Mel Brooks

Young Frankenstein

A finely tuned parody of the old Frankenstein movies, in which Wilder returns to the old country to clear his family name.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 5-SEP-2006
Media Type: DVD

If you were to argue that Mel Brooks's Young Frankenstein ranks among the top-ten funniest movies of all time, nobody could reasonably dispute the claim. Spoofing classic horror in the way that Brooks's previous film Blazing Saddles sent up classic Westerns, the movie is both a loving tribute and a raucous, irreverent parody of Universal's classic horror films Frankenstein (1931) and Bride of Frankenstein (1935). Filming in glorious black and white, Brooks re-created the Frankenstein laboratory using the same equipment from the original Frankenstein (courtesy of designer Kenneth Strickfaden), and this loving attention to physical and stylistic detail creates a solid foundation for nonstop comedy. The story, of course, involves Frederick Frankenstein (Gene Wilder) and his effort to resume experiments in re-animation pioneered by his late father. (He's got some help, since dad left behind a book titled How I Did It.) Assisting him is the hapless hunchback Igor (Marty Feldman) and the buxom but none-too-bright maiden Inga (Teri Garr), and when Frankenstein succeeds in creating his monster (Peter Boyle), the stage is set for an outrageous revision of the Frankenstein legend. With comedy highlights too numerous to mention, Brooks guides his brilliant cast (also including Cloris Leachman, Madeline Kahn, Kenneth Mars, and Gene Hackman in a classic cameo role) through scene after scene of inspired hilarity. Indeed, Young Frankenstein is a charmed film, nothing less than a comedy classic, representing the finest work from everyone involved. Not one joke has lost its payoff, and none of the countless gags have lost their zany appeal. From a career that includes some of the best comedies ever made, this is the film for which Mel Brooks will be most fondly remembered. Befitting a classic, the Special Edition DVD includes audio commentary by Mel Brooks, a "making of" documentary, interviews with the cast, hilarious bloopers and outtakes, and the original theatrical trailers. No video library should be without a copy of Young Frankenstein. And just remember--that's Fronkensteen. --Jeff Shannon

The Mel Brooks Collection (Blazing Saddles / Young Frankenstein / Silent Movie / Robin Hood: Men in Tights / To Be or Not to Be / History of the World, Part 1 / The Twelve Chairs / High Anxiety)

Collection of eight Mel Brooks movies.
Genre: Feature Film-Comedy
Rating: UN
Release Date: 4-APR-2006
Media Type: DVD

There are plenty of belly laughs in The Mel Brooks Collection, an eight-disc set of most of the director-writer-actor's best-known films. Four of them--Silent Movie, High Anxiety, To Be or Not to Be, and Robin Hood: Men with Tights--are making their debut on DVD, while a fifth, The Twelve Chairs, was briefly available as a non-anamorphic DVD from Image Entertainment (all the DVDs in this set are anamorphically enhanced for widescreen TVs). That means you can sample a 23-year stretch of Brooks's outrageous and affectionate spoofing of everything from movies to popular legends to movies to historical figures to, hey! more movies.

The earliest film, The Twelve Chairs (1970), is the least known, but is one of the funniest, helped greatly by a good story (adapted from a 1920s Russian tale) and the casting of Ron Moody and Frank Langella as treasure hunters. Young Frankenstein and Blazing Saddles followed in 1974. The former, a spoof of horror films, is easily one of the top two or three funniest movies of all time, and the latter is justly famous for its often-tasteless send-up of Western cliches. Silent Movie (1976) is just what the title describes, with its only word of dialogue spoken from the least-likely source, and High Anxiety (1977) pays tribute to the work of Alfred Hitchcock. History of the World, Part 1 (1981) mocks historical events and epics, and To Be or Not to Be (1983) is a remake of Ernst Lubitsch's 1942 classic of the same name (it's also the only film in the set for which Brooks didn't receive writing and directing credit). By this time, Brooks was more actively taking the leading roles himself (rather than the bit parts), and unfortunately relying less on his topnotch ensemble of recurring players, which included Gene Wilder, Madeline Kahn, Cloris Leachman, Harvey Korman, and Dom Deluise. But he does use a new ensemble (including Cary Elwes and, in his film debut, Dave Chappelle), for Robin Hood: Men in Tights (1993), the feature-length spin on the same hero Brooks had spoofed in his short-lived 1975 television series When Things Were Rotten.

