Period Piece

The Inheritance

North & South

North & South is a splendid, four-hour adaptation of Elizabeth Gaskell's 19th century novel about an unlikely, and somewhat star-crossed, love between a middle-class young woman from England's cultivated south and an intemperate if misunderstood industrialist in a hardscrabble, northern city. Daniela Denby-Ashe plays Margaret Hale, forthright and strong-willed daughter of a former vicar (Tim Pigott-Smith) who relocates his family from a pastoral village outside London to unforgiving, largely illiterate Milton, a factory town where John Thornton (Richard Armitage) and his mother (Sinead Cusack), survivors of poverty, rule their cotton mill with an iron hand. Thornton befriends Margaret's father but incurs her wrath for his severity with his workers. What she doesn't notice is Thornton's core sense of responsibility for his employees' welfare. On the other hand, he misinterprets some of Margaret's own actions and intentions. Equally stubborn, the two drag out their obvious attraction over many painful months and events.

North & South's two leads are both very good, though Armitage's brooding, penetrating performance may very well be considered a classic one day. There are other wonders in the cast: Cusack and Pigott-Smith are superb, and Brendan Coyle is memorable as a firebrand union organizer who ultimately becomes an ally to a softening Thornton. The miniseries script by Sandy Welch is a persuasive mix of historical context and character study. Brian Percival's direction is full of moments that linger in the imagination, such as the winter-dream look of a busy cotton mill, with thousands of snowy fibers floating in the air. --Tom Keogh

DVD Features:
Audio Commentary:Commentary on Episodes 1 and 4 by producer Kate Bartlett, director Brian Percival and writer Sandy Welch
Biographies:Cast bios
Deleted Scenes
Interviews:Specially recorded interview with Richard Armitage
Production Notes

Schindler's List (Widescreen Edition)

Steven Spielberg had a banner year in 1993. He scored one of his biggest commercial hits that summer with the mega-hit Jurassic Park, but it was the artistic and critical triumph of Schindler's List that Spielberg called "the most satisfying experience of my career." Adapted from the best-selling book by Thomas Keneally and filmed in Poland with an emphasis on absolute authenticity, Spielberg's masterpiece ranks among the greatest films ever made about the Holocaust during World War II. It's a film about heroism with an unlikely hero at its center--Catholic war profiteer Oskar Schindler (Liam Neeson), who risked his life and went bankrupt to save more than 1,000 Jews from certain death in concentration camps.

By employing Jews in his crockery factory manufacturing goods for the German army, Schindler ensures their survival against terrifying odds. At the same time, he must remain solvent with the help of a Jewish accountant (Ben Kingsley) and negotiate business with a vicious, obstinate Nazi commandant (Ralph Fiennes) who enjoys shooting Jews as target practice from the balcony of his villa overlooking a prison camp. Schindler's List gains much of its power not by trying to explain Schindler's motivations, but by dramatizing the delicate diplomacy and determination with which he carried out his generous deeds.

As a drinker and womanizer who thought nothing of associating with Nazis, Schindler was hardly a model of decency; the film is largely about his transformation in response to the horror around him. Spielberg doesn't flinch from that horror, and the result is a film that combines remarkable humanity with abhorrent inhumanity--a film that functions as a powerful history lesson and a testament to the resilience of the human spirit in the context of a living nightmare. --Jeff Shannon

Schindler's List, a Steven Spielberg film, is a cinematic masterpiece that has become one of the most honored films of all time. Winner of seven Academy Awards, including Best Picture and Best Director, it also won every major Best Picture award and an exceptional number of additional honors. Among them were seven British Academy Awards; the Best Picture Awards from the New York Film Critics Circle, the National Society of Film Critics, the National Board of Review, the Producers Guild, the Los Angeles Film Critics, the Chicago, Boston and Dallas Film Critics; a Christopher Award; and the Hollywood Foreign Press Association Golden Globe Awards. Steven Spielberg was further honored with the Directors Guild of America Award. The film presents the indelible true story of the enigmatic Oskar Schindler, a member of the Nazi party, womanizer, and war profiteer who saved the lives of more than 1,100 Jews during the Holocaust. It is the triumph of one man who made a difference, and the drama of those who survived one of the darkest chapters in human history because of what he did. Directed by Steven Spielberg, the film, which also won Academy Awards for Screenplay, Cinematography, Music, Editing and Art Direction, stars an acclaimed cast headed by Liam Neeson, Ben Kingsley, Ralph Fiennes, Caroline Goodall, Jonathan Sagalle and Embeth Davidtz.

