reality whatsoever. Pure fairy tale, and with a huge debt to Roman Holiday, Notting Hill ponders what would happen if a beautiful, world-famous person were to suddenly drop into your life unannounced and promptly fall in love with you. That's the crux of the situation for William Thacker (Hugh Grant), who owns a travel bookshop in London's fashionable Notting Hill district. Hopelessly ordinary (well, as ordinary as you can be when you're Hugh Grant), William is going about his life when renowned movie star Anna Scott (Julia Roberts) walks into his bookstore and into his heart. After another contrived meet-cute involving spilled orange juice, William and Anna share a spontaneous kiss (big suspension of disbelief required here), and soon both are smitten. The question is, of course, can William and Anna reconcile his decidedly commonplace bookseller existence and her lifestyle as a jet-setting, paparazzi-stalked celebrity? (Take a wild guess at the answer.) Smartly scripted by Richard Curtis (Four Weddings and a Funeral) and directed by Roger Michell (Persuasion), Notting Hill is hardly realistic, but as wish fulfillment and a romantic comedy, it's irresistible. True, Roberts doesn't really have to stretch very far to play a big-time actress who makes $15 million per movie, but she's more winning and relaxed than she's been in years, and Grant is sweetly understated as a man blindsided by love. Together, in moments of quiet, they're a charming couple, and you can feel her craving for real love and his awe and amazement at the wonderful person for whom he has fallen. The only blight on the film is its overbearing pop soundtrack, though Elvis Costello's heart-wrenching version of "She" gets poignant exposure. With Rhys Ifans as Grant's scene-stealing, slovenly housemate and Alec Baldwin in a sly, perfectly cast cameo. --Mark Englehart

They don't really make many romantic comedies like Notting Hill anymore--blissfully romantic, sincerely sweet, and not grounded in any reality whatsoever. Pure fairy tale, and with a huge debt to Roman Holiday, Notting Hill ponders what would happen if a beautiful, world-famous person were to suddenly drop into your life unannounced and promptly fall in love with you. That's the crux of the situation for William Thacker (Hugh Grant), who owns a travel bookshop in London's fashionable Notting Hill district. Hopelessly ordinary (well, as ordinary as you can be when you're Hugh Grant), William is going about his life when renowned movie star Anna Scott (Julia Roberts) walks into his bookstore and into his heart. After another contrived meet-cute involving spilled orange juice, William and Anna share a spontaneous kiss (big suspension of disbelief required here), and soon both are smitten. The question is, of course, can William and Anna reconcile his decidedly commonplace bookseller existence and her lifestyle as a jet-setting, paparazzi-stalked celebrity? (Take a wild guess at the answer.) Smartly scripted by Richard Curtis (Four Weddings and a Funeral) and directed by Roger Michell (Persuasion), Notting Hill is hardly realistic, but as wish fulfillment and a romantic comedy, it's irresistible. True, Roberts doesn't really have to stretch very far to play a big-time actress who makes $15 million per movie, but she's more winning and relaxed than she's been in years, and Grant is sweetly understated as a man blindsided by love. Together, in moments of quiet, they're a charming couple, and you can feel her craving for real love and his awe and amazement at the wonderful person for whom he has fallen. The only blight on the film is its overbearing pop soundtrack, though Elvis Costello's heart-wrenching version of "She" gets poignant exposure. With Rhys Ifans as Grant's scene-stealing, slovenly housemate and Alec Baldwin in a sly, perfectly cast cameo. --Mark Englehart

Anna Scott (Julia Roberts) is the world's most famous movie star. William Thacker (Hugh grant) owns a travel bookstore in the quaint neighborhood of Notting Hill. When their paths cross, the couple comes to face the ultimate question: can two people fall in love with the whole world watching?

Bridget Jones's Diary (Collector's Edition)

Featuring a blowzy, winningly inept size-12 heroine, Bridget Jones's Diary is a fetching adaptation of Helen Fielding's runaway bestseller, grittier than Ally McBeal but sweeter than Sex and the City. The normally sylphlike Renée Zellweger (Nurse Betty, Me, Myself and Irene) wolfed pasta to gain poundage to play "singleton" Bridget, a London-based publicist who divides her free time between binge eating in front of the TV, downing Chardonnay with her friends, and updating the diary in which she records her negligible weight fluctuations and romantic misadventures of the year. Things start off badly at Christmas when her mother tries to set her up with seemingly standoffish lawyer Mark Darcy (Colin Firth), whom Bridget accidentally overhears dissing her. Instead she embarks on a disastrous liaison with her raffish boss, Daniel Cleaver (Hugh Grant, infinitely more likeable when he's playing a baddie instead of his patented tongue-tied fops). Eventually, Bridget comes to wonder if she's let her pride prejudice her against the surprisingly attractive Mr. Darcy.

