By Director

The War - A Film By Ken Burns and Lynn Novick

The War will be a seven - episode series produced by Ken Burns and Lynn Novick that will examine the myriad ways in which the Second World War touched the lives of every family on every street in every town in America. By telling the stories of ordinary people in four quintessentially American towns Waterbury Connecticut; Mobile Alabama; Sacramento California; and the tiny farming town of Luverne Minnesota the series will portray this enormous worldwide catastrophe on an intimate human scale. The War will intertwine vivid eyewitness accounts of the harrowing realities of life on the front lines with reminiscences of Americans who never left their home towns and who tried their best to carry on with the business of daily life while their fathers and brothers and sons were overseas. The film will honor and celebrate the bravery endurance and sacrifice of the generation of Americans who lived through what will always be known simply as The War.System Requirements:TRT: 900 Mins.Format: DVD MOVIE Genre: DOCUMENTARIES/MISC. Rating: NR UPC: 841887052122 Manufacturer No: 705212

Creating epic documentaries about war is nothing new for Ken Burns, nor is the subject of the Second World War, which never ceases to be a popular subject of films and TV shows. Yet with The War, Burns has definitely succeeded in breaking new ground, exploring in depth the effect of the war on common Americans, and not just the soldiers of The Greatest Generation that fought it. As the narration says at the beginning, "The war affected people in every house, on every street in every town in America." This is nothing less than an attempt to show how the war altered the lives of an entire nation through the portrayal of four individuals from four communities--Waterbury, Connecticut; Mobile, Alambama; Luverne, Minnesota; and Sacramento, California--that could represent any town in the country that went through the war. The result is another stunning achievement for Burns and co-director Lynn Novick. Together the filmmaking team succeeds in bringing the war home through the testimonies, letters, and footage of the people from these towns. The storytelling is compelling--Burns and Novick manage to find the most vivid, intimate, and personal dimensions of a global catastrophe--and brought to life with exceptional voice work from marquee stars like Tom Hanks, Alan Arkin, and Samuel L. Jackson. Much of the footage is brilliantly restored; even the most die-hard History Channel buff will see clips here that they've never viewed before. Many old grainy family films look almost as clean and bright as if they were just shot using a modern camera with black-and-white film (keeping in mind that most of the footage was shot without sound, the audio effects work on The War is particularly impressive and should bring attention to the underappreciated work of the foley artist). It took Burns and Novick six years to make this seven-part, 15-hour film--not surprising, really, considering the miles of footage they must have accumulated in the course of their research--and the time and effort shows in the results. The DVD also includes a making-of featurette, deleted scenes, extensive commentaries, and more, in addition to a companion book, The War: An Intimate History. --Daniel Vancini

Triumph of the Will

Triumph of the Will is one of the most important films ever made. Not because it documents evil--more watchable examples are being made today. And not as a historical example of blind propaganda--those (much shorter) movies are merely laughable now. No, Riefenstahl's masterpiece--and it is a masterpiece, politics aside--combines the strengths of documentary and propaganda into a single, overwhelmingly powerful visual force.

Riefenstahl was hired by the Reich to create an eternal record of the 1934 rally at Nuremberg, and that's exactly what she does. You might not become a Nazi after watching her film, but you will understand too clearly how Germany fell under Hitler's spell. The early crowd scenes remind one of nothing so much as Beatles concert footage (if only their fans were so well behaved!).

Like the fascists it monumentalizes, Triumph of the Will overlooks its own weaknesses--at nearly two hours, the speeches tend to drone on, and the repeated visual motifs are a little over-hypnotic, especially for modern viewers. But the occasional iconic vista (banners lining the streets of Nuremberg, Hitler parting a sea of 200,000 party members standing at attention) will electrify anyone into wakefulness. --Grant Balfour

