Classics

The Complete Thin Man Collection (The Thin Man / After the Thin Man / Another Thin Man / Shadow of the Thin Man / The Thin Man Goes Home / Song of the Thin Man / Alias Nick and Nora)

Almost as welcome as a shaker full of martinis, The Complete Thin Man Collection represents an eagerly awaited DVD milestone for fans of the fizzy MGM movie series. The best film in the series came first: The Thin Man (1934), W.S. Van Dyke's marvelous adaptation of a Dashiell Hammet novel. The movie gods were in a generous mood when they paired William Powell and Myrna Loy as Nick and Nora Charles, the upper-class sophisticates whose sleuthing escapades somehow joined the classic form of the whodunit with the giddyup of screwball comedy. Among the series' many attributes, one of its most radical notions was the idea that a married couple might find each other delightful and view life as a goofy adventure together.

It is common wisdom that the Thin Man sequels adhere to the law of diminishing returns, and while none of the follow-ups reach the diamond level of the first film, all afford pleasures. There's the cocktail-swilling chemistry of Powell and Loy, for one thing, as well as the considerable satisfaction of average movies made during the studio system: the craftsmanship of studio hands, and a gallery of terrific character actors filling in supporting roles. First sequel After the Thin Man (1936) is very good, with the couple in San Francisco and a supporting part for rising player James Stewart. The scenery moves again, to Long Island, for the rather impudently-titled Another Thin Man (1939), which adds baby Nick, Jr., to the mix (a "bad idea," thought Pauline Kael, perhaps a sign of the domestication of the series).

Shadow of the Thin Man (1941) sets the action around a racetrack, and is the last of the series to be directed by the fast-working Van Dyke. The Thin Man Goes Home (1944) finds Nick escorting family to his parents' house for a visit. Song of the Thin Man (1947) engagingly adds a jazz milieu to the Charles's detective work; at this point, Nick, Jr. was played by child star Dean Stockwell. The series stuck with certain staples: the unveiling of the guilty party, a wirehaired terrier named Asta (who became a star in its own right), and booze. When Nick opines, in the first film, that a dry martini should always be shaken to "waltz time," you know why audiences fell in love with these guilt-free comedies. --Robert Horton

The sparkling series featured the irresistible William Powell and Myrna Loy chemistry as husband and wife sleuths who solved murders with the aid of their wire-haired terrier Asta. Set in the glamorous world of 1930s upper-class Manhattan The Thin Man and its sequels established the standard for witty comedy clever dialogue and urbane one upmanship. The 7-Disc set includes THE THIN MAN AFTER THE THIN MAN ANOTHER THIN MAN SHADOW OF THE THIN MAN SONG OF THE THIN MAN THE THIN MAN GOES HOME and the ALIAS NICK & NORA bonus documentary disc.Running Time: 592 min.Format: DVD MOVIE Genre: TELEVISION/CLASSIC UPC: 012569673991 Manufacturer No: 67399

The Music Man (Special Edition)

The Music Man was one of the last great movie musicals from any studio, and it proved to be that rarest of events: a Broadway show that was measurably improved by its transition to the screen. Robert Preston made his musical debut--both live and on film--as "Professor" Harold Hill, the upbeat charlatan who promises to teach a small-town boys band by the "think system." But it's the part Preston was born to play and the one for which he will always be best remembered. Composer Meredith Willson based The Music Man on his own small-town Midwestern boyhood, circa 1912, a quasi-mythical place where the old-maid librarian looks and sings like Shirley Jones. The boy himself is an adorable Ron Howard, lisp-singing "Gary, Indiana." Willson's entire score, featuring a combination of what are now standards, such as "Goodnight My Someone" and "Till There Was You" and show-specific numbers ("Trouble," "76 Trombones"), is never less than infectious. This dazzling special edition is also as bright and sunny as any 4th of July in Iowa could ever hope to be. --Robert Windeler

Meredith Willson's Broadway play is brought to the screen in this musical featuring Preston as Professor Harold Hill, a con artist whose schemes are unmasked by the lovely librarian, Marian (Jones).
Genre: Musicals
Rating: G
Release Date: 1-JUN-2004
Media Type: DVD

Roman Holiday (Special Collector's Edition)

Maybe it doesn't quite live up to its sterling reputation, and maybe the leading man and director were slightly miscast. But who cares? Roman Holiday is the film that brought Audrey Hepburn to prominence, and the world movie audience went weak at the knees. The endlessly charming Hepburn had her first starring role in this sweet romance, playing a European princess on an official tour through Rome. Frustrated by her lack of connection to the real world, she slips away from her protective handlers and goes on a spree, aided by a tough-guy news reporter (Gregory Peck). Director William Wyler, more at home with such heavy-going, Oscar-winning classics as The Best Years of Our Lives and Ben- Hur, doesn't always keep the champagne bubbles afloat, and the Peck role would have fit Cary Grant like a silk glove. But the film is great fun, the location shooting is irresistible, and Hepburn embodies an image of chic style that would rule for the rest of the fifties. No coincidence: she won an Oscar, and so did veteran costume designer Edith Head. --Robert Horton

