Nazis

Schindler's List (Widescreen Edition)

Steven Spielberg had a banner year in 1993. He scored one of his biggest commercial hits that summer with the mega-hit Jurassic Park, but it was the artistic and critical triumph of Schindler's List that Spielberg called "the most satisfying experience of my career." Adapted from the best-selling book by Thomas Keneally and filmed in Poland with an emphasis on absolute authenticity, Spielberg's masterpiece ranks among the greatest films ever made about the Holocaust during World War II. It's a film about heroism with an unlikely hero at its center--Catholic war profiteer Oskar Schindler (Liam Neeson), who risked his life and went bankrupt to save more than 1,000 Jews from certain death in concentration camps.

By employing Jews in his crockery factory manufacturing goods for the German army, Schindler ensures their survival against terrifying odds. At the same time, he must remain solvent with the help of a Jewish accountant (Ben Kingsley) and negotiate business with a vicious, obstinate Nazi commandant (Ralph Fiennes) who enjoys shooting Jews as target practice from the balcony of his villa overlooking a prison camp. Schindler's List gains much of its power not by trying to explain Schindler's motivations, but by dramatizing the delicate diplomacy and determination with which he carried out his generous deeds.

As a drinker and womanizer who thought nothing of associating with Nazis, Schindler was hardly a model of decency; the film is largely about his transformation in response to the horror around him. Spielberg doesn't flinch from that horror, and the result is a film that combines remarkable humanity with abhorrent inhumanity--a film that functions as a powerful history lesson and a testament to the resilience of the human spirit in the context of a living nightmare. --Jeff Shannon

Schindler's List, a Steven Spielberg film, is a cinematic masterpiece that has become one of the most honored films of all time. Winner of seven Academy Awards, including Best Picture and Best Director, it also won every major Best Picture award and an exceptional number of additional honors. Among them were seven British Academy Awards; the Best Picture Awards from the New York Film Critics Circle, the National Society of Film Critics, the National Board of Review, the Producers Guild, the Los Angeles Film Critics, the Chicago, Boston and Dallas Film Critics; a Christopher Award; and the Hollywood Foreign Press Association Golden Globe Awards. Steven Spielberg was further honored with the Directors Guild of America Award. The film presents the indelible true story of the enigmatic Oskar Schindler, a member of the Nazi party, womanizer, and war profiteer who saved the lives of more than 1,100 Jews during the Holocaust. It is the triumph of one man who made a difference, and the drama of those who survived one of the darkest chapters in human history because of what he did. Directed by Steven Spielberg, the film, which also won Academy Awards for Screenplay, Cinematography, Music, Editing and Art Direction, stars an acclaimed cast headed by Liam Neeson, Ben Kingsley, Ralph Fiennes, Caroline Goodall, Jonathan Sagalle and Embeth Davidtz.

Anne Frank - The Whole Story

Anne Frank: The Whole Story delivers exactly what it promises: the incredibly moving complete story of Anne Frank, going beyond what the Jewish teenage girl wrote in her widely read diary. Anne, along with her family and friends of her family, hid in a secret annex behind her father's office in Amsterdam during the Nazi occupation of Holland. She dutifully kept a diary, which became a worldwide bestseller when her father published it in the 1950s. The story has been adapted for television and movies before, but this version, which played on ABC television, moves beyond what Anne wrote, meeting up with the Frank family before Anne receives her diary, and following her past the diary's last entries into Auschwitz and Birkenau. Hannah Taylor Gordon is a superb Anne, bringing to life the multifaceted girl, in turns intelligent, dreamy, creative, spoiled, and bratty, a girl like any other except that Anne is a Jew in Nazi-occupied Holland. The only one who outshines Gordon is Ben Kingsley as Anne's father, Otto Frank. His quiet performance is extraordinarily powerful; as he watches his family slip away, it is impossible not to feel his grief. This brave film is difficult in parts to watch--the concentration camp scenes are brutal--but this is a remarkable adaptation of Anne's life, and it is a film to be shared and discussed and remembered. --Jenny Brown

Ben Kingsley, Brenda Blethyn, and Hannah Taylor Gordon star in the stirring tale of one of the most influential young women of the 20th century. Based on Melissa Muller's critically acclaimed book, ANNE FRANK goes beyond the story you already know and paints the true portrait of Anne both before and after she went into hiding. Get to know the high-spirited and popular girl before the war, and experience the challenges of the brave people who risked their lives trying to keep her safe. ANNE FRANK also explores the enduring mystery of who betrayed the Frank family and reveals what happened next.

