Predator [Blu-ray]
by John McTiernan
from Twentieth Century Fox Home Entertainment
Rambo meets Alien in this terrific science-fiction thriller from 1987, directed by John McTiernan just a year before Die Hard made him Hollywood's most sought-after director of action-packed blockbusters. Arnold Schwarzenegger leads an elite squad of U.S. Army commandos to a remote region of South American jungle, where they've been assigned to search for South American officials who've been kidnapped by terrorists. Instead they find a bunch of skinned corpses hanging from the trees and realize that they're now facing a mysterious and much deadlier threat. As the squad is picked off one by one, Arnold finds himself pitted against a hideous alien creature that's heavily armed and wearing a spacesuit enabling the creature to render itself invisible. The title says it all in describing the relentless, escalating action that follows, maintained by McTiernan with an abundance of visual flair. The film's special effects are still impressive, and stunning locations in the Mexican jungles create a combined atmosphere of verdant beauty and imminent danger. The plot doesn't hold up to much scrutiny, but the movie's so exciting and tightly paced that its weaknesses seem irrelevant. --Jeff Shannon
The ultimate hunter meets the ultimate adversary... in the ultimate Collector's Edition DVD! Arnold Schwarzenegger wages an all-out war against an unseen enemy, a force more powerful and deadly than any on Earth-because the Predator is not of this Earth. Now, you can explore the depths of the Predator jungle with this all-new 2-disc set packed with over 5 hours of out-of-this-world extras, including an in-depth documentary, director's commentary, never-before-seen bonus footage, revealing featurettes and more!
Aliens vs. Predator - Requiem (Unrated Edition)
by Colin Strause
from 20th Century Fox
For those who found 2004's Aliens vs. Predator too lightweight in the gore-and-guns department, Aliens vs. Predator: Requiem offers a marked improvement in both categories, as well as a respectable amount of rumbles between the title extraterrestrials. Set in the 21st century (which predates the story to all of the Alien features), Requiem sends a crippled Predator ship crashing to Earth in a small Colorado town; unbeknownst to the locals, the craft is loaded with H.R. Giger's insectoid monsters, which make quick work of most of the population. As the human cast is slowly whittled to a few hardy (if unmemorable) souls, a Predator warrior also arrives to complicate matters and do battle with the Aliens, as well as a ferocious alien-Predator hybrid (dubbed a Predalien by the sci-fi and horror press). Visual-effects designers and music-video helmers The Strause Brothers (who make their feature directorial debut here) keep the action on frantic throughout, which is wise, since the dialogue and characters are threadbare at best; that should matter little to teenage male viewers, who are inarguably the film's key audience. Fans of the Alien franchise, however, may find the offhanded nod to the series' mythology given during the finale its sole saving grace. --Paul Gaita
Beyond Alien vs. Predator: Requiem
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Stills from Alien vs. Predator: Requiem
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Packed with adrenaline-pumping action heart-stopping suspense and 10 additional minutes of blood-soaked action too shocking for theaters this unrated version of AVP-R escalates the war between sci-fi's scariest movie icons!After a horrifying PredAlien crash-lands near a small Colorado town killing everyone it encounters and producing countless Alien offspring a lone Predator arrives to "clean up" the infestation. Soon it's an all-out battle to the death with no rules no mercy-and hundreds of innocent people caught in the crossfire. As the creature carnage continues a handful of human survivors attempt a daring escape but the U.S. government may be hatching a deadly plan of its own...System Requirements:Running Time: 100 minutesFormat: DVD MOVIE Genre: SCI-FI/FANTASY/ALIENS Rating: UNRATED UPC: 024543509424 Manufacturer No: 2250942
The Orphanage
by Juan Antonio Bayona
from New Line Home Video
