Cult Directors

Twin Peaks - The Definitive Gold Box Edition (The Complete Series)

Twin Peaks was created by David Lynch and Mark Frost. The show was set in the fictional town of Twin Peaks in northeast Washington state and tells the story of FBI Special Agent Dale Cooper and his investigation of the murder of a popular local teenage schoolgirl Laura Palmer.System Requirements:TRT: 1501 Mins. Genre: TELEVISION/SERIES & SEQUELS UPC: 097361309040 Manufacturer No: 130904

Season 1
Twin Peaks devotees, who have kept the mystery alive on myriad Web sites, will jump at the chance to return to the spooky town that might just be the anti-Mayberry. Rarely syndicated, the Twin Peaks television series has lost none of its quirky and queasy power to get under your skin and haunt your dreams. So brew up a pot of some "damn fine coffee," dig into some cherry pie, and lose yourself in David Lynch and Mark Frost's murder mystery and soap opera, which unfolds, in one character's words, "like a beautiful dream and terrible nightmare all at once." Twin Peaks was a pop culture phenomenon for one season at least, until the increasingly bizarre twists and maddening teases so confounded audiences that they lost interest in just who killed Laura Palmer (Sheryl Lee). This series was a career peak for most of its eclectic ensemble cast, including Kyle MacLachlan as straight-arrow FBI Special Agent Dale Cooper, Michael Ontkean as local Sheriff Harry S. Truman, Sherilyn Fenn as bad girl Audrey Horne, Peggy Lipton as waitress Norma Jennings, and Catherine Coulson as the Log Lady. Alumni enjoying current success include Lara Flynn Boyle ("The Practice"), as good girl Donna Hayward, and Miguel Ferrer ("Crossing Jordan"), hilarious as forensics expert Albert Rosenfield (who has absolutely no "social niceties").--Donald Liebenson

Season 2
"Don't search for all the answers at once," says a giant appearing to FBI Agent Cooper (Kyle MacLachlan) in a vision. "A path is formed by laying one stone at a time." In Twin Peaks, that's easier said than done. Over the course of two seasons, that path went nowhere and everywhere. "Bureau guidelines, deductive technique, Tibetan method, and luck" don't cut it here. It also takes a little magic, which is what makes David Lynch and Mark Frost's bracingly original serial drama one of TV's ultimate trips, and still the stuff that fever dreams are made of. With the DVD release of season 2, die-hard Peakers can rekindle their obsession with this macabre, maddening, sinister, and surreal series set in the rural Pacific Northwest community whose bucolic surroundings hide "things dark and heinous." (If you're new to Twin Peaks, best to get the lay of the land by watching the brilliant feature-length pilot and the instant-cult-classic first season, which capture Twin at its peak.) Three main mysteries drive season 2. First, there's the still (!) unresolved murder of Laura Palmer (Sheryl Lee). Then, there's the question of who shot Cooper in the season 1 cliffhanger. And finally, ultimately: What about Bob? With its dream logic, bizarre behavior, and nightmare imagery, much of what transpires goes right by you. Some subplots (Sherilyn Fenn's sexpot Audrey held captive at the bordello, One-Eyed Jacks) are easier to latch on to than others (amnesiac Nadine believes she's an 18-year-old high schooler) And, yes, that's a pre-X-Files David Duchovny as Dennis/Denice, a transsexual DEA agent.

In Twin Peaks' second season, the truth is out there, but we are entering A Few Good Men territory. When Laura's killer is at last revealed in episode 16, no doubt many will not be able to handle the truth. The teases, red herrings, and out-and-out gonzo looniness will try the patience of viewers with a more conventional bent. But, as Cooper observes at one point, "All in all, [it's] a very interesting experience," with enough doppelgangers, allusions, pop-culture references, and in-jokes to keep bloggers buzzing. If, for example, you get any pleasure from recognizing Hank Worden, who played Mose in The Searchers, as "the world's most decrepit room service waiter," then Twin Peaks may just make you feel right at home. --Donald Liebenson

