Lily Tomlin

Big Business

Two sets of identical twins, separated at birth and reared in drastically different environments, are reunited in the big city of Manhattan, for a series of comedic mishaps.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 13-JAN-2004
Media Type: DVD

Disney's The Kid

Russ Duritz (Bruce Willis) is an ultracynical, 40-year-old L.A. image consultant who fashions bogus façades for scumbag clients. Oblivious to his own need for a makeover, he's a tyrant in the office (to the chagrin of his sarcastic assistant, played to perfection by Lily Tomlin), and he's emotionally unavailable to the morally centered woman (Emily Mortimer) who senses goodness beneath Russ's hardened veneer. Not a moment too soon, a pudgy kid (Spencer Breslin) mysteriously appears in Russ's life, revealing himself to be Rusty Duritz--that is, Russ's 8-year-old self, arriving by some magic to put the adult Russ's life into beneficial perspective. This variation on A Christmas Carol has Rusty guiding Russ on a tour of his past to reveal how he became a loveless, hard-shelled loser. It takes a bit of smarmy chicken-soup psychology to explain it all, but The Kid is an otherwise charming and involving fantasy, suggesting that perhaps we'd all benefit from a bit of counseling by our younger selves. Written with admirable restraint by Audrey Wells (who brought a similar appeal to The Truth About Cats and Dogs) and directed by Jon Turteltaub (Cool Runnings), the movie doesn't force its supernatural elements or attempt to explain Rusty's existence. It's just a fable for our modern age and a reminder to embrace the better angels of our nature. Delivered with an easy blend of humor and sentiment, that message makes The Kid an unexpected pleasure. (Look closely for Matthew Perry as Willis's shaggy-haired client.) --Jeff Shannon

International superstar Bruce Willis (UNBREAKABLE, THE SIXTH SENSE), along with Lily Tomlin (9 TO 5, TEA WITH MUSSOLINI), Emily Mortimer (SCREAM 3, NOTTING HILL), and newcomer Spencer Breslin star in the hilarious and heartwarming comedy DISNEY'S THE KID. Successful, high-powered Russ Duritz (Willis) has spent all of his incredibly empty life forgetting the child he used to be -- until one day, he meets him face-to-face! Thinking this kid is a hallucination, Russ does everything he can to make him go away. But 8-year-old Rusty (Breslin), who's anything but happy that he grows up to be a loser without real meaning in his life, can't leave -- at least not yet. At once funny and charming, DISNEY'S THE KID is a magical comedy that's filled with adult-sized laughs.

Tea With Mussolini

In filming this semi-autobiographical account of life in Italy during the dawn of World War II, director Franco Zeffirelli imbues Tea with Mussolini with the mixed blessings of fond reminiscence. It's a warmly inviting film, as impeccable as any Merchant-Ivory production, but like a hazy memory it's uncertain in its narrative intentions. And yet with an exceptional cast to compensate, the film's as engaging as it is inconsequential.

Zeffirelli's alter ego is Luca (Charlie Lucas in youth; Baird Wallace as a teenager), who is raised in Florence by Mary (Joan Plowright), the middle-aged secretary of his absentee father. Luca lives among a loose band of British and American women, nicknamed "Il Scorpioni" for their stinging wit in the shadows of Mussolini's thuggish dictatorship. Along with Mary there's Hester (Maggie Smith), a crusty ambassador's widow; Arabella (Judi Dench), a lively bohemian; lesbian archaeologist Georgie (Lily Tomlin); and Elsa (Cher), a flamboyant American who quietly finances Luca's education.

Il Scorpioni witness the rise of fascism and the dangers of resistance, weathering dictatorial custody and (in Elsa's case) falling prey to heartbreaking betrayal. But Tea with Mussolini carries little dramatic weight; you have to forgive its unfocused structure to appreciate its merits. Zeffirelli gently conveys the passage from pleasantry to wartime, and he's drawn uniformly fine performances from this seasoned cast. If the film is vaguely unsatisfying, it's only because it had the makings of greatness and settles instead for an ethereal quality of anecdotal enchantment. --Jeff Shannon

Florence, Italy, on the brink of WWII: it was a time of social unrest and, of course...afternoon tea. Join OscarÂ(r) winner* Cher and an incredible cast of leading ladies as they host this "radiant, beautiful film" (Gene Shalit, "Today Show") that is "worth savoring" (Mademoiselle).Prewar Florence is the place to be for any proper British woman who relishes culture and the arts. These ladies have everything they could ever want or needincluding a promise from dictator Mussolini himself that not even the imminent world war will impose upon their lifestyle. But when itappears that his word is not kept, and these expatriateswho chose to stay in Italy instead of seeking refuge in their own countryare in trouble, it takes a young outcast boy and a brazen American woman (Cher) to keep them in the high life and out of harm's way.

