Gay & Lesbian

Shelter

A man overcomes his hectic life to fall in love with his friend's brother in this engaging drama. SHELTER stars Brad Rowe (BILLY'S HOLLYWOOD SCREEN KISS) and Tina Holmes (EDGE OF SEVENTEEN).System Requirements:Running Time: 88 minutesFormat: DVD MOVIE Genre: DRAMA/LOVE & ROMANCE Rating: R UPC: 858423001353 Manufacturer No: LIB00135

The feature-film debut from art director Jonah Markowitz (Quinceañera) pivots on the tension between responsibility to family and responsibility to self. Recent high-school graduate Zach (Trevor Wright) has one summer to reconcile the competing halves of his life. The aspiring Picasso lives in blue-collar San Pedro with his irresponsible sister, Jeanne (Tina Holmes, Half Nelson), her five-year-old son, Cody (Jackson Wurth), and their rarely-seen father. Zach gave up his art school dreams to toil in a diner and help look after his much-loved nephew. With his best friend, Gabe (Ross Thomas), away at college, Zach draws, surfs, and skateboards by his lonesome. When Gabe's novelist brother, Shaun (Brad Rowe, Billy's Hollywood Screen Kiss), returns to his Orange County home to recover from a broken heart, he and Zach alternate between riding the waves and encouraging each other to pursue their aspirations. Shaun is gay, while Zach appears to be straight, but a casual kiss between the two soon leads to a secret relationship. Before the former returns to Los Angeles, the latter has to decide who he is--gay, straight, artist, cook, uncle, or father--and what he's going to do about it. Except for the location shooting, this low-budget indie plays like an extended episode of The O.C. what with all the "bro"s and "dude"s and love scenes tame enough for network TV. Nonetheless, Markowitz's heart is in the right place, and Shelter may provide some real-life Zachs with the courage they need to follow their passions. --Kathleen C. Fennessy

Dante's Cove - Season 3

DANTE'S COVE: SEASON 3 (DVD MOVIE)

The L Word - The Complete Fourth Season

No Description Available.
Genre: Television
Rating: NR
Release Date: 23-OCT-2007
Media Type: DVD

If the third season was marked by transitions, The L Word's fourth concerns growing up--or trying to, at any rate. Shane (Katherine Moennig) becomes her brother Shay's guardian, Bette (Jennifer Beals) and Tina (Laurel Holloman) stop fighting over their daughter Angelica, and Bette's new boss, Phyllis (a very game Cybill Shepherd), decides it's time to embrace her true nature. So, after 25 years of marriage (Bruce Davison plays her husband), Chancellor Kroll comes out of the closet--and sets her sights on Alice (Leisha Hailey). For all the inclusiveness, Max (Daniela Sea), still remains on the margins. Dumped by Jenny (Mia Kirshner) the year before, Max continues to share her apartment while acclimating to life as a man.

For those who felt season three was too dark, four offers a welcome corrective. There's still plenty of angst--Jenny's memoir meets with a few negative notices (Heather Matarazzo's journalist pens the harshest critique) and Helena (Rachel Shelley) learns to live without Mommy's money--but there are plenty of moving moments to compensate (most revolving around Shane and Shay). New additions also arrive to shake things up, like Marlee Matlin as an artist who helps Bette to broaden her horizons, Kristanna Loken as a single mother with a yen for Shane, and Rose Rollins as an Iraq War veteran with whom Alice has a tryst (leading to a well intentioned, if heavy-handed message about how even liberals should support the troops). As in seasons past, the directorial line-up impresses as much as the acting talent, and includes Oscar winner Marleen Gorris (Antonia's Line) and playwright Moisés Kaufman (The Laramie Project). Since creator Ilene Chaiken makes most special features, like deleted scenes, available online, this set offers few extras, other than biographies, a photo gallery, and episodes of The Tudors and Californication. --Kathleen C. Fennessy

The Birdcage

Lies and deception -- its all in the family when Robin Williams must convince conservative in-laws Gene Hackman and Dianne Wiest that he is as upstanding and uptight as they are in this raucously funny comedy. Armand (Williams) and Albert (Nathan Lane) have built the perfect life for themselves tending to their successful and gaudy nightclub on the Miami strip. But their pastel tranquility is suddenly shaken by the arrival of Armands son... who is getting married to the daughter of ultra-conservative Senator Keeley (Hackman). Whats more the Senator and his wife (Wiest) are on the way over for dinner and expecting to meet Mr. and Mrs. Family Values!Starring: Robin Williams Gene Hackman Nathan Lane Diane Wiest Dan Futterman Calista Flockhart Hank AzariaDirector: Mike NicholsProduced by Mike Nichols Marcello Danon written by Elaine May; running time of 119 minutes; Closed Captioned. Copyright: 1996 MGM/UASystem Requirements:Interactive Menus Theatrical Trailer Video Format: Widescreen (no AR specified) Enhanced for 16x9 TVs Subtitles: English Spanish and French Track Info: English: Dolby Digital Surround Spanish: Dolby Digital Surround French: Dolby Digital SurroundFormat: DVD MOVIE Genre: COMEDY Rating: R UPC: 027616603395 Manufacturer No: M100538

