Drama

Midnight in the Garden of Good and Evil

Academy award-winning director Clint Eastwood helms this story based on John Berendt's best-selling book examining contemporary events and unique characters in picturesque Savannah Georgia following a shocking murder. The most important party of the Savannah Christmas season ends with a bang! when affable host Jim Williams shoots a man to death. The party is over and the mystery begins.Running Time: 156 min.System Requirements:Widescreen Format ("matted" to preserve the aspect ratio of original theatrical exhibition enhanced for widescreened TVs) Languages: English (5.1 Dolby Digital Surround) and French (Dolby Stereo Surround) Theatrical Trailer Production Notes and Interactive Menus Closed Captioning and Dual-layer Format Additional Information Special Features: Featurette Interactive Menus Interviews Production Notes Theatrical Trailer Video Format: Widescreen (no A.R. specified) Enhanced for 16x9 TVs Subtitles: English Spanish French Track Info: English: Dolby Digital 5.1 Surround French: Dolby Digital 5.1 Surround Closed Captioning: Yes # Discs: 1Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 085391477624

Readers of John Berendt's bestselling novel were bound to be at least somewhat disappointed by this big-screen adaptation, but despite mixed reaction from critics and audiences, there's still plenty to admire about director Clint Eastwood's take on the material. Readers will surely miss the rich atmosphere and societal detail that Berendt brought to his "Savannah story," and the movie can only scratch the surface of Georgian history, tradition, and wealthy decadence underlying Berendt's fact-based murder mystery. Still, Eastwood maintains an assured focus on the wonderful eccentrics of Savannah, most notably a gay Savannah antiques dealer (superbly played by Kevin Spacey), who may or may not have killed his friend and alleged lover (Jude Law). John Cusack plays the Town & Country journalist who arrives in Savannah to find much more than he bargained for--including the city's legendary drag queen Lady Chablis (playing "herself")--and John Lee Hancock's smoothly adapted screenplay succeeds in bringing Berendt's characters vividly to life with plenty of flavorful dialogue. In similar fashion to Warner's acclaimed DVD of L.A. Confidential, this classy DVD includes a behind-the-scenes documentary titled The Real People in the Garden and an interactive map tour of Savannah and its most celebrated (or notorious) citizens. The original theatrical trailer is also included. --Jeff Shannon

Queer as Folk - The Complete First Season

They're here, they're queer, and they make Sex and the City look like a demure tea party. Showtime's quintessentially American Queer As Folk--based on the British miniseries--pours on copious amounts of hot and steamy sex. This slick (and slickly entertaining) series shares the same basic concept as its British counterpart--centering on a group of gay friends living in a primarily industrial city--but after that, all bets are off. Whereas the British version focused on the gritty, realistic drama of its characters, the American QAF is a glossy, fun soap opera that occasionally tackles big issues but never lets you forget that life at times can be a party, and you shouldn't be one of those poor suckers starving to death. A good part of the show's charm lies in its cast--boy-next-door Michael (Hal Sparks), ruthlessly seductive rake Brian (Gale Harold), out-and-proud Emmett (Peter Paige), wallflower Ted (Scott Lowell), and nubile teen Justin (Randy Harrison)--who grew from standard gay prototypes to intriguing characters by the first season's end. And while some subplots didn't work (such as Emmett's farfetched foray into gay-conversion therapy), others were quietly affecting, including Brian's coping with his father's death. Some may object to the show's relentless fixation on sex (and gay men--there are just two lesbian characters), but this is a series that in its own polished way is both engrossingly fun and truly groundbreaking. It's liberating to watch an American TV series in which the straight world is only peripheral. Let's hear it for the boys! --Mark Englehart

Brokeback Mountain (Widescreen Edition)

