Docurama

King Corn

Picking up where Super Size Me left off, King Corn examines America's health woes through the multifaceted lens of one humble grain. Director Aaron Woolf and co-writers Ian Cheney and Curt Ellis offer irrefutable proof that the US is virtually drowning in the stuff. Corn meal, corn starch, hydrologized corn protein, and high fructose corn syrup fuel a multitude of products, from soft drinks to hamburgers. The starchy vegetable grows with ease and government subsidies insure over-abundant production. Woolf documents the 11-month effort of college friends Cheney and Ellis, who trace their ancestry to the same small Iowa town, to raise their own crop. After finding a farmer willing to lend them an acre, they meet with agronomists, historians, and other experts before plowing, seeding, and spraying. Prior to harvesting, the easygoing Yale grads travel to Colorado to compare the grass-fed cattle of yore with today's corn-fed counterparts; then to New York to explore the links between corn syrup, obesity, and diabetes. With assistance from author Michael Pollan (The Herbivore's Dilemma), a whimsical score, and stop-motion animation--farm toys and corn kernels--Woolf and associates bring biochemistry to vivid life. On a micro level, this genial eye-opener celebrates friends and farmers; on a macro level, King Corn bemoans the subsidies and genetic modifications that have turned a formerly protein-filled product into the fatty "yellow dent no. 2." Bonus features include a music video, photo gallery, and "The Lost Basement Lectures," an amusingly fake instructional movie about the aims of agriculture. --Kathleen C. Fennessy

Engrossing and eye-opening KING CORN is a fun and crusading journey into the digestive tract of our fast food nation where one ultra-industrial pesticide-laden heavily-subsidized commodity dominates the food pyramid from top to bottom - corn. Fueled by curiosity and a dash of naivet college buddies Ian Cheney and Curt Ellis return to their ancestral home of Greene Iowa to figure out how a modest kernel conquered America.With the help of some real farmers oodles of fertilizer and government aid and some genetically modified seeds the friends manage to grow one acre of corn. Along the way they unlock the hilarious absurdities and scary but hidden truths about America's modern food system."A graceful and frequently humorous film that captures the idiosyncrasies of its characters and never hectors" (Salon) KING CORN shows how and why whenever you eat a hamburger or drink a soda you re really consuming corn.System Requirements:Running Time: 90 mintuesFormat: DVD MOVIE Genre: DOCUMENTARIES/SCIENCE & TECHNOLOGY Rating: NR UPC: 767685110898 Manufacturer No: NNVG110891

A Crude Awakening - The Oil Crash

An unforgettable and shocking wake-up call A Crude Awakening offers the rock-solid argument that the era of cheap oil is in the past. Relentless and clear-eyed this intensively-researched film drills deep into the uncomfortable realities of a world that is both addicted to fossil fuels and blissfully unaware of the looming "peak oil" crisis.Drawing on an international cast of maverick energy experts and thinkers directors Basil Gelpke and Ray McCormack debunk the conventional wisdom that oil production will continue to climb and instead stare bleakly at a planet facing economic meltdown and conflict over its most valuable resource. Featuring a haunting score by Phillip Glass and a fascinating array of rare archival footage the film explores oil s rocky relationship with human progress in locales ranging from ancient Baku Azerbaijan to dusty oilpatch town McCamey Texas.Amidst a dark and disturbing vision of our future A Crude Awakening hints at a humbler way of life built around sustainability and alternative energy providing a visually stunning boldly prophetic testament which provokes not just thought but action.System Requirements:Running Time: 85 minutesFormat: DVD MOVIE Genre: DOCUMENTARIES/MISC. Rating: NR UPC: 767685992036 Manufacturer No: NVG-9920

While the previous eco-doc Who Killed the Electric Car? spent some time on the world's oil crisis, A Crude Awakening (formerly OilCrash) builds an entire film around the subject. Swiss journalist Basil Gelpke and Irish filmmaker Ray McCormack have constructed their narrative in a conventional manner, alternating between talking heads, archival footage, and modern-day material, but the addition of several pieces by Phillip Glass is an artful touch (and evokes his work on 1988's The Thin Blue Line). Throughout, a diverse array of experts from the U.S., Azerbaijan, Venezuela, and other countries explain how the 20th century became addicted to "the blood of the dinosaurs," and why contemporary society needs to change course. As attorney/activist Matthew David Savinar puts it, "Oil is our God." As Stanford professor Terry Lynn Karl adds, "More and more oil is going to come from less and less stable places...places that actually challenge the taking of oil in the first place." One of the more chilling revelations concerns the discrepancy between the reserves oil-producing nations claim they possess and the actual amount. These padded estimates allow them to drill with impunity, leading to an abundance of wealth in the short term and cataclysmic consequences once they've depleted their supply of this non-renewable resource. A Crude Awakening isn't exactly a day-brightener, but Gelpke and McCormack are comprehensive and impartial in their inquiry, which makes for an informative examination of a vitally important subject. Extras include extended interviews with four participants and bonus chapter Petrostates. --Kathleen C. Fennessy

