Military Life

Battle of the Bulge

The German offensive in December 1944 became the basis for this all-star Hollywood take on the Battle of the Bulge. Henry Fonda is an officer who predicts the assault, Robert Ryan and Dana Andrews are Army brass skeptical of his intuitions, and Robert Shaw (his hair dyed yellow and his eyes glinting with malice) is a German officer leading the tank attack. Shaw is certainly the most compelling thing about the film, especially in his philosophical debates with ambivalent underling Hans Christian Blech. Elsewhere, the movie jumps around to sidebar stories (cowardly James MacArthur becomes a leader, wheeler-dealer Telly Savalas falls in love) while messing around with the historical facts of the battle. There are interesting episodes, such as the Malmedy massacre of American POWs and the Germans' use of English-speaking spies, but overall Battle of the Bulge has the feeling of having been patched together from different scripts. On the physical level the movie comes up short, with the Spanish locations rarely suggesting the wintry misery of the battle, and the use of models and studio sets highly inadequate. A number of war films from this era are compelling on their own terms, but in the wake of Saving Private Ryan and Band of Brothers, this one looks antique. --Robert Horton

Nazi Panzer forces stage a last-ditch Belgian front offensive that could turn the tide of WWII. Henry Fonda Robert Shaw and Robert Ryan in the spectacular recreation of a crucial campaign. Year: 1965Running Time: 170 min.Format: DVD MOVIE Genre: ACTION/ADVENTURE UPC: 085391108627

Midway (Collector's Edition)

Six months after the Japanese destroyed the U.S. Pacific fleet at Pearl Harbor, the Americans discovered the Japanese were planning to seize the Naval base at Midway Island--a perfect staging point for invading Hawaii or the mainland. Outnumbered four to one, the Americans won a surprise victory and shattered the backbone of the Japanese Imperial Navy. This 1976 film feels more like a history lesson than a drama, but World War II buffs will appreciate the attention to historical fact (especially the way in which fate and a few bad decisions turned the tide), as well as the generous use of actual battle footage. The all-star cast includes Robert Mitchum, James Coburn, and Cliff Robertson in cameos and a whole slew of familiar TV faces in supporting roles. Hal Holbrook is fun as an oddball intelligence officer. --Geof Miller

Three Kings

George Clooney Mark Wahlberg and Ice Cube star in "Three Kings" the story of a small band of American soldiers in Iraq at the end of the Gulf War who seek adventure and fortune in attempting to steal a huge cache of gold hidden somewhere in the desert. Along the way they are confronted by heroic challenges and newfound discoveries that take them to places they could never have imagined.Running Time: 121 min.System Requirements:Starring: George Clooney Mark Wahlberg Ice Cube Spike Jonze Nora Dunn Jamie Kennedy Mykelti Williamson Cliff Curtis and Said Taghmaoui. Directed By: David O. Russell. Running Time: 115 Min. Color. This film is presented in "Widescreen" format. Copyright 2000 Warner Home Video.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 085391786221

A confident hybrid of M*A*S*H, Treasure of the Sierra Madre, and Dr. Strangelove, Three Kings is one of the most seriously funny war movies ever made. Improving the premise of Kelly's Heroes with scathing intelligence, it explores the odd connection between war and consumerism in the age of Humvees and cellular phones. Writer-director David O. Russell's third film (after Spanking the Monkey and Flirting with Disaster), it's a no-holds-barred portrait of personal conscience in the volatile arena of politics, played out by one of the most gifted filmmakers to emerge in the 1990s.

