Blaxploitation

Pootie Tang

Pootie Tang pushes blaxploitation to the point of surrealism. The title character--who first appeared on The Chris Rock Show--speaks a kind of slang on steroids, an incomprehensible stream of nonsense syllables that nonetheless makes him irresistible to women and a threat to evildoers everywhere. Pootie is part movie star, part superhero, righting wrongs with the slap of his daddy's belt. But when an evil corporation uses a super-ho named Ireenie (Jennifer Coolidge from Best in Show and Legally Blonde) to steal this magic belt, Pootie must find himself again. In the title role, Lance Crouther glides through the movie like Isaac Hayes's skinny younger brother, while Chris Rock lends his trademark bark to multiple roles, including Pootie's father. Crazed editing and a great soundtrack give Pootie Tang a little extra oomph. A bizarre comedy, likely to develop a cult following. Cameos by Missy Elliot and Bob Costas. --Bret Fetzer

Coffy

In the opening minutes of Coffy, Pam Grier's star-making role, she blasts the skull of a sleazy drug pusher into pulp like a watermelon and shoots his junkie assistant with an overdose of heroin. Jack Hill knows how to open a movie, and he never lets up on the down-and-dirty action. Coffy is an emergency room nurse by day and vigilante by night, targeting the dealers who made her sister a comatose junkie. She works her way up to the Italian mobsters muscling into the ghetto drug trade while she's romanced by glib, smooth-talking politician Booker Bradshaw and wooed by nice-guy cop William Elliot, whose refusal to sell out to the corrupt force earns him a crippling beating.

There's plenty of sex, a catty girl-fight that leaves the losers topless, and car chases and shootouts galore, but what makes Coffy a blaxploitation classic is Grier's Amazonian presence and fiery charisma, and the gritty, low-budget action scenes marked by visceral, wincing violence. Mob strong-arm Sid Haig (Spider Baby) cackles while dragging his victim (a strutting peacock pimp played by Nashville's Robert DoQui) behind a speeding car in a sadistic lynching, and Grier runs down one bad guy with a speeding car and takes care of another with a shotgun to the groin. Hill had previously directed Grier in The Big Doll House and The Big Bird Cage. Their next and last picture together, Foxy Brown, was originally written as the sequel to Coffy. --Sean Axmaker

She's the ultimate tough and sexy heroine. She's Soul Cinema superstar Pam Grier and whether delivering her justice with a shotgun a razor or just her bare hands she doesn't miss a beat in this "smashing no-holds-barred tale of retaliation" (Variety)! Nobody ever commandeered the screen quite like Pam Grier...and Coffy "couldn t be better! [It's] one of the most entertaining movies ever made"(Quentin Tarantino)!Grier is Coffy nurse by day and avenging angel by night. When she discovers that her little sister has been doped up and freaked out by a greedy drug pusher she not only puts an end to his miserable days but she vows to follow his trail of corruption up to the top the very top. But what Coffy doesn't realize is that all is not as it seems and that the leafy green behind the pushers' scene just may come from someone she knows!System Requirements:Running Time: 90 Min.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 027616857835 Manufacturer No: 1001463

Foxy Brown

Foxy Brown is a sexy black woman who seeks revenge when her government agent boyfriend Michael is shot down by gangsters led by a kinky couple.
Genre: Feature Film Urban Action
Rating: R
Release Date: 9-JAN-2001
Media Type: DVD

Pam Grier, the voluptuous queen of blaxploitation movies (and the foxy title character of Quentin Tarantino's Jackie Brown) reigns supreme in this kick-ass action flick. Bodacious nurse Foxy takes the law into her own hands after her main squeeze is murdered in cold blood. The standard revenge plot of Foxy Brown moves along on fast-forward, and the violence ratio (some of it quite gruesome) is high. Director Jack Hill, a master of the low-budget drive-in movie (Switchblade Sisters), made Coffy with Pam Grier the year before. This one's not quite as much fun, but it is decidedly kinkier, and the parade of 1970s fashion crimes is mind expanding. At one crucial moment Foxy saves herself by pulling a concealed revolver out of her mighty Afro--absolutely one of the high points of blaxploitation cinema. --Robert Horton

