Horror Masters

George A. Romero's Diary of the Dead

George Romero has always come up with new ways of treating his zombies, and Diary of the Dead is no exception: Romero keeps his dead fresh, with an original approach to the undying subject. This one purports to be the video record of a group of young people who are shooting a low-budget horror movie when the terror strikes: corpses begin re-animating, intent on chewing the living. Our heroes trek across Pennsylvania, encountering the staggering zombies as they go. Other pieces of video are incorporated, which gives Romero a chance at some great set-pieces, including the brilliant opening sequence, a live local-TV feed that goes horribly, horribly wrong, and a home-video tape from a family birthday party, where the party clown turns out to be a dead ringer. All of Romero's Dead films are political, and this one's no exception, with a stark view of the way things are today; it doesn't offer the Hawksian heroics of the survivors in Dawn of the Dead or Land of the Dead for comfort, just a group of bickering, shocked youths. There's too much talk about the detachment of watching things through a lens, but in general this is a bracing, intelligent movie. Plus, there's some excellent splatter. --Robert Horton

From legendary frightmaster George A. Romero comes one of the most daring, hypnotic and absolutely vital horror films of the past decade (fangoria.com). Romero continues his influential Dead series, this time focusing on a terrified group of college film students who record the pandemic rise of flesh-eating zombies while struggling for their own survival. Intensely gruesome and relentlessly grisly fueled by the directors signature realistic special effects Diary of the Dead is must-see horror that is Romero at his finest (bloody-disgusting.com).

Scanners

Welcome to the world of the Scanners -- a race of humans with telekinetic powers that can wreak havoc beyond your most dreaded nightmare. Writer/director David Cronenberg (The Fly Naked Lunch) brings the terror closer than ever before he brings it right into your mind. Cronenberg is a modern-day horror master whose name fits in easily with the likes of King Craven and Carpenter...and Scanners with its spectacular and shockingly realistic special effects is a startling masterpiece of the genre. When a rogue Scanner of unparalleled power (Michael Ironside) wages a bloody war against the normals young empath Cameron Vale (Stephen Lack) is recruited to track him down. But Vale is inexperienced and a battle with another Scanner could mean a grisly death...or worse. Can Vale vanquish his insanely violent power-mad adversary? Only one thing is certain: Scanners delivers the chills-down-your-spine heart-in-your-throat you-can't-watch-but-you-daren't-leave goods (Time)!System Requirements: Running Time 103 MinFormat: DVD MOVIE Genre: HORROR Rating: R UPC: 027616865496 Manufacturer No: 1002330

David Cronenberg's 1981 horror film is a darkly paranoid story of a homeless man (Stephen Lack) mistakenly believed to be insane, when in fact he can't turn off the sound of other people's thoughts in his telepathic mind. Helped by a doctor (Patrick McGoohan) and enlisted in a program of "scanners"--telepaths who also can will heads to explode--he becomes involved in a battle against nefarious forces. A number of critics consider this to be Cronenberg's first great film, and indeed it has a serious vision of destiny that rivals some of the important German expressionist works from the silent cinema. Lack is very good as the odd hero, and McGoohan is effectively eccentric and chilly as the scientist who saves him from the street, only to thrust him into a terrible struggle. --Tom Keogh

Evil Dead II: Dead by Dawn [Blu-ray]

Writer-director Sam Raimi's extremely stylized, blood-soaked follow-up to his creepy Evil Dead isn't really a sequel; rather, it's a remake on a better budget. It also isn't really a horror film (though there are plenty of decapitations, zombies, supernatural demons, and gore) as much as it is a hilarious, sophisticated slapstick send-up of the terror genre. Raimi takes every horror convention that exists and exaggerates it with mind-blowing special effects, crossed with mocking Three Stooges humor. The plot alone is a genre cliché right out of any number of horror films. Several teens (including our hero, Ash, played by Bruce Campbell in a manic tour-de-force of physical comedy) visit a broken-down cottage in the woods--miles from civilization--find a copy of the Book of the Dead, and unleash supernatural powers that gut every character in sight. All, that is, except Ash, who takes this very personally and spends much of the of the film getting his head smashed while battling the unseen forces. Raimi uses this bare-bones story as a stage to showcase dazzling special effects and eye-popping visuals, including some of the most spectacular point-of-view Steadicam work ever (done by Peter Deming). Although it went unnoticed in the theaters, the film has since become an influential cult-video favorite, paving the way for over-the-top comic gross-out films like Peter Jackson's Dead Alive. --Dave McCoy

