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Ferris Bueller's Day Off Bueller...Bueller... Edition (Special Collector's Edition)

Like a soda pop left open all night, Bueller seems to have lost its effervescence over time. Sure, Matthew Broderick is still appealing as the perennial truant, Ferris, who fakes his parents out and takes one memorable day off from school. Jeffrey Jones is nasty and scheming as the principal who's out to catch him. Jennifer Grey is winning as Ferris's sister (who ends up making out in the police station with a prophetic vision of Charlie Sheen). But there's a definite sense that this film was of a particular time frame: the '80s. It's still fun, though. There's Ferris singing "Twist and Shout" during a Chicago parade, and a lovely sequence in the Art Institute. But don't get it and expect your kids to love it the way you did. Like it or not, it's yours alone. --Keith Simanton

"Bueller…Bueller…?" Sorry, not here! Instead, high-schooler Ferris Bueller (Mathew Broderick), his girlfriend Sloane (Mia Sara), and his best bud Cameron (Alan Ruck) are off on the spontaneous romp through Chicago known as Ferris Bueller's Day Off. You'll also enjoy righteous bonus materials that give you an insider's peek at this hilarious comedy hit from John Hughes (Planes, Trains & Automobiles, Sixteen Candles). So, barf up a lung, forge a "sick note" from the parents, and tag along on the funniest adventure to ever sweep through the Windy City. What are you still doing here? Save Ferris!

Annie Hall

Annie Hall is one of the truest, most bittersweet romances on film. In it, Allen plays a thinly disguised version of himself: Alvy Singer, a successful--if neurotic--television comedian living in Manhattan. Annie (the wholesomely luminous Dianne Keaton) is a Midwestern transplant who dabbles in photography and sings in small clubs. When the two meet, the sparks are immediate--if repressed. Alone in her apartment for the first time, Alvy and Annie navigate a minefield of self-conscious "is-this-person-someone-I'd-want-to-get-involved-with?" conversation. As they speak, subtitles flash their unspoken thoughts: the likes of "I'm not smart enough for him" and "I sound like a jerk." Despite all their caution, they connect, and we're swept up in the flush of their new romance. Allen's antic sensibility shines here in a series of flashbacks to Alvy's childhood, growing up, quite literally, under a rumbling roller coaster. His boisterous Jewish family's dinner table shares a split screen with the WASP-y Hall's tight-lipped holiday table, one Alvy has joined for the first time. His position as outsider is uncontestable he looks down the table and sizes up Annie's "Grammy Hall" as "a classic Jew-hater."

The relationship arcs, as does Annie's growing desire for independence. It quickly becomes clear that the two are on separate tracks, as what was once endearing becomes annoying. Annie Hall embraces Allen's central themes--his love affair with New York (and hatred of Los Angeles), how impossible relationships are, and his fear of death. But their balance is just right, the chemistry between Allen's worry-wart Alvy and Keaton's gangly, loopy Annie is one of the screen's best pairings. It couldn't be more engaging. --Susan Benson

Considered to be "Woody Allen's breakthrough movie" (Time), Annie Hall won* four OscarsÂ(r), including Best Picture, and established Allen as the premier auteur filmmaker. Thought by many critics to be Allen's magnum opus, Annie Hall confirmed that he had, "completed the journey from comic to humorist, from comedy writer to wit [and] from inventive moviemaker to creative artist" (Saturday Review). Alvy Singer (Allen) is one of Manhattan's most brilliant comedians, but when it comes to romance, his delivery needs a little work. Introduced byhis best friend, Rob (Tony Roberts), Alvy falls in love with the ditzy but delightful nightclub singer, Annie Hall (Diane Keaton). When his own insecurities sabotage the affair, Annie is forced to leave Alvy for a new lifeand lover (Paul Simon)in Los Angeles. Knowing he may have lost Annie forever, Alvy's willing to go to any lengthseven driving L.A.'s freewaysto recapture the only thing that ever mattered'true love. *1977: Picture; Actress (Keaton); Director; Original Screenplay

You've Got Mail

Neigborhood bookstore rivals unwittingly become e-mail pen pals in this charming remake of The Shop Around the CornerRunning Time: 119 min.System Requirements:ACTORS Jane Adams Reiko Aylesworth Michael Badalucco Heather Burns David Chappelle Dabney Coleman Elwood Edwards Kate Finneran Tom Hanks Hallie Hirsh Greg Kinnear Parker Posey John Randolph Meg Ryan Katie Sogona Howard Spiegel Jean Stapleton Steve Zahn LENGTH 2 hrs RATING PG ComedyFormat: DVD MOVIE Genre: COMEDY Rating:  UPC: 085391695424 Manufacturer No: 16954

By now, Tom Hanks and Meg Ryan have amassed such a fund of goodwill with moviegoers that any new onscreen pairing brings nearly reflexive smiles. In You've Got Mail, the quintessential boy and girl next door repeat the tentative romantic crescendo that made Sleepless in Seattle, writer-director Nora Ephron's previous excursion with the duo, a massive hit. The prospective couple do actually meet face to face early on, but Mail otherwise repeats the earlier feature's gentle, extended tease of saving its romantic resolution until the final, gauzy shot.