It's only his first film, but Spain's Juan Antonio Bayona has already figured out the secret to a successful supernatural thriller: emphasize character over special effects. Like Walter Salles's Dark Water and Alejandro Amenábar's The Others, The Orphanage pivots on a pretty woman and an unusual child. When her old orphanage goes on the market, Laura (Belén Rueda, Amenábar's The Sea Inside) and Carlos (Fernando Cayo) settle in with their son, Simón (Roger PrÃncep). Once acclimated to the remote seaside surroundings, they plan to re-open it as a home for special-needs children. Meanwhile, their seven-year-old doesn't know he's adopted or that he has a life-threatening illness. He does, however, have a lot of imaginary playmates. When Simón disappears without a trace, his parents contact the police, but to no avail. Because Laura has been hearing odd noises and having strange visions, they proceed to consult a medium. Aurora (Geraldine Chaplin, speaking perfect Spanish) is convinced they aren't alone. Carlos has his doubts, but Laura makes like a detective and revisits her childhood--through photographs, home movies, and exploration of the spooky stone manor--to determine who or what abducted her son. Produced and presented by Guillermo Del Toro, The Orphanage is less fanciful than his works, though it does bear a vague resemblance to the ghostly Devil's Backbone. There are a few gory make-up effects, but Bayona mostly preys on our fear of the unknown to craft a first-rate fright fest. --Kathleen C. Fennessy
A woman discovers dark secrets hidden within her cherished childhood home in the supernatural drama THE ORPHANAGE the feature film debut of acclaimed young Spanish director Juan Antonio Bayona. A superbly atmospheric and emotionally powerful tale of love loss and guilt.System Requirements:Running Time: 105 minutesFormat: DVD MOVIE Genre: HORROR/PSYCHOLOGICAL THRILLER Rating: R UPC: 794043120718 Manufacturer No: 1000038293
Supernatural - The Complete First Season
from Warner Home Video
Call it Kolchak: The Night Stalker, The College Years or Buffy the Vampire Slayer for Boys, but the horror series Supernatural delivers some of the most satisfying small-screen scares in recent memory. The premise is deceptively simple: brothers Sam and Dean (Jared Padalecki from Gilmore Girls and Jensen Ackles, both appealing) travel the darker corners of the American landscape in search of their father, who's gone missing while hunting the malevolent forces that lead to the death of their mother. In the course of their search, the siblings encounter a host of otherworldly creatures, including vampires, ghosts, and witches, as well as such distinctly American phenomena as the urban-legend favorite the Hook ("Hookman"), monsters from Native American mythology ("Wendigo"), and fearful figures from children's games ("Bloody Mary"). Supernatural's integration of elements from American pop culture and folklore, combined with its skilled cast and crew (creator/co-writer Erik Kripke delivered 2005's Boogeyman, while director/executive producer David Nutter is a veteran of The X-Files and Millennium), and better-than-average attempts at atmosphere and suspense place the series well above the other spookshow programs that arrived on networks at about the same time (Invasion, Night Stalker), and should hold considerable appeal for fans of frightful fare.
The six-disc set contains all 22 episodes of the debut season, with commentary by Ackles and Padalecki on "Phantom Traveler" and Nutter, Kripke, and producer Peter Johnson on the pilot episode; two making-of documentaries (one on the show itself, and the other on its stars), as well as a brace of unaired scenes and a gag reel round out the set. For those with DVD-ROM capabilities, the set also includes a link to a web site which offers a sneak preview at season 2 and the pilot script, among other bonus features. --Paul Gaita
Bound by tragedy and blood to a dangerous otherworldly mission two brothers travel in mysterious back roads of the country in their '67 Chevy Impala searching for their missing father--and hunting down every evil supernatural force they encounter along the way. Bring home all 22 episodes of the first season of the thrilling new show Supernatural along with must-own bonus features. Supernatural is a completely new kind of thrill ride that takes viewers on a journey into the dark world of the unexplained.Running Time: 936 min.Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS UPC: 012569806788 Manufacturer No: 80678
Teeth
from Weinstein Company
