Religion

Lt. Caleb Holt lives by the old firefighter's adage: Never leave your partner behind. Inside burning buildings, it's his natural instinct. In the cooling embers of his marriage, it's another story. After a decade of marriage, Caleb and Catherine Holt have drifted so far apart that they are ready to move on without each other. Yet as they prepare to enter divorce proceedings, Caleb's dad asks his son to try an experiment: The Love Dare. While hoping The Love Dare has nothing to do with his parents' newfound faith, Caleb commits to the challenge. But can he attempt to love his wife while avoiding God's love for him? Will he be able to demonstrate love over and over again to a person that's no longer receptive to his love? Or is this just another marriage destined to go up in smoke?

A feel-good drama, Fireproof has a strong agenda: stay married, lead an honest life, and let your faith in a higher power help guide you. A still boyish-looking Kirk Cameron (Growing Pains) stars as Caleb Holt, a mercurial-tempered firefighter whose marriage is on the rocks. He clearly enjoys his status as a hero, but it comes at the expense of his marriage. His wife Catherine (Erin Bethea) is tired of the distance and wants him to make more of an effort at home, rather than surf porn on the Internet and hoard his earnings toward his dream fishing boat instead of helping out her disabled mother. Faced with impending divorce, Caleb's dad challenges him to follow the "40-day love dare," in which each task (cook her dinner, say nothing negative, etc.) is meant for him to better understand love and commitment and try and win his wife back. The third film by brothers Alex and Stephen Kendrick, Fireproof is the siblings' most polished feature. Cameron does a fine job of making Caleb real and believable, even when we're not always liking him. Though saddled at times with maudlin lines, Cameron adds emotion and range to his role. There is a not so subtle theme that the Holts--who at the beginning of the film are agnostic--needed religion to save their marriage. Clearly, Fireproof believes in its agenda and was made with the Christian audience in mind. Whether secular audiences will fall under its spell as well is debatable. But no one should walk away from the film offended. --Jae-Ha Kim

Stills from Fireproof (click for larger image)

• Condition: New
• Format: DVD
• AC-3; Closed-captioned; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

In six years of coaching, Grant Taylor has never led his Shiloh Eagles to a winning season. After learning that he and his wife Brooke face infertility, Grant discovers that a group of fathers are secretly organizing to have him dismissed as head coach. Devastated by his circumstances, he cries out to God in desperation. When Grant receives a message from an unexpected visitor, he searches for a stronger purpose for his football team. He dares to challenge his players to believe God for the impossible on and off the field. When faced with unbelievable odds, the Eagles must step up to their greatest test of strength and courage.

Frank Rautenbach, Jeanne Neilson. A Scottish farmer leaves his homeland when his family becomes endangered in the midst of political turmoil. He heads to South Africa where his fortitude is tested by one crisis after another and where his faith ultimately grows much like the potatoes he has planted-unseen until the harvest. 2008/color/116 min/PG/widescreen.

The growing genre of Christian cinema adds to its flock Faith Like Potatoes, based on the book of the same name about a real-life South African farmer named Angus Buchan. Buchan accepted Jesus at a moment of crisis and began experiencing miracles, ranging from sudden rain putting out a wildfire to reviving a woman struck by lightning. The movie follows Buchan (played by Frank Rautenbach, star of a South African soap opera) from his failed farm in Zambia to his rise as a lay evangelist, delivering a sermon in a massive South African stadium. He begins as a sullen, short-tempered man, quick to lash out at his wife (the lovely Jeanne Wilhelm) and the native Zulu workers on his struggling farm. But as his life takes on the purpose of spreading the Word, Buchan finds personal peace (though he also faces personal tragedies). Faith Like Potatoes is squarely aimed at Christian viewers; its straightforward take on Christianity is unlikely to persuade skeptics. Despite the intriguing and (for an American audience) exotic locale, the problems Buchan faces (overwork, an emotionally remote marriage) feel bland and generic. Though Buchan clearly disapproves of a snide British farmer's colonialist contempt for the Zulus, the movie's own attitude towards them is paternalistic at best. Still, despite baldly expository dialogue, Faith Like Potatoes does have a steady forward momentum to its story, and there's little question that the right audience will find its message comforting and compelling. --Bret Fetzer

• Jesus of Nazareth

Beginning before the Nativity and extending through the Crucifixion and Resurrection Jesus Of Nazareth brings to life all the majesty and sweeping drama of the life of Jesus (portrayed here by Robert Powell) as told in the Gospels. A star studded international cast featuring Michael York Sir Laurence Olivier James Earl Jones Anne Bancroft Olivia Hussey Rod Steiger and Anthony Quinn adds depth and humanity to the roles of the saints sinners and ordinary people who walked in the footsteps of the Lord. The film provides the setting and background for the birth childhood baptism teaching and many miracles of the Messiah culminating in the Divine Resurrection. Directed by Oscar nominee Franco Zeffirelli and acclaimed by critics and religious leaders worldwide Jesus of Nazareth tells the greatest of all stories with tremendous emotion and splendor.System Requirements: Running Time 382 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 012236128113 Manufacturer No: A012811

