Drama

Liam Neeson (Schindler's List, Taken) stars as the unlikely hero Ottway in this undeniably suspenseful and powerful survival adventure. After their plane crashes into the remote Alaskan wilderness, a roughneck group of oil drillers is forced to find a way back to civilization. As Ottway leads the injured survivors through the brutal snow and ice, they are relentlessly tracked by a vicious pack of rogue wolves that will do anything to defend their territory. Adrenaline-fueled, action-packed and loaded with some of the most intense and brutally realistic attack scenes ever filmed, The Grey is being hailed as "a thriller you can sink your teeth into!" (The Washington Post).

The plane crashes (boy, does it crash) in the remote Alaskan nowhere, and the rough-and-tumble oil wildcatters who survive must fight their way to safety. That in itself might be enough from which The Grey could fashion a suspenseful thrill-ride, but the movie has one more ace up its sleeve. Wolves! A pack of them, starving and considerably irritated that these outsiders have blundered into their territory. And while it is true that most real-world wolves are hardly man-eaters, director Joe Carnahan and cowriter Ian Mackenzie Jeffers are really not all that interested in reality. Despite some hair-raising moments and a healthy spattering of gore, The Grey is an existential action picture, and the wolves function only as all-purpose predator (being computer-generated, they never really look real anyway). What's really at stake are the souls of these men--how they get along together, and how they face death. Yes, there is always something faintly absurd hanging around this movie; it's like a Jack London story adapted by Luc Besson. But out of its pulpy mash, Carnahan extracts something gutsy. It certainly helps that he's got the mighty Liam Neeson on board as the most capable of the survivors; Neeson exudes the kind of authority that the average action hero can only play-act. Dallas Roberts and Dermot Mulroney add color, and Frank Grillo jumps off the screen as the most belligerent of the desperate crew. It's possible for a movie to have an absurd premise yet carve something unexpectedly philosophical out of that: The Incredible Shrinking Man and Rise of the Planet of the Apes come to mind. Add this one to that oddball list. --Robert Horton

Clear your thoughts for a "mesmerizing mind-bender" (Rolling Stone) that'll blow you away! Seen through the lens of a troubled teen's video camera, yet filled with eye-popping action and jaw-dropping special effects, Chronicle is as real as it gets. When three ordinary high school friends make an extraordinary discovery, they acquire amazing abilities beyond their understanding. But as their powers develop, so do their darker sides. Fun, harmless pranks soon lead to much riskier activities as the boys' "gifts" - and their lives - spin dangerously out of control!

If you should come upon a glowing, possibly extraterrestrial object buried in a hole, go ahead and touch the thing--you might just get superpowers. Or so it goes for the three high-school buds in Chronicle, an inventive excursion into the teenage sci-fi world. Once affected by the power, the guys exercise the joys of telekinesis: shuffling cars around in parking lots, moving objects in grocery stores, that kind of thing. Oh yeah--they can fly, too: and here director Josh Trank takes wing, in the movie's giddiest sequence, as the trio zips around the clouds in a glorious wish-fulfillment. It goes without saying that there will be a shadow side to this gift, and that's where Chronicle, for all its early cleverness, begins to stumble. Broody misfit Andrew (Dane DeHaan), destined to be voted Least Likely to Handle Superpowers Well by his graduating class, is documenting all this with his video camera, which is driving him even crazier (the movie's in "found footage" style, so everything we see is from a camcorder or security camera, an approach that gets trippy when Andrew realizes he can levitate his camera without having to hold it). Trank and screenwriter Max Landis (son of John) seem to lose inspiration when the last act rolls around, so the movie settles for weightless battles around the Space Needle and a smattering of mass destruction. Still, let's give Chronicle credit for an offbeat angle, and a handful of memorable scenes. --Robert Horton

As the Great War rages across Europe, discord is sown even into the serence Yorkshire countryside. Simmering tensions behind the gates of Downton Abbey are beginning to come to a boil as the men and women of Downton do their part on both the front lines and the home front. What's more, the brutality and intensity of war seem to inflame more familiar passions - love, loss, blackmail , and betrayal - leaving family and staff alike to struggle in an ever-changing world. Dame Maggie Smith, Hugh Bonneville and Elizabeth McGovern return to lead the stellar cast of familiar faces and Maria Doyle Kennedy, Iain Glen and Zoe Boyle arrive to add fresh intrigue to the second season of delicious Emmy Award-winning drama.

