Marriage

Pride and Prejudice - The Special Edition (A&E, 1996)

The timeless themes of love and marriage in Jane Austen's superb romantic comedy Pride and Prejudice have captured readers for generations - the novel has sold more than 20 million copies and has never been out of print. Now A&E and the BBC have brought this beloved classic to life in a compelling production directed by Upstairs Downstairs' Simon Langton. This stunning production captures the celebrated beauty of the English countryside and its glorious stately manors. It features lavish costumes and an exquisite soundtrack from noted composer Carl Davis.Pride and Prejudice is the story of the lively and rebellious Elizabeth Bennet one of five unmarried daughters living in the countryside of 19th Century England. IN a world where obtaining an advantageous marriage is a woman's sole occupation Elizabeth's independent manner threatens her family's future. Will her romantic sparring with the mysterious and arrogant Darcy end in misfortune - or will love's true nature prevail?System Requirements:Starring: Jennifer Ehle Colin Firth David Bamber Crispin Bonham-Carter Anthony Calf Anna Chancellor Susannah Harker Julia Sawalha Alison Steadman Benjamin Whitrow. Directed By: Simon Langton. Running Time: 310 Minutes Color. This Film is presented in "Widescreen" format. Copyright 2001 A&E Television Networks. Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 733961702545 Manufacturer No: AAE-70254

Jane Austen's classic novel of 1813, Pride and Prejudice, still wins the hearts of countless schoolgirls with its romantic story of Elizabeth Bennet and her Mr. Darcy. Now, the 1996 BBC miniseries is winning over adults, with its faithful adaptation, gorgeous scenery, and superb acting.

The essence of the story is the antagonism between Mr. Darcy, a wealthy single man who believes Elizabeth to be beneath him, and Elizabeth, who upon being insulted at a dance by the aloof Darcy refuses to associate with him in any manner. Austen evokes incredible tension with the wit and flirtation of the two characters, and director Simon Langton (who also directed Upstairs Downstairs) successfully translates the repartee and conflict in this six-hour miniseries. Dialogue, for the most part, is painstakingly replicated, except when fleshing out and smoothing for modern sensibilities was necessary. Darcy, for instance, is drawn out, giving his personality significantly more depth. The acting sweeps you away to Regency England: Jennifer Ehle (of Wilde) is convincing as the obstinate Elizabeth, who, despite her mother's attempts to marry her off, spurs the attentions of Darcy. And Colin Firth (of The English Patient) will have women everywhere longing for a Mr. Darcy of their own.

For those who have been on an Austen binge--enjoying such excellent adaptations as Sense and Sensibility and Persuasion--this miniseries will round out the ultimate Austen video library. For those new to these romantic period pieces, this version of Pride and Prejudice will have you hooked and longing for more. One caveat, however: plan to watch it in an entire day, because very few have the self-control to not watch all six hours in a single sitting. --Jenny Brown

Steel Magnolias (Special Edition)

Six divas of the silver screen -- Sally Field Dolly Parton Shirley MacLaine Daryl Hannah Olympia Dukakis and Julia Roberts -- come together as bosom buddies in this hilarious and heartwarming story of life love and loss in a small Louisiana Parish. At the center of the group is Shelby Eatenton (Julia Roberts) newly married and joyfully pregnant despite the fact that her diabetes could make childbirth life-threatening. Terrified and angry at the possibility of losing her only daughter M Lynn Eatenton (Sally Field) looks to her four closest friends for strength and laughter as she battles her deepest fears of death in order to join Shelby in celebrating the miracle of new life.System Requirements:Starring: Olympia Dukakis Sally Field Daryl Hannah Shirley MacLaine Dolly Parton Julia Roberts Dylan McDermott Kevin J. O Connor Sam Shepard and Tom Skerritt. Directed By: Herbert Ross Running Time: 119 Min. Color. This film is presented in "Widescreen" format. Copyright 2000 Columbia TriStar Home Video.Format: DVD MOVIE Genre: COMEDY Rating: PG UPC: 043396702479 Manufacturer No: 70247

Based on Robert Harling's play, this comedy-drama directed by Herbert Ross (The Turning Point) follows several years in the lives of women who regularly see one another at a beauty shop in their small Louisiana town. The story deepens as Julia Roberts, playing a serious diabetic and the daughter of Sally Field, goes downhill in her health. But as an ensemble piece, this is one of those enjoyably lumpy tearjerkers with many years' worth of stored truths suddenly being shared between the characters, lots of grievances aired, that sort of thing. Daryl Hannah and Shirley MacLaine assume the most eccentric roles, Dolly Parton the most fun, and Olympia Dukakis the most dignified, while Sally Field essentially provides the moral and emotional center of the movie. --Tom Keogh