The great improvisational comedy team of Mike Nichols and Elaine May reunited to (respectively) direct and write this update of the French comedy La Cage Aux Folles. Robin Williams stars as a gay Miami nightclub owner who is forced to play it straight and ask his drag-queen partner (Nathan Lane) to hide out when Williams's son invites his prospective--and highly conservative--in-laws and fiancée to a meet-and-greet dinner party. Gene Hackman and Dianne Wiest play the straight-laced senator and his wife, and Calista Flockhart (from television's Ally McBeal) plays their daughter in a culture-clash with outrageous consequences. May's witty screenplay incorporates some pointed observations about the political landscape of the 1990s and takes a sensitive approach to the comedy's underlying drama. Topping off the action is Hank Azaria in a scene-stealing role as Williams's and Lane's flamboyant housekeeper, "Agador Spartacus." --Jeff Shannon

The DL Chronicles: The Complete First Season

"The DL Chronicles" tells the stories of men of color who by consequence and by choice live sexually duplicitous and secret lifestyles. The "Down Low" is a slang term sometimes used to refer to African-American men who identify themselves as straight but secretly engage in sexual activity with men. They date women have children and often marry in an effort to appear heterosexual to the public. Most of these men do not identify as gay or bisexual and refuse to be associated with the gay identity or gay community.System Requirements:Run Time: 132 minutesFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS UPC: 858423001254 Manufacturer No: LIB00125

Four episodes comprise the first season of the DL Chronicles, about black men "living in a gray area" between gay and straight, according to the narrator Chadwick Williams (Damian Raven). The drama is framed as if Williams, a journalist introduced in the first episode, is sharing each story to enlighten viewers to the complexities of being an out gay man in various African-American communities. The shows, titled "Wes," "Robert," "Boo," and "Mark," describe these men's sexual situations, ranging from complete cover-up to their near-comings out. Wes Thomas (Darren Schnase) is a married real estate banker whose infidelity is kept under tight wraps. Robert Hall (Terrell Tilford) falls in love with Austin (Kareem Ferguson), a local store manager, but is terrified of his daughter finding out. Boo is faced with homophobia and outright prejudice everywhere he turns, and becomes doubly anxious about AIDS. The last episode, "Mark," turns the series around, by showing an example of a man who has just decided to tell his family the truth. Overall, the series manages a careful balance of drama, including some steamy sex scenes, and educational content, to help viewers understand how hard it is for these men to fight for community acceptance. Furthermore, there are great humorous moments, such as when all the men and women who Boo has slept with flash before his eyes, to prevent the show from seeming didactic. All these characters who are keeping it on the "down low" have something to tell us about tolerance, as well as charm and wit. --Trinie Dalton

The L Word - The Complete First Season

Explores the personal and professional lives of a group of lesbian and bisexual women in Los Angeles.
Genre: Television
Rating: NR
Release Date: 9-NOV-2004
Media Type: DVD

Four years after Showtime made gay men the focus of its original series Queer as Folk, it was time for a little turnabout with The L Word (bad title, great show). Centering around a tight-knit group of lesbians in Los Angeles, this drama was far removed from its working-class male counterpart in both style and content. While the men of QAF enjoyed a fabulous if melodramatic life on the middle-class streets of Pittsburgh, the women of The L Word lived it up in sunny California, with gorgeous houses, glamorous careers, and sexy wardrobes. Ironically, though, The L Word adhered more to the everyday drama of ensemble shows like thirtysomething than the soap opera antics of QAF, and the results were surprisingly heartfelt and effective, appropriately stylish but never over the top. There was plenty of room for titillation, but creator Ilene Chaiken fashioned from the start a show centered on characters and not just sex, aiming for the heart rather than... well, other places.