George Clooney, Mark Wahlberg, Ice Cube, and Spike Jonze (director of Being John Malkovich) play a quartet of U.S. soldiers who, disillusioned by Operation Desert Storm, decide to steal $23 million in gold hijacked from Kuwait by Saddam Hussein's army. Getting the bullion out of an Iraqi stronghold is easy; keeping it is a potentially lethal proposition. By the end of their mercenary mission, the Americans can no longer ignore wartime atrocities (and neither can we--the film is boldly unflinching), and conscience demands their aid to Iraqi rebels abandoned by President George Bush's fickle wartime policy. This is serious stuff indeed, but Russell infuses Three Kings with a keen sense of the absurd, and the entire film is an exercise in breathtaking visual ingenuity. Despite a conventional ending that's mildly disappointing for such a brashly original film, Three Kings conveys the brutal madness of war while making you laugh out loud at the insanity. --Jeff Shannon

In Harm's Way

Otto Preminger's sprawling World War II drama packs a lot into its 165 minutes, beginning with the attack on Pearl Harbor (which Preminger re-creates in amazing detail) and ending a couple of years later with America's return to the South Pacific in force. John Wayne and Kirk Douglas star as a career naval captain and his self-pitying commander in the peacetime navy who are thrust into battle when Pearl Harbor is bombed while they are on maneuvers. Minutes into WWII, they are already scapegoated and demoted by the embarrassed military brass. Wayne romances a WAVE nurse (Patricia Neal) and attempts a reconciliation with his estranged, spoiled son (Brandon de Wilde) while Douglas sinks into the bottle after the death of his cheating wife until the American fleet rebuilds and calls upon Wayne to lead one of the initial invasion forces. Henry Fonda makes a brief but commanding appearance as the fleet admiral. Burgess Meredith is a former writer turned witty commander, Dana Andrews a showy but indecisive admiral, and Stanley Holloway a genial Australian scout working with the American invasion forces. Tom Tryon and Paula Prentiss play newlyweds torn apart by the war, and also appearing are Franchot Tone, Carroll O'Conner, Slim Pickens, George Kennedy, Bruce Cabot, and Larry Hagman, among many, many more. Loyal Griggs's handsome black-and-white photography is topped only by Saul Bass's impressive closing credits sequence, a rising cascade of crashing waves and rough surf reportedly paced to mirror the dramatic rhythm of the film. --Sean Axmaker

Epic study on the bombing of Pearl Harbor and the effect it had on so many relationships.
No Track Information Available
Media Type: DVD
Artist: WAYNE/DOUGLAS/NEAL/TRYON/PRENT
Title: IN HARM'S WAY
Street Release Date: 05/22/2001
Domestic
Genre: ACTION / ADVENTURE

Platoon (Special Edition)

Platoon put writer-turned-director Oliver Stone on the Hollywood map; it is still his most acclaimed and effective film, probably because it is based on Stone's firsthand experience as an American soldier in Vietnam. Chris (Charlie Sheen) is an infantryman whose loyalty is tested by two superior officers: Sergeant Elias (Willem Dafoe), a former hippie humanist who really cares about his men (this was a few years before he played Jesus in Martin Scorsese's The Last Temptation of Christ), and Sergeant Barnes (Tom Berenger), a moody, macho soldier who may have gone over to the dark side. The personalities of the two sergeants correspond to their combat drugs of choice--pot for Elias and booze for Barnes. Stone has become known for his sledgehammer visual style, but in this film it seems perfectly appropriate. His violent and disorienting images have a terrifying immediacy, a you-are-there quality that gives you a sense of how things may have felt to an infantryman in the jungles of Vietnam. Platoon won Oscars for best picture and director. --Jim Emerson

Emotional look at the war in Vietnam, seen through the eyes of a young man who discovers that the Viet Cong are not the only enemies he has to fight.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 11-JAN-2005
Media Type: DVD

The Dirty Dozen

A model for dozens of action films to follow, this box-office hit from 1967 refined a die-hard formula that has become overly familiar, but it's rarely been handled better than it was in this action-packed World War II thriller. Lee Marvin is perfectly cast as a down-but-not-out army major who is offered a shot at personal and professional redemption. If he can successfully train and discipline a squad of army rejects, misfits, killers, prisoners, and psychopaths into a first-rate unit of specialized soldiers, they'll earn a second chance to make up for their woeful misdeeds. Of course, there's a catch: to obtain their pardons, Marvin's band of badmen must agree to a suicide mission that will parachute them into the danger zone of Nazi-occupied France. It's a hazardous path to glory, but the men have no other choice than to accept and regain their lost honor. What makes The Dirty Dozen special is its phenomenal cast including Charles Bronson, Donald Sutherland, Telly Savalas, George Kennedy, Ernest Borgnine, John Cassavetes, Richard Jaeckel, Jim Brown, Clint Walker, Trini Lopez, Robert Ryan, and others. Cassavetes is the Oscar-nominated standout as one of Marvin's most rebellious yet heroic men, but it's the whole ensemble--combined with the hard-as-nails direction of Robert Aldrich--that makes this such a high-velocity crowd pleaser. The script by Nunnally Johnson and Lukas Heller (from the novel by E.M. Nathanson) is strong enough to support the all-star lineup with ample humor and military grit, so if you're in need of a mainline jolt of testosterone, The Dirty Dozen is the movie for you. --Jeff Shannon