Bonus features are minor. In addition to an HBO featurette on Men in Tights, there's a featurette and interviews on To Be or Not to Be and all the features (Brooks commentary, deleted scenes, interviews, etc.) that were on the original release of Young Frankenstein. Note that while rights issues kept The Producers, Spaceballs, and other films out of this set, 20th Century Fox was able to use Warner Bros.' Blazing Saddles. The features on that disc, however, are the ones that were on the 1997 DVD release, not the 2004 anniversary reissue. Regardless, the set's price for this many films is low, and because it has so many films new to DVD, Brooks fans will want to pick this up faster than they can say... "Frau Blücher!" --David Horiuchi

Robin Hood - Men in Tights

A spoof of both the legend of Robin Hood and the numerous movies featuring the legendary Prince of Theives.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 5-SEP-2006
Media Type: DVD

It's not Blazing Saddles, but there are some chuckles to be found in Mel Brooks's 1993 spoof of the Robin Hood legend. Cary Elwes is Robin (with a lighthearted jab at Kevin Costner's bad English accent in Robin Hood: Prince of Thieves), while Richard Lewis plays an angst-ridden King John, and Roger Rees a snotty Sheriff of Nottingham. Comic David Chappelle has some good moments as the only black member of Robins's noble thieves, and Brooks does his own spin on Friar Tuck: Rabbi Tuchman. The song-and-dance sequences featuring a chorus line of the Merry Men ("We're men / men in tights") is vintage Brooks, but otherwise the film can't get any traction. --Tom Keogh

The Muppet Movie - Kermit's 50th Anniversary Edition

This simply irresistible first feature from the Muppets has Kermit the frog going from the swamps to Hollywood to be a star. As he travels and picks up his usual friends (Miss Piggy, Fozzie the Bear), Doc Hopper (Charles Durning) is in pursuit, looking for Kermit to be the spokesman for his frog-leg cuisine. A loose rendition of The Wizard of Oz, the film incorporates the same cagey humor as their breakout syndicated TV series The Muppet Show. This is one of the few times that a human cast (notably Steve Martin, Orson Welles, and Carol Kane) are integrated seamlessly with nonhumans. Worth noting is Paul Williams's score, which includes the Oscar-nominated "The Rainbow Connection." Williams's music, much like Howard Ashman's work on The Little Mermaid and other Disney films, provides more than atmosphere; there's a degree of magic here. Williams did not work on the future Muppet films until A Muppet Christmas Carol. His contributions made these films the best of the Muppet series. --Doug Thomas

Jim Henson vaulted Kermit, the famous floppy-armed frog, and his Muppet pals to the big screen with this charming 1979 musical adventure. Like the TV show that inspired it, Henson and director James Frawley playfully acknowledge movie clichés and conventions and allow the characters to address the camera in asides, like a Hope and Crosby road film for the 1980s. The ambitious singing frog decides to leave his swamp and conquer Hollywood, gathering a group of friends along the way (Fozzie Bear, Miss Piggy, Gonzo, and more) and bumping into oodles of guest stars making tongue-in-cheek cameos (my favorite is the tip-of-the-hat appearance by Edgar Bergen and Charlie McCarthy). Meanwhile, despicable fast-food king Charles Durning pursues Kermit, hoping to make him the spokesfrog for his Frogs-Legs restaurant franchise. Austin Pendleton costars as Durning's sad sack henchman while guest stars include James Coburn, Dom DeLuise, Madeleine Kahn, Steve Martin, Milton Berle, Bob Hope, Carol Kane, Cloris Leachman, Mel Brooks, Richard Pryor, Telly Savalas, Elliot Gould, Orson Welles, and Big Bird. Paul Williams penned the bouncy, song-filled score. You'll believe a frog can sing! --Sean Axmaker