Triumph of the Will is one of the most important films ever made. Not because it documents evil--more watchable examples are being made today. And not as a historical example of blind propaganda--those (much shorter) movies are merely laughable now. No, Riefenstahl's masterpiece--and it is a masterpiece, politics aside--combines the strengths of documentary and propaganda into a single, overwhelmingly powerful visual force. Riefenstahl was hired by the Reich to create an eternal record of the 1934 rally at Nuremberg, and that's exactly what she does. You might not become a Nazi after watching her film, but you will understand too clearly how Germany fell under Hitler's spell. The early crowd scenes remind one of nothing so much as Beatles concert footage (if only their fans were so well behaved!). Like the fascists it monumentalizes, Triumph of the Will overlooks its own weaknesses--at nearly two hours, the speeches tend to drone on, and the repeated visual motifs are a little over-hypnotic, especially for modern viewers. But the occasional iconic vista (banners lining the streets of Nuremberg, Hitler parting a sea of 200,000 party members standing at attention) will electrify anyone into wakefulness. --Grant Balfour

Wordplay

The linguistic ballet of the crossword puzzle and the obsessive minds that wrestle with them are a source of delight in the charming documentary Wordplay. Though there's no story, the movie has a definite hero: Will Shortz, the editor of the New York Times crossword puzzle, universally acknowledged as the pinnacle of crosswords. Shortz comes across as clever but modest; though he's at the top of his particular world, he retains a bemused perspective on that world's limitations. Though speckled with celebrities from former President Bill Clinton to the Indigo Girls, the most engaging interviews are with puzzle creator Merl Reagle (who gives a fascinating on-screen demonstration of how he starts making a puzzle) and the witty and garrulous commentary by the former public editor for the Times, Daniel Okrent. Like many recent documentaries, Wordplay is built around a competition: The American Crossword Puzzle Tournament, an annual event started by Shortz and embraced by people who have devoted an alarming amount of their brain space to filling squares with letters. Though the movie is not as emotionally involving as Spellbound--still the ne plus ultra of nerdy documentaries--Wordplay's window into its particular subculture will be enjoyable to non-crossword fans as well as committed puzzleheads.--Bret Fetzer

Witness the inner workings of Will Shortz, NY Times Editor and NPR Puzzle Master, and his brilliant, entertaining and often hilarious contributors as well as surprising celebrity fans. Wordplay takes us through the American Crossword Puzzle Tournament where almost five hundred competitors battled it out for the title "Crossword Champ" and showed their true colors along the way.

Lewis & Clark - The Journey of the Corps of Discovery

Another reliably well-crafted, generally engrossing documentary from Ken Burns, Lewis & Clark employs the director's now-familiar approach to his subjects, from its elegant juxtaposition of period illustrations and portraits against newly filmed footage of historic sites to Burns's repertory of accomplished actors to provide gravitas for quotes from the key figures. Granted the formula has become familiar enough to allow parody, but Burns knows how to invest his historical investigations with movement and drama, making this four-hour journey a worthwhile trip.

As narrated by Hal Holbrook, Dayton Duncan's script explicates the agenda presented by Thomas Jefferson to Meriwether Lewis and William Clark, placing it in the context of the young country's gamble in Jefferson's Louisiana Purchase, and the expedition's goals for opening the West. While preserving the heroic scale of the undertaking, Burns also finds time to delve into the politics of the venture and the disparate personalities of the two explorers; in particular, Duncan and Burns look at the career of Lewis, the presidential protégé, his moody demeanor, and his untimely death. The film also looks beyond its titular leaders to examine the personalities of their corps of soldiers, their boatmen, and the Indians they met and depended on, most notably their female Shosone guide, Sacagawea. --Sam Sutherland