Autism - The Musical

AUTISM: THE MUSICAL follows the extraordinary acting coach Elaine Hall five children with autism and their parents as they heroically mount a full-length original stage production. Through trial and error tears and laughter these incredible families learn to communicate their feelings in song and performance finding solace and joy in the act of creating.A veritable feast of astounding breakthroughs this spellbinding film offers a full-throated celebration of kids living with an increasingly prevalent disorder. Director Tricia Regan vividly captures the individual personalities and problems of each child from precocious Henry who talks a mile-a-minute about dinosaurs to Neal a sensitive and articulate boy who nonetheless struggles to speak at all. The parents too are fascinating studies in unconditional love especially Elaine the mastermind behind the musical and mother of Neal.A consciousness-raising and empathetic portrait of children and their families living with autism AUTISM: THE MUSICAL celebrates the spark of humanity in each of us. "Moving dramatic therapeutic and unburdened by reliance on talking heads" (Variety) this film will change the way you look at autism.System Requirements:Running Time: 93 minutesFormat: DVD MOVIE Genre: DOCUMENTARIES/BIOGRAPHY UPC: 767685109472 Manufacturer No: NNVG109471

It's hard to imagine an unlikelier feel-good documentary than the uplifting Autism: The Musical. Directed for HBO by Tricia Regan, but truly the brainchild of the vision--and sheer will--of Elaine Hall, the film is both unflinching in its portrayal of autism, and triumphant in the ways it shows connections among the film's subjects. For those dealing with autism--and as the diagnosis grows more common, that would be nearly everyone--this film is enlightening, engaging, and reaffirming. The film chronicles the first theater arts endeavor of the L.A.-based Miracle Project, the creation of Hall ("Coach E"), a playwright and the single mother of Neal, a nearly speechless autistic boy. Through networking, Hall has met a group of parents of children with an enormous range of autistic symptoms and decides to try a workshop in which the children will, in a matter of months, be cohesive enough to perform in a stage production. The film follows Hall from the initial (and skeptical) meetings of the parents, and introduces the several children followed throughout the rehearsal period. Part of the disarming strength of the film is that it changes its perspective on showing the children's personalities. Viewers first meet 14-year-old Lexi when she's singing a musically complex Joni Mitchell song, in a clear, absolutely lovely soprano, in what appears to be a regular singing lesson. Only later do we learn that Lexi, diagnosed with autism as a toddler, has a hard time originating her own speech--though hearing her sing, the viewer would never have guessed. (Her parents still struggle with Lexi's condition, with her mother alternating between frustration and despair, and her father calmly saying, "It's not up to us to judge the quality of her life.") Other kids with behavioral issues or communication challenges are among the cast members, and the early scenes show a barely-controlled chaos that clearly mirrors the daily lives of the parents. The toll of dealing with their children is shown, as marriages break up and friendships are strained. Yet love blossoms in the most unlikely places, as Hall shows midway through the film. By the triumphant finale, the viewer is as invested in the children's lives as the parents, and the performances, while perhaps not what one would have expected at the beginning, present nothing short of a true "Bravo!" moment. As the kids sing, "Take a chance--get to know the real me." --A.T. Hurley

Andy Goldsworthy's Rivers & Tides

Andy Goldsworthy's Rivers and Tides is a truly beautiful, Scottish-German 2001 documentary about artist Goldsworthy, a Scotsman whose medium is nature itself and whose preferred studio is the outdoors, particularly where water forever flows, rises, and/or retreats. The soft-spoken, secluded Goldsworthy is seen hard at work making ephemeral sculptures out of bits of ice in the trees, or building tall, mysterious cones from loose rock, which stand like spiritual sentinels in forests and on shorelines, overgrown by plants or swallowed daily by high tides. Filmmaker-cinematographer Thomas Reidelsheimer goes to great and sometimes inexplicable lengths to make visual corollaries to Goldsworthy's ideas about underappreciated relationships between light, color, movement, balance, and fluidity of form in the real world, making Rivers and Tides a lively and always surprising cinematic gallery. Some of Goldsworthy's most miraculous natural installations--stone walls that snake through hundreds of feet of forest and stream, for instance--show up in the last half-hour. --Tom Keogh