On the DVDs
Twin Peaks lived in its own bizarre, dark, amazing, fantasy world, fresh from the mind of creator David Lynch. The extra features on this Gold Box edition (which includes both seasons and the long-awaited pilot) intend to draw you into the milieu surrounding the world of the story, and offer you a glimpse into the gestation and making of the show, while gently poking fun at itself. To quote Lynch at the beginning of A Slice of David Lynch, "This is the strangest damn thing." He's referring to the act of sitting on a set in Los Angeles, drinking coffee and eating cherry pie with cast members Madchen Amick, Kyle MacLachlan, and personal assistant John Wentworth years after the show ended. But he may as well have also been referring to the show itself, and to the enormous popular phenomenon it accidentally became. As can be inferred from the title, A Slice of Lynch is a glimpse inside the creative mind of Lynch through his interactions with his old stars and assistant, and watching this, you can't help but understand that Lynch operates on a different plain from normal humanity, and his artistic process, while often befuddling, yields incredibly original results to a degree that almost boggles the mind; happy accidents seem to stem from almost every artistic decision he makes. The strength of this feature is that it makes it clear that the world of Twin Peaks really existed, it just happened to live in the minds of David Lynch and co-writer Mark Frost. Twin Peaks Festival is almost an afterthought, it doesn't fit with the rest of the features in depth or insight, but curious fans will get a kick out of seeing what happens when the most rabid, hardcore Twin Peaks gather in the Northwest--on the sights of many of the show's scenes--for a fan festival that beats the heck out of any Star Trek convention. Secrets from Another Place: Creating Twin Peaks offers a meaty, four-part look into how the show came about, the filming of both seasons, and the creation of the music by composer Angelo Badalamenti and singer Julee Cruise. Black Lodge Archive features six different items ranging from the "Falling" music video to bumpers and galleries that don't do much to offer insight into the show, but they offer an unexpected, added bonus: watching Agent Cooper hawk Georgia Coffee in ads that aired only in Japan. They are quite possibly more hilarious and bizarre than anything in the show itself. The features do a great job of reminding an old audience, and explaining to a new one, why the show had such a devoted following. To quote one actress from the show: "It was unique, it came at a time when television was boring... there was nothing else like it on television." --Daniel Vancini

Deeper into the Woods of Twin Peaks

Essential DVDs by Director David Lynch

The Soundtrack

Twin Peaks: Fire Walk with Me

Taste That Famous Cherry Pie

The Recipe

8 inch Crust: 1-1/2 c. flour, 1/2 c. Crisco, 1/4 c. ice water
Mix flour and Crisco with fork. Add ice water. Mix with your hands. When blended, roll into ball and refrigerate overnight. To roll out: flour both rolling pin and flat surface, split ball in two, roll out 1/2 to fit pan and 1/2 for lattice.

Filling: 3 c. cherries (pitted, sour frozen); 1 c. water; 1c. Baker's sugar; 4 T. cornstarch; 1/8 t. salt
Thaw cherries at room temp and strain (yields 2 c. juice). Taste for sweetness, more/less sugar may be needed. Add 1 c. water to make 3 c. juice (reserve 1 c. juice for cornstarch mix). Dissolve cornstarch in 1 c. juice, stir with whip. Combine 2 c. juice, 2/3 c. sugar, salt, and bring to a boil. Add cornstarch mix, cook until clear, about 5 min. (if cooked to long, syrup gets gummy). Remove from heat, stir in 1/3 c. sugar (blend thoroughly). Pour mixture over cherries, fold with wooden spoon, cool (stir mix while cooling to prevent scum from forming on top). Pour mix in pie shell. Top completed pie with lattice crust.

Bake @ 425 degrees for 35-40 min.



Stills from Twin Peaks (coming soon)

Once Upon a Time in the West

The so-called spaghetti Western achieved its apotheosis in Sergio Leone's magnificently mythic (and utterly outlandish) Once upon a Time in the West. After a series of international hits starring Clint Eastwood (from A Fistful of Dollars to The Good, The Bad, and The Ugly), Leone outdid himself with this spectacular, larger-than-life, horse-operatic epic about how the West was won. (And make no mistake: this is the wide, wide West, folks--so the widescreen/letterboxed version is strongly recommended.) The unholy trinity of Italian cinema--Leone, Bernardo Bertolucci, and Dario Argento--concocted the story about a woman (Claudia Cardinale) hanging onto her land in hopes that the transcontinental railroad would reach her before a steely-eyed, black-hearted killer (Fonda) does. (The film's advertising slogan was: "There were three men in her life. One to take her ... one to love her ... and one to kill her.") Meanwhile, Leone shoots his stars' faces as if they were expansive Western landscapes, and their towering bodies as if they were looming rock formations in John Ford's Monument Valley. --Jim Emerson