The Other Sister

Filming a love story centered on two mentally challenged people is a touching idea, one that's been attempted in films such as Benny and Joon and even, to a certain extent, As Good As It Gets. The Other Sister is another addition to the genre, a well- acted comedy-drama centering on the romance of Carla (Juliette Lewis) and Daniel (Giovani Ribisi) and throwing in some general family angst as a secondary story line. The acting is tremendous--Lewis and Ribisi both give convincing performances without condescending to their characters. Diane Keaton plays yet another charming scatterbrain, this time as Elizabeth Tate, the uptight, rich mother who wants a picture-perfect life. But good acting isn't enough here. These fine actors drown in a sea of mediocre writing, and we're left with a film with no real conflict or tension. Will Carla and Daniel make it work? Well, of course. Will mother Elizabeth loosen up about her "gay workaholic" daughter and let Carla live her own life? Do you really need to ask? There are a few cringe-worthy moments that have a sense of truthfulness, such as when Daniel stands up at Carla's sister's wedding to announce his feelings. But otherwise, these characters live in a pampered, fairy-tale world where the worst thing that happens to them is that the meanies at school put chewing gum in Daniel's bike helmet. Ultimately, this is a sweet, albeit occasionally saccharine, tale that will move those who are looking for cheerful fare. --Jenny Brown

This funny and uplifting romantic comedy features outstanding performances from Juliette Lewis (ENOUGH), Diane Keaton (HANGING UP, THE FIRST WIVES CLUB), and Tom Skerritt (CONTACT) in a great star-packed cast! Even though Carla (Lewis) has grown into a very capable young woman, her nervous mother (Keaton) still has a major meltdown when Carla announces she's in love for the first time! So as Carla and her new boyfriend (Giovanni Ribisi, GONE IN 60 SECONDS, SAVING PRIVATE RYAN) set out to experience all of life's great adventures, they're also out to prove that Carla has earned her independence! The latest big-screen favorite from Garry Marshall, the acclaimed director of PRETTY WOMAN and RUNAWAY BRIDE -- you're sure to cheer this feel-good treat!

A Beautiful Mind (Widescreen Awards Edition)

The story of John Forbes Nash Jr., a diagnosed paranoid schizophrenic who overcomes his disease and wins a Nobel Prize.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 17-JAN-2006
Media Type: DVD

A Beautiful Mind manages to twist enough pathos out of John Nash's incredible life story to redeem an at-times goofy portrayal of schizophrenia. Russell Crowe tackles the role with characteristic fervor, playing the Nobel prize-winning mathematician from his days at Princeton, where he developed a groundbreaking economic theory, to his meteoric rise to the cover of Forbes magazine and an MIT professorship, and on through to his eventual dismissal due to schizophrenic delusions. Of course, it is the delusions that fascinate director Ron Howard and, predictably, go astray. Nash's other world, populated as it is by a maniacal Department of Defense agent (Ed Harris), an imagined college roommate who seems straight out of Dead Poets Society, and an orphaned girl, is so fluid and scriptlike as to make the viewer wonder if schizophrenia is really as slick as depicted. Crowe's physical intensity drags us along as he works admirably to carry the film on his considerable shoulders. No doubt the story of Nash's amazing will to recover his life without the aid of medication is a worthy one, his eventual triumph heartening. Unfortunately, Howard's flashy style is unable to convey much of it. --Fionn Meade

To Live

One of the best films of 1994, To Live is a bold, energetic masterpiece from Zhang Yimou, the foremost director from China's influential "fifth generation" of filmmakers. Continuing his brilliant collaboration with China's best-known actress Gong Li (their previous films include Ju Dou and Raise the Red Lantern), Zhang weaves an ambitious tapestry of personal and political events, following the struggles of an impoverished husband and wife (Ge You, Gong Li) from their heyday in the 1940s to the hardships that accompanied the Cultural Revolution in the 1960s. They raise two children amidst a Communist regime, surviving numerous setbacks and yet managing, somehow, to live. Both intimate and epic, Zhang's film encompasses the simplest and most profound realities of Chinese life during this controversial period, and for their honesty, Zhang and Gong Li faced a two-year ban on future collaborations. To Live is a testament to their art, transcending politics to celebrate the tenacity of ordinary people in the wake of turbulent history. --Jeff Shannon

What's Love Got To Do With It?

Tina Turner, that dynamic diva of pop/soul/R&B from the '60s to the '90s, sings like a woman whose life story is every bit as rough and tough as her voice. And What's Love Got to Do With It, based on her autobiographical account (in I, Tina, written with Kurt Loder) of her years under the iron fist of her abusive husband and musical partner/Svengali Ike, is further proof of what we've always known about Tina: She's what you call a survivor. The movie is sort of the Disney version of Tina Turner's story--a glossy but thoroughly enjoyable, old-fashioned showbiz biopic with laughs, tears, great music, and outrageous (but faithful) period decor, costumes, makeup, and hairstyles. Our Heroine triumphs not only over the rigorous demands of her career in the music business, but finally manages to bust out of her troubled, violent marriage as well and become her own person. This is a movie that'll have you shouting at the top of your lungs: "You go, girl!" --Jim Emerson

Experience for yourself the powerful true-life story of Tina Turner -- rock 'n' roll's remarkable and talented superstar. Laurence Fishburne (THE MATRIX) and Angela Bassett (HOW STELLA GOT HER GROVE BACK) deliver winning performances as Ike and Tina Turner -- whose turbulent relationship eventually forces Tina to leave and face the fear, pay the price, and find the courage to believe in herself. Don't miss WHAT'S LOVE GOT TO DO WITH IT -- the amazing and uplifting story of one of the world's most exciting, high-energy entertainers!

