Korean War

The Last Picture Show (Definitive Director's Cut Special Edition)

Like Easy Rider, Bonnie and Clyde, The Wild Bunch, and The Graduate, The Last Picture Show is one of the signature films of the "New Hollywood" that emerged in the late 1960s and early '70s. Based on the novel by Larry McMurtry and lovingly directed by Peter Bogdanovich (who cowrote the script with McMurtry), this 1971 drama has been interpreted as an affectionate tribute to classic Hollywood filmmaking and the great directors (such as John Ford) that Bogdanovich so deeply admired. It's also a eulogy for lost innocence and small-town life, so accurately rendered that critic Roger Ebert called it "the best film of 1951," referring to the movie's one-year time frame, its black-and-white cinematography (by Robert Surtees), and its sparse but evocative visual style. The story is set in the tiny, dying town of Anarene, Texas, where the main-street movie house is about to close for good, and where a pair of high-school football players are coming of age and struggling to define their uncertain futures. There's little to do in Anarene, and while Sonny (Timothy Bottoms) engages in a passionless fling with his football coach's wife (Cloris Leachman), his best friend Duane (Jeff Bridges) enlists for service in the Korean War. Both boys fall for a manipulative high-school beauty (Cybill Shepherd) who's well aware of her sexual allure. But it's not so much what happens in The Last Picture show as how it happens--and how Bogdanovich and his excellent cast so effectively capture the melancholy mood of a ghost town in the making. As Hank Williams sings on the film's evocative soundtrack, The Last Picture Show looks, feels, and sounds like a sad but unforgettably precious moment out of time. --Jeff Shannon

Story of teenagers in a small Texas town just prior to the hero leaving for Korea and the closing of the town's movie theater.
Genre: Feature Film-Drama
Rating: R
Release Date: 13-FEB-2007
Media Type: DVD

Love is a Many-Splendored Thing

This love story made in 1955 and set against the backdrop of war is a many-splendored thing: it features a drop-dead gorgeous Eurasian doctor seeking meaning in her life (Jennifer Jones), a dashing but married American war correspondent who's macho yet not afraid to declare his love (William Holden), and a couple of murky subplots to give their relationship its oh-what's-going-to-happen-next edge (her Chinese heritage, his wife, the outbreak of the Korean War). One scene builds beautifully upon the next, accompanied by dialogue that often sounds like poetry: "I will make no mistakes in the name of loneliness," the doctor says near the beginning of their relationship. The movie also makes few mistakes as it combines thoughtful words with Oscar-winning costumes to tell its tale. It even leaves you with a hummable tune--the Academy Award-winning title song--as you reach for the Kleenex. --Valerie J. Nelson

Newsman Mark Elliott is an American war correspondent temporarily staying in Hong Kong during the Korean War. While there he meets and pursues a beautiful Eurasian Doctor. But when they begin to fall in love, their friends and families pressure them to stop the cross cultural relationship.

Sayonara

Based on a novel by James Michener, Sayonara earned a fistful of Oscar® nominations (including Best Picture, Director, and Actor) in 1957 and wound up winning statuettes for supporting actors Red Buttons and Miyoshi Umeki. Marlon Brando plays a Korean War fighter pilot, the son of a general, reassigned to Japan, where fraternization with local women is taboo. After breaking off his engagement to another general's daughter, he finds himself falling for a Japanese entertainer (Miiko Taka), then struggling with his own bias. Subplots deal with other servicemen (played by Buttons and James Garner) who also fall for Japanese women. Directed by Joshua Logan from a script by Paul Osborn, the film takes a then-daring look at prejudice as well as post-war racial bias against the Japanese. Brando's Southern accent makes him sound like Matthew McConaughey, while Buttons is actually touching as tough, tender American struggling against racism. --Marshall Fine

The Bridges at Toko-Ri

A powerful study of courage in the face of irrational odds, The Bridges at Toko-Ri (based on James Michener's novel) is no less patriotic than many other war films, but it dispenses with gung-ho bluster to focus instead on the very real and tragic consequences of war. This is also one of the first films to openly criticize the morality of the Korean War while praising the honor and integrity of the men who fought it. Lt. Harry Brubaker (William Holden) is one of those men, with one difference: A lawyer with a loving wife (Grace Kelly) and two young daughters, he's been recalled to duty from the Navy Reserve, and reluctantly accepts his mission to fly with a bomber-jet squadron over one of the Communists' most heavily protected targets--the strategically vital bridges in the Korean canyon of Toko-Ri.