They're irreverent, irrepressible, and downright irresistible. They're the Muppets! -- starring in their first full-length movie. See how their meteoric rise to fame and fortune began: with a rainbow, a song . . . and a Frog. After a fateful meeting with a big-time talent agent, Kermit the Frog heads for Hollywood dreaming of showbiz. Along the way, Fozzie Bear, the Great Gonzo, and the dazzling Miss Piggy join him in hopes of becoming film stars too. But all bets are off when Kermit falls into the clutches of Doc Hopper (Charles Durning), a fast-food mogul seeking to promote his French-fried frog-leg franchise! Featuring Oscar(R)-nominated music (1980, Best Original Song "The Rainbow Connection," Best Original Score) and side-splitting appearances by some of the biggest names on the silver screen -- including Steve Martin, Mel Brooks, Orson Welles, and more! --this fully restored and remastered 50th Anniversary Edition of THE MUPPET MOVIE is a critically acclaimed comedy classic your family will treasure for all time. (c) The Muppets Holding Company, LLC and BVHE. MUPPETS characters and elements are trademarks of The Muppets Holding Company. All Rights Reserved.

History of the World Part I

An irreverent and funny presentation of events from world history from the Stone Age to the French Revolution.
Genre: Feature Film-Comedy
Rating: R
Release Date: 5-SEP-2006
Media Type: DVD

Mel Brooks's 1981, three-part comedy--set in the Stone Age, the Roman Empire, and the French Revolution--is pure guilty pleasure. Narrated by Orson Welles and featuring a lot of famous faces in guest appearances (beyond the official cast), the film opens well with Sid Caesar playing a caveman, then moves along to the unlikely but somehow hilarious juxtaposition of Caesar's soldiers (the other Caesar, not Sid) with pot humor, and ends on a dumb-funny note in the French bloodbath. This is a take-it-or-leave-it movie, and it works best if you're in a take-it-or-leave-it mood. --Tom Keogh

The Little Rascals

In the new adventures of Spanky and Our Gang, their \""boys only\"" club is threatened when Alfalfa falls in love, their clubhouse burns down, and their go-cart is stolen.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 5-JAN-1999
Media Type: DVD

Kids may enjoy the slapstick of this modern reworking of the old Our Gang comedies, but parents who grew up watching them on TV (or grandparents who saw them at theaters) will wonder why anyone would want to be involved in this pathetic remake. Directed by Penelope Spheeris, the film takes look-alike kids and casts them as Spanky, Alfalfa, Buckwheat, and the rest, minus any sense of what made the old Hal Roach comedies funny. Instead of kids being kids, these are kids doing shtick while recycling such old bits as the He-Man Woman Haters Club, the kids' go-cart race, and Spanky and Alfalfa dressing as girls. Devoid of charm or wit. --Marshall Fine

The Producers (Deluxe Edition)

Mel Brooks's directorial debut remains both a career high point and a classic show business farce. Hinging on a crafty plot premise, which in turn unleashes a joyously insane onstage spoof, The Producers is powered by a clutch of over-the-top performances, capped by the odd couple pairing of the late Zero Mostel and Gene Wilder, making his screen debut.

Mostel is Max Bialystock, a gone-to-seed Broadway producer who spends his days wheedling checks from his "investors," elderly women for whom Bialystock is only too willing to provide company. When wide-eyed auditor Leo Bloom (Wilder) comes to check the books, he unwittingly inspires the wild-eyed Max to hatch a sure-fire plan: sell 25,000 percent of his next show, produce a deliberate flop, then abscond with the proceeds. Unfortunately for the producers (but fortunately for us), their candidate for failure is Springtime for Hitler, a Brooksian conceit that envisions what Goebbels might have accomplished with a little help from Busby Berkeley.

Truly startling during its original 1968 release, The Producers does show signs of age in some peripheral scenes that make merry at the expense of gays and women. But the show's nifty cast (notably including the late Dick Shawn as LSD, the space cadet that snags the musical's title role, and Kenneth Mars as the helmeted playwright) clicks throughout, and the sight of Mostel fleecing his marks is irresistibly funny. Add Wilder's literally hysterical Bloom, and it's easy to understand the film's exalted status among late-'60s comedies. --Sam Sutherland

A "startling, stunning, outrageous [and] breathtaking debut" (Los Angeles Times) from acclaimed writer/director Mel Brooks (Young Frankenstein, Spaceballs), this Oscar®-winning* comedy combines "pure pell-Mel lunacy [and] wild, ad-lib energy [into an] uproariously funny" (Time) film! Low-rent Broadway producer Max Bialystock (Zero Mostel) and his high-strung accountant, Leo Bloom (Gene Wilder), discover that, with the help of a few gullible investors, they can make more money on a flop than on a hit! Armed with the worst show ever written ("Springtime for Hitler") and an equally horrific cast, this double-dealing duo is banking on disaster. But when their sure-to-offend musical becomes a surprise smash hit, they find themselves in the middleof a Broadway blitzkrieg! *1968: Original Screenplay