I Heart Huckabees

Billed as "an existential comedy," I Heart Huckabees is a flawed yet endearingly audacious screwball romp that dares to ponder life's biggest questions. Much of director David O. Russell's philosophical humor is dense, talky, and impenetrable, leading critic Roger Ebert to observe that "it leaves the viewer out of the loop," and suggesting that Russell's screenplay (written with his assistant, Jeff Baena) is admirably bold yet frustratingly undisciplined. Russell's ideas are big but his expression of them is frenetic, centering on the unlikely pairing of an environmentalist (Jason Schwartzman) and a firefighter (Mark Wahlberg) as they depend on existential detectives (Lily Tomlin, Dustin Hoffman) and a French nihilist (Isabelle Huppert) to make sense of their existential crises, brought on (respectively) by a two-faced chain-store executive (Jude Law) and his spokesmodel girlfriend (Naomi Watts), and the aftermath of 9/11's terrorism. No brief description can do justice to Russell's comedic conceit; you'll either be annoyed and mystified or elated and delighted by this wacky primer for coping with 21st century lunacy. Deserving of its mixed reviews, I Heart Huckabees is an audacious mess, like life itself, and accepting that is the key to enjoying both. --Jeff Shannon

Dustin Hoffman and Lily Tomlin lead an all-star cast including Jude Law, Naomi Watts and Mark Walhberg in this outrageous comedy from director/co-writer David O. Russell (Three Kings). Kindhearted but confused activist Andrew Markovski hires a pair of screwball "existential detectives" (Hoffman and Tomlin) to help him find the meaning of life. All the while, a sexy, French author (Isabelle Huppert) is trying to throw a wrench in their plan by seducing andrew's mind and body.

9 to 5 - Sexist, Egotistical, Lying Hypocritical Bigot Edition - Widescreen

In this witty satirical farce secretaries Dolly Parton Jane Fonda and office manager Lily Tomlin live every female worker's dream after discovering they share the same resentment towards their egotistical sexist boss (Dabney Coleman). When they get an unexpected chance to take revenge they turn their male controlled workplace into a modle office - even as their scheme spins wildly out of control.Episodes-Bonus Features:Feature - Pan Scan and Widescreen format available.Inside LookCommentary by Producer Bruce Gilbert and actors Jane Fonda Dolly Parton and Dabney ColemanNine @ 25 Featurette10 Deleted ScenesRemembering Collin HigginsGag ReelSinging Nine to Five KaraokeOriginal Theatrical TrailerSystem Requirements:Running Time 110 Mins.Format: DVD MOVIE Genre: COMEDY Rating: PG UPC: 024543231523 Manufacturer No: 2233152

With a nod to Preston Sturges's classic dark comedy Unfaithfully Yours (about a man who fantasizes about murdering his possibly philandering wife), this 1980 cotton-candy-feminist-vendetta film concerns a monstrous boss (Dabney Coleman) whose more capable underlings dream of ways of punishing him. That much of the film is particularly fun, but the rest of it descends into silliness when the women stumble onto a real-life opportunity to teach him a lesson. Fonda, the biggest star in the film at the time, takes a back seat to Parton's and Tomlin's showier roles. Written and directed by the late Colin Higgins (who made a lot of people happy in the '70s with his script for the beloved Harold and Maude). --Tom Keogh

On the DVD
What's on the "Sexist, Egotistical, Lying Hypocritical Bigot Edition" DVD of one of the more enduring comedies of the 1980s? The cast were obviously delighted for the opportunity to travel down memory lane, providing a commentary. Dolly Parton and Lily Tomlin recorded their bits in one city while Jane Fonda recorded hers simultaneously in another city, as they watched the movie again together. The three leads--one, Parton, a rookie actress--made for a well-balanced comedic team whose friendship has endured off-screen for 25 years, a friendship that comes across in their banter. A "Nine At 25" featurette finds the cast and producer dishing such tidbits as the fact Parton came to the set having memorized the entire script, everyone else's parts included. A "9 to 5" karaoke feature may entertain depending on how many drinks one has had at the office party, but the words don't always seem in sync with the music.