Brokeback Mountain is a sweeping epic that explores the lives of two young men a ranch hand and a rodeo cowboy who meet in the summer of 1963 and unexpectedly forge a lifelong connection. The complications joys and heartbreak they experience provide a testament to the endurance and power of love. Heath Ledger and Jake Gyllenhaal deliver emotionally charged remarkably moving performances in "a movie that is destined to become one of the great classics of our time" (Clay Smith The Insider).Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 025192631528 Manufacturer No: 26315

A sad, melancholy ache pervades Brokeback Mountain, Ang Lee's haunting, moving film that, like his other movies, explores societal constraints and the passions that lurk underneath. This time, however, instead of taking on ancient China, 19th-century England, or '70s suburbia, Lee uses the tableau of the American West in the early '60s to show how two lovers are bound by their expected roles, how they rebel against them, and the repercussions for each of doing so--but the romance here is between two men. Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) are two itinerant ranchers looking for work in Wyoming when they meet and embark on a summer sheepherding job in the shadow of titular Brokeback Mountain. The taciturn Ennis, uncommunicative in the extreme, finds himself opening up around the gregarious Jack, and the two form a bond that surprisingly catches fire one cold night out in the wilderness. Separating at the end of the summer, each goes on to marry and have children, but a reunion years later proves that, if anything, their passion for each other has grown significantly. And while Jack harbors dreams of a life together, the tight-lipped Ennis is unable to bring himself to even consider something so revolutionary.

Its open, unforced depiction of love between two men made Brokeback an instant cultural touchstone, for both good and bad, as it was tagged derisively as the "gay cowboy movie," but also heralded as a breakthrough for mainstream cinema. Amidst all the hoopla of various agendas, though, was a quiet, heartbreaking love story that was both of its time and universal--it was the quintessential tale of star-crossed lovers, but grounded in an ever-changing America that promised both hope and despair. Adapted by Larry McMurtry and Diana Ossana from Annie Proulx's short story, the movie echoes the sparse bleakness of McMurtry's The Last Picture Show with its fading of the once-glorious West; but with Lee at the helm, it also resembles The Ice Storm, as it showed the ripple effects of a singular event over a number of people. As always, Lee's work with actors is unparalleled, as he elicits graceful, nuanced performances from Michelle Williams and Anne Hathaway as the wives affected overtly and subliminally by their husbands' affair, and Gyllenhaal brings surprising dimensions to a character that could have easily just been a puppy dog of a boy. It's Ledger, however, who's the breakthrough in the film, and his portrait of an emotionally repressed man both undone and liberated by his feelings is mesmerizing and devastating. Spare in style but rich with emotion, Brokeback Mountain earns its place as a classic modern love story. --Mark Englehart

East Side Story

Set in East LA EAST SIDE STORY is the story of Diego a young man working at his family's restaurant and having an affair with a secretly gay real estate agent. As the relationship heats up and the Latino neighborhood becomes more and more gentrified everything changes for Diego and his family.Format: DVD MOVIE Genre: COMEDY/ROMANTIC COMEDY UPC: 754703762979 Manufacturer No: WOL4515D

Handsome restaurateur Diego (Rene Alvarado, Fall to Grace) thinks he has the perfect boyfriend--until Pablo (David Beron, Honor Thy Father and Mother: The True Story of the Menendez Murders) makes it clear he's not coming out of the closet, in case it might threaten his real estate business. Of course, Diego himself isn't out at work--until his flighty aunt Blanca (Gladys Jimenez, Tremors: The Series) casually reveals this to the homophobic staff. Heartbroken and alienated at work, Diego gets distracted when Wesley (Steve Callahan, Nine Lives) and Jonathan (Cory Schneider, The M.O. of M.I.), two hunky guys who are apparently allergic to shirts, move in next door. But as sparks start to fly with Wesley, Jonathan attempts to use racial strife as a tool against Diego. For a low-budget gay romance, East Side Story has broad ambitions, juxtaposing racism and homophobia without getting too heavy-handed with either. The script and the acting are a little wooden, but sincere warmth, flippant humor, unapologetic directness about its characters' lives, and a lot of well-muscled bodies give this movie its appeal. Irene DeBari, as Diego's grandmother, provides a lot of the movie's heart. --Bret Fetzer