Nominated for 4 primetime Emmys, Sherlock is back with Benedict Cumberbatch as Holmes and Martin Freeman as Watson in three new stories. In A Scandal in Belgravia, Sherlock gets embroiled in the complex plans of the dangerous and desirable Irene Adler, and finds himself employing every one of his remarkable skills to survive as the unlikely duo square off in a battle of wits... and perhaps emotions? The Hounds of Baskerville whisks the increasingly popular detective and Watson to the wilds of Dartmoor, and face to face with the supernatural lurking in the eerie landscape. Meanwhile, Moriarty is still out there in the shadows, and is determined to bring Sherlock down - at whatever the cost - in The Reichenbach Fall. With beguiling performances, witty scripts and some of the most intriguing characters ever created, it's no wonder that Sherlock has proven to be a worldwide success.

Rachel McAdams and Channing Tatum star in a must see love story that's inspired by true events. A car accident puts Paige (Rachel) in a coma, and when she wakes up with severe memory loss, her husband Leo (Channing) works to win her heart again.

Can true love really conquer all? That is the question hovering over the genuinely touching, affecting drama The Vow. Based on a true story (which itself might have made a great documentary), The Vow is a showcase for the splendid acting talent of Rachel McAdams and a breakthrough role for Channing Tatum, under the deft direction of Michael Sucsy (the feature version of Grey Gardens). The story is deceptively simple: Happy young married couple Paige (McAdams) and Leo (Tatum) are, well, happy. Then a car accident puts Paige into a life-threatening coma, and upon awakening, she finds she has lost the previous five years of memories--including of being married to, or ever in love with, her beloved Leo. With lesser actors or with a more heavy-handed director, The Vow might have been predictable, melodramatic, or flat--and yet, the talents of the two stars, and the crisp, light-handed direction, make The Vow an enjoyable, deeply affecting love story. McAdams is as winning as always, reminiscent of her early work in The Notebook, and here, as a brunette, channeling a young Jennifer Garner. But it's Tatum on whose shoulders The Vow must succeed, and he is a revelation. His persona as a tough guy's guy is perfect here, as a "softer" actor would have led The Vow straight into Lifetime Movie Network territory. The viewer relates to Leo, including his obvious frustration, discomfort, and even moments of terror. Sam Neill and Jessica Lange (who glowed in Sucsy's Grey Gardens) make memorable supporting appearances. But it's McAdams and especially Tatum who make The Vow the believable, delicate, and loving journey it is. --A.T. Hurley

True Blood is the sexy, scary, wildly entertaining drama series from Oscar®- and Emmy®-winning Alan Ball (HBO’s Six Feet Under), and based on the Sookie Stackhouse novels by Charlaine Harris. Mixing romance, suspense, mystery and humor, True Blood tells the continuing tale of Sookie (Anna Paquin, Golden Globe-winner for this role), a human waitress with telepathic gifts – and a so-far irresistible attraction to 174-year-old vampire Bill Compton (Stephen Moyer). Surrounded by familiar faces – including her brother Jason (Ryan Kwanten), shape-shifting boss Sam Merlotte (Sam Trammell), soul-searching pal Tara Thornton (Rutina Wesley), Tara’s cousin Lafayette (Nelsan Ellis); police chief Andy Bellefleur (Chris Bauer), vampire suitor Eric Northman (Alexander Skarsgård) and teen vamp Jessica (Deborah Ann Woll) – Sookie faces some new otherworldly threats in this season – as if vampires, werewolves, werepanthers and shapeshifters weren’t enough!

Summers span decades. Winters can last a lifetime. And the struggle for the Iron Throne has begun. It will stretch from the south, where heat breeds plots, lusts and intrigues; to the vast and savage eastern lands; and all the way to the frozen north, where an 800-foot wall of ice protects the kingdom from the dark forces that lie beyond. Kings and queens, knights and renegades, liars, lords, and honest men, all will play the Game of Thrones.

Game of Thrones, the first book in author George R.R. Martin's sprawling fantasy saga A Song of Fire and Ice, serves as the basis for this brawny, lusty series about courtly intrigue and civil war in a sprawling fantasy kingdom. TV and fantasy veteran Sean Bean (The Lord of the Rings, Sharpe's Rifles) leads the massive cast as the warrior-noble Eddard Stark, who reluctantly assumes the role as the Hand of the King after the mysterious death of his predecessor. The King, Robert Baratheon, has leadership of the lands of Westeros, a mythical country plagued by severe, decade-long shifts in weather. His rule is challenged by the exiled Prince Viserys Targaryen (Harry Lloyd), who trades his own sister (Emilia Clarke) for the allegiance of the Dothraki, a savage nomadic tribe led by Khal Drogo (Jason Momoa of the 2011 Conan the Barbarian). A shocking secret kept hidden by Queen Cersei Lannister (Lena Headey, 300) leads to an upset in the balance of power and, ultimately, a challenge to the House of Stark to bring control to the bloodshed that threatens to overtake Westeros.

