Americans Abroad

The Dreamers (Original Uncut NC-17 Version)

A love letter to movies (and the French new wave of the 1960s in particular), Bernardo Bertolucci's The Dreamers starts with a 1968 riot outside of a Parisian movie palace then burrows into an insular love triangle. Matthew (Michael Pitt, Hedwig and the Angry Inch), an expatriate American student, bonds with a twin brother and sister, Isabelle (Eva Green) and Theo (Louis Garrel), over their mutual love of film--they not only quote lines of dialogue, they act out small bits and challenge each other to name the cinematic source. Matthew suspects the twins of incest, but that doesn't stop him from falling into his own intimacies with Isabelle. As the threesome becomes threatened, Paris succumbs to student riots. The Dreamers aspires to be kinky, but the results are more decorative than decadent; nonetheless, the movie's lively energy recalls the careless and vital exuberance of Godard and Truffaut. --Bret Fetzer

From Academy Award®-winning director Bernardo Bertolucci (The Last Emperor, 1987), comes an erotic tale of three young film lovers brought together by their passion for movies -- and each other. When Isabelle and Theo (Eva Green, Louis Garrel) invite Matthew (Michael Pitt) to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and anything is possible. Featuring an engaging, seductive cast, The Dreamers is a ?spellbinding, provocative feast!" (Ebert & Roeper)

The Buccaneers

As four young American women find their way through the labyrinthine social world of 1870s England, their fortunes rise--and sometimes, with brutal abruptness, fall. Based on Edith Wharton's unfinished novel, The Buccaneers, this lavish BBC production follows Nan and Virginia St. George (Carla Gugino, Spy Kids, and Alison Elliott, The Spitfire Grill), two American sisters who follow their friend Conchita Closson (Mira Sorvino, Mighty Aphrodite), a Brazilian bad girl who marries a dissolute British lord, to England in search of aristocratic husbands--partly due to the influence of their canny governess, Laura Testvalley (Cherie Lunghi, Excalibur). The Buccaneers has a good dose of the delicious satirical wit to be found in many BBC dramas, but tempered by the presence of the naive American girls, who find themselves trapped by the very things they thought they wanted. Though mocked by some critics for its heaving bosoms and towering hairdos, the five-part series stealthily paints a sometimes devastating portrait of women's lives. When Idina Hatton (Jenny Agutter, Logan's Run), the older lover of the aimless Lord Seadown (Mark Tandy, Shackleton), learns that Seadown is going to marry the young and lovely Virginia, it's a heartbreaking moment, yet one that isn't overdone. The Buccaneers is full of such gracefulness--Wharton observes the fickle turns of life in society with a judicious eye, empathizing with the pain but never losing sight of the hard realities of money and marriage. In a strong cast, Gugino particularly shines; with her round, rosy cheeks and expressive eyes, she makes a smart yet vulnerable heroine. --Bret Fetzer

Deemed nouveau riche and shunned by elitist New York society sisters Nan and Virginia St. George along with their friends Lizzy Elmsworth and Conchita Closson (Academy Award winner Mira Sorvino) try their luck in London. The girls' New World spontaneity and impertinence constitute nothing less than a social invasion of Old World society and they soon find themselves courted by a coterie of fascinated admirers. But as the old and new worlds come to clash something has to give.Running Time: 300 min.Format: DVD MOVIE Genre: DRAMA UPC: 794051249425 Manufacturer No: E2494

The Inn of the Sixth Happiness

An epic and extraordinary true story--or, at least, an extraordinary story based on a novel (Alan Burgess's The Small Woman) based on a true story. Gladys Aylward (an improbably mesmerizing Ingrid Bergman) is a British would-be missionary with an obsession about China. As she has no experience, the Missionary Society won't let her go, but she goes anyway, alone, to a remote northern province. She is hated, then loved; finally she becomes both a significant political figure and the heroine of a miraculous escape in which she shepherds 100 children to safety across the mountains just ahead of a Japanese invasion. Curt Jurgens is suitably stony as Lin Nan, the half-Dutch, half-Chinese military officer who falls in love with her, and a visibly ailing Robert Donat (who died before this, his final film, was released) is the wily local mandarin who sees and makes use of her extraordinary abilities. Directed by Mark Robson, The Inn of the Sixth Happiness is a sweeping, stirring tearjerker, a big tale told in a big landscape with acres of orchestrated strings by Malcolm Arnold. A beautiful and beautifully made film that's a classic of the "everyone said I couldn't but I did it anyway" genre. --Richard Farr

All her life Englishwoman Gladys Aylward knew that China was the place where she belonged. Not qualified to be sent there as a missionary, Gladys works as a domestic to earn the money to send herself to a poor, remote village. There she eventually lives a full and happy life: running the inn, acting as "foot inspector", advising the local Mandarin and even winning the heart of mixed race Captain Lin Nan. But Gladys discovers her real destiny when the country is invaded by Japan and the Chinese children need her to save their lives. Based on a true story.

