Comic Criminals

O Brother, Where Art Thou?

Three convicts escape the chain gang to find a stolen treasure, but end up having a series of strange adventures.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 2-SEP-2003
Media Type: DVD

Only Joel and Ethan Coen, the fraternal director and producer team behind art-house hits such as The Big Lebowski and Fargo and masters of quirky and ultra-stylish genre subversion, would dare nick the plot line of Homer's Odyssey for a comic picaresque saga about three cons on the run in 1930s Mississippi. Our wandering hero in this case is one Ulysses Everett McGill, a slick-tongued wise guy with a thing about hair pomade (George Clooney, blithely sending up his own dapper image) who talks his chain-gang buddies (Coen-movie regular John Turturro and newcomer Tim Blake Nelson) into lighting out after some buried loot he claims to know of. En route they come up against a prophetic blind man on a railroad truck, a burly, one-eyed baddie (the ever-magnificent John Goodman), a trio of sexy singing ladies, a blues guitarist who's sold his soul to the devil, a brace of crooked politicos on the stump, a manic-depressive bank robber, and--well, you get the idea. Into this, their most relaxed film yet, the Coens have tossed a beguiling ragbag of inconsequential situations, a wealth of looping, left-field dialogue, and a whole stash of gags both verbal and visual. O Brother (the title's lifted from Preston Sturges's classic 1941 comedy Sullivan's Travels) is furthermore graced with glowing, burnished photography from Roger Deakins and a masterly soundtrack from T-Bone Burnett that pays loving homage to American '30s folk styles--blues, gospel, bluegrass, jazz, and more. And just to prove that the brothers haven't lost their knack for bad-taste humor, we get a Ku Klux Klan rally choreographed like a cross between a Nuremberg rally and a Busby Berkeley musical. --Philip Kemp

The Sting

Winner of seven Academy Awards including Best Picture, Director, and Screenplay, this critical and box-office hit from 1973 provided a perfect reunion for director George Roy Hill and stars Paul Newman and Robert Redford, who previously delighted audiences with Butch Cassidy and the Sundance Kid. Set in 1936, the movie's about a pair of Chicago con artists (Newman and Redford) who find themselves in a high-stakes game against the master of all cheating mobsters (Robert Shaw) when they set out to avenge the murder of a mutual friend and partner. Using a bogus bookie joint as a front for their con of all cons, the two feel the heat from the Chicago Mob on one side and encroaching police on the other. But in a plot that contains more twists than a treacherous mountain road, the ultimate scam is pulled off with consummate style and panache. It's an added bonus that Newman and Redford were box-office kings at the top of their game, and while Shaw broods intensely as the Runyonesque villain, The Sting is further blessed by a host of great supporting players including Dana Elcar, Eileen Brennan, Ray Walston, Charles Durning, and Harold Gould. Thanks to the flavorful music score by Marvin Hamlisch, this was also the movie that sparked a nationwide revival of Scott Joplin's ragtime jazz, which is featured prominently on the soundtrack. One of the most entertaining movies of the early 1970s, The Sting is a welcome throwback to Hollywood's golden age of the '30s that hasn't lost any of its popular charm. --Jeff Shannon

Austin Powers - International Man of Mystery (New Line Platinum Series)

Secret agent Austin Powers is thawed back into action after being frozen for thirty years. The time-warped swinger has to battle with his archenemy Dr. Evil and stop his plot to control the world.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 12-SEP-2006
Media Type: DVD

If you don't think Austin Powers is one of the funniest movies of the 1990s, maybe you should be packed into a cryogenic time-chamber and sent back to the decade whence you came. Perhaps it was the 1960s--the shag-a-delic decade when London hipster Austin Powers scored with gorgeous chicks as a fashion photographer by day, crime-fighting international man of mystery by night. Yeah, baby, yeah! But when Powers's arch nemesis, Dr. Evil, puts himself into a deep-freeze and travels via time-machine to the late 1990s, Powers must follow him and foil Evil's nefarious scheme of global domination. Mike Myers plays dual roles as Powers and Dr. Evil, with Elizabeth Hurley as his present-day sidekick and karate- kicking paramour. A hilarious spoof of '60s spy movies, this colorful comedy actually gets funnier with successive viewings, making it a perfect home video for gloomy days and randy nights. Oh, behave! --Jeff Shannon

Arsenic and Old Lace

Frank Capra made this film in 1941 before he went off to make films for America's war effort, but it wasn't released until 1944. Adapted from the hit play by Joseph Kesselring, this frantic black comedy shows Capra at his best as a master of mood and timing. Actresses Josephine Hull and Jean Adair reprise their Broadway performances as two gentle old ladies who poison men with elderberry wine to put them out of their misery. Cary Grant plays one nephew, a normal guy who just gets wind of their little hobby and tries to get them to stop, while Raymond Massey plays another, a villain just escaped from jail. Capra encourages the cast, especially Grant, to give a somewhat more outsized performance than one might expect. But made during the war years as it was, this overstated comic approach to killing was probably cathartic. --Tom Keogh

You'll die laughing! Frank Capra directs Cary Grant, Raymond Massey, Peter Lorre and stellar cast in the hit Broadway farce about a nutcase family with well-intentioned homicidal tendencies.