Out of Africa

Sydney Pollack's 1985 multiple-Oscar winner is a sumptuous and emotionally satisfying film about the life of Danish writer Karen Blixen (Meryl Streep), better known as Isak Dinesen, who travels to Kenya to be with her German husband (Klaus Maria Brandauer) but falls for an English adventurer (Robert Redford). The film is slow in developing the relationship, but it is rich in beautiful images of Africa and in the romantic tone surrounding Blixen's gradual discovery of her life and voice. One downside: while we may all love Redford, he is as convincingly British as Kevin Costner is in Robin Hood: Prince of Thieves. --Tom Keogh

The most acclaimed motion picture of 1985 stars Robert Redford and Meryl Streep in one of the screen's great epic romances. Directed by Oscar winner Sydney Pollack, Out of Africa is the fascinating true story of Karen Blixen, a strong-willed woman who, with her philandering husband (Klaus Maria Brandauer), runs a coffee plantation in Kenya, circa 1914. To her astonishment, she soon discovers herself falling in love with the land, its people and a mysterious white hunter (Redford). The masterfully crafted, breathtakingly produced story of love and loss earned Oscars for Best Picture, Director, Screenplay (based on material from another medium), Cinematography, Original Score, Art Direction (Set Decoration) and Sound.

Driving Miss Daisy (Special Edition)

Winner of the Academy Award for best picture of 1989, this gracefully moving drama, adapted from the hit play by Alfred Uhry, chronicles the 25-year friendship between a stubborn, aging Southern widow (Jessica Tandy) and her loyal chauffeur (Morgan Freeman). At first, the self-sufficient Miss Daisy is reluctant to accept the services of a chauffeur, but Hoke is quiet, wise, and tolerant, and as the years pass the unlikely friends develop a deep mutual respect and admiration. Tandy deservedly won the Oscar for her sassy and sensitive performance, and Freeman earned an Oscar nomination for bringing quiet depth and integrity to his memorable role. Ironically, director Bruce Beresford (Tender Mercies) was not nominated, but the film won Oscars for makeup and for Uhry's screenplay, in addition to a supporting actor nomination for Dan Aykroyd as Daisy's supportive son. Delicate, funny, and bittersweet, Driving Miss Daisy was a surprise hit when released, and marked the crowning achievement of Tandy's great career. --Jeff Shannon

Four Academy Awards(R) including Best Picture! The funny, tender story of a feisty Southern lady and her chauffeur, fueled by the starpower of Jessica Tandy, Morgan Freeman and Dan Aykroyd.

Anne of Green Gables

This gorgeous adaptation of Lucy Maud Montgomery's classic children's story is well worth watching with the whole family. Produced for Canadian television, it's one of those rare productions that actually sticks to the book and even enhances it through first-rate performances and an excellent script. Set on bucolic Prince Edward Island in the late 19th century, Anne of Green Gables is the story of Anne Shirley, an imaginative and headstrong orphan. When brother and sister Marilla and Mathew Cuthbert decide to adopt an orphan boy to help Matthew work the farm, they are astonished when Anne arrives at the train station by mistake. "What use is she to us?" grumbles the gruff Marilla. "We might be of some use to her," answers Matthew, who has taken an instant liking to the talkative Anne. As Anne grows up, her adventures are both hilarious and moving. It's a delight to watch as she forms a friendship with the beautiful Diana and her admirer--the dashing Gilbert Blythe--then dyes her hair green, cracks a slate over Gilbert's head when he calls her "Carrots," and finds a sympathetic teacher who encourages her to attend college.

Richard Farnsworth is perfect as the shy and gentle bachelor Matthew, who confides to Anne that he never went courting because "I would have had to say something." Colleen Dewhurst delivers a nuanced and powerful performance as Marilla, a seemingly cold-hearted spinster whose no-nonsense exterior conceals a warm heart. And as Anne, Megan Follows strikes the perfect note, maturing from freckle-faced orphan to elegant and poised young woman. --Elisabeth Keating

Chaplin

Sir Richard Attenborough's biographical film of the life and times of Charles Chaplin is a little thin as a narrative, but it is so charmingly creative and ultimately moving, it's hard to care about any deficits. Robert Downey Jr. does an excellent job re-creating Chaplin's graceful slapstick and getting inside the silent-film superstar's head over many years of triumph, defeat, scandal, official persecution, exile, and inner peace. A huge cast portray the allies, friends, lovers, and enemies in Chaplin's life, including Moira Kelly as his final, longtime wife, Oona, Kevin Kline as Douglas Fairbanks, Geraldine Chaplin as Charlie's mother, and James Woods as a prosecutor working hard to nail Chaplin for anti-American sentiments. Attenborough declines to tell the story in a flat, linear way, employing such clever techniques as detailing one chapter in Chaplin's life as a silent comedy. The climactic scene set at an Oscar tribute for Chaplin will get the tears flowing. --Tom Keogh