Seven Years in Tibet

If it hadn't been for Brad Pitt signing on to play the lead role of obsessive Austrian mountain climber Heinrich Harrer, there's a good chance this lavish $70 million film would not have been made. It was one of two films from 1997 (the other being Martin Scorsese's exquisite Kundun) to view the turmoil between China and Tibet through the eyes of the young Dalai Lama. But with Pitt onboard, this adaptation of Harrer's acclaimed book focuses more on Harrer, a Nazi party member whose life was changed by his experiences in Tibet with the Dalai Lama. Having survived a treacherous climb on the challenging peak of Nanga Parbat and a stint in a British POW camp, Harrer and climbing guide Peter Aufschnaiter (nicely played by David Thewlis) arrive at the Tibetan city of Lhasa, where the 14-year-old Dalai Lama lives as ruler of Tibet. Their stay is longer than either could have expected (the "seven years" of the title), and their lives are forever transformed by their proximity to the Tibetan leader and the peaceful ways of the Buddhist people. China looms over the land as a constant invasive threat, but Seven Years in Tibet is more concerned with viewing Tibetan history through the eyes of a visitor. The film is filled with stunning images and delightful moments of discovery and soothing, lighthearted spirituality, and although he is somewhat miscast, Pitt brings the requisite integrity to his central role. What's missing here is a greater understanding of the young Dalai Lama and the culture of Tibet. Whereas Kundun tells its story purely from the Dalai Lama's point of view, Seven Years in Tibet is essentially an outsider's tale. The result is the feeling that only part of the story's been told here--or maybe just the wrong story. But Harrer's memoir is moving and heartfelt, and director Jean-Jacques Annaud has effectively captured both sincerity and splendor in this flawed but worthwhile film. --Jeff Shannon

Downfall

The riveting subject of Downfall is nothing less than the disintegration of Adolf Hitler in mind, body, and soul. A 2005 Academy Award nominee for best foreign language film, this German historical drama stars Bruno Ganz (Wings of Desire) as Hitler, whose psychic meltdown is depicted in sobering detail, suggesting a fallen, pathetic dictator on the verge on insanity, resorting to suicide (along with Eva Braun and Joseph and Magda Goebbels) as his Nazi empire burns amidst chaos in mid-1945. While staging most of the film in the claustrophobic bunker where Hitler spent his final days, director Oliver Hirschbiegel (Das Experiment) dares to show the gentler human side of der Fuehrer, as opposed to the pure embodiment of evil so familiar from many other Nazi-era dramas. This balanced portrayal does not inspire sympathy, however: We simply see the complexity of Hitler's character in the greater context of his inevitable downfall, and a more realistic (and therefore more horrifying) biographical portrait of madness on both epic and intimate scales. By ending with a chilling clip from the 2002 documentary Blind Spot: Hitler's Secretary, this unforgettable film gains another dimension of sobering authenticity. --Jeff Shannon

Black Book

In the darkest days of World War II Jewishfugitives attempt to escape occupied Holland only to face a Nazi ambush. Rachel Stein(Carice van Houten) alone survives the attack and joins the Dutch Resistance to avenge her family. She soon confronts the ultimate test: she must infiltrate German headquarters by tempting Captain Ludwig M ntze (Sebastian Hoch). In the heat of passion he uncovers her duplicity...but keeps her secret. Then Rachel's espionage reveals that a murderous traitor lurks within Resistance ranks. Unable to fully trust anyone Rachel navigates a minefield of deception and becomes an enemy to both sides. Epic passionate breathtaking Black Book relates an untold story of World War II where the distinctions between good and evil become blurred by the complexitiesof human nature.System Requirements:Run Time: 146 Mins.Format: DVD MOVIE Genre: ACTION/ADVENTURE/THRILLERS Rating: R UPC: 043396184954 Manufacturer No: 18495