The L Word focused primarily on committed couple Bette (Jennifer Beals) and Tina (Laurel Holloman), a former power-career duo who've decided to have a baby; however, artificial insemination and the changing dynamics of their relationship throw their previously happy existence off-kilter. Within their orbit are spunky journalist Alice (Leisha Hailey), sultry hairdresser Shane (Katherine Moenning), closeted pro tennis player Dana (Erin Daniels), and espresso bar owner Marina (Karina Lombard) who, in the show's most polarizing storyline, bedded the seemingly straight Jenny (Mia Kirschner) and shook up her heterosexual world. Jenny's am-I-straight-or-not? kvetching frustrated both her fiancé (Eric Mabius) and many viewers, who were alternately irritated and intrigued by her inability to decide one way or the other. But Jenny's weakness was part of The L Word's strength: in exploring many sides of many issues, both domestic and political, it never came up with an easy answer for any of them, making the show all that more fascinating--and compulsively watchable. --Mark Englehart

The L Word - The Complete Second Season

Once a series has broken new ground, where does it go from there? Showtime's The L Word, concerning the relationships of a community of lesbian Los Angelenos, turned heads with its smart, funny writing and fully realized characters. Season Two offers more of the same, with some notable guest stars and experiments in narrative and music. This season, Jenny (Mia Kirshner) fully embraces her sexuality as her ex-husband/roomie (Eric Mabius) departs and voyeuristic documentary filmmaker Mark (Eric Lively) and womanchaser Shane (Katherine Moennig) move in. Shane and Jenny struggle good-heartedly over the affections of new character Carmen (Sarah Shahi), who isn't given much to do plot-wise apart from occasionally spinning records and serving as one corner of the love triangle. Bette (Jennifer Beals) and Tina (Laurel Holloman) start the season on the rocks due to Bette's infidelity; the introduction of the one-dimensionally nasty Helena Peabody (Rachel Shelley) causes further friction between Bette and Tina while playing havoc with Bette's curatorial career. Meanwhile, Dana (Erin Daniels) and Alice (Leisha Hailey) go from being best friends to being a whole lot more, providing some of the most touching scenes of the season. Kit (Pam Grier) takes on The Planet, the seeming center of LA's lesbian universe, converting it into a nightclub where, conveniently, guest-starring bands can play.

Strong points of the season include Bette and Kit confronting the death of their father (the superb Ossie Davis) and Shane's new job as a gopher for a high-powered Hollywood producer (the equally superb Camryn Manheim). Less strong are the distracting, neo-expressionistic passages meant to be glimpses into Jenny's creative mind and the interminable use of the series' theme song--re-interpreted in a number of genres--to the point of distraction. Mark's voyeurism, which crosses all sorts of boundaries as he installs hidden cameras around the house, is a brilliant way to challenge male viewers who may tune in just to TiVo their way to the sex scenes. That said, the arc of that particular story grows increasingly far-fetched as Mark somehow avoids criminal prosecution and instead endures the horrible fate of having Jenny refuse his offer of coffee and a muffin. Despite its flaws, The L Word is a show that deserves to be cheered on, not for its politics, but for the skillful way it conveys complex human entanglements with sensitivity. --Ryan Boudinot

Set in the chic world of Los Angeles, this humor-laced dramatic series explores the lives of a group of lesbians, their friends, family and neighbors. The series takes a smart, sexy and fun look at the hopes, dreams and lives of these people as they deal with things like career struggles, relationships and the pressures of tying to start a family. The second season of The L Word takes off with 13 hotter-than-ever, sexy episodes filled with sizzling new characters. A must-have DVD set for the legions of fans that have purchased Season 1.

Sordid Lives

If you've got a taste for big hair, broad Texas accents, and gay rights, this mixture of white-trash comedy and coming-out melodrama is for you. Sordid Lives starts out as chicken-fried farce, as a funeral is prepared for a woman who died when she tripped over her adulterous lover's wooden legs; about midway the emphasis shifts to a drag queen unfairly held in a mental institution and the dead woman's grandson, an actor in Los Angeles who hasn't come out to his mother. The tone shifts wildly, and the humor depends on your fondness for the white-trash genre--if you like it, this will tickle your ribs; if you don't, it'll fall flat as the panhandle landscape. But it must be said that the cast (including Bonnie Bedelia, Beau Bridges, Delta Burke, and Olivia Newton-John) dives right in, no matter how over-the-top their characters get. --Bret Fetzer