When the husband of Jill McBain is killed by ruthless outlaws in the old West, she hires two guns of her own to get revenge.
Genre: Westerns
Rating: PG13
Release Date: 30-JAN-2007
Media Type: DVD

Barbarella: Queen of the Galaxy

Barbarella makes a forced landing on the planet Lythion in the year 40,000 where she vanquishes robots and monsters.
Genre: Science Fiction
Rating: PG
Release Date: 8-AUG-2006
Media Type: DVD

Jane Fonda's memorable, zero-gravity striptease during the opening credits of this 1968 Roger Vadim movie is the closest the film comes to a liberated marriage of wit and sex. Based on a French comic strip, the story concerns the adventures of a 41st-century woman, who pretty much gets it on with whomever asks. The sci-fi sets were pretty interesting at the time, though they look rather anachronistic now. Appreciated today mostly as a camp classic, the movie is actually more trying than anything else. --Tom Keogh

Blue Velvet (Special Edition)

David Lynch peeks behind the picket fences of small-town America to reveal a corrupt shadow world of malevolence, sadism, and madness. From the opening shots Lynch turns the Technicolor picture postcard images of middle class homes and tree-lined lanes into a dreamy vision on the edge of nightmare. After his father collapses in a preternaturally eerie sequence, college boy Kyle MacLachlan returns home and stumbles across a severed human ear in a vacant lot. With the help of sweetly innocent high school girl (Laura Dern), he turns junior detective and uncovers a frightening yet darkly compelling world of voyeurism and sex. Drawn deeper into the brutal world of drug dealer and blackmailer Frank, played with raving mania by an obscenity-shouting Dennis Hopper in a career-reviving performance, he loses his innocence and his moral bearings when confronted with pure, unexplainable evil. Isabella Rossellini is terrifyingly desperate as Hopper's sexual slave who becomes MacLachlan's illicit lover, and Dean Stockwell purrs through his role as Hopper's oh-so-suave buddy. Lynch strips his surreally mundane sets to a ghostly austerity, which composer Angelo Badalamenti encourages with the smooth, spooky strains of a lush score. Blue Velvet is a disturbing film that delves into the darkest reaches of psycho-sexual brutality and simply isn't for everyone. But for a viewer who wants to see the cinematic world rocked off its foundations, David Lynch delivers a nightmarish masterpiece. --Sean Axmaker

Cry Baby (Director's Cut)

John Waters's goofy, 1990 comedy about a Baltimore girl (Amy Locane) who can't decide if she should remain "good" in her 1954 world or hang out with the motorcycle boys is funny in a scene-by-scene way, but doesn't quite gel into the grand piece the director was hoping for. The cast is exceptionally likable, however, including Johnny Depp as an Elvis type and Iggy Pop as a chattering loony. The best material is set in a fringe world of bikers and losers on the outskirts of town, and Waters writes some hilarious sardonic dialogue for the characters. Cry-Baby is the last of Waters's more undisciplined features; he followed it with the glossier but no less perverse Serial Mom. --Tom Keogh

Wade \""Cry-baby\"" Walker drives the girls in his high school class wild with his ability to shed a single tear in this juvenile delinquent musical comedy.
No Track Information Available
Media Type: DVD
Artist: CRY BABY
Title: CRY BABY
Street Release Date: 07/12/2005
Domestic
Genre: COMEDY VIDEO

Crime Story - Season Two

When the first season of Crime Story ended spectacularly in the Nevada desert, it was anyone's guess what season 2 would do for an encore. With low first-season ratings and conservative watchdogs complaining about its violence, the show received a surprise renewal that necessitated the "miraculous" return of mob-boss Ray Luca (Anthony Denison) and his dimwit sidekick Pauli Taglia (played by former Chicago burglar John Santucci). Moving from 10:00 p.m. Fridays to a new 10:00 p.m. Tuesday-night timeslot on NBC, the Michael Mann-produced series continued its ratings decline, and this lent the series a giddy, go-for-broke quality that held plenty of surprises. The year is 1966, and Chicago Police Lt. Mike Torello (Dennis Farina) and his close-knit Major Crimes Unit continues to track Luca's criminal activities in Las Vegas, where additional complications fueled a number of dynamic, stand-alone episodes, beginning with season opener "The Senator, the Movie Star and the Mob," guest-starring Kevin Spacey (in his first major TV role) and Jenny Wright (Near Dark) in a sordid, mob-connected plot with obvious parallels to Bobby Kennedy and Marilyn Monroe. This established the neon-lit, casino-and-nightclub milieu of the season, and Luca's reappearance set the season in volatile motion.