Wildly praised by the nation's top critics, the smash theatrical hit RIVERS AND TIDES is a mesmerizing, poetic and curiously contemplative portrait of revered Scottish sculptor Andy Goldsworthy, whose long-winding rock walls, icicle assemblages and other intricate, druidic masterpieces are made entirely of materials found in the wild. Gorgeously shot and edited by director Thomas Riedelsheimer, RIVERS AND TIDES is an intoxicating study of the fragile relationship between man, art and nature.

The Wild Parrots of Telegraph Hill

Quiet patience and an observant eye turn a seemingly unpromising subject into a rich and fascinating movie. The Wild Parrots of Telegraph Hill captures the life of Mark Bittner, a gentle homeless musician who's befriended a flock of wild parrots in a neighborhood of San Francisco. Following Bittner, the camera zooms in on individual parrots, revealing their individual personalities and the traits of their species. This leads to Bittner's own life, the network of friendships that support him, and the ways in which the parrots--a non-native species--interact with both the natural ecosystem and the city government; just about every topic opens up another until a flock of colorful birds represents a microcosm of nature and society.

Filmmaker Judy Irving has created an exemplary documentary simply by paying attention to the details of the world around her subject. Everything you expect from a Hollywood blockbuster--romance, violence, humor, sorrow, strong personalities in conflict--is here in spades, except that the heroes and heroines have bright red and green feathers. Utterly rewarding. --Bret Fetzer

Product Description:
An "engrossing, delightful film" (The Washington Post), The Wild Parrots of Telegraph Hill is the bonafide sleeper theatrical hit of the year. The film's endearing guide is Mark Bittner, an aging bohemian, but the supporting cast members, a rambunctious flock of urban parrots, are the true stars, and their surprisingly humanlike behavior makes for a wondrous and rare experience. The film follows the ups-and-downs of these wild birds within the green niches of San Francisco as Bittner befriends, feeds, and names the members of the flock. Along the way, we meet many unforgettable characters: among them Connor, the grouchy yet lovable outcast of the flock, crying for a mate but luckless in his pursuits, and "the lovers," Picasso and Sophie, inseparable until Sophie is forced into mourning when Picasso disappears. More than a mere birdwatcher, Bittner finds solace in his immersion with these strikingly beautiful creatures - but how will he cope when he's evicted from his sanctuary and forced to live away from the parrots? Packed with romance, comedy and a surprise ending that "makes you feel like you could fly out of the theater" (San Jose Mercury News), The Wild Parrots of Telegraph Hill shows just how wondrously similar the human and animal worlds really can be.

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An "engrossing, delightful film" (The Washington Post), THE WILD PARROTS OF TELEGRAPH HILL is the bonafide sleeper theatrical hit of the year. The film's endearing guide is Mark Bittner, an aging bohemian, but the supporting cast members, a rambunctious flock of urban parrots, are the true stars, and their surprisingly humanlike behavior makes for a wondrous and rare experience. The film follows the ups-and-downs of these wild birds within the green niches of San Francisco as Bittner befriends, feeds, and names the members of the flock. Along the way, we meet many unforgettable characters: among them Connor, the grouchy yet lovable outcast of the flock, crying for a mate but luckless in his pursuits, and "the lovers," Picasso and Sophie, inseparable until Sophie is forced into mourning when Picasso disappears. More than a mere birdwatcher, Bittner finds solace in his immersion with these strikingly beautiful creatures - but how will he cope when he's evicted from his sanctuary and forced to live away from the parrots? Packed with romance, comedy and a surprise ending that "makes you feel like you could fly out of the theater" (San Jose Mercury News), THE WILD PARROTS OF TELEGRAPH HILL shows just how wondrously similar the human and animal worlds really can be. DVD Features: Origins of the Flock; Urban Legends; Update: Mingus at the Oasis; Parrots Music Video; Mark Bittner's Home Movies; Flock Updates; Deleted Scenes; Theatrical Trailer; Dolby Digital 5.1 Surround; California Quail Bonus Short; Interactive Menus; Scene Selection

Bob Dylan - Don't Look Back (1965 Tour Deluxe Edition)