Originally made for TV in 1977, this in-depth (six hours plus) version of Jesus' life is so thorough that the first hour is devoted solely to the story of his birth. The film doesn't skimp on some of the other landmark events of this famous story either. Director Franco Zeffirelli gives more than 12 minutes screen time each to the Last Supper and the Crucifixion. Passages of the Bible are quoted verbatim, the locations have a Palestine-like authenticity, and, aside from some of the principals (Robert Powell as Jesus, Olivia Hussey as Mary, and Stacy Keach as Barabbas), many of the non-Roman characters are actually played by Semitic-looking actors. Zeffirelli diligently provides the sociopolitical background that gave rise to Jesus' following and the crisis in belief it caused for the people of Israel (and one or two Romans). While not graphic by today's standards, some of the scenes--baby boys being ripped from their mothers' arms and slaughtered, nails being driven into Jesus' hands--may disturb young and/or sensitive children. --Kimberly Heinrichs

• Condition: New
• Format: DVD
• AC-3; Closed-captioned; Color; Director's Cut; Dolby; DVD; Subtitled; Widescreen; NTSC

The DVD includes the director's cut of the inspirational Sherwood Pictures film. Extras include making of footage, outtake, deleted scenes, special message from Alex Kendrick, sneak peek of Fireproof, the next film from Sherwood Pictures, reediting, color

Flywheel is the first film from the creators of Facing the Giants and Fireproof. Used car salesman Jay Austin (writer/director Alex Kendrick) swindles his customers and teaches his assistant salesmen to do the same--but despite the profits, something gnaws at him. When he realizes that his own son doesn't respect him, Austin has a conversion and accepts God into his life. This would be the end of most spiritual stories, but Flywheel finds a warm comedy in the obstacles on the path of righteousness; Austin discovers that being right with God means grappling every day with what it means to be honest. Though the filmmaking is raw (the editing is often clumsy and the cinematography is flat), the story is well-paced, has a gently ironic sense of humor, and Kendrick's central performance is compelling. Kendrick is just as persuasive as a man struggling to emerge from a joyless life as he is when he's rediscovered his faith but finds it constantly tested. Though Flywheel is forthright about its Christian inspiration, the story is about actually living a moral life, not about abstract spiritual truths. The result is a movie that looks towards heaven, but has its feet on the earth. --Bret Fetzer

• Hayley Mills received a special Academy Award for her performance as Pollyanna in this timeless Walt Disney tapestry of small-town Americana. Featuring an impressive all-star cast and a story filled with fun, laughter, and tears, Pollyanna will inspire your entire family and prove that the art of positive thinking is just as delightful today as it was at the turn of the century! System Requirem

Hayley Mills, Jane Wyman, Karl Malden, Agnes Moorehead. A cheerful orphan who manages to find the good in any situation comes to live with her aunt in a small New England town in 1912. 2 DVDs. 1960/color/134 min/G/widescreen.

Optimism shines in this classic 1960 Disney film starring Hayley Mills. When the newly orphaned Pollyanna comes to live with her wealthy aunt in Harrington Town, life looks promising. Despite her aunt's insistence on propriety and modesty, Pollyanna's cheerful, optimistic ways spread throughout the town--converting even a cantankerous recluse and a whining hypochondriac. Only Aunt Polly has trouble welcoming her young niece into her heart. In a clash between the townspeople and Aunt Polly over local politics, it's Pollyanna's influence that helps individual townspeople find the inner strength to stand up for their own beliefs. When Pollyanna is involved in a serious accident, Aunt Polly finally realizes how much she loves her niece. Can Aunt Polly and the entire town somehow restore Polly's optimism and ensure a full recovery? Pollyanna is wholesome entertainment that will leave the entire family eager to play the "glad game." --Tami Horiuchi

• Condition: New
• Format: DVD
• Closed-captioned; Color; DVD; Widescreen; NTSC

For two years the Civil War has been elsewhere. Now Confederate forces are nearby, looting and burning. It is time to fight back, Jess Birdwell's neighbors insist. Yet Birdwell, a Quaker, knows there must be a better way to settle things.

James Caviezel, Monica Bellucci. Mel Gibson's powerful and poignant epic following Jesus' betrayal by Judas, his horrific torture at the hands of Roman governor Pontius Pilate and ultimate crucifixion. 2004/color/127 min/R/fullscreen & widescreen.