The series' daring, pulp-fictional style attracted an impressive array of guests stars and newcomers, some of whom (like 24's Dennis Haysbert) would later appear in Michael Mann's films. Ted Levine (The Silence of the Lambs) reprises his role as burglar-turned-rocker Frank Holman; Margaret Avery (The Color Purple) and NYPD Blue's James McDaniel are superb in the racial-tension plot of "Seize the Time"; Laura San Giacomo (sex, lies, and videotape) aces her role as Luca's former flame in "Protected Witness"; and Elias Koteas delivers a fine performance in "Roadrunner," an exciting road-thriller episode that showcases Farina's skill with hardboiled comedy. (For the record, other noteworthy guest stars include Pam Grier, David Hyde Pierce, Billy Zane, David Soul, Steven Weber, Michael Jeter, and recurring performances by Andrew Dice Clay and Rolling Stone editor Jann S. Wenner.) "Pauli Taglia's Dream" is an outrageous experiment in all-out delirium, focusing on Santucci's scene-stealing character and providing a wacky lead-up to the season's climactic story arc, which leads Luca and Torello to their ultimate showdown in an unspecified Latin American country full of corruptible drug-trade politicians.

Of course, any innovative series has a few drawbacks: The violent shootouts turn somewhat redundant as the season progresses, and while Torello's gun-toting crew is brought to life by a perfect supporting cast (Bill Smitrovich, Ray Butler, Steve Ryan, and a young Bill Campbell), there was never enough time (or episodes) to properly develop their characters. The turncoat betrayal of lawyer David Abrams (superbly played by Stephen Lang) is never fully convincing (you just know he's not a bad guy), and when Crime Story's cancellation inevitably came to pass, the final-episode cliffhanger of "Going Home" (broadcast May 10, 1988) left frustrated fans with unanswered questions and nowhere else to go. It's especially regrettable, then, that this four-DVD set offers no extras whatsoever. The fact that Farina, Denison, Mann, and series cocreators Chuck Adamson and Gustave Reininger were not invited to do audio commentaries represents a missed opportunity of epic proportions. We can be grateful, however, that the series' pop-music soundtrack (chosen by the great Al Kooper, credited as "Guy Who Picks Music for the Show") remains intact and unchanged as an essential ingredient to one of the best TV shows of the 1980s. --Jeff Shannon

It was hailed for its realism, condemned for its violence and ended with a climax that shocked millions. Though it lasted only two seasons, fans and critics still consider CRIME STORY to be one of the most uncompromising and influential action dramas in television history. In this stunning final season, obsessed lawman Mike Torello and his street tough strike force pursue mob kingpin Ray Luca from the neon battleground of Las Vegas to the corrupt killing fields of Latin America. Experience the explosive closing chapters of the acclaimed crime epic that New York Newsday calls "A genuine work of art... a masterpiece in a classic genre"

Hairspray

Comedy in which two \""girls\"" compete for the star position on Baltimore's Corny Collins dance show.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 7-SEP-2004
Media Type: DVD

John Waters made his bid for PG respectability with this enjoyably trashy comedy about the racial integration of a teen dance show on Baltimore television in the early '60s. Waters, as always, makes a virtue of junk culture and the powerful emotional forces it can represent as kids vie to get on the show. Meanwhile, a parade of former stars (Pia Zadora, Debbie Harry, Sonny Bono) and pseudostars (Divine, Ricki Lake) cross the screen, playing freakish characters absorbed by thoughts of fame. (Waters himself turns up as a weirdo psychiatrist.) This transitional film for Waters is rough going at times and not as interesting or funny as his later features Cry-Baby and Serial Mom, but it's worth a look. --Tom Keogh