Bob Dylan: Don't Look Back - 65 Tour Edition is the ultimate look at Bob Dylan's concert tour of England in the spring of 1965 - one of the most intimate profiles of an artist ever put to film. This definitive set includes the remastered classic film by D.A. Pennebaker a brand-new hour-long look at Dylan and the original 1968 companion book to the film all housed in an eye-catching collectible package. More than just a concert film Don't Look Back is a window into the spirit of the 60s and one of the poet-musicians whose words and songs defined it.Features: Five Original Uncut Audio Tracks Including: "It Ain't Me Babe" "It's All Over Now" "Baby Blue" "Love Minus Zero/No Limit" "The Lonesome Death Of Hattie Carroll" "To Ramona"Two Commentaries by Director D.A. Pennebaker and Former Tour Manager Bob NeuwirthNever-Before-Seen Version of "Subterranean Homesick Blues" Cue-Card SequenceOriginal Theatrical TrailerBob Dylan 65 Revisited - A Brand-New Pennebaker Work Culled From Over 20 Hours of Never-Before-Seen Footage of Dylan's 1965 English TourNew Commentary with D.A. Pennebaker and Former Tour Manager Bob NeuwirthDon't Look Back Companion Book - A 168-Page Collectible Reproduction of the Rare 1968 Edition Packed with Over 200 PhotosCollectible Flipbook Featuring a Frame-by-Frame Look at the "Subterranean Homesick Blues" Cue-Card SequenceSystem Requirements:Run Time: 96 minsFormat: DVD MOVIE Genre: DOCUMENTARIES/MISC. Rating: NR UPC: 767685982433 Manufacturer No: AAE-9824

Both a classic documentary and a vital pop-cultural artifact, D.A. Pennebaker's portrait of Bob Dylan captures the seminal singer-songwriter on the cusp of his transformation from folk prophet to rock trendsetter. Shot during Dylan's 1965 British concert tour, Don't Look Back employs an edgy vérité style that was, and is, a snug fit with the artist's own consciously rough-hewn persona. Its handheld black-and-white images and often-gritty London backdrops suggest cinematic extensions of the archetypal monochrome portraits that graced Dylan's career-making early-'60s album jackets.

Pennebaker's access to the legendarily private troubadour enables us to witness Dylan's shifting moods as he performs, relaxes with his entourage (including then lover Joan Baez, road manager Bob Neuwirth, and poker-faced manager Albert Grossman), and jousts with other musicians (notably Animals alumnus Alan Price and Scottish folksinger Donovan), fans, and press. It's a measurement of the filmmaker's acuity that the conversations are often as gripping as Dylan's solo performances. Grossman's machinations with British promoters, Baez's hip serenity, a grizzled British journalist's surrender to the fact of Dylan's artistry, and the artist's own taunting dismissal of a clueless sycophant are all absorbing.

With the exception of the studio recording of "Subterranean Homesick Blues," the live performances (including five newly restored, complete audio tracks excised from the original film but included on the DVD version) are constrained by crude audio gear. Their urgency, however, is timeless, as is Pennebaker's film, a legitimate cornerstone for any serious rock video collection. --Sam Sutherland

Paradise Lost - The Child Murders at Robin Hood Hills

On May 6, 1993, the mutilated bodies of three 8-year-old boys were found in a shallow creek in West Memphis, Arkansas. A short time later police arrested three local teenagers, linking the boys' killings to a satanic ritual. One of the boys confessed. The intriguing court case was about to unfold as filmmakers Joe Berlinger and Bruce Sinofsky ventured forth to make this documentary. They captured footage of not only courtroom proceedings but also interviews with the major players in trial--parents, suspects, lawyers. The documentary filmmakers, whose previous film, Brother's Keeper, is as intriguing of a crime story you'll ever see, tells this story without re-creations or flashbacks. The film makes a clear argument that the court trial may not be about witchcraft but a witch hunt. As with any great drama, the faces and situations are etched upon the viewer; however, we are dealing with real lives and real crimes (told gruesomely and necessarily by police photographs and videotape), and the impact is far greater. And so is the maddening ambivalence of the trial. Like the O.J. Simpson fiasco, a verdict is reached but the truth is questioned. Did police make fatal errors the night of the crime? Do last-minute clues lead to justice? Who's lying on the stand? As with Roger and Me and Hoop Dreams, we have a provocative single incident that holds a mirror to many of society's problems. The results are just more horrifying. The Emmy-winning film was followed four years later by Paradise Lost 2: Revelations. --Doug Thomas