Cleopatra Jones

Special agent Cleopatra Jones (Tamara Dobson), six feet two inches of sinewy fighting fury clad in layers of runway chic fashions in bright rainbow colors, strolls up a sand dune and orders the destruction of a Turkish poppy field. Thousands of miles away, an L.A. drug lord named Mommy (Shelley Winters hamming it up with garish wigs and lecherous leers) screeches as her life blood burns away and lures Cleopatra stateside to plot her demise. A product of the "blaxploitation" explosion of low-budget thrillers featuring black heroes in the 1970s, Cleopatra Jones may not be the best of the batch but revels in the most outrageous fashion sense. Cleo looks great in furs, pantsuits, ponchos, turbans--a new outfit every scene--and drives a sleek black Corvette with a personalized license plate: "CLEO." It's a shame that the producers dropped the exotic potential of a globetrotting super-agent for an L.A.-bound gangster film, which is entertaining in a comic-book way but rarely reaches the energetic levels of the gritty Pam Grier action pictures Coffy and Foxy Brown. Bernie Casey is a role model of dignity and action as a neighborhood activist, and a garishly overdressed Antonio Fargas delivers a suitably flamboyant performance as Mommy's pusher Doodlebug. The glamorous super-agent flew off to Hong Kong for the 1975 sequel, Cleopatra Jones and the Casino of Gold. --Sean Axmaker

A Turkish poppy field is torched - and a U.S. drug trafficker known as Mommy is feeling pretty burned. She phones the local cops she owns and orders a retaliatory strike on an inner-city antidrug headquarters. Mommy's next call should be to 911. For now she'll have to mess with Cleopatra Jones. Mommy is relentless in her vendetta - but Cleo responds with catlike karate stealth. Year: 1973Running Time: 89 min.System Requirements:Starring: Tamara Dobson et al. Edition Details: Region 1 encoding (for use in US and Canada only) Color Closed-captioned Widescreen Special Edition Number of discs: 1 Format: DVD MOVIE Genre: ACTION/ADVENTURE/THRILLERS Rating:  UPC: 085391127529

Shaft

Gordon Parks (The Learning Tree) directed this 1971 detective story about John Shaft (Richard Roundtree), an African American private eye who has a rocky relationship with cops, an even rockier one with Harlem gangsters, and a healthy sex life. The script finds Shaft tracking down the kidnapped daughter of a black mobster, but the pleasure of the film is the sum of its attitude, Roundtree's uncompromising performance, and the thrilling, Oscar-winning score by Isaac Hayes. Parks seems fond of certain detective genre clichés (e.g., the hero walking into his low-rent office and finding a hood waiting to talk with him), but he and Roundtree make those moments their own. Shaft had a couple of sequels and a follow-up television series, but none had the impact this movie did. --Tom Keogh

Dolemite

Who's the baddest motherf****r to blow onto blaxploitation screens? Forget Shaft and just ask X-rated comic and "godfather of rap" Rudy Ray Moore. He'll give you the gospel of Dolemite. Street hustler, pimp, and all-around ghetto superhero Dolemite began life as a character in Moore's nightclub act and was a natural character for his self-financed film debut, a revenge tale set on the corrupt streets of L.A.

Dolemite is sprung from prison by an impossibly understanding warden so he can find the drug-dealing, gun-smuggling crooks who framed him. With the help of his all-girl army of kung fu killers and the most flamboyant wardrobe this side of Cher, he lays waste to dozens of bad guys while spouting his funky raps. Thick, slow and sleepy, Moore is neither a natural actor not a convincing martial arts action hero, but his lazy line deliveries are great, lyrical cascades of four-letter words and "ghetto expressions," and he performs two of his most famous stand-up raps, "Shine and the Great Titanic" and "The Signifying Monkey."

Dolemite is not a particularly competent movie--the direction (by costar D'Urville Martin) is clumsy, the performances flat, and microphones peek in from time to time (get that video letterboxed, Xenon!)--but the outrageous mix of nightclub rap, kung-fu action, and Moore's four-letter dialogue turned it into an instant urban hit and has kept it alive as a cult classic. Dolemite returns in The Human Tornado. The DVD also features clips from the documentary The Legend of Dolemite and the complete lyrics to his raps. --Sean Axmaker

Cotton comes to Harlem

One of the most influential Soul Cinema pix ever to shoot onto the screen Cotton Comes To Harlem spawned the blaxploitation boom by delivering a "refreshingly different detective action yarn with soul and humor" (Cue) and an unbeatable mix of "fast-paced adventure [and] comic lunacy" (Pacific Film Archive). Detectives "Gravedigger" Jones (Godfrey Cambridge) and "Coffin Ed" Johnson (Raymond St. Jacques) are on the case and in everyone's face when they investigate Rev. Deke O'Malley (Calvin Lockhart) a brother whose "Back To Africa" campaign is nothing more than a big scam for bigga' bucks. But when $87000 of O'Malley's laundered cash gets stashed in a bail of cotton Gravedigger and Coffin find they're not the only dudes suddenly interested in soaring cotton prices! Trailing the bale all over Harlem the detectives come up against the mafia the police black militants and more in an all-out dash to nab the $87000 cash and to 86 anyone who stands in the way!System Requirements:Running Time: 96 Min.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 027616857842 Manufacturer No: 1001464