If the plot sounds familiar, that's because Fielding's novel was itself a retelling of Jane Austen's Pride and Prejudice, whose romantic male lead is also named Mr. Darcy. An extra ironic poke in the ribs is added by the casting of Firth, who played Austen's haughty hero in the acclaimed BBC adaptation of Austen's novel. First-time director Sharon Maguire directs with confident comic zest, while Zellweger twinkles charmingly, fearlessly baring her cellulite and pulling off a spot-on English accent. Like Four Weddings and a Funeral and Notting Hill (both of which were written by this film's coscreenwriter, Richard Curtis), Bridget Jones's stock-in-trade is a very English self-deprecating sense of humor, a mild suspicion of Americans (especially if they're thin and successful), and a subtly expressed analysis of thirtysomething fears about growing up and becoming a "smug married." The whole is, as Bridget would say, v. good. --Leslie Felperin

Bridget, a single career woman, is torn between her disreputable boss, Daniel Cleaver, and Mark Darcy, a disagreeable, but attractive acquaintance.
Genre: Feature Film-Comedy
Rating: R
Release Date: 9-NOV-2004
Media Type: DVD

Music and Lyrics (Widescreen Edition)

Music and Lyrics is frothy and sweet, like the top of a perfect cappuccino shared a deux. Hugh Grant is a self-professed "happy has-been," playing his befuddled, adorable persona more spot-on than he has since Four Weddings and a Funeral. As Alex, former member of an '80s pop band who years later is playing at water parks and high school reunions, he's settled into a life of lesser expectations. Drew Barrymore, quietly radiant, is Sophie, the underachieving girl Friday who arrives to water--make that overwater--Alex's plants--and to explode him out of that comfy rut. If the plot's a bit farfetched, it matters not, since the two lead characters are so likable--and make such beautiful music together. Big bonus: the supportive role of Kristen Johnston as Rhonda, Sophie's older sis (and longtime Alex fan) whose hilarious performance threatens to steal the show whenever she's onscreen. (The owner of a chain of successful weight-loss centers, Rhonda tries to comfort a rattled Sophie: "Want to do some stress eating?") The film also marks the remarkable debut of Haley Bennett, who plays a pop star of Britney/Cristina proportions with deadpan sincerity radiating through her skimpy outfits and mega-extensions. As Alex and Sophie work on crafting musical magic, something else is taking hold. It's music to the ears of anyone needing a sweet romantic comedy that hits all the right notes. --A.T. Hurley

A has-been singer is asked to write and record a duet with a popular teen singer to reignite his career, having never written lyrics before he turns to a woman who has a way with words.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 4-SEP-2007
Media Type: DVD

Bridget Jones - The Edge of Reason (Widescreen Edition)

Although it's been three years since we last saw Bridget (Renée Zellweger), only a few weeks have passed in her world. She is, as you'll remember, no longer a "singleton," having snagged stuffy but gallant Mark Darcy (Colin Firth) at the end of the 2001 film. Now she's fallen deeply in love and out of her neurotic mind with paranoia: Is Mark cheating on her with that slim, bright young thing from the law office? Will the reappearance of dashing cad Daniel Cleaver (Hugh Grant) further spell the end of her self-confidence when they're shoved off to Thailand together for a TV travel story? If such questions also seem pressing to you, this sequel will be fairly painless, but you shouldn't expect anything fresh. Director Beeban Kidron and her screenwriters--all four of them!--are content to sink matters into slapstick, with chunky Zellweger (who's unflatteringly photographed) the literal butt of all jokes. Though the star still has her charms, and some of Bridget's social gaffes are amusing, the film is mired in low comedy--a sequence in a Thai women's prison is more offensive than outrageous--with only Grant's rakish mischief to pull it out of the swamp. --Steve Wiecking

Renee Zellweger is back as everyone's favorite witty heroine in Bridget Jones: The Edge of Reason. Not that Bridget's counting, but it's been six wonderful weeks, four fabulous days, and seven precious hours with one flawless boyfriend, Mark Darcy (Colin Firth). But when mischievous and devilishly charming Daniel Cleaver (Hugh Grant) arrives on the scene claiming to be a reformed man, can Bridget find a way to make true love last forever? It's the "absolutely hilarious" (Jim Ferguson, ABC-TV) romantic comedy that proves there's nothing like love to send you over the edge.