As in Basic Instinct, a lovely lady takes the lead in Black Book, but this time Paul Verhoeven has more than cheap thrills in mind. Towards the end of WWII, Rachel Stein (the vibrant Carice von Houten), a Jewish singer, is living with a gentile family in the countryside. When Allied forces bomb the area, she's forced to flee. On her perilous journey to The Hague (Verhoeven's hometown), brunette Rachel joins the Resistance and changes her identity to blonde Ellis de Vries. Her next order of business: infiltrate Gestapo headquarters. Like many Verhoeven heroines, Rachel aces her assignment--and then some. First, she seduces the handsome Captain Müntze (Sebastian Koch, The Lives of Others), then she falls in love with him. Müntze, who returns her affection, isn't what he appears to be, but their relationship puts both at great risk. At this point, the filmmaker expertly kicks the proceedings into high gear, before concluding on a bittersweet note. Naturally, since this is a Verhoeven picture, there's plenty of wry humor and uninhibited sexuality along the way. Starting with 1985's Flesh + Blood, the Dutch director released an American movie every two to three years. After the poorly received Hollow Man, however, Verhoeven took a six-year break. Black Book, a return to his native Holland, was worth the wait. (He began work on the screenplay in the 1980s.) It works triple-time as a thriller, a tribute to Holland's Jewish population, and a poison pen letter to the Dutch opportunists who would attempt to sell them out. --Kathleen C. Fennessy

The Pianist

Winner of the prestigious Golden Palm award at the 2002 Cannes film festival, The Pianist is the film that Roman Polanski was born to direct. A childhood survivor of Nazi-occupied Poland, Polanski was uniquely suited to tell the story of Wladyslaw Szpilman, a Polish Jew and concert pianist (played by Adrien Brody) who witnessed the Nazi invasion of Warsaw, miraculously eluded the Nazi death camps, and survived throughout World War II by hiding among the ruins of the Warsaw ghetto. Unlike any previous dramatization of the Nazi holocaust, The Pianist steadfastly maintains its protagonist's singular point of view, allowing Polanski to create an intimate odyssey on an epic wartime scale, drawing a direct parallel between Szpilman's tenacious, primitive existence and the wholesale destruction of the city he refuses to abandon. Uncompromising in its physical and emotional authenticity, The Pianist strikes an ultimate note of hope and soulful purity. As with Schindler's List, it's one of the greatest films ever made about humanity's darkest chapter. --Jeff Shannon

Triumph of the Will

Triumph of the Will is one of the most important films ever made. Not because it documents evil--more watchable examples are being made today. And not as a historical example of blind propaganda--those (much shorter) movies are merely laughable now. No, Riefenstahl's masterpiece--and it is a masterpiece, politics aside--combines the strengths of documentary and propaganda into a single, overwhelmingly powerful visual force.

Riefenstahl was hired by the Reich to create an eternal record of the 1934 rally at Nuremberg, and that's exactly what she does. You might not become a Nazi after watching her film, but you will understand too clearly how Germany fell under Hitler's spell. The early crowd scenes remind one of nothing so much as Beatles concert footage (if only their fans were so well behaved!).

Like the fascists it monumentalizes, Triumph of the Will overlooks its own weaknesses--at nearly two hours, the speeches tend to drone on, and the repeated visual motifs are a little over-hypnotic, especially for modern viewers. But the occasional iconic vista (banners lining the streets of Nuremberg, Hitler parting a sea of 200,000 party members standing at attention) will electrify anyone into wakefulness. --Grant Balfour

Triumph of the Will is one of the most important films ever made. Not because it documents evil--more watchable examples are being made today. And not as a historical example of blind propaganda--those (much shorter) movies are merely laughable now. No, Riefenstahl's masterpiece--and it is a masterpiece, politics aside--combines the strengths of documentary and propaganda into a single, overwhelmingly powerful visual force. Riefenstahl was hired by the Reich to create an eternal record of the 1934 rally at Nuremberg, and that's exactly what she does. You might not become a Nazi after watching her film, but you will understand too clearly how Germany fell under Hitler's spell. The early crowd scenes remind one of nothing so much as Beatles concert footage (if only their fans were so well behaved!). Like the fascists it monumentalizes, Triumph of the Will overlooks its own weaknesses--at nearly two hours, the speeches tend to drone on, and the repeated visual motifs are a little over-hypnotic, especially for modern viewers. But the occasional iconic vista (banners lining the streets of Nuremberg, Hitler parting a sea of 200,000 party members standing at attention) will electrify anyone into wakefulness. --Grant Balfour