Thomas Jefferson - A Film by Ken Burns

The complicated life of Thomas Jefferson is the subject of this excellent documentary by noted filmmaker Ken Burns. Using techniques that will seem comfortably familiar to viewers of other films by Burns, historians and writers (including Joseph Ellis, Daniel Boorstin, Garry Wills, and Gore Vidal) appear on camera to speak about Jefferson, a cast of actors read the words of Jefferson and others. The visuals include beautifully photographed shots of Jefferson's famed estate, Monticello, other locations where Jefferson lived and worked, and a vast number of period drawings and paintings. Jefferson, who was born into a prosperous Virginia family but lost his father when he was young, became a skilled lawyer despite his natural shyness. And the story of how he became a public figure and rose to prominence during the American Revolution is told intelligently. Commentators, including the noted African American historian John Hope Franklin, grapple with the peculiar inconsistencies of Jefferson's life. The man who wrote the Declaration of Independence owned slaves, and some of what he wrote about race is both troubling and puzzling. This film (which covers Jefferson's entire life, including his two terms as the young country's president and his later years in Virginia) doesn't sidestep controversy but provides a balanced account of one of the most fascinating of all Americans. --Robert J. McNamara

The Errol Morris DVD Collection (Gates of Heaven/The Thin Blue Line/Vernon, Florida)

These are the three films that first made Errol Morris's name as a documentary filmmaker, defining a unique artist with an unsparing eye for the truth--the truth of human behavior or legal authority. His first feature, 1978's Gates of Heaven, is a wildly funny and surprisingly moving look at pet cemeteries, and the people who invest an extraordinary degree of emotion in their little darlings. Already Morris is locked into his straight-on camera style, which allows his subjects to soliloquize at length about their most obsessive notions.

Listen to our interview with Errol Morris.

Vernon, Florida (1981) is very much of a piece with Gates, as Morris travels to a small town in Florida's panhandle and allows the oddball denizens to babble on about anything. It has always been an open question whether Morris's blank stare encourages laughter at the expense of his subjects or simply wide-eyed wonder that folks like this carry on in the world, but Vernon viewers will likely be both amused and astonished.

The Thin Blue Line is like In Cold Blood in the sense that it examines a real-life murder case, but it goes much further than reportage: Morris's investigations actually helped alter the judgments in the Texas case, especially affecting the conviction of a hitchhiker named Randall Adams. And the movie is a work of art: a hypnotic bad dream with surreal images and a lulling rhythmic movement (enhanced by Philip Glass's music). It's the kind of movie that might have taken place in Adams's mind as he sat on Death Row, replaying the events that made his life go wrong. --Robert Horton

Errol Morris and the Art of the Documentary

More Errol Morris DVDs

Documentaries

Documentary Essentials

The Thin Blue Line On November 28, 1976, when drifter Randall Dale Adams was picked up by teenage runaway David Harris, his fate was sealed. That night, a police officer was shot in cold blood. And though all the facts pointed to Harris, a sociopath with a lengthy rap sheet, Adams was convicted of capital murder. Was Adams guilty? And if not, does Morris unlock the secrets of this baffling case?
Vernon, Florida For the inhabitants of this Southern town, there's no place like home... for the rest of us, there's no place like Vernon, Florida! From the passionate turkey-hunter to the peculiar pet collector, each member of this motley crew has a story to tell. And in the masterful hands of Morris, their obsessions and eccentricities reveal the heart and soul of an unabashedly unique slice of the American pie.
Gates Of Heaven When financial hardship forces California's Foothill Pet Cemetery to close its pearly gates, its dearly departed loved ones are relocated to the nearby Bubbling Well Pet Memorial Park. During this tense transition, filmmaker Morris meets a collection of eccentric cemetery operators and anguished animal-lovers and elicits a meditation on love and loneliness that's "strange, chilling [and] appallingly funny" (Newsweek).