Get ready for laughs the size of Texas when Olivia Newton-John, Beau Bridges, Bonnie Bedelia and Delta Burke lead an all-star cast in this twisted, white-trash tale "that puts the 'fun' in 'dysfunctional'" (Toronto Sun). The hilariously sordid details about a southern family surface with a vengeance when relatives converge for the funeral of "Grandma Peggy," who died after tripping over her lover's wooden legs! Toss in a couple of feuding, big-haired daughters, a jumpy aunt who just quit smoking, the scorned neighbor from hell, and crazy, cross-dressing "Brother Boy" - and you've got an outrageous "train wreck you can't help but watch!" (Chicago Tribune)

Midnight in the Garden of Good and Evil

Academy award-winning director Clint Eastwood helms this story based on John Berendt's best-selling book examining contemporary events and unique characters in picturesque Savannah Georgia following a shocking murder. The most important party of the Savannah Christmas season ends with a bang! when affable host Jim Williams shoots a man to death. The party is over and the mystery begins.Running Time: 156 min.System Requirements:Widescreen Format ("matted" to preserve the aspect ratio of original theatrical exhibition enhanced for widescreened TVs) Languages: English (5.1 Dolby Digital Surround) and French (Dolby Stereo Surround) Theatrical Trailer Production Notes and Interactive Menus Closed Captioning and Dual-layer Format Additional Information Special Features: Featurette Interactive Menus Interviews Production Notes Theatrical Trailer Video Format: Widescreen (no A.R. specified) Enhanced for 16x9 TVs Subtitles: English Spanish French Track Info: English: Dolby Digital 5.1 Surround French: Dolby Digital 5.1 Surround Closed Captioning: Yes # Discs: 1Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 085391477624

Readers of John Berendt's bestselling novel were bound to be at least somewhat disappointed by this big-screen adaptation, but despite mixed reaction from critics and audiences, there's still plenty to admire about director Clint Eastwood's take on the material. Readers will surely miss the rich atmosphere and societal detail that Berendt brought to his "Savannah story," and the movie can only scratch the surface of Georgian history, tradition, and wealthy decadence underlying Berendt's fact-based murder mystery. Still, Eastwood maintains an assured focus on the wonderful eccentrics of Savannah, most notably a gay Savannah antiques dealer (superbly played by Kevin Spacey), who may or may not have killed his friend and alleged lover (Jude Law). John Cusack plays the Town & Country journalist who arrives in Savannah to find much more than he bargained for--including the city's legendary drag queen Lady Chablis (playing "herself")--and John Lee Hancock's smoothly adapted screenplay succeeds in bringing Berendt's characters vividly to life with plenty of flavorful dialogue. In similar fashion to Warner's acclaimed DVD of L.A. Confidential, this classy DVD includes a behind-the-scenes documentary titled The Real People in the Garden and an interactive map tour of Savannah and its most celebrated (or notorious) citizens. The original theatrical trailer is also included. --Jeff Shannon

The L Word - The Complete Third Season

Explores the personal and professional lives of a group of lesbian and bisexual women in Los Angeles.
No Track Information Available
Media Type: DVD
Artist: L WORD
Title: SEASON 3
Street Release Date: 10/24/2006
Domestic
Genre: TELEVISION

The third season of Showtime's The L Word is all about transitions. The season opens with Alice Pieszecki (Leisha Hailey) coping with her between-seasons break-up with Dana Fairbanks (Erin Daniels), who is herself headed for an even heavier series of transitions. Kit Porter (Pam Grier) both falls in love with a younger man and discovers she is going through menopause. Shane (Katherine Moennig), who spent much of the first two seasons of the show hopping from bed to bed, finds herself more or less committed to Latina deejay Carmen (Sarah Shahi). And the second season's resident villain, Helena Peabody (Rachel Shelley), becomes embroiled in a sexual harassment case that leaves her ultimately looking like the victim. As with previous seasons, The L Word gets all hot and bothered with various seductions filmed to sometimes jarring music on the soundtrack, but it's the day-to-day foibles and celebrations of Los Angeles's lesbian community that keep the show interesting. Newcomer Moira/Max (Daniela Sea) begins the process of gender reassignment, making for some curious situations with potential employers. Bette (Jennifer Beals) and Tina (Laurel Holloman) begin to drift apart when Tina lands a big movie studio job and starts feeling attracted to men, leading to a custody battle over their baby daughter. Where The L Word starts getting preachy and obvious is in the opening flashback sequences. When these vignettes refer to current characters of the show, they make sense; when they depict situations meant to underline how queer identity has evolved over the years, they seem politically overloaded. The L Word works intelligently through its characters' concerns without having to resort to such direct appeals for tolerance. Its strength isn't in making lesbian culture appear more mainstream, but in making us care and identify with these women's struggles, regardless of our sexual orientation. --Ryan Boudinot