A princess on an official visit to Rome slips away without notice and falls in love with a newspaperman.
Genre: Feature Film-Comedy
Rating: NR
Release Date: 2-JAN-2007
Media Type: DVD

Singin' in the Rain (Two-Disc Special Edition)

Decades before the Hollywood film industry became famous for megabudget disaster and science fiction spectaculars, the studios of Southern California (and particularly Metro-Goldwyn-Mayer) were renowned for a uniquely American (and nearly extinct) kind of picture known as The Musical. Indeed, when the prestigious British film magazine Sight & Sound conducts its international critics poll in the second year of every decade, this 1952 MGM picture is the American musical that consistently ranks among the 10 best movies ever made. It's not only a great song-and-dance piece starring Gene Kelly, Donald O'Connor, and a sprightly Debbie Reynolds; it's also an affectionately funny insider spoof about the film industry's uneasy transition from silent pictures to "talkies." Kelly plays debonair star Don Lockwood, whose leading lady Lina Lamont (Jean Hagen) has a screechy voice hilariously ill-suited to the new technology (and her glamorous screen image). Among the musical highlights: O'Connor's knockout "Make 'Em Laugh"; the big "Broadway Melody" production number; and, best of all, that charming little title ditty in which Kelly makes movie magic on a drenched set with nothing but a few puddles, a lamppost, and an umbrella. --Jim Emerson

A Hollywood actor who has risen from vaudville to become a silent film star must make the difficult transition to sound.
Genre: Musicals
Rating: G
Release Date: 24-SEP-2002
Media Type: DVD

The Philadelphia Story

Re-creating the role she originated in Philip Barry's wickedly witty Broadway play, Katharine Hepburn stars as the spoiled and snobby socialite Tracy Lord in this sparkling 1940 screen adaptation of The Philadelphia Story, one of the great romantic comedies from the golden age of MGM studios. Applying her impossibly high ideals to everyone but herself, Tracy is about to marry a stuffy executive when her congenial ex-husband (Cary Grant), arrives to protect his former father-in-law from a potentially scandalous tabloid exposé. In an Oscar-winning role, James Stewart is the scandal reporter who falls for Tracy as her wedding day arrives, throwing her into a dizzying state of premarital jitters. Who will join Tracy at the altar? Snappy dialogue flows like sparkling wine under the sophisticated direction of George Cukor in this film that turned the tide of Hepburn's career from "box-office poison" to glamorous Hollywood star. --Jeff Shannon

Katharine Hepburn reprises her triumphant Broadway role as a spoiled heir on the verge of marrying a snoot...but not if her ex-hubby (Cary Grant) and smitten reporter (James Stewart) can help it!

My Fair Lady (Two-Disc Special Edition)

Hollywood's legendary "woman's director," George Cukor (The Women, The Philadelphia Story), transformed Audrey Hepburn into street-urchin-turned-proper-lady Eliza Doolittle in this film version of the Lerner and Loewe musical. Based on George Bernard Shaw's play Pygmalion, My Fair Lady stars Rex Harrison as linguist Henry Higgins (Harrison also played the role, opposite Julie Andrews, on stage), who draws Eliza into a social experiment that works almost too well. The letterbox edition of this film on video certainly pays tribute to the pageantry of Cukor's set, but it also underscores a certain visual stiffness that can slow viewer enthusiasm just a tad. But it's really star wattage that keeps this film exciting, that and such great songs as "On the Street Where You Live" and "I Could Have Danced All Night." Actor Jeremy Brett, who gained a huge following later in life portraying Sherlock Holmes, is quite electric as Eliza's determined suitor. --Tom Keogh

Lerner and Loewe's musical version of 'Pygmalion' about a Covent Garden flower girl who becomes a lady.
Genre: Musicals
Rating: NR
Release Date: 3-FEB-2004
Media Type: DVD

The Taming of the Shrew

Liz and Dick (a.k.a. Elizabeth Taylor and Richard Burton) almost seemed to be importing the psychodramas of their marriage into this 1967 film (of course, the same was true of every film they made together). Adapted from Shakespeare's play and directed by Franco Zeffirelli (Romeo and Juliet) with his usual eye for sumptuousness, this version of Taming features a particularly boisterous, bawdy, fun performance by its stars. Composer Nino Rota--best known for scoring several of Fellini's best-known works--received a National Board of Reviews award for his vivid soundtrack. --Tom Keogh