My Name Is Bill W

Based on the true story of Bill W. James Woods - in an Emmy award-winning performance - plays the successful stock broker whose life falls apart after the stock crash of the 1920's. As a result Bill W. and his loving wife Lois (Jo Beth Williams) must come to grips with his depression and downward spiraling alcoholism. In Bill's quest for recovery he forms a support group with fellow alcoholic Dr. Bob (James Garner) which eventually leads to the formation of Alcoholics Anonymous. In this inspiring portrayal My Name is Bill W. movingly depicts the trials trauma and triumph of people and loved ones coping and recovering from substance abuse. Director: Daniel Petrie. Starring: James Woods Jo Beth Williams James Garner and Gary Sinise.Running Time: 100 min.Format: DVD MOVIE Genre: DRAMA UPC: 012569741140 Manufacturer No: 74114

Here's another example of TV giving James Woods the chance to stretch out from the intense-psycho roles he seems restricted to in too many of his movies. In My Name Is Bill W. he plays Bill Wilson, the overreaching businessman from the Roaring '20s who went on to found Alcoholics Anonymous. Woods gets plenty of chances to stretch out here in Bill's headlong slide to the bottom, through the terrors of the Wall Street crash (which amplifies a two-fisted drinking problem) and into the loss of everything he holds dear. Yet Woods also is convincing as the man who understands just how insidious his disease is and learns to try to take everything one day at a time. He receives strong support from James Garner as the alcoholic physician who teams with Bill to make AA a viable proposition. --Marshall Fine

David Lynch's Inland Empire (Limited Edition Two-Disc Set)

Laura Dern plays an actress whose latest role sends her through a Lynchian looking glass of dark dreams and transformation.EXTRAS:LYNCH 2 (BEHIND THE SCENES OF INLAND EMPIRE WITH DAVID LYNCH)TALKS WITH LAURA DERN AND DAVID LYNCH MORE THINGS THAT HAPPENED (ADDITIONAL CHARACTER EXPERIENCES)THEATRICAL TRAILERS (3)STILLS GALLERY (73 PHOTOS)DAVID LYNCH COOKS QUINOAFormat: DVD MOVIE Genre: DRAMA UPC: 858334001145 Manufacturer No: 183036

Though Inland Empire's three hours of befuddling abstraction could try the patience of the most devoted David Lynch fan, its aim to reinvigorate the Lynch-ian symbolic order is ambitious, not to mention visually arresting. The director's archetypes recognizable from previous movies once again construct the film's inherent logic, but with a new twist. Sets vibrate between the contemporary and a 1950s alternate universe crammed with dim lamps, long hallways, mysterious doors, sparsely furnished rooms and, this time, a vortex/apartment/sitcom set where rabbit-masked humans dwell, and a Polish town where women are abused and killed. Instead of speaking backwards, mystic soothsayers and criminals speak Polish. Filmed on video, the film's look has the sinister, frightening feel of a Mark Savage film or a bootlegged snuff movie. Constant close-ups, both in and out of focus, make Inland Empire feel as if a stalker covertly filmed it. A straightforward, hokey plot unravels during the first third of Inland Empire to ground the viewer before a dive off the deep end. Actor Nikki Grace (Laura Dern) is cast as Susan Blue, an adulterous white trash Southerner, in a film that mimics too closely her actual life with an overbearingly jealous and dangerous husband. When Nikki and co-star Devon (Justin Theroux) learn that the cursed film project was earlier abandoned when its stars were murdered, the pair lose their grasp of reality. Nikki suffers a schizophrenic identity switch to Sue that lasts until nearly the film's end. Suspense builds as Nikki's alter ego sleuths her way through surreal situations to discover her killer, culminating in Sue's gnarly death on set. Sue's actions drag on because any sign of a narrative thread disappears due to idiosyncratic editing. Non-sensical scenes still captivate, however, such as when Sue stumbles onto the soundstage where she finds Nikki (herself) rehearsing for Sue's part. In this meta-film about identity slippage, Dern's multiple characters remind one of how a victim can become the hunter in their fight for survival. Lynch's portrayal of Nikki/Sue's increasing paranoia is, in its own confusion, utterly realistic. Laura Dern has created her own Lady Macbeth, undone by her guilt over infidelity. Even though Inland Empire is too long and too random, Laura Dern's performance coupled with Lynch's video experiments make it magical. --Trinie Dalton

More Films from David Lynch

Wild At Heart

Mulholland Drive

Blue Velvet