Cabaret

Willkommen bienvenue welcome to Cabaret. The winner of eight Academy Awards it boasts a score by the legendary songwriting partnership behind another film that would energize the movie musical genre with equal razzle-dazzle 30 years later: Chicago's John Kander and Fred Ebb. Inside the Kit Kat Club of 1931 Berlin starry-eyed singer Sally Bowles (Liza Minnelli) and an impish emcee (Joel Grey) sound the clarion call to decadent fun while outside a certain political party grows into a brutal force. Cabaret caught lightning (and won Oscars) for Minnelli Grey and director Bob Fosse who shaped a triumph of style and substance. Come to this Cabaret old chum. You'll never want to leave.Running Time: 110 min.Format: DVD MOVIE Genre: MUSICALS/MUSICALS UPC: 085392798629

Winner of eight Academy Awards, including Best Director (Bob Fosse), Best Actress (Liza Minnelli), and Best Supporting Actor (Joel Grey), Cabaret would also have taken Best Picture if it hadn't been competing against The Godfather as the most acclaimed film of 1972. (Francis Ford Coppola would have to wait two years before winning Best Director, for The Godfather, Part II.) Brilliantly adapted from the acclaimed stage production, which was in turn inspired by Christopher Isherwood's Berlin Stories and the play and movie I Am a Camera, this remarkable musical turns the pre-war Berlin of 1931 into a sexually charged haven of decadence. Minnelli commands the screen as nightclub entertainer Sally Bowles, who radiantly goes on with the show as the Nazis rise to power, holding her many male admirers (including Michael York and Helmut Griem) at a distance that keeps her from having to bother with genuinely deep emotions. Joel Grey is the master of ceremonies at the Kit Kat Klub who will guarantee a great show night after night as a way of staving off the inevitable effects of war and dictatorship. They're all living in a morally ambiguous vacuum of desperate anxiety, determined to keep up appearances as the real world--the world outside the comfortable sanctuary of the cabaret--prepares for the nightmarish chaos of war. Director-choreographer Fosse achieves a finely tuned combination of devastating drama and ebullient entertainment, and the result is one of the most substantial screen musicals ever made. The dual-layered Special Edition widescreen DVD includes an exclusive 25th-anniversary documentary, Cabaret: A Legend in the Making, a 1972 promotional featurette, a photo gallery, production notes, the theatrical trailer, and more. --Jeff Shannon

The Diary of Anne Frank

George Stevens (Giant) directed this 1959 film adaptation of the hit play based on the writings of Anne Frank, the Jewish girl from Amsterdam who hid in an attic with her family and others during the Nazi occupation. As Anne, Millie Perkins is something of a milky eyed enigma and--in retrospect--too old for the part; but she is surrounded by an outstanding cast, including Joseph Schildkraut as Anne's patient father, Ed Wynn as a cranky dentist who moves into Anne's "room," and Shelley Winters as the loud Mrs. Van Daan. Stevens turns the many overlapping dramas of the caged characters into the foundation of Anne's growth as a young woman, ready for life and love just at the moment the dream comes to an end. Beautifully shot by cinematographer William C. Mellor, and written by Frances Goodrich and Albert Hackett from their stage production. --Tom Keogh

A diary discovered in the attic of an Amsterdam factory reveals the plight of a jewish refugee family that lived there in hiding for two years during the Nazi occupation.

Wizards

Far from the masterful treatment that groundbreaking animator Ralph Bakshi gave the similarly themed The Lord of the Rings just a year later, Wizards feels amateurish. A simplistic distillation of fantasy tropes, the scenario is millions of years after nuclear war wipes out civilization. Middle Earth fairies, elves, and magic emerge from the "good lands," while dimwitted mutants with poor comic timing emerge from the nuclear wastes. In the ultimate confrontation between good and evil, a hippie-ish wizard named Avatar defends his utopia against the technological and neo-Nazi revival of his bad-seed twin, Blackwolf. With volleys of jokes that couldn't hit a barn door, elves with Brooklyn accents, and the dubious climax that sees the kindly old wizard using one of the hated machines of war to triumph over evil, Wizards is one of fantasy animation's least successful examples. --Alan E. Rapp

Set on a post-apocalyptic Earth, this fantasy adventure follows the story of Avatar, the kindly, eccentric sorcerer-ruler of Montagar, a rainbow paradise inhabited by elves and fairies. Avatar?s evil brother, Blackwolf, dominates Scortch, a bleak land of goblins and wraiths. When the power-hungry Blackwolf attacks Montagar, Avatar, accompanied only by a spirited young woman and a courageous elf, must enter the darkness of Scortch to save his world. WIZARDS is a thought-provoking, kaleidoscopic feast for the eyes that will enthrall animation fans and film lovers of all ages.