And the Band Played On

A superior, made-for-cable film, this Home Box Office adaptation of Randy Shilts's chronicle detailing the emergence of AIDS in America and the fight against bureaucracy and society for a cure is a taut, outrageous, and affecting true-life drama. Matthew Modine (Birdy, Married to the Mob) is featured as a doctor with the Centers for Disease Control at the time when the first reports of a disease plaguing the gay community were heard. Modine and his colleagues embark on an investigation that resembles a compelling detective story as they try to track the source of the disease and discover a cure. Their efforts are thwarted by an ambivalent government and a turf war between French physicians and a celebrated American researcher (Alan Alda) who seems to place his own glory above the dead and the dying. Featuring heartfelt performances from a stellar cast including Richard Gere, Glenne Headly, Anjelica Huston, Steve Martin, Ian McKellen, Saul Rubinek, and Lily Tomlin, this impassioned film stands as an impressive and important document of one of the darkest eras in modern human history, and a tribute to the spirit of those who sought to save lives. --Robert Lane

Saving Face

Saving Face starts like you might expect a Chinese-American lesbian romantic comedy to start: Young surgeon Wilhelmina (Michelle Krusiec, in her first starring role) has kept her sexual orientation secret from the conservative Chinese community of Flushing, NY--but when her mother (Joan Chen, The Last Emperor) becomes pregnant and is kicked out by her own parents, Wil suddenly has to juggle her mother's secrets with her own...which include her sparky new romance with Vivian (Lynn Chen), a ballet dancer and the daughter of Wil's boss. This bundle of intrigue and lust could motivate a wacky farce, but writer/director Alice Wu takes things a step further, delving into the characters' psyches and the complex social rules of their world while still crafting a strong plot and plenty of sly humor. Wu captures excellent performances from her entire cast, particularly Joan Chen, who gives perhaps her most multifaceted performance. A rich, rewarding, and delightful movie. --Bret Fetzer

When 48-year-old widow Hwei-Lan Gao (Joan Chen) informs her less-than understanding father she's pregnant, he banishes her from Flushing until she remarries or proves Immaculate Conception. With nowhere else to go, Hwei-Lan moves in with her grown daughter, Wil (Michelle Krusiec), a Manhattan doctor who doesn't want a roommate, especially since she's met Viv (Lynn Chen), her sexy young lover. So Wil does what any dutiful child with an expectant, unmarried mother on her hands would do: she proceeds to set Hwei-Lan up with every eligible bachelor in town.

Latter Days (Unrated Edition)

Christian (Wes Ramsey of the washboard abs) is a waiter, party boy, and first-class man magnet. Elder Aaron Davis (Steve Sandvoss of the goofy grin) is a straight-laced Mormon missionary. When he and three elders, including the uptight Ryder (Joseph Gordon-Levitt, Mysterious Skin), move into Christian's Hollywood apartment complex, it's clear something's got to give. Christian tries to make his new neighbors feel welcome, but they're put off by his flamboyance--the short-shorts, the rainbow flag in his yard, etc. When Christian's trash-talking pals at Lila's restaurant, including the cynical Traci (Amber Benson, Buffy the Vampire Slayer), bet that he can't seduce one of these clean-cut young men, he takes them up on it and sets his sights on cute, soft-spoken Aaron. As a pretense, he asks to learn more about his Church, but where they really connect is over their love of old movies, everything from Psycho to Tommy. When Aaron accuses him of being shallow, however, Christian starts to wonder if the bet wasn't such a good idea--plus he's starting to fall for the guy. Turns out the closeted Aaron feels the same way about him, but when his roommates find out, he's shipped back to Pocatello where he faces excommunication. Written and directed by C. Jay Cox (Sweet Home Alabama), a former Mormon missionary, Latter Days features Mary Kay Place as Aaron's disapproving mother and Jacqueline Bisset as the acerbic, yet supportive Lila. --Kathleen C. Fennessy

