Fighting the System

Inherit the Wind

Two of the juiciest roles in the American theater fall at the feet of Spencer Tracy and Fredric March, and both men make a meal of it. Inherit the Wind, based on the play by Jerome Lawrence and Robert E. Lee, is a slightly fictionalized account of the Scopes Monkey Trial, that galvanizing legal drama of the 1920s. When a young Tennessee teacher is prosecuted for teaching the theory of evolution in a public school, he receives unwanted public attention as well as the legal advice of a giant. Tracy plays the role based on Clarence Darrow, the eloquent defense attorney, and March storms his way through a part based on Williams Jennings Bryan, the failed presidential candidate (and famed orator) who prosecuted the case. Gene Kelly plays a character based on the acid-penned H.L. Mencken, reporting on the trial and caustically commenting on the absurdity of the human animal. Stanley (Judgment at Nuremberg) Kramer's direction is not especially subtle, but the verbal fireworks unleashed during the trial sequences are still stirring. Even the different styles of the actors are intriguing: March is all mannerism and false padding around the belly, while Tracy does his patented naturalistic grumbling. It would be nice if this story were a quaint period piece, but its issues and arguments keep reemerging in the headlines with each new generation. --Robert Horton

Two-time Best Actor OscarÂ(r) winners* Spencer Tracy and Fredric March go toe-to-toe in this thrilling re-creation of the most titanic courtroom battle of the century. Garnering four Academy AwardÂ(r) nominations**, including Best Actor (Tracy), and featuring Gene Kelly in a rare, critically-acclaimed dramatic role, Inherit the Wind is powerful, provocative cinema and "a heaping measure of entertainment" (The Hollywood Reporter)! The controversial subject of evolution versus creation causes two polar opposites to engage in one explosive battle of beliefs. Attorney Clarence Darrow (Tracy) faces off against fundamentalist leader William Jennings Bryan (March) in a small Tennessee town where a teacher has been brought to trial for teaching Darwinism. Let the trial begin...and watch the sparks fly!

Iron Jawed Angels

Oscar-winner Hilary Swank stars in a fresh and contemporary look at a pivotal event in American history telling the true story of how a pair of defiant and brilliant young activists took the women's suffrage movement by storm putting their lives at risk to help American women win the right to vote.Running Time: 124 min.Format: DVD MOVIE Genre: DRAMA UPC: 026359212222

The fight for women's voting rights has rarely been given as dramatic a treatment as in Iron Jawed Angels. Hilary Swank (Boys Don't Cry) and Frances O'Connor (Mansfield Park) star as second-wave suffragettes Alice Paul and Lucy Burns, who led the final fight for the 19th Amendment to the Constitution. Though the movie sometimes tries too hard to avoid the stigma of a period piece (the soundtrack features electric guitars, Swank has a steamy moment in a bathtub, and the editing is jagged and flashy), the mounting energy of the fight--and the increasingly nasty opposition--gains real momentum when a wartime picket line leads to Paul, Burns, and their sisters-in-arms being arrested on trumped-up charges and imprisoned. The actors--including Julia Ormond (Smilla's Sense of Snow), Angelica Huston (Prizzi's Honor, The Grifters), and Brooke Smith (Vanya on 42nd Street)--give fervent, determined performances. --Bret Fetzer

On the Waterfront (Special Edition)

Marlon Brando gives one of the screen's most electrifying performances as Best Actor in this 1954 Academy Award® winner for Best Film. Ex-fighter Terry Malloy (Brando) could have been a contender but now toils for boss Johnny Friendly (Lee J. Cobb) on the gang-ridden waterfront. Terry is guilt-stricken however when he lures a rebellious worker to his death. But it takes the love of Edie Doyle (Eva Marie Saint) the dead man's sister to show Terry how low he has fallen. When his crooked brother Charley the Gent (Rod Steiger) is brutally murdered for refusing to kill him Terry battles to crush Friendly's underworld empire. Directed by Elia Kazan (A Streetcar Named Desire) and written by Budd Schulberg (What Makes Sammy Run?) this unforgettable drama about Terry's redemption is among the most acclaimed of all films.System Requirements: Running Time 107 Min Genre: DRAMA Rating: NR UPC: 043396784093 Manufacturer No: 78409

Marlon Brando's famous "I coulda been a contenda" speech is such a warhorse by now that a lot of people probably feel they've seen this picture already, even if they haven't. And many of those who have seen it may have forgotten how flat-out thrilling it is. For all its great dramatic and cinematic qualities, and its fiery social criticism, Elia Kazan's On the Waterfront is also one of the most gripping melodramas of political corruption and individual heroism ever made in the United States, a five-star gut-grabber. Shot on location around the docks of Hoboken, New Jersey, in the mid-1950s, it tells the fact-based story of a longshoreman (Brando's Terry Malloy) who is blackballed and savagely beaten for informing against the mobsters who have taken over his union and sold it out to the bosses. (Karl Malden has a more conventional stalwart-hero role, as an idealistic priest who nurtures Terry's pangs of conscience.) Lee J. Cobb, who created the role of Willy Loman in Death of Salesman under Kazan's direction on Broadway, makes a formidable foe as a greedy union leader. --David Chute

