Buddies

The Cure

This heartfelt drama tells us it's an AIDS movie that's not about AIDS. When this film keeps its promise (roughly the first three-quarters), it's a winner, a film about a truly notable friendship between two 11-year-old boys. Diagnosed with AIDS from a blood transfusion, Dexter (Joseph Mazzello) has gratefully bypassed most of Kübler-Ross's stages of death. He is, however, an outcast among his peers until Erik (Brad Renfro) comes along and finds him quite normal. Their bond deepens as they look for a cure for the disease using odd forms of scientific theory. Part educational text, part Mark Twain adventure, part tearjerker, the movie relies on something not found in movies these days: a love affair of male friendship. At its center are two of the best pre-actors around. Mazzello (Jurassic Park) has a professional presence on screen. The wild card is Renfro in only his second role (the other was The Client). As the outgoing, Huck Finn-ish boy, he has impressive physical abilities that communicate a naturalness on screen. The film's sappy hospital scenes bog down the picture tremendously, but they do lead to two special scenes that end the movie. The Cure is an assured directorial debut by TV actor Peter Horton (thirtysomething). An interesting note: single mothers raise both kids, a fact never lingered on--refreshingly so--in the script written by Robert Kuhn. --Doug Thomas

The Road to El Dorado

In its third foray into animated features, DreamWorks came up with something unfortunate: the routine animated picture. Plagued with production problems (it was originally conceived as a mold-breaking PG-13 adventure), the likable film is a Hope/Crosby-style road picture about two scalawags who stumble upon the Latin American paradise of El Dorado, the mythical city with riches of gold. Kenneth Branagh and Kevin Kline are quite fun as Miguel and Tuilo, two Spanish con artists who are shipwrecked in the New World with a scene-stealing horse. The pair follow a map to the secret city where their loyalty will be tested: do they return home rich men or continue to live in this paradise? Of course there are some obstacles: a high priest (Armand Assante) is locked in a power struggle with the benevolent chief (Edward James Olmos) and the perfunctory girlfriend (Rosie Perez) puts the two friends at odds. Like too many of the animated features of its time, The Road to El Dorado impresses only on a visual level (it's drenched in gorgeous greens and golds). The story and Elton John's songs are quite forgettable; only Branagh and Kline's playful banter keeps the film alive. The PG rating is for some bare backsides and a suggestion of off-screen sex that should soar right over the little ones' heads. Slick and light, it's a fine 83-minute entertainment for ages 5 and up, including the nondiscriminating adult. --Doug Thomas

Bartok the Magnificent

It's no secret that the popular animated feature release Anastasia played fast and loose with Russian Imperialist history. Never mind that the movie's debut coincided with DNA proof--provided by Britain's Prince Phillip, no less--that Anna Andersen was not Tsar Nicholas II's daughter Anastasia, and that Russian-discovered bones were indeed that of the Tsar and his brutally murdered family.

Anastasia's made-for-video sequel, Bartok the Magnificent, doesn't let historical fact get in its way either. Still, the animated adventure, which features Bartok the excitable albino bat (voiced again by Hank Azaria), is cute and funny, thanks to clever writing and great voice work. Bartok and his sidekick bear friend (an excellent Kelsey Grammer, who voiced Vlad in the original) have become street performers and become embroiled in the evil Ludmilla's plot to get rid of the next heir, a prince. While it's not a particularly fresh tale, Bartok the Magnificent is kept alive through Azaria and Grammer's well-timed and -executed voiceovers. --N.F. Mendoza

When Prince Ivan is kidnapped, it's up Bartok to discover the real hero inside himself and rescue the young Romanoff - even if it means confronting the evil witch Baba Waga.

Road to El Dorado

In its third foray into animated features, DreamWorks came up with something unfortunate: the routine animated picture. Plagued with production problems (it was originally conceived as a mold-breaking PG-13 adventure), the likable film is a Hope/Crosby-style road picture about two scalawags who stumble upon the Latin American paradise of El Dorado, the mythical city with riches of gold. Kenneth Branagh and Kevin Kline are quite fun as Miguel and Tuilo, two Spanish con artists who are shipwrecked in the New World with a scene-stealing horse. The pair follow a map to the secret city where their loyalty will be tested: do they return home rich men or continue to live in this paradise? Of course there are some obstacles: a high priest (Armand Assante) is locked in a power struggle with the benevolent chief (Edward James Olmos) and the perfunctory girlfriend (Rosie Perez) puts the two friends at odds. Like too many of the animated features of its time, The Road to El Dorado impresses only on a visual level (it's drenched in gorgeous greens and golds). The story and Elton John's songs are quite forgettable; only Branagh and Kline's playful banter keeps the film alive. The PG rating is for some bare backsides and a suggestion of off-screen sex that should soar right over the little ones' heads. Slick and light, it's a fine 83-minute entertainment for ages 5 and up, including the nondiscriminating adult. --Doug Thomas