A coming-of-age tale with a twist, Teeth takes a novel approach towards teen sexual angst. Sunny blonde Dawn (Jess Weixler, a Meryl Streep in the making) promotes abstinence at her high school. Her mother (Vivienne Benesch) is terminally ill, her half-brother (Nip/Tuck's John Hensley) is a tattooed sociopath, and her stepfather (Lenny von Dohlen) does what he can to keep the household together. When Dawn meets doe-eyed transfer student Tobey (Hale Appleman), her celibacy vow is put to the test. Simultaneously, she starts to realize her anatomy differs from other girls. Though Dawn's Austin environs recall the serene suburbs of Donnie Darko--except for the ominous smokestacks behind the family's ranch house--her secret power brings her closer in line with Carrie. It's a particularly feminine capability. When Carrie felt threatened, she used her mind as a weapon. In Dawn's case, a certain physical anomaly comes into play: the vagina dentata of ancient mythology (Camille Paglia, author of Sexual Personae, served as a consultant on the film). At first, Dawn has no control over the situation and, like De Palma's anti-heroine, she's horrified. But actor-turned-director Mitchell Lichtenstein (Ang Lee's The Wedding Banquet), son of artist Roy Lichtenstein, ends his debut on a very different note. Along the way, there's satiric humor, squirm-inducing gore, and a star-making turn from Weixler, recipient of a special prize at Sundance for her "jaw-dropping performance." Teeth is neither anti-male nor anti-female--as some detractors have claimed--but it's definitely not for the squeamish or irony-impaired. --Kathleen C. Fennessy
Dawn (Sundance award winner Jess Weixler) is a pretty but prim high school virgin who unknowingly has a set of mutant teeth between her legs. When a supposedly likeminded boyfriend forces himself upon her, Dawn's vagina dentata start chomping -- which is just the beginning of "the most twisted story of female empowerment ever told" (DreadCentral.com).
30 Days of Night
from Sony Pictures
David (Hard Candy) Slade directs this nerve-jangling adaptation of the popular graphic novel series about a mob of vampires that overruns a remote Alaskan town in the grip of 30 Days of Night. Josh Hartnett and Melissa George are the film's de facto heroes (he's the stoic town sheriff and she's his estranged fire-marshal wife) but the picture's real MVP is Slade's camera (along with cinematographer Jo Willems), which careens across the town's snowy landscape to detail the vampires' horrific assault on its inhabitants, which are quickly pared down to a hardy few. The script, co-written by the source material's creator, Steve Niles, along with Pirates of the Caribbean's Stuart Beattie and Hard Candy's Brian Nelson), proudly wears its influences on its crimson-stained sleeve (Bram Stoker's Dracula, natch, but also Salem's Lot, Night of the Living Dead, and John Carpenter's version of The Thing) and boils down the graphic novels to a series of tense and extremely bloody standoffs between Harnett and George's band of survivors and the vaguely Slavic and ferocious bloodsuckers led by Marlow (a feral and frightening Danny Huston). And if the characters seem stock and the finale begs suspension of disbelief, the set pieces leading up to it are sufficiently supercharged with suspense and violence to please most horror fans. Standouts in the supporting cast are Ben Foster as the film's Renfield figure and Mark Boone Junior; the disturbing score by Brian Reitzell also merits a mention. --Paul Gaita
Stills from 30 Days of Night (click for larger image)
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Beyond 30 Days of Night
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Josh Harnett (Black Dahlia Pearl Harbor) crosses over to the dark side in this bone-chilling adaptation of the cult-hit graphic novel brought to the screen in all its demonic glory. In a small Alaskan town thirty days of night is a natural phenomenon. Very few outsiders visit until a band of bloodthirsty deathly pale vampires mark their arrival by savagely attacking sled dogs. But soon they find there are much more satisfying thirst-quenchers about: human beings. One by one the townspeople succumb to a living nightmare but a small group survives at least for now. The vampires use the dark to their advantage and surviving this cold hell is a game of cat and mouse and screams.System Requirements:Run Time: 113 Mins.Format: DVD MOVIE Genre: HORROR/PSYCHOLOGICAL THRILLER Rating: R UPC: 043396196155 Manufacturer No: 19615
The Mist (Two-Disc Collector's Edition)
by Frank Darabont
from Genius Products (TVN)
MIST THE: 2-DISC COLLECTOR'S EDITION (DVD MOVIE)