Frank Lloyd Wright: A Film By Ken Burns and Lynn Novick

The Thin Blue Line

This landmark award-winning documentary, which revolutionized the form and helped acquit an innocent man of murder, came about almost by accident. Errol Morris had already directed such offbeat documentaries as Gates of Heaven (concerning pet cemeteries; a favorite of Roger Ebert's) and Vernon, Florida, which touchingly portrays the small town's eccentric inhabitants. He'd intended to travel to Texas to make a film about the criminal-psychiatry expert James Grigson, or "Dr. Death" as he came to be known for his frequent testimony against defendants, who were often then sent to death row. When Morris discovered that the doctor was involved in the trial of Randall Dale Adams, a man who, it seemed, had been falsely accused of the highway murder of a police officer, he decided that Adams's story was the real one to tell. Morris's innovative use of repeated dramatization, multiple points of view, talking-head and phone interviews, and symbolism--in concert with Philip Glass's haunting music--establishes that a combination of communitarian zeal and overly eager testimony persuaded the jury to find Adams, a "drifter" from the Midwest, guilty of the crime, instead of his underage (and, for the death penalty, ineligible) acquaintance, David Harris, who had a criminal record. The "thin blue line" of police officers separating the public from chaos--as the judge, quoting the D.A. in the case, has it--destabilizes in Morris's world and puts people at risk of injustice as often as it protects them. After serving time for a sentence commuted to life imprisonment, Adams was freed, making Errol Morris his most talented advocate. --Robert Burns Neveldine

Academy AwardÂ(r)-winner* Errol Morris broke new ground with the "riveting" (LA Weekly) film that dramatically reenacts the crime scene and investigation of a police officer's murder in Dallas. So powerful and convincing that it helped free an innocent man from prison, The Thin Blue Line is "one of the finest documentary features ever made" (Boxoffice). On November 28, 1976, when drifter Randall Dale Adams was picked up by teenage runaway David Harris, his fate was sealed. That night, a police officer was shot in cold blood. And though all the facts pointed to Harris, a sociopath with a lengthy rap sheet, Adams was convicted of capital murder. Was Adamsguilty? And if not, can Morris unlock the secrets of this baffling case? *2003: Documentary Feature, The Fog of War (with Michael Williams)

Mark Twain - A Film Directed by Ken Burns

Given the legendary life of its subject, it's not surprising that Mark Twain is perhaps the most entertaining documentary Ken Burns has made. The creator of The Civil War and Jazz achieves reverent harmony with the magnificent story of Missouri-born author Samuel Clemens (a.k.a. Mark Twain), encompassing legend and fact with an exhilarating sense of adventure. Hailed by Hemingway as the originator of American literature, Twain (a nom de plume taken from a riverboat pilot's term for "safe waters") viewed himself as the American. Burns's film backs that claim as it follows Clemens's literary odyssey around the globe, from unrivaled acclaim as a writer to near destitution and the devastating deaths of his wife and three children. As usual, eloquent writers and scholars (including longtime Twain performer Hal Holbrook) provide a wondrous flow of anecdotes and observations, recounting Twain's remarkable humor while acknowledging a darker side that felt anger toward an indifferent god. Like all of Burns's films, Mark Twain is must-see viewing. --Jeff Shannon

The Concert for New York City

On October 20, 2001, this now-historic concert took place at Madison Square Garden, a mere six weeks after the horrific terrorist attacks on the World Trade Center. Thousands of firefighters, police officers, survivors, families, and fans witnessed a once-in-a-lifetime event as, in the space of nearly six hours, many legendary musical performers donated their time and their talent to one of the greatest causes ever, in the process giving their audience an unforgettable burst of pure emotion.

Organized by Sir Paul McCartney, the Concert for New York City was an overwhelming experience that deserves to be saved for posterity. The two-CD audio recording is crammed with dozens of superb performances but doesn't give a sense of the whole show that this two-DVD set certainly does. Not only can we relive such seminal performers from that evening as the Who, David Bowie, John Mellencamp, and Sir Paul himself, we can see the charming and personal short films made for the occasion by such New York filmmakers as Woody Allen and Martin Scorsese, or the dozens of celebrities and unsung firefighters and police officers who immortalized that day with their stories and musical introductions.

There is one quibble: the Goo Goo Dolls' "Iris," one of the blues standards Eric Clapton and Buddy Guy played, and McCartney's "From a Lover to a Friend" and "Lonely Road" are all missing, which seems curious, considering that the entire show could have easily fit onto two DVDs. So don't erase that videotape you made of the concert the night it aired, because that remains the definitive version. But this DVD (with very good Dolby 5.1 surround sound) comes close. --Kevin Filipski