Night of the Living Dead

George A. Romero's Night of the Living Dead still sets the standard for all indie fright flicks. This 40th Anniversary Edition authorized by the director himself reanimates the landmark tale of five strangers who struggle desperately against hordes of the walking undead. Re-mastered and loaded with all-new Special FeaturesSystem Requirements:Running Time: 96 minutesFormat: DVD MOVIE Genre: HORROR/ZOMBIES UPC: 796019811743 Manufacturer No: 81174

The Brood

From famed writer-director David Cronenberg (The Dead Zone The Fly) comes a chillingly twisted masterpiece of psychological horror. Oliver Reed (Gladiator) and Samantha Eggar (The Astronaut's Wife) star in this shocking intense thriller about how misdirected rage can literally take on a life of its own.Behind the walls of his secluded Somafree Institute Dr. Hal Raglan (Reed) experiments with "Psychoplasmics" a controversial therapy designed to help release pent-up emotions in his patients. He keeps his star patient Nola (Eggar) in isolation but as she vents her fury during their sessions brutal murders befall the people she's angry with outside the institute. What is the connection between Raglan's methods and these monstrous killings? The answer will unleash a whole new breed of terror!System Requirements:Starring: Oliver Reed Samantha Eggar Directed By: David Cronenberg Running Time: 92 Min. Color Copyright 2003 MGM Studios.Format: DVD MOVIE Genre: HORROR Rating: NR UPC: 027616888501 Manufacturer No: 100483

Arguably the best and most personal of director David Cronenberg's early films, The Brood is an extremely unsettling horror film about familial disintegration and emotional trauma taken to a monstrous extreme. Art Hindle (Black Christmas) stars as a man embroiled in a bitter custody struggle with his estranged wife (Samantha Eggar), who is undergoing therapy at psychiatrist Oliver Reed's controversial institute. Reed's treatment causes his patients to give form to their inner conflicts, and Eggar--whose psyche is at the boiling point from childhood abuse as well as the custody trial--creates a horde of homicidal humanoid children who enact bloody revenge on anyone who has threatened their "mother." Cronenberg's first feature with name actors and composer Howard Shore has its share of gruesome moments, but the film's subtext--how emotional violence impacts a family--is its most chilling aspect. --Paul Gaita

They Live

An economic crisis brings unemployed Nada (Roddy Piper) to L.A. in search of work. What he finds instead is that the ruling elite of the world are aliens in disguise, their aim being to keep humans in a state of mindless consumerism. His discovery comes when he dons a pair of special sunglasses made by a resistance group and sees for the first time reality unadorned. Billboards, store signs, magazine covers--all bear subliminal messages to OBEY, to CONSUME, to have NO INDEPENDENT THOUGHT. Money itself says THIS IS YOUR GOD. But worst of all, with these glasses you see which of us are really hideous, bug-eyed aliens. The conceptual breakthrough is hilarious while keeping its roots in darker matters. Although some fault the film for settling into its action plot, the ending has a great payoff. And the direction by John Carpenter is handled with superb workmanlike aplomb. One unforgettable set piece has Piper in a back-alley fistfight with a friend who won't put on the glasses that goes on and on, and just when you think it's over it goes another round. One of the most subversive films ever made in Hollywood, They Live was released on the eve of the 1988 elections. The first TV ads had two hideous alien politicians debating, then one accusing the other of being "No John Kennedy!" --Jim Gay

Stephen King's Storm of the Century

"Give me what I want and I'll go away," demands the black-eyed, stocking-capped stranger Linoge (Colm Feore), who appears in a quiet island community on the verge of the worst storm in decades and brutally bludgeons an old lady to death. Tim Daly, the town sheriff and voice of reason and moral strength, locks up the quiet madman, but the deaths pile up as Linoge acts them out from his cell like a murderous mime pulling psychic strings. Stephen King, whose original teleplay is his best work for the screen since The Stand, transforms the sleepy burg into a Peyton Place of guilty secrets and criminal activity ripped from under a blanket of small town normality while the white-out of the snowstorm completely cuts them off from civilization. Director Craig R. Baxley nicely maintains an icy tension while the waiting game goes on, perhaps a little too long, before Linoge finally reveals "what he wants" and the drama turns into a struggle for man's soul in miniature. The more ambitious special effects and set pieces sometimes disappoint but are more than made up for in King's knack for turning the mundane into the macabre (the children's song "I'm a Little Teapot" has never sounded more sinister) and a few brilliantly realized sequences, the best of which occurs when townspeople are literally yanked out of existence while watching the storm. Storm of the Century is one of the most successful translations of King's brand of horror to the screen. --Sean Axmaker