Two Weeks Notice (Widescreen Edition)

You'd expect a cavalcade of cuteness from any pairing of Sandra Bullock and Hugh Grant, but Two Weeks Notice admirably avoids the obvious. You get plenty of Bullock's pratfalls and feisty sex appeal, and Grant's snappy comebacks are never in short supply, but first-time writer-director Marc Lawrence (who wrote Bullock's previous hit, Miss Congeniality) adds just enough antagonism to keep this romantic comedy from being a completely foregone conclusion. Neurotic lawyer, environmentalist, and landmark-preservation activist Lucy Kelson (Bullock) is determined to thwart the efforts of billionaire developer and jet-setting playboy George Wade (Grant); of course, fate brings them together and then rips them apart, just as they're beginning to feel the panicky pangs of love. A replacement attorney (Alicia Witt) defies formula by being genuinely sweet, and Lawrence steers clear of the most familiar clichés. It's formulaic anyway, but in Two Weeks Notice it's a comforting formula, delivered by stars who thrive within their limitations. --Jeff Shannon

Opposites don't just attract - they hilariously banter fuss feud and collide when SANDRA BULLOCK plays an activist lawyer and HUGH GRANT is the eccentric tycoon who hires her in this romantic-comedy romp from the writer of Miss CongenialityRunning Time: 102 min.Format: DVD MOVIE Genre: COMEDY UPC: 085392341825 Manufacturer No: 23418

Four Weddings and a Funeral (Deluxe Edition)

A surprise hit and one of the highest grossing films ever to come out of Great Britain, this effortlessly enchanting romantic comedy finds confirmed bachelor Hugh Grant (Nine Months) attending weddings with his single friends as they all lament not being able to commit. Grant keeps running into an attractive American (Andie MacDowell) at these festivities and begins a long-running affair with her, even as he attends her own wedding, the funeral of one of his best friends, and his own pending nuptials. Featuring a spirited supporting cast including Kristin Scott Thomas (The English Patient) as the acerbic friend quietly in love with Grant, this touching and funny film with a mischievous sense of humor and some truly heartbreaking moments is destined to become one of the classic romantic comedies of all time. --Robert Lane

The champagne is flowingand so is the funin this "delightful and sly" (Roger Ebert) romantic comedy about two people who belong together but just can't seem to tie the knot. Ushering in two Academy AwardÂ(r) nominations*, and starring Hugh Grant (Notting Hill), Andie MacDowell (Michael) and a superb ensemble cast that includes OscarÂ(r) nominee** Kristin Scott Thomas, Four Weddings and a Funeral is truly "a very special occasion" (Rolling Stone)! Charlie (Grant) is always the best man but never the groom. Determined to avoid even a hint of commitment, this handsome English gentleman is notoriously late to every wedding. But today he's in for a real surprise because not only did he forget the ring...but he also just caught a glimpse of the girl of his dreams (MacDowell)! "Elegant, festive and very, very funny" (The New York Times), Four Weddings and a Funeral is engaging entertainment from beginning to end. *1994: Best Picture, Original Screenplay **1996: Actress, The English Patient

Love Actually (Full Screen Edition)

With no fewer than eight couples vying for our attention, Love Actually is like the Boston Marathon of romantic comedies, and everybody wins. Having mastered the genre as the writer of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time director Richard Curtis is just like his screenplays: He just wants to be loved, and he'll go to absurdly appealing lengths to win our affection. With Love Actually, Curtis orchestrates a minor miracle of romantic choreography, guiding a brilliant cast of stars and newcomers as they careen toward love and holiday cheer in London, among them the Prime Minister (Hugh Grant) who's smitten with his caterer; a widower (Liam Neeson) whose young son nurses the ultimate schoolboy crush; a writer (Colin Firth) who falls for his Portuguese housekeeper; a devoted wife and mother (Emma Thompson) coping with her potentially unfaithful husband (Alan Rickman); and a lovelorn American (Laura Linney) who's desperately attracted to a colleague. There's more--too much more--as Curtis wraps his Christmas gift with enough happy endings to sweeten a dozen other movies. That he pulls it off so entertainingly is undeniably impressive; that he does it so shamelessly suggests that his writing fares better with other, less ingratiating directors. --Jeff Shannon

"Get ready for fun!" (Leah Rozen, People) with the "feel good movie of the year!" (Clay Smith, Access Hollywood) Love Actually is the ultimate romantic comedy from the makers of Bridget Jones's Diary and Notting Hill. Funny, irresistible and heartwarming, an all-star cast (Hugh Grant, Liam Neeson, Colin Firth and Emma Thompson, to name a few!) will take you on a breathtaking tour of love's delightful twists and turns. Fall under the spell of Love Actually and share the laughs and charm again and again.

About a Boy (Widescreen Edition)

A box-office smash in England, About a Boy went on to charm the world as another fine adaptation (following High Fidelity) of a popular Nick Hornby novel. While High Fidelity transplanted its London charm to Chicago, this irresistible comedy was directed by Americans Chris and Paul Weitz (American Pie) with its British pedigree intact. Better yet, Hugh Grant is perfectly cast as Will, a self-absorbed trust-fund slacker who tries to improve his romantic odds by preying on desperate single mothers. His cynical strategy backfires when he recruits the misfit son (Nicholas Hoult) of a suicidal mother (Toni Collette) to pose as his own son, thus proving his parental prowess to his latest single-mom target (Rachel Weisz). The kid has a warming effect on this ultimate cad, and what could have been a sappy tearjerker turns into a subtle, frequently hilarious portrait of familial quirks and elevated self-esteem. From start to finish, it's a genuine treat. --Jeff Shannon