To celebrate the release of this edition of 9 to 5, the cast, sans Dabney Coleman, reunited in Los Angeles for a party in which Dolly sang the theme song, memories were shared, and actresses dressed as '80s office workers acted busy in cubicles and reception desks.

The Cast of 9 to 5 Celebrate 25 Years of Sticking It to the Boss (click for larger image)

A Prairie Home Companion

Robert Altman and Garrison Keillor combine reality and fantasy in this smooth, ebullient take on the long-running Prairie Home Companion radio show. Set during the show's fictitious last broadcast--the host station has been bought--the film has plenty of elements from the real PHC radiocasts, including a live audience and the sensational Shoe band. The onstage program is mostly music numbers, a beguiling mix of standards and old-style country. However, the show's usual comedy sketches are never presented, save for the commercial parodies--this may be a PHC show, but Lake Wobegone is never mentioned. Instead, the sketches are played out as backstage banter that feautres the Johnson Sisters (Meryl Streep and Lily Tomlin), a harried stage hand (Maya Rudolph), a former listener turned angel (Virginia Madsen), and Keillor himself (a crusty alter-ego named simply G.K.). A few characters from the real PHC are given life: the singing cowboys Dusty and Lefty and gumshoe Guy Noir are embodied by Woody Harrelson, John C. Reilly, and Kevin Kline, respectively. Old flames are fanned, stories are spun, new talents are found (Lindsay Lohan has a chance to shine as Streep's daughter) and everyone wonders if G.K. will do something to ebb the tide of cancellation (personified by Tommy Lee Jones as the corporate Axeman). All of the actors do right as singers, and seem to be having the time of their life. Keillor's screenplay is perfect fodder for Altman's usual brand of storytelling, as characters babble on with the camera picking them up often in mid-thought. The film appeared a few months after Altman received an honorary Oscar, and the director is still at the top of his game, creating this smile-inducing, song-filled time, ending with an ethereal last musical number. --Doug Thomas

The movie is a celebrity version of Garrison Keillor's radio show. It adds a slight story of the radio show ending as a new owner (Tommy Lee Jones) has bought the Fitzgerald theater that the show broadcasts from and is going to tear it down. Another fantasy element is thrown in as an angel (Virginia Madsen) stalks the theater to take one of the performers. Keillor plays the lead character coincidentally called GK. Lily Tomlin and Meryl Streep play the singing Johnson Sisters with Lindsay Lohan as a suicide-obsessed daughter of Streep. Woody Harrelson and John C. Reilly are hilarious as the slightly off-color singing cowboy duo Dusty & Lefty. Kevin Kline is a security guard who tells the story. Maya Rudolph also appears as a pregnant stage coordinator. Contains some mild sexually-oriented jokes.DVD Features:Available Subtitles: English SpanishAvailable Audio Tracks: English (Dolby Digital 5.1) English (Dolby Digital 2.0 Surround)li>Commentary by director Robert Altman and actor Kevin KlineDeleted scenes with optional commentary"Come Play With Us: A Feature Companion" featurette"Onstage at the Fitzgerald: A Music Companion" - extended musical performances and advertisement segmentsSoundtrack preview (jump to songs in the film)TrailerSystem Requirements:Run Time: 105 minutesFormat: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 794043105418 Manufacturer No: N10541

All of Me

This 1984 Carl Reiner comedy is one of the best film showcases of Steve Martin and Lily Tomlin's sundry talents. Tomlin plays a sickly spinster who is given the chance to transfer her soul to the body of another woman, and thus go on living. But the magic man who is supposed to make this happen goofs up and locks her spirit inside a bachelor lawyer (Martin)--or, more accurately, within the right half of the poor fellow's body. Suddenly, the swinging man-about-town is literally at odds with himself, unable to make a self-determining decision without a huge internal struggle. Martin's physical comedy, always remarkable, is absolutely inspired this time around, as he convincingly portrays a man split down the middle between opposing sensibilities. This is also one of the best films by Reiner, a filmmaker whose novel ideas are sometimes more striking than their execution. --Tom Keogh