One of the most influential documentaries in recent years, the Sundance favorite PARADISE LOST is an emotionally raw, must-see crime doc from two of today's most exciting filmmakers--Joe Berlinger and Bruce Sinofsky (the team behind Metallica: Some Kind of Monster, Brother's Keeper). This dark odyssey began with the tragic murders of three 8-year-old boys, whose bodies were discovered in a shallow creek in West Memphis, Arkansas. The community demanded justice, and one month later the police delivered: three local teenagers accused of sacrificing the boys as part of a Satanic ritual. Despite overwhelming public antipathy towards them, defendants Damian Echols, Jason Baldwin, and Jessie Misskelley steadfastly maintained their innocence. Although the trial produced virtually no physical evidence connecting the defendants to the crime, the town, the jury, and the police felt that they had their killers, and used the young men's penchant for heavy metal music and black clothing and a fascination with the Wicca religion as evidence of their guilt. With unprecedented access to all the players, Berlinger and Sinofsky captured the events as they unfolded before their cameras. From actual courtroom footage and clandestine jailhouse interviews to behind-the-scenes strategy meetings and intimate portraits of grief-stricken families, PARADISE LOST is a shocking yet uniquely American real-life drama. DVD Features: Exclusive Trial Footage; Timeline of Events; Trial Updates; Theatrical Trailer; Filmmaker Biographies; Interactive Menus; Scene Selection

Faster

Even if you've never witnessed the intensity of MotoGP motorcycle racing, Faster will take your breath away. It's a perfect primer for newcomers, offering a comprehensive survey of the fastest sport on two wheels, and it's guaranteed to satisfy hardcore fans with its detailed history, profiles of the top riders from the 2001-02 seasons, highlights of spectacular crashes and unforgettable races, and a veritable feast of the best MotoGP cinematography you're ever likely to see. From front-and-rearview cycle cameras to swooping overhead track coverage, filmmaker Mark Neale immerses the viewer in the MotoGP experience, enhancing the adrenaline-pumping visuals with expert interviews and commentary (and cool, low-key narration by globetrotting cycle-lover Ewan McGregor) that any sportswriter would consider authoritative.

Literally and figuratively, a lot of ground gets covered: From Kenny Roberts and the late Barry Sheene discussing their innovative knee-dragging styles and the origins of rear-wheel steering to the colorful rivalry of Max Biaggi and reigning champion Valentino Rossi (including Biaggi's infamous "Elbow Incident" at Suzuka in 2001), Faster never loses sight of the human element that makes this ultra-dangerous sport so fascinating. Track physician "Dr. Costa" is profiled (and offers some eloquently philosophical thoughts about MotoGP riders), along with innovative rider Garry McCoy (plagued by injuries); former champion Wayne Rainey (now paraplegic and active in kart-racing); young prodigy John Hopkins in his rookie season; and several other prominent figures in the world of MotoGP.

The bonus disc includes Faster & Faster, a sequel covering the 2003 and 2004 seasons, which saw the rise of the 500cc 4-stroke engine (and speeds in excess of 215 mph), Ducati's dominance and trend-setting removal of engine silencers (to boost power); Rossi's move to Yamaha; the fatal crash of Daijiro Kato; the victories of Sete Gibernau; and the rookie debuts of Neil Hodgson, Ruben Xaus, and Shane Byrne. Through it all, Faster and its sequel serve as the ultimate guide to MotoGP, certain to inspire future champions and armchair fans alike. --Jeff Shannon

A heart-hammering sensation at Slamdance, Faster is an electrifying tribute to the white-knuckle world of the Motorcycle Grand Prix--the fastest sport on two wheels--where only the most audacious competitors race at speeds over 200mph and crash at over 100mph. Narrated by Ewan McGregor (Big Fish, Star Wars: Episodes I-III), Faster chases two seasons' worth of the world championship, featuring revealing interviews with riders, mechanics, doctors, commentators and fans.