Stalingrad

It's tempting to call this harrowing picture a World War II version of All Quiet on the Western Front: both films take the perspective of ordinary German soldiers at ground level. Stalingrad surveys the misery of the battle of Stalingrad, the winter siege that cost the lives of almost one and a half million people, Russian defenders and German invaders alike. Not unlike Spielberg's approach to Saving Private Ryan, German director Joseph Vilsmaier rarely steps outside the action to comment on the higher purpose of the war, assuming the audience is aware of the evil of the Nazi regime. Instead, we simply follow a group of soldiers as they endure a series of gut-wrenching episodes, events which have the tang of authenticity and horror. Vilsmaier has a taste for symbolism and surreal touches, which only add to the unsettling sense of insanity this movie conjures up so well. --Robert Horton

Memphis Belle

If you've never seen an aviation movie before in your entire life, you'll be blissfully ignorant of the fact that Memphis Belle shamelessly (and yet gloriously) incorporates just about every cliché in the flight-movie handbook. If you're a big fan of aviation movies--especially movies about World War II bomber crews--you'll be glad that the genre's clichés have been handled with such professional flair. As it follows the crew of a B-17 bomber on its final and most dangerous mission over Germany, Memphis Belle may be little more than a slick and highly authentic presentation of familiar thrills and characters, but it's a rousing piece of entertainment. Featuring an ensemble cast of fresh faces who've since enjoyed thriving careers (including Billy Zane, Sean Astin, Eric Stoltz, D.B. Sweeney, and Harry Connick Jr.), the movie exists as a fitting tribute to the men who fought and often died in the air over hostile territory. It's the Hollywood version of a 1944 wartime documentary made by legendary director William Wyler (whose daughter served as one of this film's producers), and as such it's a bit contrived and melodramatic. And yet, this exciting movie is almost certain to grab and hold your attention, offering an honorable reminder of the bravery and integrity that were crucial ingredients of any bomber's crew. --Jeff Shannon

Das Boot - The Director's Cut

This is the restored, 209-minute director's cut of Wolfgang Petersen's harrowing and claustrophobic U-boat thriller, which was theatrically rereleased in 1997. Originally made as a five-hour miniseries, this version devotes more time to getting to know the crew before they and their stoic captain (Jürgen Prochnow) get aboard their U-boat and find themselves stranded at the bottom of the sea. Das Boot puts you inside that submerged vessel and explores the physical and emotional tensions of the situation with a vivid, terrifying realism that few movies can match. As Petersen tightens the screws and the submerged ship blows bolts, the pressure builds to such unbearable levels that you may be tempted to escape for a nice walk on solid land in the great outdoors--only you wouldn't dream of looking away from the screen. --Jim Emerson

The Lost Battalion

The true World War I story of an American unit that was surrounded by German troops and pounded mercilessly for days (at times even by its own artillery) is vividly portrayed in this made-for-television film starring Rick Schroder. Playing a patrician New York City lawyer commissioned a major and sent into combat, Schroder commands a battalion composed of New York wiseacres as well as so-called "apple knockers" from the West. The plot is straightforward (and will be familiar to those who know World War I history), but the film rises above what could have been a clichéd telling of the story of Major Whittlesey and his heroic men. The action sequences, shot tightly with hand-held cameras, owe a debt to Saving Private Ryan, and the surreal horror of World War I, in which armies killed with machine guns yet communicated by carrier pigeon, is conveyed very well. --Robert J. McNamara