Writer-director Frank Darabont, who showcased the softer side of Stephen King in his film adaptations of The Shawshank Redemption and The Green Mile, turns to darker material for The Mist, his latest King adaptation about a group of ordinary townspeople trapped in a supermarket by a mysterious fogbank. Thomas Jane is top-billed as a Maine illustrator who attempts to calm the frightened shoppers, but his job is cut out for him from the get-go, first by the discovery of malevolent creatures lurking in the mist, and then by the mad mutterings of Mrs. Carmody (Marcia Gay Harden), a local eccentric who calls for Old Testament-style sacrifices to appease the supernatural forces. Darabont delivers monster movie thrills and understated social commentary with equal skill, and he's well supported by his cast (which includes Andre Braugher, Toby Jones, William Sadler and Jeffrey DeMunn) and the vivid special effects by KNB EFX, which effectively mix CGI with models and stop-motion animation (the terrific monsters were designed by legendary comic book artist Bernie Wrightson). And for those curious about how the novella's downbeat ending has translated to film, suffice it to say that Darabont's conclusion is at once different and more unsettling than King's. --Paul Gaita
Alien Quadrilogy (Alien/ Aliens /Alien 3 /Alien Resurrection)
by James Cameron
from 20th Century Fox
The Alien Quadrilogy is a nine-disc boxed set devoted to the four Alien films. Although previously available on DVD as the Alien Legacy, here they have been repackaged with vastly more extras and with upgraded sound and picture. For anyone who hasn't been in hypersleep for the last 25 years, this series needs no introduction, though for the first time each film now comes in both original and "special edition" form.
Alien (1979) was so perfect it didn't need fixing, and Ridley Scott's 2003 director's cut is fiddling for the sake of fiddling. Watch it once, then return to the majestic, perfectly paced original. Conversely, the special edition of James Cameron's Aliens (1986) is the definitive version, though it's nice to finally have the theatrical cut on DVD for comparison. Most interesting is the alternative Alien 3 (1992). This isn't a "director's cut"--David Fincher refused to have any involvement with this release--but a 1991 work-print that runs 29 minutes longer than the theatrical version, and has now been restored, remastered, and finished off with (unfortunately) cheap new CGI. Still, it's truly fascinating, offering a different insight into a flawed masterpiece. The expanded opening is visually breathtaking, the central firestorm is much longer, and a subplot involving Paul McGann's character adds considerable depth to story. The ending is also subtly but significantly different. Alien: Resurrection (1997) always was a mess with a handful of brilliant scenes, and the special edition just makes it eight minutes longer.
The Alien Quadrilogy offers the first and fourth films with DTS soundtracks, the others having still fine Dolby Digital 5.1 presentation. All four films sound fantastic, with much low-level detail revealed for the first time. Each is anamorphically enhanced at the correct original aspect ratio, and the prints and transfers are superlative. Every film offers a commentary track that lends insight into the creative process--though the Scott-only commentary and isolated music score from the first Alien DVD release are missing here.
Each movie is complemented by a separate disc packed with hours of seriously detailed documentaries (all presented in full-screen with clips letterboxed), thousands of photos, production stills, and storyboards, giving a level of inside information for the dedicated buff only surpassed by the Lord of the Rings extended DVD sets. A ninth DVD compiles miscellaneous material, including an hourlong documentary and even all the extras from the old Alien laserdisc. "Exhaustive" hardly beings to describe the Alien Quadrilogy, a set that establishes the new DVD benchmark for retrospective releases and looks unlikely to be surpassed for some time. --Gary S. Dalkin
Disc 1: Alien Collector?s Edition Disc 2: Aliens Collector?s Edition Disc 3: Alien 3 Collector?s Edition Disc 4: Alien Resurrection Collector?s Edition Disc 5: Bonus Disc
The Mist
by Frank Darabont
from Genius Products (TVN)
MIST THE (DVD MOVIE)