The Great Gatsby

This adaptation of the F. Scott Fitzgerald novel, scripted by Francis Ford Coppola, puts costume design and art direction above the intricacies of character. It's certainly a handsome try, and perhaps no movie could capture The Great Gatsby in its entirety. Robert Redford is an interesting casting choice as Gatsby, the millionaire isolated in his mansion, still dreaming of the woman he lost. And Sam Waterston is perfect as the narrator, Nick, who brings the dream girl Daisy Buchanan back to Gatsby. No, the problem seems to be that director Jack Clayton fell in love with the flapper dresses and the party scenes and the Jazz Age tunes, ending up with a Classics Illustrated version of a great book rather than a fresh, organic take on the text. While Redford grows more quietly intriguing in the film, Mia Farrow's pallid performance as Daisy leaves you wondering why Gatsby, or anyone else, should care so much about his grand passion. The effective supporting cast includes Bruce Dern as Daisy's husband, and Scott Wilson and Karen Black as the low-rent couple whose destinies cross the sun-drenched protagonists. (That's future star Patsy Kensit as Daisy's little daughter.) The film won two Oscars--not surprisingly, for costumes and musical score. --Robert Horton

Iron Jawed Angels

The fight for women's voting rights has rarely been given as dramatic a treatment as in Iron Jawed Angels. Hilary Swank (Boys Don't Cry) and Frances O'Connor (Mansfield Park) star as second-wave suffragettes Alice Paul and Lucy Burns, who led the final fight for the 19th Amendment to the Constitution. Though the movie sometimes tries too hard to avoid the stigma of a period piece (the soundtrack features electric guitars, Swank has a steamy moment in a bathtub, and the editing is jagged and flashy), the mounting energy of the fight--and the increasingly nasty opposition--gains real momentum when a wartime picket line leads to Paul, Burns, and their sisters-in-arms being arrested on trumped-up charges and imprisoned. The actors--including Julia Ormond (Smilla's Sense of Snow), Angelica Huston (Prizzi's Honor, The Grifters), and Brooke Smith (Vanya on 42nd Street)--give fervent, determined performances. --Bret Fetzer

Oscar-winner Hilary Swank stars in a fresh and contemporary look at a pivotal event in American history, telling the true story of how a pair of defiant and brilliant young activists took the women's suffrage movement by storm, putting their lives at risk to help American women win the right to vote.

DVD Features:
Audio Commentary:With Director Katja von Garnier and writer Sally Robinson
Featurette
Other:HBO Films Spot

Babette's Feast

Some movies can only be described as delicious. In Babette's Feast, a woman flees the French civil war and lands in a small seacoast village in Denmark, where she comes to work for two spinsters, devout daughters of a puritan minister. After many years, Babette unexpectedly wins a lottery, and decides to create a real French dinner--which leads the sisters to fear for their souls. Joining them for the meal will be a Danish general who, as a young soldier, courted one of the sisters, but she turned him away because of her religion. The village elders all resolve not to enjoy the meal, but can their moral fiber resist the sensual pleasure of Babette's cooking? Babette's Feast deservedly won the 1987 Academy Award for Best Foreign Language Film. This lovely movie is impeccably simple, yet its slender narrative contains a wealth of humor, melancholy, and hope. --Bret Fetzer

Artistic, sensual and sacred passions unite in Babette's Feast. Written and directed by Gabriel Axel, from a short story by Out of Africa's Isak Dinesen, this Oscar(r)-winning*film offers "an irresistible mixture of dry wit and robust humanity" (Newsweek). Onthe desolate coast of Denmark live Martina and Philippa, the beautiful daughters of a devout clergyman who preaches salvation through self-denial. Both girls sacrifice youthful passion to faith and duty, and even many years after their father's death, they keep his austere teachings alive among thetownspeople. But with the arrival of Babette, a mysterious refugee from France's civil war, life for the sisters and their tiny hamlet begins to change. Soon, Babette has convinced them to try something truly outrageousa gourmet French meal! Her feast, of course, scandalizes the local elders. Just who is this strangely talented Babette, who has terrified this pious town with the prospect of losing their souls for enjoying too much earthly pleasure? *1987: Foreign Language Film