High Anxiety

An affectionate homage more than a spoof of Alfred Hitchcock thrillers, Mel Brooks's hilarious movie is one of the funniest modern comedies around. Brooks plays a psychiatrist with a severe fear of heights who moves to the Bay Area to take over a psychiatric hospital after its former head mysteriously disappears. He must contend with the resident psychiatrist (Harvey Korman) and the twisted resident nurse (Cloris Leachman) as they plot against him, eventually framing him for murder. While on the run, Brooks teams up with the alluring daughter (Madeline Kahn) of the missing doctor to solve the mystery and confront his own fears. Containing some classic sequences and cowritten by Barry Levinson (Rain Man, Wag the Dog), who appears briefly as a too-touchy bellhop in a Psycho-shower-scene takeoff, High Anxiety is a thoroughly enjoyable romp from one of the masters of comedy today. --Robert Lane

Mel Brooks' renowned spoof of the most famous Hitchcockian classics-"Vertigo," "The Birds," "Psycho" and "Spellbound"-is one of his most outrageous comedy classics. After a Harvard psychiatrist (Brooks) takes over the Psycho-Neurotic Institute for the Very, Very Nervous, he realizes his predecessor died under suspicious circumstances. When events take a murderous turn, he is accused of the crime and left with a full blown case of High Anxiety. Madeline Kahn, Harvey Korman and Cloris Leachman co-star in this hilarious parody.

Look Who's Talking, Too

If nothing else, the powers that be behind this terrible sequel to the 1989 hit Look Who's Talking will be divinely punished for abusing John Lennon's "Jealous Guy" on the soundtrack. Until then, it's better to push memories of this movie to the back of one's memory. John Travolta and Kirstie Alley reprise their roles from the earlier film, but this time their married relationship is in trouble for sundry reasons. Adding to that complication is the arrival of a new baby (whined by Roseanne Barr) to join the previous one (quipped by Bruce Willis). Mel Brooks and Damon Wayans add their voices to those of some other kids, but this hastily patched-together follow-up wouldn't be funny no matter how may comic minds you threw in the mix. Between the shoddy script and miscasting of Barr, there's enough doom to go around in this thing, but an opening-credits sequence that manages, through crummy special effects, to turn a sperm's path toward an egg into a nauseating experience doesn't help. Stick with the original. --Tom Keogh

Blazing Saddles [HD DVD]

The railroad's got to run through the town of Rock Ridge. How do you drive out the townfolk in order to steal their land? Send in the toughest gang you've got...and name a new sheriff who'll last about 24 hours. But that's not really the plot of Blazing Saddles, just the pretext. Once Mel Brooks' lunatic film - many call it his best - gets started, logic is lost in a blizzard of gags, jokes, quips, puns, howlers, growlers and outrageous assaults upon good taste or any taste at all. Cleavon Little as the new lawman, Gene Wilder as the wacko Waco Kid, Brooks himself as a dim-witted politico and Madeline Kahn in her Marlene Dietrich send-up that earned an Academy Award nomination all give this sagebrush saga their lunatic best. And when Blazing Saddles can't contain itself at the finale, it just proves the Old West will never be the same!

System Requirements:
Run Time: 93 minutes

Format: HD DVD

Mel Brooks scored his first commercial hit with this raucous Western spoof starring the late Cleavon Little as the newly hired (and conspicuously black) sheriff of Rock Ridge. Sheriff Bart teams up with deputy Jim (Gene Wilder) to foil the railroad-building scheme of the nefarious Hedley Lamarr (Harvey Korman). The simple plot is just an excuse for a steady stream of gags, many of them unabashedly tasteless, that Brooks and his wacky cast pull off with side-splitting success. The humor is so juvenile and crude that you just have to surrender to it; highlights abound, from the lunkheaded Alex Karras as the ox-riding Mongo to Madeline Kahn's uproarious send-up of Marlene Dietrich as saloon songstress Lili Von Shtupp. Adding to the comedic excess is the infamous campfire scene involving a bunch of hungry cowboys, heaping servings of baked beans and, well, you get the idea. --Jeff Shannon