The Atomic Cafe

The atomic bomb changed the world forever, and this wonderful film shows how Americans expressed wonder over atomic weapons and then suffered from the pervasive fear that America would be on the receiving end of a Soviet nuclear attack. Atomic Cafe is a brilliant compilation of archival film clips beginning with the first atomic bomb detonation in the New Mexico desert. The footage, much of it produced as government propaganda, follows the story of the bomb through the two atomic attacks on Japan that ended World War II to the bomb's central role in the cold war. Shown along with the famous "duck and cover" Civil Defense films are lesser-known clips, many of which possess a bizarre black humor when seen today, and it's easy to see why this film, which was produced in the early 1980s, became a cult classic sometimes referred to as the "nuclear Reefer Madness." Bellicose congressmen are shown advocating a freewheeling policy of nuclear strikes against China during the Korean War, suburban families are shown enjoying the comforts of their bomb shelters, and footage of a boy trying to bicycle to a bomb shelter in a "bomb survival suit" his father designed is priceless. Atomic Cafe is at once clever and poignant, a canny and offbeat look at a significant period in American history. --Robert J. McNamara

On its 20-year anniversary, and not a moment too soon, THE ATOMIC CAFE is back to provide us with a much-needed release of comic energy. A dark comedy in the truest sense, this timeless classic took the nation by storm when it first debuted in 1982. The

The Doctor, the Tornado, and the Kentucky Kid: The Sequel to "Faster" (Ultimate Collector's Edition)

2 Disc Set - THE DOCTOR, THE TORNADO & THE KENTUCKY KID is the electrifying follow-up to Mark Neale?s 2004 MotoGP smash hit FASTER. Narrated by Ewan McGregor, the movie tells the story of the biggest motorcycle race in American history, the 2005 Red Bull U.S. Grand Prix at Laguna Seca, California. It?s a tale of extraordinary characters chasing a dream in the face of real danger, under unimaginable pressure, with no margin for error. For lovers of maximum adrenaline action, this is the pure, unadulterated, 100% genuine article. 104-Minute Director?s Cut; Mastered in High Definition Widescreen with 5.1 Surround Sound; 11 Additional Scenes including the MotoGP stars burning up Hollywood and highlights of the 2006 Red Bull U.S. Grand Prix; Interactive Racing - Ride with Rossi, Hayden, Edwards and Hopkins during the hottest laps of the race and switch between onboard cameras; English, Spanish, and French Subtitles

The Doctor, the Tornado & the Kentucky Kid is another motorcycle-racing feast served up by Mark Neale, the director of Faster. Where the earlier film focused on an entire season of MotoGP racing, DTK limits its coverage to the Red Bull Grand Prix at Laguna Seca, California, held over the weekend of July 8-10, 2005. This was the seventh and most hotly anticipated race of the '05 season, not only because Laguna Seca is one of MotoGP's most technically demanding and physically intimidating race courses, but also because it was the first MotoGP race held on American soil since 1994 (evidence of the sport's European emphasis and the efforts of corporate sponsors like Red Bull to popularize MotoGP in the U.S.). Like Faster, this film and its DVD bonus features are aimed squarely at established fans of MotoGP, but potential converts will find plenty to enjoy in Neale's comprehensive coverage of the 32-lap race. And, as any fan can tell you, the title refers to the nicknames of the riders who were key figures on that sunny afternoon: American Nicky "The Kentucky Kid" Hayden on his lightning-fast #69 Repsol Honda; American Colin "The Texas Tornado" Edwards on his #5 Camel Yamaha; and the Italian reigning champion, Valentino Rossi (Edwards' teammate), on his #46 Camel Yamaha.

American challenger John "Hopper" Hopkins is also prominently featured on his #21 Rizia Suzuki, but DTK doesn't flinch from the harsher aspects of a motorsport where success is never guaranteed. Thanks to the film's all-angle coverage of on-track rivalries, it's clear that Edwards and Rossi were the race's undeniable highlight, battling ferociously in the final laps while Hayden was in the lead. With celebrities in the crowd (including cycle fans Brad Pitt and Adrien Brody) and racing enthusiast Ewan McGregor once again providing dramatic narration, Neale's film suffers from occasional lapses in hi-def image quality (owing in part to video-feed static and the unavoidably harsh contrasts of sunny weather), but interviews and voice-overs from the riders keep things interesting from start to finish, along with a throttle-roaring 5.1 Surround soundtrack (with pulsing techno music by TomandAndy) that's the next best thing to being there. The Ultimate Collector's Edition has 11 additional scenes on disc 1 (including longer interviews and highlights from the 2006 Red Bull U.S. GP), and disc 2 consists entirely of "Interactive Racing" clips, allowing viewers to watch three climactic segments of the 2005 race from multiple angles. Switching between several onboard cameras is the closest that most of us will ever get to the sheer thrill of MotoGP, and that makes DTK a must-have DVD for race fans around the world. --Jeff Shannon