Christine (Special Edition)

She was born in Detroit on an automobile assembly line. But she is no ordinary automobile. Deep within her chassis lives an unholy presence. She is CHRISTINE a red and white 1958 Plymouth Fury whose unique standard equipment includes an evil indestructible vengeance that will destroy anyone in her way. She seduces 17-year-old Arnie Cunningham (Keith Gordon) who becomes consumed with passion for her sleek rounded chrome-laden body. She demands his complete and unquestioned devotion and when outsiders seek to interfere they become the victims of Christine's horrifying wrath. John Carpenter brings Stephen King's best selling novel to life in this chilling thriller.DVD FeatuesWidescreen PresentationLanguages: English (Dolby Surround Sound) French Spanish PortugueseSubtitles: English French Spanish Portuguese Chinese ThaiCommentary with John Carpenter and Keith GordonDeleted ScenesFeaturette- Christine: Fast and FuriousFeaturette- Christine: Finish LineFeaturette- Christine: IgnitionFilmographiesSystem Requirements:Running Time 109 MinsFormat: DVD MOVIE Genre: HORROR Rating: R UPC: 043396031609 Manufacturer No: 03160

She can't (and won't) drive 55.... Stephen King's novel about the twisted love affair between a boy and his car gets transferred to the screen, courtesy of suspense master John Carpenter. Although lacking some of the more outré supernatural elements of the source material, this high-octane cinematic tune-up more than delivers the goods, horror-wise (Christine's midnight rampages will never be forgotten)--as well as being a sly exposé of the random cruelties within the high-school pecking order. Keith Gordon (who has gone on to become a stellar director in his own right, with films such as A Midnight Clear and Mother Night to his credit) gives a wonderfully controlled central performance. Carpenter's atmospheric original score is backed up by a well-chosen collection of rock classics, including George Thorogood's "Bad to the Bone" (the titular character's all-too-apt theme song). --Andrew Wright

Suspiria (2-Disc Special Edition)

Jessica Harper (PHANTOM OF THE PARADISE) stars as Suzy Banyon a young American ballet dancer who arrives at a prestigious European dance academy run by the mysterious Madame Blanc (Joan Bennett of DARK SHADOWS) and Miss Tanner (Alida Valli of KILLER NUN). But when a series of bizarre incidents and horrific crimes (including what Entertainment Weekly calls the most vicious murder scene ever filmed ) turn the school into a waking nightmare of the damned Suzy must escape the academy s unspeakable secret of supernatural evil.Experience the most shocking and hallucinatory horror movie in history as you ve never seen or heard it before now featuring the fully remastered landmark score by Goblin and a heart-stopping new film transfer supervised by cinematographer Luciano Tovoli. This is the definitive version of Dario Argento s SUSPIRIA an aria of terror beyond imagination and one of the most extraordinary horror films ever made.Format: DVD MOVIE Genre: HORROR UPC: 827058201391 Manufacturer No: BU2013

Outside of devoted cult audiences, many Americans have yet to discover the extremely stylish, relentlessly terrifying Italian horror genre, or the films of its talented virtuoso, Dario Argento. Suspiria, part one of a still-uncompleted trilogy (the luminously empty Inferno was the second), is considered his masterpiece by Argento devotees but also doubles as a perfect starting point for those unfamiliar with the director or his genre. The convoluted plot follows an American dancer (Jessica Harper) from her arrival at a European ballet school to her discovery that it's actually a witches coven; but, really, don't worry about that too much. Argento makes narrative subservient to technique, preferring instead to assault the senses and nervous system with mood, atmosphere, illusory gore, garish set production, a menacing camera, and perhaps the creepiest score ever created for a movie. It's essentially a series of effectively unsettling set pieces--a raging storm that Harper should have taken for an omen, and a blind man attacked by his own dog are just two examples--strung together on a skeleton structure. But once you've seen it, you'll never forget it. --Dave McCoy

H.G. Wells' First Men in the Moon

H.G. Wells' fantastic account of life on the moon is vividly brought to the screen by special effects master Ray Harryhausen in this amazing sci-fi epic featuring unforgettable extra-terrestrial creatures. The film begins with a team of United Nations astronauts planning an upcoming moon mission. The astronauts are both confused and intrigued by a man (Judd) who claims he, his fiancee and a scientist journeyed to the moon 65 years ago and were attacked by "Selenites," grotesque, human-like ant forms that live in immense crystal caverns. Now it is up to the U.N. team to attempt a lunar landing that could be more horrifying than ever believed possible.