Elizabeth Taylor and Richard Burton sparkle and amuse as Katharina and Petruchio in William Shakespeare's comic look at male chauvinism and women's lib in the 16th century. Petruchio a poverty-stricken gentleman from Verona journeys to Padua in search of a wealthy wife. There he encounters the fiery Katharina a self-willed shrew who leads Petruchio on a merry chase before he successfully circumvents her attempts to avoid marriage. Their honeymoon becomes a humorous battle of wit and insult with Kate as determined to maintain her independence as Petruchio is to "tame" her. When the embattled couple returns to Padua Kate helps Petruchio win a wager that his is the most obedient of wives. But in reality the shrewish Kate has found a more effective way to dominate her mate.System Requirements:Running Time: 121 Min.Format: DVD MOVIE Genre: TELEVISION/CLASSIC Rating: NR UPC: 043396011090 Manufacturer No: 01109

Sabrina

Audrey Hepburn is the delightful young Sabrina, the daughter of a chauffeur who is hopelessly in love with David Larrabee (William Holden), the playboy younger son in the rich Long Island household her father works for. In order to help her forget her woes, Sabrina is shipped off to cooking school in Paris. While there, she befriends a baron who provides a bit of culture--and the encouragement to snip off her childlike ponytail. Upon her return to New York, Sabrina is transformed into a sophisticated woman, and David is entranced by her. However, his older brother Linus (Humphrey Bogart) has arranged David's marriage to Elizabeth Tyson in order to seal a business merger and thus must steer David away from Sabrina. To do this, Linus takes on the task of wooing her for himself. Full of great dialogue ("A woman happy in love, she burns the soufflé; a woman unhappy in love, she forgets to turn on the oven") and wonderful performances, this film is a romantic masterpiece. Also enjoyable is the 1995 remake, starring Julia Ormond and Harrison Ford. --Jenny Brown

Modern-day Cinderella story in which the daughter of a wealthy family's chauffeur is transformed into a graceful woman, capturing the attention of the sons of the family.
Genre: Feature Film-Comedy
Rating: NR
Release Date: 29-DEC-2004
Media Type: DVD

Astaire & Rogers Ultimate Collector's Edition (Flying Down to Rio / The Gay Divorcee / Roberta / Top Hat / Follow the Fleet / Swing Time / Shall We Dance / Carefree / The Story of Vernon and Irene Castle / The Barkleys of Broadway)

2006 marks the arrival of five Fred Astaire and Ginger Rogers films (Flying Down to Rio, The Gay Divorcee, Roberta, Carefree, and The Story of Vernon and Irene Castle) on DVD after the first five were released in 2005. The big package is this Astaire & Rogers Ultimate Collector's Edition, which contains all 10 films plus a CD, a bonus DVD with the documentary Astaire and Rogers: Partners in Rhythm, press-book replicas, and some other material. If you want the big package with the extra stuff but already bought the five films in 2005, you can get the Astaire & Rogers Partial Ultimate Collector's Edition, which includes everything except the actual discs of those first five films. Or, if you only want the five new films, pick up Astaire & Rogers Collection, Vol. 2 as a bookend to Astaire & Rogers Collection, Vol. 1.

The Astaire-Rogers films mix light romantic comedy (usually centered around mistaken identities and ending, inevitably, in blissful wedding promises) with elegant dinner wear and surreal sets intended to transport '30s audiences away from the Depression to such locales as Rio, Paris, and Venice. The two stars are also aided by a recurring stable of RKO players such as Edward Everett Horton (master of the double-take), Eric Blore, and Helen Broderick. And then there's that sensational dancing set to great songs by the likes of Irving Berlin, George and Ira Gershwin, and Jerome Kern, numbers that are not merely entertaining but also innovative for their time in that they reveal character and advance the plot. Add it all up, and you have a recipe for an irrepressible joie de vivre that practically defines the movie musical.

Flying Down to Rio (1933) headlined Dolores Del Rio and Gene Raymond, but it was the fourth- and fifth-billed stars who would rewrite cinematic history. Astaire and Rogers had limited screen time, but were still able to establish many of the trademarks of their later films. The heart of the film is "The Carioca," a company dance extravaganza in which they take the floor together for the first time; their eyes meet and their foreheads touch. Their dance lasts only a few minutes, but it was the highlight of the film and audiences wanted more. The Gay Divorcee (1934) is their best early picture, a loose adaptation of Astaire's stage show, 'The Gay Divorce.' The only song retained for the movie is Cole Porter's smash hit "Night and Day," which is the setting for a sublime pas de deux between Fred and Ginger. The closer is the sprawling 17-minute ensemble number "The Continental." Roberta (1935) was a step backward, with too much time spent on 1930s Parisian fashion and the romance between top-billed Irene Dunne (who gets the best Jerome Kern ballads, "Yesterdays" and "Smoke Gets in Your Eyes") and Randolph Scott. But as the second-banana couple Astaire and Rogers still get a tap battle, a romantic duet, and plenty of comic banter.