Brubaker has his own noble protection, from his fellow pilots (including Charles McGraw in a fine supporting role), his admiring admiral (Frederic March), and from the helicopter scouts (Mickey Rooney and Earl Holliman) who've saved his life on previous missions. But his ambivalence--and his fear that the Toko-Ri mission will be his last--is what gives the film its potent emotional impact. Holden is perfect in his role, and director Mark Robson steadfastly avoids any false sentiment or macho theatrics that would diminish the film's devastating climax. The Bridges at Toko-Ri is also a superlative showcase for Naval operations; the aerial sequences earned an Oscar for special effects, and complete Navy cooperation assures total authenticity in the "flat-top" aircraft carrier scenes. For these and other reasons, this will remain a timeless classic for anyone seeking to comprehend the emotional maelstrom of warfare. --Jeff Shannon

MacArthur

For the Boys

For the Boys is a lumpy attempt to create an old-fashioned backstage drama, replete with classic showbiz feuds, breakups and make-ups, and the often inexplicable adoration of fictional fans toward characters with dubious star appeal. Released under a cloud of accusations that the story was ripped off from the life of USO stalwart Martha Raye (who had been attempting to get an autobiographical film project set up), For the Boys didn't improve its public relations by being, well, not very good. Bette Midler stars as Dixie Leonard, a singer plucked from obscurity by song-and-dance man Eddie Sparks (James Caan) while on a USO tour during World War II. Their bawdy chemistry before audiences makes them a durable act through many years and wars to come. The problem is that they don't like each other very much, and here's where director Mark Rydell (On Golden Pond) drops the ball: the film never develops sufficient story grounds or the emotional complexity necessary for a high degree of conflict in what is essentially a two-character drama. It doesn't help that the script requires Dixie and Eddie to be on nonspeaking terms for most of the 50 years they know one another, or that the story culminates in a horribly contrived reunion on television, with both actors buried under enough flesh-aging prosthetics and make-up to make them look like Dick Tracy villains. --Tom Keogh

Bette Midler gives the brassiest, sassiest performance of her career as Dixie Leonard, a USO singer whose electrifying stage presence, and flair for outrageous comedy, captivates troops and civilians alike. Teamed up with America's beloved song and dance man, Eddie Sparks (James Caan), the whole world becomes Dixie's stage through three very different wars, and 50 years of music and memories, laughter and tears. All of it... FOR THE BOYS.

The Hunters

With its electrifying flight sequences and high-powered cast, The Hunters is a mesmerizing film based on the best-selling novel by veteran fighter pilot James Salter. Set during the height of the Korean War, the story centers on Major Cleve Saville (Robert Mitchum), a master of the newly operational F-86 Sabre fighter jets. But adept as he is at flying, Saville¹s personal life takes a nosedive when he falls in love with his wingman¹s (Lee Philips) beautiful wife (May Britt). To make matters worse, Saville must cope with a loud-mouthed rookie (Robert Wagner) in a daring rescue mission that threatens all their lives in this well-crafted war drama.

Pork Chop Hill

Lt. Joe Clemons has been given the order: take Pork Chop Hill. If It"s taken by the Chinese U.S. negotiators at the Panmunjom peace conference would lose face with their Communist adversaries - and unthinkable outcome. And so Clemons leads his troops into combat to fight for an object that they know to be strategically pointless. But they also know that an order and they must take Pork Chop Hill - or die trying - so that millions can live in freedom tomorrow for what Clemons and his men will sacrifice today.System Requirements:ACTORS James Edwards Harry Guardino Gregory Peck George Peppard George Shibata Bob Steele Woody Strode Rip Torn Running Time: 1 hrs. 38 mins Classic Action / Adventure Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating:  UPC: 027616766922

This gritty, grim Korean war drama presents the grueling ordeal of a platoon charged with taking a hill of no military value during the final days of the war. While diplomats and generals argue over peace negotiations (in an appropriately wordless montage under the opening credits), tough but compassionate Lt. Joe Clemons (Gregory Peck) leads a unit of 135 men up a well-guarded hill while miscommunication--and at times no communication--cuts them off from reinforcements and regimental command. Shot against a bleak, battle-scarred mountain of white dust honeycombed with black trenches, director Lewis Milestone presents the devastating battle as a meaningless sacrifice of hundreds of lives spent in a political game of chicken. Peck leads a terrific cast of young talents and character actors, many of them just starting their respective careers: Rip Torn, Harry Guardino, Martin Landau, Norman Fell, George Peppard, Gavin MacLeod, Bert Remsen, Harry Dean Stanton, plus veteran stalwarts Woody Strode, James Edwards, Robert Blake, and Bob Steele. Milestone had previously directed the pacifist WWI classic All Quiet on the Western Front and the compassionate WWII platoon drama A Walk in the Sun. Pork Chop Hill adds one more antiwar classic to his résumé, the angry power of his drama overcoming the hollow patriotic voice-over (reportedly added by Peck) that concludes the drama. --Sean Axmaker

Battle Hymn

The Manchurian Candidate

You will never find a more chillingly suspenseful, perversely funny, or viciously satirical political thriller than The Manchurian Candidate, based on the novel by Richard Condon (author of Winter Kills). The film, withheld from distribution by star Frank Sinatra for almost a quarter century after President Kennedy's assassination, has lost none of its potency over time. Former infantryman Bennet Marco (Sinatra) is haunted by nightmares about his platoon having been captured and brainwashed in Korea. The indecipherable dreams seem to center on Sergeant Raymond Shaw (Laurence Harvey), a decorated war hero but a cold fish of a man whose own mother (Angela Lansbury, in one of the all-time great dragon-lady roles) describes him as looking like his head is "always about to come to a point." Mrs. Bates has nothing on Lansbury's character, the manipulative queen behind her second husband, Senator John Iselin (James Gregory), a notoriously McCarthyesque demagogue. --Jim Emerson