American History X
by Tony Kaye
from New Line Home Video
Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nominated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation.
The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the killing of two black men. Lacking Derek's gift of rebel rhetoric, Danny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment, and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon
Edward Norton's Academy Award nominated role as a White Supremist who sees the error of his ways while jailed for murder. Unfortunately he leaves prison to find his brother (Edward Furlong) heading down the same path.Running Time: 119 min.System Requirements:Directed by Tony Kaye Writing credits David McKenna Cast overview first billed only: Edward Norton Edward Furlong Beverly D Angelo Jennifer Lien Ethan Suplee Fairuza Balk Avery Brooks Elliott Gould Stacy Keach William Russ Guy Torry Joseph Cortese Jason Bose Smith Antonio David Lyons Alex Sol ;Runtime: USA:117;Sound Mix: Dolby Digital / SDDSFormat: DVD MOVIE Genre: DRAMA Rating: R UPC: 794043473920
A Bronx Tale
from Savoy Pictures
Chazz Palminteri wrote the script for this excellent story of an Italian American boy (Lillo Brancato) who grows up in the 1960s caught between the strong influences of his blue-collar, straight- arrow father (Robert De Niro) and a Mafia chieftain (Palminteri) who is his all-purpose mentor. De Niro makes his directorial debut with this production and, except for a little stiffness, does very well by the characters and their world. The story does not go precisely where one might expect it to go: Palminteri knows better than to force the central figure to choose between the two most important men in his life, and he doesn't fill time with stock drama about crime or family conflict. Joe Pesci makes an extremely effective and uncredited appearance at the end as a man who doesn't have to do more than speak softly to communicate how dangerous he is. --Tom Keogh
Havoc (Unrated Version)
by Barbara Kopple
from New Line Home Video
A group of wealthy Los Angeles teenagers try to become part of the "gangsta" lifestyle but soon run into trouble when they come face to face with a real gang of Latino drug dealers.Running Time: 92 min.Format: DVD MOVIE Genre: DRAMA UPC: 794043843228
After making her name in The Princess Diaries, Anne Hathaway takes a radical detour with this edgy independent drama. As Allie, a wealthy gangsta wannabe, she makes no excuses for her delinquent behavior: "We're just teenagers and we're bored." When her Pacific Palisades posse, including pal Emily (Bully's Bijou Phillips), starts hanging out with a Latino gang (including Six Feet Under's Freddy RodrĂguez), they learn what thug life is really about. Hathaway couldn't be more game: She swears, she fights--she disrobes (several times). Written and directed by Oscar winners Stephen Gaghan (Traffic) and Barbara Kopple (American Dream), Havoc plays like a B movie, in the vein of the superior crazy/beautiful, and was released straight to video. For Hathaway fans, it's a chance to see this young talent in a very different light, but for Gaghan and Kopple followers, this lurid morality tale is sure to come as a letdown. --Kathleen C. Fennessy
Stand By Me (Special Edition)
by Rob Reiner
from Sony Pictures
A sleeper hit when released in 1986, Stand by Me is based on Stephen King's novella "The Body" (from the book Different Seasons); but it's more about the joys and pains of boyhood friendship than a morbid fascination with corpses. It's about four boys ages 12 and 13 (Wil Wheaton, River Phoenix, Corey Feldman, Jerry O'Connell) who take an overnight hike through the woods near their Oregon town to find the body of a boy who's been missing for days. Their journey includes a variety of scary adventures (including a ferocious junkyard dog, a swamp full of leeches, and a treacherous leap from a train trestle), but it's also a time for personal revelations, quiet interludes, and the raucous comradeship of best friends. Set in the 1950s, the movie indulges an overabundance of anachronistic profanity and a kind of idealistic, golden-toned nostalgia (it's told in flashback as a story written by Wheaton's character as an adult, played by Richard Dreyfuss). But it's delightfully entertaining from start to finish, thanks to the rapport among its young cast members and the timeless, universal themes of friendship, family, and the building of character and self-esteem. Kiefer Sutherland makes a memorable teenage villain, and look closely for John Cusack in a flashback scene as Wheaton's now-deceased and dearly missed brother. A genuine crowd-pleaser, this heartfelt movie led director Rob Reiner to even greater success with his next film, The Princess Bride. --Jeff Shannon
Kids
by Larry Clark
from Lions Gate