Huge festival and theatrical hit, Latter Days is the story of 19-year-old Elder Aaron Davis, a sexually confused Mormon missionary who moves into an apartment complex in West Hollywood with a fellow group of missionaries. There he meets a neighbor, Christian, who, on a bet, tries to seduce him. When Christian exposes Davis' secret desire, Davis rejects Christian for being shallow and empty. As each boy's reality is shattered, the two are drawn into a passionate romance that risks destroying their lives. Audiences, young and old and straight and gay, have been moved to tears by this beautiful story of the transformational power of love and family.

Lost and Delirious

Boys Don't Cry

When Brandon Teena, a young man with an infectious, aw-shucks grin and an angelic face that's all angles, wanders into Falls City, Nebraska, he takes to the town like it's a second skin. In little time he's fallen in with a gang of goofy if temperamental redneck boys, found himself a girlfriend, and befriended enough people to form something of a small family. In fact, it's the best time Brandon's ever had. However, there are shadows looming over Brandon's life: a court date for grand theft auto, a checkered criminal record, and a seemingly innocuous speeding ticket that could prove to be his undoing. Why? Because as it turns out, Brandon Teena is actually Teena Brandon, a woman masquerading as a man.

This fascinating story was based on real-life events (as documented in The Brandon Teena Story) that occurred in 1993 and ended in tragedy: Brandon's rape and murder by two of his supposed friends. Despite this horrible outcome, however, in the hands of director Kimberly Peirce (who cowrote the unfettered screenplay with Andy Bienen), Brandon's story becomes not oppressive or preachy, but rather oddly and touchingly transcendent, anchored by Hilary Swank's phenomenal, unsentimental performance. Swank inhabits Brandon's contradictions and passions with a natural vitality most actresses would refuse to give themselves over to. Brandon's deception is doomed from the start, but Swank's enthusiasm is infectious, and when Brandon starts romancing the sloe-eyed Lana (a pitch-perfect Chloë Sevigny), he finds a soul mate who wants to transcend boundaries and fated identities as much as he does. The last part of the film, when Brandon's true identity is discovered, is truly painful to watch, but in between the agony there are touching moments of sweetness between Brandon and Lana, who wrestles with the truth of who Brandon actually is. You'll come away from Boys Don't Cry with affection and respect for Brandon, not pity. --Mark Englehart

A true story about hope, fear, and the courage it takes to be yourself, "Boys Don't Cry" is "One of the 10 best films of 1999" (National Board of Review). Critically acclaimed and nominated for two Golden Globe Awards, this four-star, "must-see" (People), "riveting" (Enterainment Weekly) drama features incredible performances by newcomers Hilary Swank and Chloe Sevigny.

If These Walls Could Talk 2

HBO caused a stir when it aired If These Walls Could Talk, a portrait of three women from three generations (all who occupied the same house at various times) who had unwanted pregnancies. HBO utilizes the same gimmick in the sequel, this time telling the story of women who love women.

The three stories of If These Walls Could Talk 2 are uneven. Far and away the most powerful and moving story is the first, taking place in 1961, starring Vanessa Redgrave as a woman "widowed" when her partner of 50 years suddenly dies. Redgrave is phenomenal, and her piece alone makes this sequel worth watching. The 1972 portion stars Michelle Williams, who finds dealing with the sexual politics of the gay community increasingly more complex when she falls in love with a boyish woman (played by Chloë Sevigny). The most modern piece, taking place in 2000, portrays a contemporary lesbian couple (Sharon Stone and Ellen DeGeneres) determined to have a baby. The light nature of the story detracts from the more serious issues of the earlier segments. Despite the mixed fare, HBO once again proves itself on the cutting edge of moviemaking, with this rather daring film that will both provoke and entertain. --Jenny Brown