Medicine Man

Director John McTiernan (Die Hard) does an underwhelming job with this potentially interesting story of a research scientist (Sean Connery) who discovers a cure for cancer in the Brazilian rain forest, but then can't retrace his steps in creating the potion. Added pressure on his work is coming from developers burning down the forest, while an American bureaucrat (Lorraine Bracco), who holds the purse strings on the grant, has arrived to give him a bad time. The crucial chemistry between the stars just isn't there (Bracco can be hard to take at times), and, despite the added exotica of local witch doctors and seeing Connery swing through the trees, the elements just don't come together in this well-meaning but disappointing movie. --Tom Keogh

Academy Award(R)-winning star Sean Connery (Best Supporting Actor, 1987 -- THE UNTOUCHABLES), reunites with action director John McTiernan (THE HUNT FOR RED OCTOBER, DIE HARD) for another powerful collaboration in the heroic box office smash MEDICINE MAN! Screen favorite Connery plays Dr. Robert Campbell, a brilliant but unorthodox scientist racing against time in his bold research for a cure against cancer. Set deep in the forbidding Amazon rain forest, this action-packed hit follows Campbell hot on the trail of an amazing discovery -- but the eccentric recluse soon finds himself caught in the midst of an explosive adventure! Also starring Oscar(R)-nominee Lorraine Bracco (Best Supporting Actress, 1990 -- GOODFELLAS), MEDICINE MAN delivers unmatched entertainment with its spectacular mix of breathtaking scenery, captivating performances, and thrilling, nonstop excitement!

Salvador (Special Edition)

Director Oliver Stone (Platoon, JFK) offers up this brilliant, engrossing true-life account of the violent civil war in El Salvador as told through the perspective of a has-been journalist trying for one last grasp at glory and finding the true horror of war. James Woods is freelance journalist Richard Boyle, who leaves San Francisco broke with his drug-addled, disc-jockey buddy (Jim Belushi) to cover the escalating conflict and hopefully return to his former stature as a war correspondent. What he finds is a nation torn by random violence, shifting ideologies, poverty, and the malevolent influence of the United States. Boyle tries to make sense of the brutality he sees while extracting his girlfriend from the war zone and saving his own life. Featuring John Savage (The Deer Hunter) as an earnest photojournalist, this is a fascinating and riveting depiction of the bloody strife that tore apart a nation and mirrored the disillusionment of the Vietnam era. --Robert Lane

James Woods gives his "fullest, most humane, most emotional performance"(New York Magazine) to date in this "gritty, harrowing and bold thriller"(Gannett Newspapers). It's 1980. Young men, women and children are being brutally killed in a bloody civil war in El Salvador. It'sa horrific setting...but a perfect one for Richard Boyle, a sleazy war photojournalist whose careerneeds a jumpstart. Armed with his camera, Boyle joins the front lines in an attempt to capture atrocious-but-valuable images of pain and horror. But with each picture he takes, he catches a tragic side of humanity that ignites his long-buried compassion. And he unexpectedly discovers something thatwill change him forever: his soul. *1986 Actor (James Woods); Original Screenplay

The Beach

Leonardo DiCaprio sought to distance himself from the purity of his character in Titanic, and his role in The Beach is in many ways a polar opposite. As Richard, a young American seeking to "suck in the experience" of freestyle travel in Thailand, he's a chronic liar, a pot-smoking hedonist, an amoral lover, and ultimately an unstable snake in a doomed Garden of Eden. This crazy descent might be expected from the filmmakers of Trainspotting, but The Beach is a movie without a rudder, venturing into fascinating territory, promising a stimulating adventure, and then careening out of control.

After receiving a not-so-secret map to a secluded island from a stoned-out loony (Robert Carlyle, full of dark portent and spittle), Richard sets out to find the hidden paradise with a young French couple (Virginie Ledoyen, Guillaume Canet). What they find is a tropical commune existing in delicate balance with Thai pot farmers, and before long--as always--there's trouble in paradise. There's trouble in the movie, too, as DiCaprio is reduced to histrionics when the plot turns into a muddled mix of Lord of the Flies and Apocalypse Now, with shark attacks tossed in for shallow tension. Director Danny Boyle attempts perfunctory romance and a few audacious moves (notably DiCaprio's vision of life as a violent video game), but what's the point? Tilda Swinton registers strongly as the commune's charismatic leader, but her character--and the entire film--remains largely undeveloped, and pretty scenery is no guarantee of a laudable film. --Jeff Shannon

Brokedown Palace

Alice (Claire Danes) and Darlene (Kate Beckinsale) are best friends on their post-high-school whirlwind vacation. Telling their parents they're off for Hawaii, they head instead to Thailand, where they stay at a $6-a-night dive and sneak drinks at a posh hotel. They both fall sway to the charms of a handsome Australian (Daniel Lapaine), who invites them to Hong Kong. Off they go, although unbeknownst to them (or is it? this question is never fully answered), one of them has heroin in her backpack. Sentenced to 33 years in a Thai jail, they find their friendship begins to deteriorate as their trust in each other fades. They enlist the help of Yankee Hank (Bill Pullman), a greedy but knowledgeable American lawyer living in Asia.