Finding Forrester

Finding Forrester could have been a shallow variant of The Karate Kid, congratulating itself for featuring a 16-year-old black kid from the South Bronx who's a brilliant scholar-athlete. Instead, director Gus Van Sant plays it matter-of-fact and totally real, casting a nonactor (Rob Brown) as Jamal, a basketball player and gifted student whose writing talent is nurtured by a famously reclusive author. William Forrester (Sean Connery) became a literary icon four decades earlier with a Pulitzer-winning novel, then disappeared (like J.D. Salinger) into his dark, book-filled apartment, agoraphobic and withdrawn from publishing, but as passionate as ever about writing. On a dare, Jamal sneaks into Forrester's musty sanctuary, and what might have been a condescending cliché--homeboy rescued by wiser white mentor--turns into an inspiring meeting of minds, with mutual respect and intelligence erasing boundaries of culture and generation.

Comparisons to Van Sant's Good Will Hunting are inevitable, but Finding Forrester is more honest and less prone to touchy-feely sentiment, as in the way Jamal and a private-school classmate (Anna Paquin) develop a mutual attraction that remains almost entirely unspoken. The film takes a conventional turn when Jamal must defend his integrity (with Forrester's help) in a writing contest judged by a skeptical teacher (F. Murray Abraham), but this ethical subplot is a credible catalyst for Forrester's most dramatic display of friendship. It's one of many fine moments for Connery and Brown (a screen natural), in a memorable film that transcends issues of race to embrace the joy of learning. --Jeff Shannon

Medicine Man

Director John McTiernan (Die Hard) does an underwhelming job with this potentially interesting story of a research scientist (Sean Connery) who discovers a cure for cancer in the Brazilian rain forest, but then can't retrace his steps in creating the potion. Added pressure on his work is coming from developers burning down the forest, while an American bureaucrat (Lorraine Bracco), who holds the purse strings on the grant, has arrived to give him a bad time. The crucial chemistry between the stars just isn't there (Bracco can be hard to take at times), and, despite the added exotica of local witch doctors and seeing Connery swing through the trees, the elements just don't come together in this well-meaning but disappointing movie. --Tom Keogh

Academy Award(R)-winning star Sean Connery (Best Supporting Actor, 1987 -- THE UNTOUCHABLES), reunites with action director John McTiernan (THE HUNT FOR RED OCTOBER, DIE HARD) for another powerful collaboration in the heroic box office smash MEDICINE MAN! Screen favorite Connery plays Dr. Robert Campbell, a brilliant but unorthodox scientist racing against time in his bold research for a cure against cancer. Set deep in the forbidding Amazon rain forest, this action-packed hit follows Campbell hot on the trail of an amazing discovery -- but the eccentric recluse soon finds himself caught in the midst of an explosive adventure! Also starring Oscar(R)-nominee Lorraine Bracco (Best Supporting Actress, 1990 -- GOODFELLAS), MEDICINE MAN delivers unmatched entertainment with its spectacular mix of breathtaking scenery, captivating performances, and thrilling, nonstop excitement!

Footloose (Special Collector's Edition)

A portrayal of the timeless struggle between innocent pleasure and rigid morality. City-boy Ren McCormick finds himself in an uptight Midwestern town where dancing has been banned.
Genre: Feature Film-Drama
Rating: PG
Release Date: 2-MAY-2006
Media Type: DVD

Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. --Tom Keogh

Dangerous Beauty

Although it was unfortunately ignored during its brief theatrical release, this sumptuously seductive production is that rarest of cinematic breeds, the (barely) respectable guilty pleasure. Combining historical fact with hysterical anachronisms of language and mannerism, it's been tailored for maximum contemporary appeal but maintains a lush, romantic feel for its factual 16th-century tale of Venetian love, lust, and political repression. Catherine McCormack (Mel Gibson's ill-fated bride in Braveheart) delivers a star-making performance as the "dangerous beauty" who becomes a skillful courtesan to pursue her forbidden love for a dashing Venetian senator (Rufus Sewell). It's all rather silly in a high-toned fashion, and the film turns dour when the church intervenes with a Scarlet Letter-like papal inquest. But the movie's joyously ribald vitality is utterly irresistible, and the casting of McCormack with Jaqueline Bisset (as her mother and courtesan mentor) is a stroke of pure genius. Merchant-Ivory would've made a smarter film from this material, but it probably wouldn't be nearly as entertaining. --Jeff Shannon