Snatch (Widescreen Edition)

When jewel thief Franky Four Fingers (Benicio Del Toro) takes a slight detour to London on route to delivering a huge stolen diamond to his boss in New York he unwittingly sets off an avalanche of sinister and comic events that wind their way through the rough and tumble worlds of bare-knuckle boxing Irish gypsies pawn shops pig farming and... a stray dog. SNATCH Guy Ritchie's brilliant follow up to his critically acclaimed Lock Stock and Two Smoking Barrels exposes us to his hip and helter-skelter view of London's gangster underbelly. Ritchie's characteristic fast-paced and constantly twisting story features a madcap ensemble cast of larger-than-life characters including Jason Statham an unlicensed boxing promoter; Stephen Graham his bumbling sidekick; Alan Ford the local underworld kingpin; Dennis Farina Franky's no-nonsense boss; Vinnie Jones a legendary thug; Rade Sherbedgia a psycho double-crossing Russian; and Brad Pitt in a hilarious turn as a fast-talking gypsy bare-knuckle boxer.System Requirements:Running Time: 103 Min.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 043396015661 Manufacturer No: 01566

Usually it might seem a tad unfair to begin a review by referring to the director's missis. But then the missis in question wouldn't usually be Madonna--a woman whose ability to reinvent herself several times before breakfast seems in marked contrast to that of hubby Guy Ritchie. Certainly, this follow-up to the filmmaker's breakthrough film--the high-energy, expletive-strewn cockney-gangster movie Lock, Stock and Two Smoking Barrels--hardly breaks new ground being, well, another high-energy, expletive-strewn cockney-gangster movie. OK, so there are some differences. This time around our low-rent hoodlums are battling over dodgy fights and stolen diamonds rather than dodgy card games and stolen drugs. There has been some minor reshuffling of the cast too, with Sting and Dexter Fletcher making way for the more bankable Benicio Del Toro and Brad Pitt, the latter pretty much stealing the whole shebang as an incomprehensible Irish gypsy. And, sure, people who really, really liked Lock, Stock--or have the memory of a goldfish--will really, really like this. The suspicion lingers, however, that if the director doesn't do something very different next time around then his career may prove to be considerably shorter than that of his missis. --Clark Collis

Fargo (Special Edition)

Leave it to the wildly inventive Coen brothers (Joel directs, Ethan produces, they both write) to concoct a fiendishly clever kidnap caper that's simultaneously a comedy of errors, a Midwestern satire, a taut suspense thriller, and a violent tale of criminal misfortune. It all begins when a hapless car salesman (played to perfection by William H. Macy) ineptly orchestrates the kidnapping of his own wife. The plan goes horribly awry in the hands of bumbling bad guys Steve Buscemi and Peter Stormare (one of them being described by a local girl as "kinda funny lookin'" and "not circumcised"), and the pregnant sheriff of Brainerd, Minnesota, (played exquisitely by Frances McDormand in an Oscar-winning role) is suddenly faced with a case of multiple murders. Her investigation is laced with offbeat observations about life in the rural hinterland of Minnesota and North Dakota, and Fargo embraces its local yokels with affectionate humor. At times shocking and hilarious, Fargo is utterly unique and distinctly American, bearing the unmistakable stamp of its inspired creators. --Jeff Shannon

A persistent, pregnant police chief tries to solve the disappearance of a wife and mother from Fargo.
Genre: Feature Film-Drama
Rating: R
Release Date: 11-JAN-2005
Media Type: DVD

Some Like It Hot

Maybe "nobody's perfect," as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St. Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy." Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behavior. The results, however, are sublime. --Robert Horton

When Chicago musicians Joe and Jerry witness a gangland murder they realize that their only escape is to dress as women and join an all-girls band on the way to a tour of Florida.
Genre: Feature Film-Comedy
Rating: NR
Release Date: 22-MAY-2001
Media Type: DVD