After all the controversy and rigorous debate has subsided, Mel Gibson's The Passion of the Christ will remain a force to be reckoned with. In the final analysis, "Gibson's Folly" is an act of personal bravery and commitment on the part of its director, who self-financed this $25-30 million production to preserve his artistic goal of creating the Passion of Christ ("Passion" in this context meaning "suffering") as a quite literal, in-your-face interpretation of the final 12 hours in the life of Jesus, scripted almost directly from the gospels (and spoken in Aramaic and Latin with a relative minimum of subtitles) and presented as a relentless, 126-minute ordeal of torture and crucifixion. For Christians and non-Christians alike, this film does not "entertain," and it's not a film that one can "like" or "dislike" in any conventional sense. (It is also emphatically not a film for children or the weak of heart.) Rather, The Passion is a cinematic experience that serves an almost singular purpose: to show the scourging and death of Jesus Christ in such horrifically graphic detail (with Gibson's own hand pounding the nails in the cross) that even non-believers may feel a twinge of sorrow and culpability in witnessing the final moments of the Son of God, played by Jim Caviezel in a performance that's not so much acting as a willful act of submission, so intense that some will weep not only for Christ, but for Caviezel's unparalleled test of endurance.

Leave it to the intelligentsia to debate the film's alleged anti-Semitic slant; if one judges what is on the screen (so gloriously served by John Debney's score and Caleb Deschanel's cinematography), there is fuel for debate but no obvious malice aforethought; the Jews under Caiaphas are just as guilty as the barbaric Romans who carry out the execution, especially after Gibson excised (from the subtitles, if not the soundtrack) the film's most controversial line of dialogue. If one accepts that Gibson's intentions are sincere, The Passion can be accepted for what it is: a grueling, straightforward (some might say unimaginative) and extremely violent depiction of the Passion, guaranteed to render devout Christians speechless while it intensifies their faith. Non-believers are likely to take a more dispassionate view, and some may resort to ridicule. But one thing remains undebatable: with The Passion of the Christ, Gibson put his money where his mouth is. You can praise or damn him all you want, but you've got to admire his chutzpah. --Jeff Shannon

• Condition: New
• Format: DVD
• Color; Dolby; DVD; Letterboxed; Widescreen; DTS Surround Sound; NTSC

Donny Osmond stars in the title role of the young man sold into slavery by his jealous brothers, but who rises to power in Egypt and manages to save his family's lives, in this lively stage presentation of the Andrew Lloyd Webber/Tim Rice musical. Richard Attenborough, Joan Collins and Maria Friedman also star; songs include "Any Dream Will Do," "Close Every Door to Me," and "Go Go Go Joseph." 78 min. Widescreen; Soundtracks: English Dolby Digital 5.1, DTS 5.1; Subtitles: French; "making of" documentary; biographies; production notes.

Following the successful 1998 video release of Cats comes another Andrew Lloyd Webber blockbuster musical, Joseph and the Amazing Technicolor Dreamcoat, and it's a savvy choice. It hasn't been represented on film before, it's short enough (78 minutes) to present without cuts, and it has the star power of former teen icon Donny Osmond, who played over 1,800 performances across North America. Rather than record a live performance, Cats director David Mallet conceived Joseph as a film, though one that is based strongly on codirector Steven Pimlott's 1991 London revival and relies more on camerawork than venturing beyond its stagelike sets.

Lloyd Webber's first project with lyricist Tim Rice was originally written in 1968 as a school cantata; accordingly, this film uses a framing sequence of a school recital, with an audience of clapping, singing kids and members of the faculty playing the roles. The Old Testament tale of Joseph and his coat of many colors gets a splashy, vigorous treatment with an energetic cast, Las Vegas-style glitz, and catchy, eclectic songs, including "Any Dream Will Do," "Close Every Door," the peppy "Go, Go, Go Joseph," and various bits of country, calypso, and Elvis. Osmond is perfect in the title role, with a strong voice and winning persona, while London stage veteran Maria Friedman performs well in the central role of the narrator. Richard Attenborough appears (and sings a little) as Jacob, and Joan Collins makes a brief, nonsinging cameo.

Joseph certainly isn't revolutionary musical theater, but if you view it as a kids' show, it's a silly good time (though there are poignant moments too). Parents should note, however, that this production might warrant a little discretion due to one suggestive scene and some risqué costumes. --David Horiuchi

• An epic in the spirit of THE PASSION OF THE CHRIST, this widely acclaimed motion picture is a meticulous recreation of the turbulent era of Jesus and the events that changed the course of history! Narrated by Golden Globe nominee Christopher Plummer (Best Supporting Actor, AMERICAN TRAGEDY, 2000), it s the bold and powerful story of Jesus as told by his disciple John. The best-loved but least unde

An epic in the spirit of The Passion of the Christ, this widely acclaimed motion picture is a meticulous recreation of the turbulent era of Jesus and the events that changed the course of history! Narrated by Golden Globe nominee Christopher Plummer (Best Supporting Actor, American Tragedy, 2000), it’s the bold and powerful story of Jesus as told by his disciple John. The best-loved but least understood of the gospels, John presents a uniquely human portrait of courage and passion encompassing Jesus' entire three-year ministry, the final years of his life. Intimate and reflective, The Gospel of John offers an unparalleled opportunity to experience the incomparable life and times of Jesus Christ.