Larry Clark's controversial film about New York City adolescents walking the AIDS tightrope is also an unblinking look at the dehumanizing rituals of growing up. But it really doesn't add up to more than the sum of its various shocks--virgin busting, skinny-dipping, male callousness--overlayed with middle-class disapproval. Clark is hectoring us for cutting kids loose at a terrible time in modern American history, but so are a lot of other people, who also offer alternatives and ideas. The film does nothing to push us toward new thoughts, new solutions, new dreams. It is more like a window onto our worst fantasies about what our children are doing out there on the streets. --Tom Keogh
Powerful and passionate colorful and compelling Larry Clark s KIDS is 24 frenetic hours in the lives of a group of contemporary teenagers who like all teenagers believe they are invincible. With breathtaking images from one of the world s most renowned photographers KIDS is a deeply affecting no-holds-barred landscape of words and images depicting with raw honesty the experiences attitudes and uncertainties of innocence lost. KIDS gets under the skin and lingers long after it is viewed. The kids at the core of the story are just that: teenagers living in the urban melee of modern-day America. But while these kids dwell in the big city their story could quite possibly happen anywhere. System Requirements: Running Time 91 MinFormat: DVD MOVIE Genre: DRAMA Rating: R UPC: 031398751823 Manufacturer No: 71855
The Outsiders - The Complete Novel (Two-Disc Special Edition)
by Francis Ford Coppola
from Warner Home Video
Director Francis Coppola's adaptation of the popular S.E. Hinton novel about the price of rebellious youth is notable chiefly for the stunning cast of young actors who went on to rich and varied careers. In supporting roles, the film features the likes of Tom Cruise, Patrick Swayze, Diane Lane, Rob Lowe, Emilio Estevez, and Tom Waits, among others. The story centers on two rival gangs in the early 1960s Midwest, and the violent turf wars that escalate and tragically claim young lives. C. Thomas Howell plays the central character who yearns to prove himself and be accepted by his older brothers' gang, while at the same time finding his first love and dreaming of a life beyond his dead end existence. Geared toward the teenage crowd, the film nonetheless features some fine direction from Coppola in a story that evokes memories of the classic coming-of-age films of the 1950s. --Robert Lane
No one was surprised when Francis Ford Coppola revisited Apocalypse Now, but his overhaul of The Outsiders raised a few eyebrows. Here was a modestly successful film better remembered for its Brat Pack cast than its Oscar-winning director, but The Complete Novel succeeds in bringing more of S.E. Hinton's young adult classic to the screen along with Coppola's epic vision. The story remains the same: The working class greasers and wealthy Socs ("Socials") of Tulsa, OK, circa 1966, are at war. Despite the bigger names in the cast--Patrick Swayze, Emilio Estevez, Rob Lowe--the friendship between C. Thomas Howell's Ponyboy and Ralph Macchio's doomed Johnny is still the focus. If anything, Tom Cruise, as an obnoxious greaser, gives the least promising performance, while Matt Dillon (Crash) as the unpredictable Dally and Diane Lane (Unfaithful) as the beautiful Cherry provide a taste of the mature work to come. Aside from 22 minutes of restored footage (including a prologue and epilogue), which add heart and grandeur, The Complete Novel includes several new rock and roll tracks, most by Elvis Presley. In the end, the revamped Outsiders still plays like a cross between Rebel Without a Cause and The Last Picture Show--and that's a good thing. --Kathleen C. Fennessy
In 1983, Francis Ford Coppola's film of S.E. Hinton's novel struck a powerful chord with audiences, capturing the intense feelings of being caught between childhood and adulthood, and not belonging anywhere. Decades later, Coppola has revisited the film and reintegrated 22 minutes of character-enriching footage, including a new beginnning and ending more true to the book. A rousing new rock-n-roll soundtrack featuring six songs from Elvis Presley and other music greats make this new version of The Outsiders one of movie history's great rediscoveries.
DVD Features:
Additional Scenes:10 Minutes of Additional Scenes
Audio Commentary:New Introduction and Commentary by Director Francis Ford Coppola New Introduction and Commentary by Matt Dillon, Ralph Macchio, C. Thomas Howell, Patrick Swayze, Rob Lowe and Diane Lane
Documentaries:The Casting of The Outsiders Staying Gold: A Look Back at the Outsiders S.E. Hinton on Location in Tulsa
Featurette:NBC Today Segment: The Outsiders Started by School Petition Readings: Seven cast members do readings of the book.