The main flaws of this film are the capital-L lessons: friendship is powerful, don't trust strangers, nice girls shouldn't drink and sleep around. The film's bleakest moments, in the jail, aren't all that bad, and in this respect Brokedown Palace has nothing on the intensity of films such as Midnight Express or even Return to Paradise. Yet Danes and Beckinsale prove they are strong actresses, and their characters' friendship is suitably complex and believable. --Jenny Brown

In this riveting thriller, Claire Danes and Kate Beckinsale star as two best friends whose dream vacation becomes a nightmare. Alice (Danes) is impulsive and reckless; Darlene (Beckinsale) is more reserved. But when each falls for the same mysterious man, both girls throw caution to the wind, and in one instant, their lives are changed forever. Now in a foreign land, they must prove their innocence before it's too late. Bill Pullman co-stars in this "compelling" (People Magazine) tale of self-discovery and the ultimate sacrifice for a friend!

Rocky IV

It was time for Sylvester Stallone to say "enough, already" to the boxing hero he plays in the popular Rocky film series, but instead Stallone kept the saga going by pushing Rocky into Rambo territory. The 1985 Rocky IV finds the Italian stallion pitted against a seemingly unbeatable Russian monster named Drago (Dolph Lundgren) who lets his wife (Stallone's then-wife, Brigitte Nielsen) do all the talking. With a mighty punch, Drago has sent Rocky's former opponent and trainer Apollo Creed to an early grave, and the boxer responds with the ultimate challenge. Even the Russians are rooting for Rocky, so it's not hard to guess how the film ends. Despite Stallone's claims to the contrary, this installment was followed by Rocky V in 1990. --Jeff Shannon

East meets West when Rocky takes on a vicious Soviet fighter who literally killed his last opponent! Sylvester Stallone writes directs and stars in this war between nations in which the only battle is fought in a boxing ring.Rocky Balboa (Stallone) proudly holds the world heavyweight boxing championship but a new challenger has stepped forward: Drago (Dolph Lundgren) a six-foot-four-inch 261-pound fighter who has the backing of the Soviet Union. This time Rocky's training regimen takes him to icy Siberia where he prepares for a globally televised match in the heart of Moscow. But nothing can truly prepare him for what he's about to face a powerfully charged fight to the finish in which he must defend not only himself but also the honor of his country!System Requirements: Running Time 91 MinFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG UPC: 027616915177 Manufacturer No: 1007436

Summertime - Criterion Collection

There was a time before Lawrence of Arabia and Doctor Zhivago when David Lean made smaller, more effortlessly picturesque movies, and this splendid Venetian travelogue and love story is one of them--the last, actually, before the epic onslaught started with the Oscar-winning The Bridge on the River Kwai in 1957. "Sometimes I think a schedule in Venice is just, well, all wrong," observes a bewitched tourist to Katharine Hepburn's vacationing spinster near the beginning of Summertime, which is based on Arthur Laurents's play The Time of the Cuckoo. Before the end, however, Jane will have thrown her idealized romantic notions into the canals and embarked on a passionate affair with a married art dealer (Rossano Brazzi). More blissful than Lean's adulterous fable Brief Encounter 10 years prior, but not entirely guilt- or pain-free, this deceptively simple romance is an often-fascinating glimpse at a time when sexual revolution for Americans--and especially middle-aged women--was confined to fanciful European trysts. Plus, with all the architecture, art, Italian conversation, music, and fine cuisine around you (all richly photographed on location by Jack Hildyard), who's to pish-posh a furtive all-nighter between one repressive country and a free-loving one? The two leads are graceful and even musical in their movements and line deliveries. Hepburn's initial outrage at the idea that illicit love is part of her impossibly beautiful surroundings may at first seem outdated, but the Academy Award-winning actress is too good not to suggest as well the poignant, deep fear her character has of opening up emotionally to anybody. Ultimately, Summertime is the movie equivalent of a deep, satisfying sigh. --Robert Abele

An American spinster's dream of romance finally becomes a bittersweet reality when she meets a handsome-but married-Italian man while vacationing in Venice. Katharine Hepburn's sensitive portrayal of the lonely heroine and Jack Hildyard's glorious Technicolor® photography make Summertime an endearing and visually enchanting film.

For Whom the Bell Tolls