The underlying narrative is an even more old-fashioned romantic pas de deux that is casually hooked to a newfangled device. The script, cowritten by the director and her sister, Delia Ephron, updates and relocates the Ernst Lubitsch classic, The Shop Around the Corner, to contemporary Manhattan, where Joe Fox (Hanks) is a cheerfully rapacious merchant whose chain of book superstores is gobbling up smaller, more specialized shops such as the children's bookstore owned by Kathleen Kelly (Ryan). Their lives run in close parallel in the same idealized neighborhood, yet they first meet anonymously, online, where they gradually nurture a warm, even intimate correspondence. As they begin to wonder whether this e-mail flirtation might lead them to be soul mates, however, they meet and clash over their colliding business fortunes.

It's no small testament to the two stars that we wind up liking and caring about them despite the inevitable (and highly manipulative) arc of the plot. Although their chemistry transcended the consciously improbable romantic premise of Sleepless, enabling director Ephron to attain a kind of amorous soufflé, this time around there's a slow leak that considerably deflates the affair. Less credulous viewers will challenge Joe's logic in prolonging the concealment of his online identity from Kathleen, and may shake their heads at Ephron's reinvention of Manhattan as a spotless, sun-dappled wonderland where everybody lives in million-dollar apartments and color coordinates their wardrobes for cocktail parties. --Sam Sutherland

Friday (New Line Platinum Series)

Friday is the rarest specimen of African American cinema: a 'hood movie refreshingly free of the semiseriousness and moralism of shoot 'em up soaps such as Boyz N the Hood, yet still true to the inner-city experience.

Scripted by rapper Ice Cube, Friday is a no-frills tale of a typical day in the life of a pair of African American youth in South Central. Cube plays Craig, a frustrated teen who endures the ultimate humiliation: getting fired on his day off. Then unknown Chris Tucker plays Smokey, a marijuana-worshipping homeboy whose love for the green stuff lands him in predicament after predicament.

Sitting on the stoop of Craig's rundown home, the two hilariously confront a kaleidoscopic array of gangbangers, weed dealers, crack heads, prostitutes, scheming girlfriends, and neighborhood bullies--all of whom, it should be noted, come off as sympathetic even as they are being caricatured, a true achievement in the crass, "booty call" environment of '90s African American comedy. --Ethan Brown

A youth tries to survive life in L.A.'s hip-hoppin' South Central 'hood. Includes two music videos from the #1 hit soundtrack. Starring Chris Tucker and Ice Cube.

DVD Features:
Deleted Scenes
Interviews
Music Video
Production Notes
Theatrical Trailer

Big

A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom Keogh

Home Alone 2 - Lost in New York

This somewhat unpleasant 1992 sequel to the blockbuster Home Alone revisits the first film's gimmick by stranding Macaulay Culkin's character in New York City while his family ends up somewhere else. Again, the little guy meets up with colorful people on the margins of society (including a pigeon woman played by Brenda Fricker) and again he gets into a prop-heavy battle with Joe Pesci and Daniel Stern. The latter sequence is even worse than the first film in terms of violence inflicted on the two villains (director Chris Columbus, who also made the first film, can't seem to emphasize the slapstick over the graphic effects of the fight). The best running joke finds a concierge (Tim Curry) at the swank hotel where Culkin is staying trying and failing to prove that the boy is on his own. --Tom Keogh

Kevin McCallister (Macaulay Culkin) is back! But this time he's in New York City with enough cash and credit cards to turn the Big Apple into his own playground! But Kevin won't be alone for long. The notorious Wet Bandits, Harry and Marv (Joe Pesci and Daniel Stern), still smarting from their last encounter with Kevin, are bound for New York too, plotting a huge holiday heist. Kevin's ready to welcome them with a battery of booby traps the bumbling bandits will never forget!

The Goodbye Girl

Richard Dreyfuss as a struggling actor and Marsha Mason as an even more struggling actress/dancer/mother deliver comedy repartee and bitter-to-best romance in Neil Simon's lustrous charmer featuring Dreyfuss' Academy Award-winning Best Actor performance.Running Time: 112 min.Format: DVD MOVIE Genre: COMEDY Rating: PG UPC: 012569504820

The Goodbye Girl is a bittersweet comedy about relationships and taking chances. Though it deals with the human condition, what most quickly comes to mind are those wickedly comedic scenes featuring Richard Dreyfuss in an Oscar-winning role. He plays a struggling actor with a sharp tongue who has sublet an apartment from single mom Marcia Mason, a divorcée with horrific taste in men, who are always running out on her. She is left high and dry once more, stuck sharing her apartment with Dreyfuss when he hasn't the heart to enforce his lease and toss out mother and daughter.