Other:Fred Roos and the Casting of The Outsiders, Including Never-Before-Seen Screen Tests and Auditions
Theatrical Trailer:1983 Theatrical Trailer
The Outsiders
by Francis Ford Coppola
from Warner Home Video
Director Francis Coppola's adaptation of the popular S.E. Hinton novel about the price of rebellious youth is notable chiefly for the stunning cast of young actors who went on to rich and varied careers. In supporting roles, the film features the likes of Tom Cruise, Patrick Swayze, Diane Lane, Rob Lowe, Emilio Estevez, and Tom Waits, among others. The story centers on two rival gangs in the early 1960s Midwest, and the violent turf wars that escalate and tragically claim young lives. C. Thomas Howell plays the central character who yearns to prove himself and be accepted by his older brothers' gang, while at the same time finding his first love and dreaming of a life beyond his dead end existence. Geared toward the teenage crowd, the film nonetheless features some fine direction from Coppola in a story that evokes memories of the classic coming-of-age films of the 1950s. --Robert Lane
No one was surprised when Francis Ford Coppola revisited Apocalypse Now, but his overhaul of The Outsiders raised a few eyebrows. Here was a modestly successful film better remembered for its Brat Pack cast than its Oscar-winning director, but The Complete Novel succeeds in bringing more of S.E. Hinton's young adult classic to the screen along with Coppola's epic vision. The story remains the same: The working class greasers and wealthy Socs ("Socials") of Tulsa, OK, circa 1966, are at war. Despite the bigger names in the cast--Patrick Swayze, Emilio Estevez, Rob Lowe--the friendship between C. Thomas Howell's Ponyboy and Ralph Macchio's doomed Johnny is still the focus. If anything, Tom Cruise, as an obnoxious greaser, gives the least promising performance, while Matt Dillon (Crash) as the unpredictable Dally and Diane Lane (Unfaithful) as the beautiful Cherry provide a taste of the mature work to come. Aside from 22 minutes of restored footage (including a prologue and epilogue), which add heart and grandeur, The Complete Novel includes several new rock and roll tracks, most by Elvis Presley. In the end, the revamped Outsiders still plays like a cross between Rebel Without a Cause and The Last Picture Show--and that's a good thing. --Kathleen C. Fennessy
Thirteen
by Catherine Hardwicke
from 20th Century Fox
A gut-wrenching portrait of adolescence, Thirteen is made all the more powerful because it was co-written by a genuine teenage girl, Nikki Reed, who also co-stars in the movie. Tracy (Evan Rachel Wood), a serious good student, finds herself needing to express her anger and resentment at her fractured family life. To rebel, she pursues a friendship with the reckless, alluring Evie (Reed), who seems to have all the cocksure freedom that Tracy desires. What follows is both harrowing and compelling: Tracy becomes enmeshed in a relationship with Evie that empowers Tracy and drags her deeper into the misery she wants to escape--and terrifies her mother (Holly Hunter), who struggles desperately to hold on to her daughter's love. Thirteen makes every step on this path utterly convincing, due to the vivid script, energized direction, and astonishingly alive performances from Hunter, Reed, and especially Wood. Jolting, sad, and mesmerizing. --Bret Fetzer
"Brace yourself" (Rolling Stone) for a raw, revealing insight into urban adolescence that's so intense and realistic, "it's possible to turn away (Interview Magazine). Anxiously trying to fit into the peer-pressure cooker environment of junior high, thirteen-year-old Tracy (Evan Rachel Wood) goes to shocking lengths in order to befriend Evie (co-writer Nikki Reed), the most popular girl in school. Now the two are inseparable - and incorrigible - leaving Tracy's desperate mom (Academy Award winner Holly Hunter) powerless to rescue her from a whirlwind of drugs, sex and crime.
Boyz 'N the Hood
from Sony Pictures
John Singleton, at the age of 23, was nominated for an Academy Award for Best Original Screenplay for his debut film, Boyz N the Hood. The film stars Laurence Fishburne, Angela Basset, Ice Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a feature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. His father, Furious (Fishburne), is divorced and living away from Tre and his mother (Basset), but he's still involved in Tre's upbringing, teaching him the values of right and wrong and responsibility. Meanwhile, Tre's childhood buddies Ricky (Morris Chestnut) and Doughboy (Ice Cube) are living their lives in terms of the epidemic of violence and poverty that has plagued their neighborhood. Ricky, a talented football player, strives to get a full athletic scholarship to college. If only his SAT scores were higher. Doughboy lives a life full of crime but still remains true to his friends. The obstacles that these three young men come across result in dire consequences, devastatingly avoidable and inevitable at the same time. Boyz N the Hood is a landmark film beyond its commercial success, presenting a portrait of South Central in the late '80s and early '90s as painted by Singleton (who grew up in that neighborhood), achieving accuracy and dramatic resonance in this story of at-risk youth. --Shannon Gee
Bully
from Lions Gate
Acclaimed director Larry Clark delivers his most powerful film since KIDS. Marty (Brad Renfro) is a tormented surfer who relies on his longtime pal Bobby (Nick Stahl) for rides to the beach and South Florida bars despite vicious abuse. But when Bobby turns his unwanted attention to Marty's new girlfriend Lisa (Rachel Miner) and her best friend Ally (Bijou Phillips), Lisa decides Bobby's reign of terror must end. Assembling a crew of alienated suburban teens, she forms a deadly plan to get Bobby out of the way once and for all, turning friends into enemies and casual acquaintances into co-defendants in a murder that rocked America to its core.
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