Original Sin (Unrated Version)

Original Sin belongs in the "so bad it's good" category of languid potboilers, offering enough nudity, sexual chemistry, and far-fetched plotting to make it an enjoyable lazy-day diversion. Based on Cornell Woolrich's novel Waltz into Darkness (previous filmed by François Truffaut as Mississippi Mermaid) and set in turn-of-the-century Cuba, the film traces a tailspin of amorous obsession when coffee plantation owner Luis (Antonio Banderas) discovers that his American mail-order bride (Angelina Jolie) is not the plain wife he'd expected, but a beautiful, scheming thief who's after his fortune. The movie asserts that love is truly blind, but absurd twists of plot make Luis appear more stupid than passionate. Writer-director Michael Cristofer fared better with Jolie in Gia; here, he's made another good-looking film about beautiful people, but its plot just can't be taken seriously. --Jeff Shannon

Irreversible

Irreversible begins with the closing credits running backwards before the film begins (or ends) with Marcus (Vincent Cassell) and Pierre (Albert Dupontel) being escorted out of a gay S&M club by the cops, Marcus with his arm broken and Pierre in handcuffs. The "story" proceeds to unwind in a series of single-take scenes that unfold Memento-style, with each scene giving more context to what we have seen previously. Each scenario depicts actions, dialogue, incident, behavior, and circumstances that the lead characters might have wished didn't happen, ranging from extreme violence through awkward social situations to mild embarrassment. The central character (and possible dreamer of this whole what-if story) emerges as Alex (Monica Bellucci), who suffers the worst in a very hard-to-watch rape sequence in an underpass. Semi-improvised, the scenes all have attack and power as themes, with later/earlier conversational sequences that suggest life isn't all sexual assaults in the dark, showing equal cinematic imagination with the horrors. Arguably, this is not a film most would subject themselves to twice, but it is something that stays in the mind for days after viewing, sparking far more ideas and emotions than most wallow-in-nastiness pictures. --Kim Newman

Alex and Marcus are a couple whose story is told over the course of a fateful evening in a series of long takes. An emotional odyssey that unspools in reverse from gut-wrenching violence to sweetly observed moments of sublime tenderness.System Requirements:Starring Albert Dupontel Monica Bellucci Vincent Cassel Directed by Noe Running time: 97 minutes Copyright Lion's Gate 2003Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: NR UPC: 658149815926 Manufacturer No: ST8159D

Urban Cowboy

John Travolta traded in disco duds for a cowboy hat in this corny love story about a working man who breaks up with his girlfriend (Debra Winger), then plays out their relationship's turmoil inside a huge honky-tonk called Gilley's. The story essentially parallels Travolta's prior hit film, Saturday Night Fever, in its blend of ordinary life, incomplete relationships, and personal pride channeled into niche stardom at a neighborhood club. But for all its regional flavor, Urban Cowboy never enjoys the immediacy and urgency of Fever, and after awhile you can't help but feel bemused by the macho silliness of ongoing "mechanical bull" competitions (basically a faux rodeo device only brave men can master at great chiropractic risk). The Travolta-Winger relationship is pure soap, as well. But this film really is a kind of time-capsule piece on a lot of levels--notably Travolta's career and late '70s Western kitsch--and while it's silly, it's certainly not disagreeable. --Tom Keogh

A young Texas farmer comes to Houston to work in a refinery and learns about life by hanging out at Gilley's, a roadhouse bar.
Genre: Feature Film-Drama
Rating: PG
Release Date: 8-OCT-2002
Media Type: DVD

When a Man Loves a Woman

When a Man Loves a Woman is a dumb title (not another classic pop song, please) for a very smart movie. A kind of gender-switch take on The Lost Weekend, it's about a woman (Meg Ryan) whose alcoholism almost destroys her family. That may sound like just another TV movie, but When a Man Loves a Woman is so authentic in detail and emotion, that everything about it seems fresh, urgent, and engrossing. That's because the film is grounded in the actual experience of co-writer Al Franken (assisted by Rain Man scripter Ronald Bass). Franken is best known for his affiliation with Saturday Night Live and Politically Incorrect, and as the author of Rush Limbaugh Is a Big Fat Idiot, and Other Observations. You may recall that Franken is the creator of Stuart Smalley, 12-step programmer extraordinaire. Well, if you want to know how Stuart was born, you can start here. This is no comedy, however. In fact, one of the most painful realizations comes when attractive, "good-time girl" Alice Green (Ryan) and her husband (Andy Garcia) begin to realize how much of a role alcohol played in their marriage and in bringing them together in the first place. The issues and experiences confronted in this movie go far beyond the stuff you see on Oprah. --Jim Emerson

A woman's drinking problem puts her marriage and family life in danger.
Genre: Feature Film-Drama
Rating: R
Release Date: 6-MAY-2003
Media Type: DVD