Writer-director Frank Darabont, who showcased the softer side of Stephen King in his film adaptations of The Shawshank Redemption and The Green Mile, turns to darker material for The Mist, his latest King adaptation about a group of ordinary townspeople trapped in a supermarket by a mysterious fogbank. Thomas Jane is top-billed as a Maine illustrator who attempts to calm the frightened shoppers, but his job is cut out for him from the get-go, first by the discovery of malevolent creatures lurking in the mist, and then by the mad mutterings of Mrs. Carmody (Marcia Gay Harden), a local eccentric who calls for Old Testament-style sacrifices to appease the supernatural forces. Darabont delivers monster movie thrills and understated social commentary with equal skill, and he's well supported by his cast (which includes Andre Braugher, Toby Jones, William Sadler and Jeffrey DeMunn) and the vivid special effects by KNB EFX, which effectively mix CGI with models and stop-motion animation (the terrific monsters were designed by legendary comic book artist Bernie Wrightson). And for those curious about how the novella's downbeat ending has translated to film, suffice it to say that Darabont's conclusion is at once different and more unsettling than King's. --Paul Gaita
Jurassic Park Adventure Pack (Jurassic Park/ The Lost World: Jurassic Park/ Jurassic Park III)
by Joe Johnston
from Universal Studios
Jurassic Park
Steven Spielberg's 1993 mega-hit rivals Jaws as the most intense and frightening film he'd ever made prior to Schindler's List, but it was also among his weakest stories. Based on Michael Crichton's novel about an island amusement park populated by cloned dinosaurs, the film works best as a thrill ride with none of the interesting human dynamics of Spielberg's Jaws. That lapse proves unfortunate, but there's no shortage of raw terror as a rampaging T-rex and nasty raptors try to make fast food out of the cast. The effects are still astonishing (despite the fact that the computer-generated technology has since been improved upon) and at times primeval, such as the sight of a herd of whatever-they-are scampering through a valley. --Tom Keogh
The Lost World - Jurassic Park
In the low tradition of knockoff horror flicks best seen (or not seen) on a drive-in movie screen, Steven Spielberg's sequel to Jurassic Park is a poorly conceived, ill-organized film that lacks story and logic. Screenwriter David Koepp strings along a number of loose ideas while Jeff Goldblum returns as Ian Malcolm, the quirky chaos theoretician who now reluctantly agrees to go to another island where cloned dinosaurs are roaming freely. Along with his girlfriend (Julianne Moore) and daughter, Malcolm has to deal with hunters, environmentalists, and corporate swine who stupidly bring back a big dino to Southern California, where it runs amok, of course. Spielberg doesn't seem to care that the pieces of this project don't add up to a real movie, so he hams it up with big, scary moments (with none of the artfulness of those in Jurassic Park) and smart-aleck visual gags (a yapping dog in a suburb mysteriously disappears when a hungry T-rex stomps by). A complete bust.--Tom Keogh
Jurassic Park III
Surpassing expectations to qualify as an above-average sequel, Jurassic Park III is nothing more or less than a satisfying popcorn adventure. A little cheesier than the first two Jurassic blockbusters, it's a big B movie with big B-list stars (including Laura Dern, briefly reprising her Jurassic Park role), and eight years of advancing computer-generated-image technology give it a sharp edge over its predecessors. While adopting the jungle spirit of King Kong, the movie refines Michael Crichton's original premise, and its dinosaurs are even more realistic, their behavior more detailed, and their variety--including flying pteranodons and a new villain, the spinosaurus--more dazzling and threatening than ever. These advancements justify the sequel, and its contrived plot is just clever enough to span 90 minutes without wearing out its welcome.
Posing as wealthy tourists, an adventurous couple (William H. Macy, Téa Leoni) convince paleontologist Alan Grant (Sam Neill) and his protégé (Allesandro Nivola) to act as tour guides on a flyover trip to Isla Sorna, the ill-fated "Site B" where all hell broke loose in The Lost World: Jurassic Park. In truth, they're on a search-and-rescue mission to find their missing son (Trevor Morgan), and their plane crash is just the first of several enjoyably suspenseful sequences. Director Joe Johnston (October Sky) embraces the formulaic plot as a series of atmospheric set pieces, placing new and familiar dinosaurs in misty rainforests, fiery lakes, and mysterious valleys, turning JP3 into a thrill ride with impressive highlights (including a T. rex versus spinosaurus smack-down), adequate doses of wry humor (from the cowriters of Election), and an upbeat ending that's corny but appropriate, proving that the symptoms of sequelitis needn't be fatal. --Jeff Shannon
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