Bottle Rocket

This quietly daffy comedy should have been an indie hit, but ended up ignored by audiences. Too bad; it's a wonderfully sustained caper movie about friends whose career choice is all wrong. Low-key Anthony (Luke Wilson) and high-strung Dignan (Owen C. Wilson--the two actors are brothers) are brought into a life of crime by Dignan's ambition to be a small-time thief. After a few amusingly laid-back trial burglaries, they (and a third buddy) find themselves over their heads when they hook up with an experienced crime boss (James Caan). Because this movie is so relentlessly deadpan, you really have to be dialed in to its brand of humor--but once there, Bottle Rocket shoots off plenty of sparks. Above all, Owen Wilson's portrayal of Dignan is a terrifically original comic creation; Dignan is so sincerely focused on his goals that he can't see how completely absurd his ideas are. Owen Wilson, who went on to supply similarly knuckle-headed performances in Armageddon and Permanent Midnight, wrote the screenplay with director Wes Anderson. --Robert Horton

Raising Arizona

An ex-con and his wife set out to kidnap a baby when they find they can't have or adopt one of their own.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 1-FEB-2005
Media Type: DVD

Blood Simple made it clear that the cinematically precocious Coen brothers (writer-director Joel and writer-producer Ethan) were gifted filmmakers to watch out for. But it was the outrageously farcical Raising Arizona that announced the Coens' darkly comedic audacity to the world. It wasn't widely seen when released in 1987, but its modest audience was vocally supportive, and this hyperactive comedy has since developed a large and loyal following. It's the story of "Ed" (for Edwina, played by Holly Hunter), a policewoman who falls in love with "Hi" (for H.I. McDonnough, played by Nicolas Cage) while she's taking his mug shots. She's infertile and he's a habitual robber of convenience stores, and their folksy marital bliss depends on settling down with a rug rat. Unable to conceive, they kidnap one of the newsworthy quintuplets born to an unpainted-furniture huckster named Nathan Arizona (Trey Wilson), who quickly hires a Harley-riding mercenary (Randall "Tex" Cobb) to track the baby's whereabouts. What follows is a full-throttle comedy that defies description, fueled by the Coens' lyrical redneck dialogue, the manic camerawork of future director Barry Sonnenfeld, and some of the most inventively comedic chase scenes ever filmed. Some will dismiss the comedy for being recklessly over-the-top; others will love it for its clever mix of slapstick action, surreal fantasy, and homespun family values. One thing's for sure--this is a Coen movie from start to finish, and that makes it undeniably unique. --Jeff Shannon

Dirty Rotten Scoundrels

One s got a sophisticated suave and debonair con act. The other s got...well an act. Together Steve Martin and Michael Caine are Dirty Rotten Scoundrels and they re absolutely ruining the Riviera in this hilarious battle of wits and double-crosses (Boxoffice) that couldn t be more delightful (The Wall Street Journal)! Martin is Freddy Benson a small-time con man sleazing his way through Europe on whatever handouts he can scam. Caine is Lawrence Jamieson an impeccably dressed and high-minded artiste who thinks Freddy is giving him -- and all con men -- a bad name. At first Lawrence agrees to help Freddy spruce up his talents and his wardrobe. But when it becomes apparent that the Riviera isn t big enough for the both of them they make a winner-take-all wager over the fortunes of a naive American soap heiress (Glenne Headly): The first one to clean her out can make the other clear out -- and keep the Riviera and its unsuspecting tourists to himself!Special Features:Audio Commentary with Director Frank Oz Behind-The-Scenes FeaturetteTeaser TrailerOriginal Theatrical TrailerSystem Requirements: Running Time 110 MinFormat: DVD MOVIE Genre: COMEDY Rating: PG UPC: 027616869272 Manufacturer No: 1002729

Freddy Benson (Steve Martin) is a crass, loud American. Laurence Jameson (Michael Caine) is a suave, urbane European. Their common ground is that they both are confidence men, and they meet in a train compartment as Benson is scamming his way across Europe, taking advantage of women's generosity. The two are forced into a rivalry, which culminates in a wager to see who can be the first to bilk $50,000 out of American heiress Janet Colgate (Glenne Headly). Their game of one-upmanship is, of course, brought to ridiculous heights as things progress. Written by Paul Henning (the mind behind such TV shows as Green Acres and The Beverly Hillbillies), Dirty Rotten Scoundrels is an uneven but funny mix of Martin's physical comedy and Caine's oily charms. Martin's first role as cohort is to assume the persona of Ruprecht, the "special" younger brother intended to scare off potential brides. As Ruprecht, he comes off as a cross between The Andy Griffith Show's Ernest T. Bass and Jerry Lewis; hilarious as it is, it doesn't quite fit with the rest of the film. Once the wager is on, though, Martin slips into his overly earnest mode as an American military man suffering from hysterical paralysis, with Caine as a psychologist who takes on his case. All in all, Dirty Rotten Scoundrels (a loose remake of the 1964 film Bedtime Story with David Niven and Marlon Brando) is a droll, intelligent comedy, short on knee slappers but long on comic situations and characterizations. --Jerry Renshaw