Fantasy has been a tricky genre for television--the scope required to bring the sweep and imagination to life is usually better suited for the big screen. But Game of Thrones neatly sidesteps the issue by virtue of the quality of the production at every level. Though the series is steeped in fantastic elements, from direwolves to dragons, series creators David Benioff (who wrote Troy and The Kite Runner, among others) and author D.B. Weiss (Lucky Wander Boy) have rooted the drama in the emotional landscape of its characters, which brings the end result closer to Benioff's humorous description of the show as "The Sopranos in Middle-Earth." Intricate plotting and direction with an eye for realism by a host of HBO veterans, including Tim Van Patten, Alan Taylor, and Daniel Minahan, underscores that notion, as does its stellar cast, which includes Mark Addy as Headey's husband, King Robert, Iain Glen as the faithful knight Ser Jorah Mormont, and Aiden Gillen (The Wire) as Petyr "Littlefinger" Baelish. However, the proceedings are handily won by Peter Dinklage's Emmy-nominated turn as the cunning Tyrion, whose intellect is constantly disregarded due to his size. Of course, viewers can also tune in to simply enjoy the more visceral elements of Game of Thrones, which features quite a bit of medieval-style carnage, as well as an at-times unnecessary level of nudity, which feels like a network decision based on the amount of flesh on display in their other successful shows. Regardless, Game of Thrones is an entirely addictive experience for both fantasy and drama fans alike throughout its debut 10 episodes, all of which are featured on this multi-disc set. --Paul Gaita

• Condition: New
• Format: DVD
• Box set; Color; DVD; NTSC

Set in an Edwardian country house in 1912, "Downton Abbey" portrays the lives of the Crawley family and the servants who work for them. Downton is the home of the Crawleys, who have been the earls of Grantham since 1772. In the drawing rooms, library and beautiful bedrooms, with their tall windows looking across the park, lives the family, but below stairs are other residents - the servants, as fiercely possessive of their ranks as anyone above. Some of them are loyal to the family and are committed to Downton as a way of life, while others are on the lookout for new opportunities, love or just adventure.

An addictive blend of suds and social commentary, ITV's Downton Abbey brings a microcosm of Edwardian society together under one roof. Lord Robert Crawley (Hugh Bonneville) and his family live a life of leisure, while a fleet of servants, including butler Carson (Jim Carter), attend to their every need, but two events conspire to shake things up: the sinking of the Titanic, which claims Crawley's heirs, and the return of his valet, Bates (Brendan Coyle). Since Crawley and Lady Cora (Elizabeth McGovern) have three daughters, his distant solicitor cousin, Matthew (Dan Stevens), becomes heir to the estate. With that, the scheming begins, since Thomas the footman (Rob James-Collier) views Bates as an interloper and Crawley's mother, Violet (Maggie Smith), feels the same way about Matthew's mother, Isobel (Penelope Wilton).

In the tradition of the BBC's Upstairs Downstairs and Robert Altman's Gosford Park, for which writer-creator Julian Fellowes received an Academy Award, the royals, servants, and middle-class relations struggle to get along. Sniffs uptight maid Miss O'Brien (Siobhan Finneran), "Gentlemen don't work," but that doesn't stop Mary (Michelle Dockery) and Edith Crawley (Laura Carmichael) from competing for Matthew's affections. Though it takes awhile to warm up to the tightest-wound characters, most everyone reveals their more vulnerable side before the first season comes to an end, and a new small-screen classic is born.

The entire sprawling cast is quite wonderful, particularly Bonneville, Carter, and James-Collier, who provide a fascinating study in contrasts (the latter is downright dastardly). Unlike the version that aired on PBS's Masterpiece Classic, this set offers seven parts rather than four. Extras include a featurette, in which cast and crew discuss the production, and an introduction to Hampshire's Highclere Castle, which doubles for Downton Abbey. The first season was a phenomenon in the United Kingdom, and Fellowes has promised a second season set during World War I. --Kathleen C. Fennessy