Neil Simon's play shines under the direction of Herbert Ross as these two mismatched people find their contempt changing into mutual admiration. Quinn Cummings is more interesting than most precocious child stars; she seems brighter and her manner is prickly instead of cloying. Watch this film just for the scene in which Dreyfuss plays Richard III in an off-off-Broadway play. He lisps, he limps, he screams. It is the worst theater you will ever see--and thoroughly hilarious. --Rochelle O'Gorman

A Fish Called Wanda

Kevin Kline took home an Oscar for his performance as a self-absorbed lothario who prepares for lovemaking by drinking in his own "manly" musk, but it would be hard to single him out as the best thing about the film. The fact is, the entire cast of this hilarious comedy is perfect: John Cleese as the conservative barrister defending a member of sexy Jamie Lee Curtis's gang, Ms. Curtis as the conniving crook out to grab the haul for herself, and Michael Palin as the stuttering, animal-loving hit man whose attempts to murder a little old lady only decrease the size of her poodle pack. Cleese cowrote the zingy script with British comedy veteran Charles Crichton (The Lavender Hill Mob), whose smooth direction balances Monty Python farce, hysterically tasteless gags, and an unexpectedly romantic subplot with style and confidence. --Sean Axmaker

Tour-de-force performances from an unparalleled comic cast highlight this much-loved hit that Roger Ebert calls "the funniest movie I have seen in a long time!" Monty Pythoners John Cleese and Michael Palin (Search For The Holy Grail, The Meaning Of Life) join OscarÂ(r) winner* Kevin Kline (In & Out) and Jamie Lee Curtis (True Lies) in an entertainment so impeccably timed and executed that Time Magazine hailed it as: "Geniu[a film that] Redefines a great comic tradition!" Four conniving jewel thieves...three Yorkshire terriers...two heaving bosoms and one proper British barrister. It all adds up to "a non-stop barrage of...outrageous plot twists and over-the top performances" (L.A. Weekly) when a girl called Wanda (Curtis) tries to deceive her Nietzche-quoting boyfriend (Kline), an animal-loving hitman (Palin) and an embarrassment-prone counselor (Cleese) out of a fortune in jewels in this hilariously funny farce! *1988: Best Supporting Actor, A Fish Called Wanda

Splash (20th Anniversary Edition)

Tom Hanks was a relatively unknown TV actor with a sitcom as his biggest credit when relatively unknown director Ron Howard (best known for his own sitcom acting) cast him in this surprise hit. It made stars of Hanks, Daryl Hannah, and John Candy and an A-list director out of Howard. Hannah is a mermaid who comes to Manhattan in search of Hanks, the guy she has twice saved from drowning. Hanks runs a business with his lovable blowhard brother (Candy), whose goal in life is to have a letter published in Penthouse. When this perfect woman shows up, Hanks can't believe his luck and plunges into a dizzyingly romantic relationship, unaware of her sea-water secret. But the mermaid needs to soak and unfurl her tail from time to time, which leads to complications, including her capture by the government for scientific study (what else?). Hanks is winningly charming and Hannah is a perfect match in this enjoyably high-spirited comedy, though the biggest laughs belong to Candy. --Marshall Fine

Don't let this spectacular 20th Anniversary Collector's Edition be the one that got away! Academy Award(R) winner Tom Hanks (1994 Best Actor, FORREST GUMP) stars as Allen Bauer, a workaholic who's convinced he can't fall in love. That is, until he's mysteriously rescued at sea by the mermaid of his dreams! Soon Allen and Madison (Daryl Hannah, KILL BILL) are swept away by hilarious and heartwarming romance. Academy Award(R) winner Ron Howard (2001 Best Director, A BEAUTIFUL MIND) directs a star-studded cast, including Eugene Levy (BRINGING DOWN THE HOUSE, AMERICAN PIE), and hilarious John Candy (HOME ALONE) in a magical tale that now includes all-new bonus features.

The Out-of-Towners

Arthur Hiller (Love Story) directed the film adaptation of Neil Simon's curious comedy about a pair of non-New Yorkers (Jack Lemmon and Sandy Dennis) having a hellish visit to the Big Apple on the eve of a job interview for Lemmon's character. Made in 1970, this hectic film almost seems ahead of its time when compared to more recent misery-piled-on-misery comedies such as Planes, Trains, and Automobiles. The couple in this film endure everything that can go wrong on a trip, including being forced to spend the night in a mugger-happy Central Park. The strange element in Simon's script, though, is that Lemmon's character is so unpleasant. A middle-class, uptight guy who can't believe that New Yorkers in the service profession don't perform their jobs slavishly, he's kind of a one-note joke that quickly wears thin. Remade with Steve Martin and Goldie Hawn. --Tom Keogh