The Comedy That Proves That One is A CrowdRoger Cobb (Steve Martin) is a swinging bachelor who is a lawyer but would rather be a jazz musician. Edwina Cutwaters (Lily Tomlin) is an ailing spinster who is given a second chance at life given her soul can be "transported" into that of another woman - specifically the beautiful daughter of the stable hand. Unfortunately the guru-in-charge goofs and Edwinas soul winds up taking over the entire right side of Roger who now must learn to cope with being half the man he was. Now Edwina and Roger are living together in the same body. He is losing his job. He is losing his girlfriend. And he just can not seem to get her out of his system. No matter how hard he tries. System Requirements: Cast: Steve Martin Lily Tomlin Richard Libertini Victoria Tennant Producer:Stephen Friedman Director:Carl Reiner Format: DVD MOVIE Genre: COMEDY Rating:  UPC: 031398700135 Manufacturer No: VM7001D

Orange County

While it invites charges of Hollywood nepotism, Orange County overcomes that stigma with a delightful cast of newcomers and veterans alike. It's no better or worse than many teen comedies, but director Jake Kasdan (son of director Lawrence Kasdan) astutely combines teen-flick staples (stoner gags, raucous parties) with a biting undercurrent of southern California absurdity. This comedic texture helps Colin Hanks (son of Tom) and Schuyler Fisk (daughter of Sissy Spacek) to prove their big-screen promise. They play (respectively) an Orange County teen and aspiring writer named Shaun who yearns for admission to Stanford, and his sensible girlfriend who knows just how to nurture his dreams. Much of the comedy arises from the foibles of Shaun's dysfunctional family (played to perfection by Jack Black, Catherine O'Hara, and John Lithgow), while unbilled cameos by Ben Stiller and Kevin Kline add zest to a movie that tries to be different, and mostly succeeds. --Jeff Shannon

Shaun Brumder dreams of attending Stanford but when his guidance counselor sends the wrong transcripts with his application, he is rejected and must use any method necessary to get accepted.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 30-JAN-2007
Media Type: DVD

The Beverly Hillbillies

Jim Varney, Cloris Leachman, Lily Tomlin and Dabney Coleman star in the riotous rags-to-riches story of America's favorite backwoods billionaires. It features hilarious cameos by Dolly Parton, Buddy Ebsen and Zsa Zsa Gabor. Instant oil baron Jed Clampett moves Granny and his kin from the Ozark hills to Beverly Hills. Though unsophisticated, the Clampetts are decent, hard-working, trusting people- in other words, perfect marks for the swindlers, social climbers and gold diggers who can't wait to welcome them! Even their Fawning bankers, Miss Hathaway and Mr. Drysdale, may not be able to keep the Clampett cash from disappearing into the Hills!

Flirting With Disaster (Collector's Edition)

Sometimes a filmmaker's second movie gets labeled as a sophomore slump. David O. Russell (Spanking the Monkey) shreds that fate with Flirting with Disaster, an outrageous, free-spirited comedy about private people forced into public situations. Mel Coplin (Ben Stiller) finds the opportunity he's been waiting a lifetime for: an adoption agency rep (Téa Leoni) has located his birth parents and the agency will fly him to California if they can record the reunion. With wife Nancy (Patricia Arquette) and new son in tow, the neurotic Mel is compelled to discover his origins, despite the protests of his neurotic adoptive parents (a wonderful Mary Tyler Moore and George Segal). To give away the plot any more would be a crime, but as the title states, Mel is on a collision course of Oedipal proportions. Russell, who made incest an intriguing black-comedy topic in Spanking, is very liberal with sex and permits dangerous situations. His characters mix it up at a moment's notice. The two women along for the ride are not just bit players: Leoni (Deep Impact) keeps her high-energy comic routine flying, while the grounded Arquette keeps the baby in arm, despite the mad wanderings of her husband. Stiller is a perfect comic foil. --Doug Thomas

Written and directed by David O. Russell (THREE KINGS, SPANKING THE MONKEY), this hysterically original comedy was cheered by critics and audiences nationwide. In a quest to find his biological parents, Mel Coplin (Ben Stiller, DUPLEX, MEET THE PARENTS) -- joined by his wife (Patricia Arquette, HUMAN NATURE, HOLES), and a sexy adoption counselor (Téa Leoni, PEOPLE I KNOW, HOLLYWOOD ENDING ) -- embarks on a cross country search for his "roots." Yet as he careens from one outrageous situation to another, Mel finds himself tempted by the seductive counselor -- even as his wife starts a flirtation of her own! By the time they meet up with his free-spirited birth parents, the whole situation is spinning hysterically out of control! Also starring Mary Tyler Moore, Alan Alda, and Lily Tomlin, this hilarious hit is sure to entertain everyone!