Based on Chester Himes's novel, this film marked actor-writer Ossie Davis's directing debut. Godfrey Cambridge and Raymond St. Jacques play Himes's volatile police detectives, Gravedigger Jones and Coffin Ed Johnson, who are on the trail of white men who pulled an armed stickup at a Back to Africa rally in Harlem. The money belongs to the poor people who paid for a chance to return to the motherland--but was it really a stickup? Or is the flashy preacher at the center of the Back to Africa movement (Calvin Lockhart) involved in a scam to rip off his own people? The plot drags; the best part of the film are the performances (as well as spotting cameos by such actors as the then-unknown Cleavon Little) and the on-location shooting in parts of New York where a camera had rarely ventured previously. Redd Foxx shows up in a small part as a ragpicker that led to his role in TV's Sanford and Son. --Marshall Fine

Black Mama, White Mama

Pam Grier in a women-in-prison movie? Why did no one think of this sooner? OK, they did. Several times. But this one is different. Black Mama, White Mama is a bizarre update of The Defiant Ones with a little Cool Hand Luke and Chained Heat thrown in for good measure. Grier stars as Lee Daniels, a pimp-and-drug-lord's moll who's looking for a way to escape both prison and her thug boyfriend. The dynamic Margaret Markov ably backs her as rich-girl-turned-revolutionary Karen Brent. The two meet in the friendliest Third World prison ever (Tickling games in the shower! What girlish fun!), and before you can say catfight they're chained together at the wrist. A quick prison break later, our feisty ladies are being chased all over the undefined tropical island by the police, revolutionaries, and dueling pimps. Director Jonathan Demme shares the story credit for this one, and his craftsmanship shows--Black Mama, White Mama hits every mandatory facet of the genre, including butt kicking, gunfire, an Evil Lesbian Prison Guard, gratuitously scanty clothing, and dressing up as nuns. Absolutely not to be missed. --Ali Davis

"A genre all by herself" (Voice), Pam Grier tacklesand shacklesher sleekest role yet as the feistier half of a pair of women in chains and on the run in this "colorful, outrageous and truly exciting" action flick (The Hollywood Reporter)! Grier is Lee Daniels, a prostitute doing hard time in an island prison camp for women where the guards have a new way to punish inmates who fight: by cuffing 'em together! Chained to her bitter rival, white revolutionary Karen (Margaret Markov), Lee finds herself literally linked to the revolutionary causeand on the flywhenKaren's guerrilla friends stage a coup! But this foxy inmate's got a cause of her own in the form of a secret stash of cold, hard cash and a getaway boat! Brawling with her white counterpart over which way to go, and tracked like a dog by guards, guerrillas and a gangster after the loot, she's gotta make her escapebefore both mamas' enemies bring them down for good!

Hell Up In Harlem

Fred Williamson returns as Tommy Gibbs, the self-styled Godfather of Harlem in Larry Cohen's quickly made sequel to the low-budget Black Caesar. The film opens with a different perspective on the finale from the earlier film, this time with Gibbs surviving an assassination attempt with the help of his estranged father (Julius Harris), who becomes Tommy's new chief lieutenant in his rebuilt organization. Tommy takes his revenge on those who set him up but faces a new threat from within as the corrupt DA partners with an ambitious gang member to take Tommy down. It's not going to be as easy as they think. Shooting on NYC streets and locations, Cohen punches up the slim rise-and-fall/revenge story line with gritty action, a driving pace, and edgy, always-on-the-move, hand-held camera work. The production feels rushed at times and the performances don't have the energy of the previous film, but Cohen doesn't give you much time to think about it with his speeding plot and machine-gun editing, moved along nicely with help from Edwin Starr's funky score. --Sean Axmaker

Tougher than Shaft and smoother than Superfly, this high-voltage sequel to Black Caesar explodes with enough action to incinerate New York City. Packed with machine-gun mayhem and riveting adventure, Hell up in Harlem is nothing less than a modern-day tribute to the classic 30s gangster film. Fred Williamson (Original Gangstas) is Tommy Gibbs, a fearless, bulletproof tough guy who blasts his way from the gutter to become the ultimate soul brother boss. When he steals a ledger with the name of every crooked cop and official on the mob's payroll, he becomes the most hunted man in the city. Enlisting the aid of his father and an army of Harlem hoods, Gibbs goes from defense to offense, launching a deadly attack on his enemies that sets off a violent chain reaction from Harlem all the way to the Caribbean, climaxing in one of the hottest turf-war shoot-outs in Hollywood history.

The Human Tornado

In this sequel to the smash hit "Dolemite" Rudy Ray Moore is on the run from a redneck sheriff who has caught Dolemite with his woman.DVD Special Features:Original 1970s radio spots and restored theatrical trailer trivia game location tour with Rudy Ray Moore Dolby Surround encoded animated menus and much Moore!System Requirements: Running Time 86 MinFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 000799100820 Manufacturer No: 23205