With a score by Irving Berlin, Top Hat (1935) is most famous for two numbers, Astaire's definitive tuxedo setting "Top Hat, White Tie, and Tails" and the feathery duet "Cheek to Cheek." But other joys include Astaire's "Fancy Free" declaration, "Isn't It a Lovely Day," and the grand finale "The Piccolino." Follow the Fleet (1936) changes the pace a bit, with Astaire playing a sailor, and it suffers from making him and Rogers the second-banana couple to the dull Randolph Scott and Harriet Hilliard. But it still has plenty of laughs and some classic Irving Berlin numbers, including "Let Yourself Go," which Rogers sings before she and Astaire compete in a dance contest; a Rogers solo tap number; "I'm Putting All My Eggs in One Basket," their best comic dance. The pièce de résistance is "Let's Face the Music and Dance," a show within a show in which the pair dons their customary evening formals. Effortlessly flowing from pantomime to song to dance, this sublime piece of storytelling is one of the series' defining moments. Maybe their most enjoyable picture, Swing Time (1936) features the set-piece "Pick Yourself Up," in which Rogers "teaches" Astaire to dance before they break into a spectacular number; the farewell ode "Never Gonna Dance," and the Oscar-winning "Just the Way You Look Tonight," from the team of Jerome Kern and Dorothy Fields.

Shall We Dance (1937) has a complex plot that has Astaire and Rogers actually getting married before the final credits roll, and turns George and Ira Gershwin's brilliant "They Can't Take That Away from Me" into a heartbreaking ode. Other great songs include "Slap That Bass," "They All Laughed," and "Let's Call the Whole Thing Off," unforgettably performed on roller skates. The eighth and ninth entries in the series tried some different approaches, with the underrated Carefree (1938) more of a comedy vehicle for Ginger (yet still including some fine dances and Irving Berlin songs as well as their first onscreen kiss) and The Story of Vernon and Irene Castle (1939) portraying the pair as historical dancing stars and using a score of turn-of-the-century standards. The Barkleys of Broadway (1949) is the oddity, reuniting the stars 10 years after their last RKO picture when Judy Garland had to be replaced due to health problems. It's trademark MGM: splashy colors, Fred in a gimmicky solo number (playing sorcerer's apprentice to a line of unoccupied shoes), Oscar Levant providing his usual dynamic pianism and acerbic personality, and a score that is at its best when it borrows songs from a previous generation (including the big ballroom number set to "They Can't Take That Away from Me"). The film falls short of their best work, but serves as a fond remembrance of the most glorious partnership in film history. --David Horiuchi

Top Hat:Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.Swing Time:Lucky is tricked into missing his wedding to Margaret by the other members of Pop's magic and dance act and has to make $25000 to be allowed to marry her. He and Pop go to New York where they run into Penny a dancing instructor. She and Lucky form a successful dance partnership but romance is blighted (till the end of the film at least!) by his old attachment to Margaret and hers for Ricardo the band leader who won't play for them to dance together.DVD Features:Available Subtitles: English Spanish FrenchAvailable Audio Tracks: English (Dolby Digital 1.0)Includes:Flying Down to Rio (1933)The Gay Divorcee (1934)Roberta (1935)Top Hat (1935)Follow the Fleet (1936)Swing Time (1936)Shall We Dance (1937)Carefree (1938)The Story of Vernon and Irene Castle (1939)The Barkleys of Broadway (1949)Astaire and Rogers: Partners in Rhythm (bonus disc)Soundtrack CD samplerCollectible photo cardsReplicas of original press booksMail-in poster offerFormat: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: UNRATED UPC: 012569829459 Manufacturer No: 82945

It Happened One Night

Director Frank Capra (Mr. Smith Goes to Washington) took home every Oscar in the book (well, okay, all the major ones) for this seminal 1934 comedy starring Clark Gable as a hard-bitten reporter who stays close to a runaway heiress (Claudette Colbert) rather than lose a good story. Funny and sexy, the film is full of memorable scenes often referred to in other films, such as the "walls of Jericho" (a mere bedcover hung on a line down the middle of a room so opposite-sex roommates can get undressed), and Colbert's famous flash of thigh to stop a speeding car in its tracks. Capra's brisk, urbane brand of wit was a perfect complement to his populist faith in the common man (in this case, Gable's character), and that inspired combination makes this film both a spirited entertainment and an uplifting experience. --Tom Keogh