Without Limits

Since audiences are inclined to F/X spectacle, it was easy to understand the 1998 box-office battle between Armageddon and Deep Impact, which shared almost exactly the same premise. But two films about the now-obscure long-distance runner Steve Prefontaine? Without Limits and Prefontaine were in production at the same time, with the cheaper Prefontaine rushed into theaters in 1997 while Without Limits was held back until the fall of '98. As it turned out, neither movie scored a deep impact at the box office, but Without Limits is much more satisfying as a competent, heartfelt slice of sports history. Billy Crudup (a rising star who strongly resembles the film's producer, Tom Cruise, in both looks and intensity) plays Prefontaine, or "Pre," the mustachioed runner who blazed out of Coos Bay, Oregon, in the late 1960s. The movie grazes across the major events of Pre's career at the University of Oregon, where he blew away the competition and positioned himself as the leading American runner (and a charismatic hunk) going into the 1972 Olympic Games in Munich--that star-crossed competition at which Arab terrorists kidnapped and killed members of the Israeli team. Though the film suffers from some of the built-in problems of the true-life biopic, director Robert Towne (who earlier made a remarkable track-and-field picture, Personal Best) captures the texture of the athletes' world. Acting honors go to Donald Sutherland, turning in an emotional performance as coach Bill Bowerman; while tutoring Pre, Bowerman was tinkering with some waffle-soled running shoes, a hobby that later became a little company called Nike. --Robert Horton

Music of the Heart (Miramax Collector's Series)

Why, you might ask, would Wes Craven direct a conventional biopic about Roberta Guaspari, a divorced mother of two who created an acclaimed music program in East Harlem's troubled school system? After all, Craven built his career on Freddy Krueger and the Scream trilogy, and you won't find razor-tipped gloves or a single drop of blood in Music of the Heart. All Craven has to do is provide a safe working environment for Meryl Streep (who earned an obligatory Oscar nomination), sublimate his deft directorial style, and surrender to the banalities of Pamela Gray's screenplay, which would've played more effectively on cable TV.

To be fair, Music of the Heart (partially inspired by the 1996 documentary Small Wonders) serves its purpose quite nicely. Streep is flawless in a non-showy role, and the story of Guaspari's celebrated violin training program provides the requisite rush of inner-city inspiration. As a fact-based companion to Mr. Holland's Opus, the film is less effective but similarly engaging; you'd have to be cold-hearted to dismiss it altogether. It's best when focusing on Guaspari's school program and the 10-year struggle to keep it alive; the drama falters when dealing half-heartedly with her tentative relationships, notably with a journalist (Aidan Quinn) who shies from commitment. And Craven? He seems content to direct by the numbers here, leaving inspiration on the screen while forfeiting his own. --Jeff Shannon

Two-time Academy Award(R)-winner Meryl Streep (1983 Best Actress, SOPHIE'S CHOICE; 1980 Best Supporting Actress, KRAMER vs. KRAMER) stars with Angela Bassett (HOW STELLA GOT HER GROOVE BACK) in a heartwarming, acclaimed true story of how one woman's musical gift affected those who least expected it. A single mother with little more than talent and the determination to make a difference, Roberta Guaspari (Streep) overcame the skepticism of everyone who didn't think she should be teaching violin to students in a tough inner-city neighborhood. But even after a decade of ever-growing popularity and countless success stories, Roberta and her kids must rise to meet an even greater challenge: budget cuts aimed at shutting down her valuable program for good! Also starring Aidan Quinn (PRACTICAL MAGIC) and Grammy-winner Gloria Estefan in a stellar cast, this extraordinary story will inspire anyone who's ever thought their dreams were too far out of reach!

Malcolm X

Inspiring story of Malcolm X, as he rises up from poverty, encounters the law, achieves spiritual enlightenment, and reaches out to others in the fight for human and civil rights.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 18-JAN-2000
Media Type: DVD

Just as Do the Right Thing was the capstone of Spike Lee's earlier career, Malcolm X marked the next milestone in the filmmaker's artistic maturity. It seemed everything Lee had done up to that point was to prepare him for this epic biography of America's fiery civil-rights leader, who is superbly played by Oscar-nominated Denzel Washington, from his early days as a zoot-suited hustler known as "Detroit Red" to his spiritual maturity after his pilgrimage to Mecca, as a Black Muslim by the name of El Hajj Malik El Shabazz. Do the Right Thing climaxed with the photographic images of Malcolm X and Dr. Martin Luther King engulfed by flames of rage; Malcolm X explores the genesis and evolution of that rage over Malcolm's lifetime, and how these two great figures--held up to the public as polar-opposites within the African American human rights movement (King for nonviolent civil disobedience, Malcolm for achieving equality "by any means necessary")--were each essential to the agenda of the other. Lee careens from the hedonistic ebullience of Malcolm's early days to the stark despair of prison, from his life-changing conversion to Islam to his emergence as a dynamic political leader--all with an epic sweep and vitality that illuminates personal details as well as political ideology. Angela Bassett is also terrific as Malcolm's wife, Betty Shabazz. --Jim Emerson