Beach Boys

Stand By Me (Special Edition)

A sleeper hit when released in 1986, Stand by Me is based on Stephen King's novella "The Body" (from the book Different Seasons); but it's more about the joys and pains of boyhood friendship than a morbid fascination with corpses. It's about four boys ages 12 and 13 (Wil Wheaton, River Phoenix, Corey Feldman, Jerry O'Connell) who take an overnight hike through the woods near their Oregon town to find the body of a boy who's been missing for days. Their journey includes a variety of scary adventures (including a ferocious junkyard dog, a swamp full of leeches, and a treacherous leap from a train trestle), but it's also a time for personal revelations, quiet interludes, and the raucous comradeship of best friends. Set in the 1950s, the movie indulges an overabundance of anachronistic profanity and a kind of idealistic, golden-toned nostalgia (it's told in flashback as a story written by Wheaton's character as an adult, played by Richard Dreyfuss). But it's delightfully entertaining from start to finish, thanks to the rapport among its young cast members and the timeless, universal themes of friendship, family, and the building of character and self-esteem. Kiefer Sutherland makes a memorable teenage villain, and look closely for John Cusack in a flashback scene as Wheaton's now-deceased and dearly missed brother. A genuine crowd-pleaser, this heartfelt movie led director Rob Reiner to even greater success with his next film, The Princess Bride. --Jeff Shannon

Where the Boys Are

The movie that put the Break into Spring, Where the Boys Are inspired thousands of college kids to seek sun, surf, and even s-e-x on the beaches of Florida. A bevy of co-eds (including foxy Yvette Mimieux and delightful Paula Prentiss, in her film debut) make for Fort Lauderdale, finding fun but also quite a bit of heavy-breathing drama. It's a little like a dressier, glossed-up version of the Problems with Today's Youth movies that were filling up the drive-ins of the era. The movie's actually pretty frank for 1960, although these days the lightweight stuff with Prentiss and Jim Hutton holds up best. There's also Connie Francis, who plays one of the college girls and croons the great title tune (which belongs on anybody's mix tape of classic teen-beach music). The film was remade, with vague Orwellian overtones, as Where the Boys Are 84, a truly dismal effort. --Robert Horton

A group of Midwest girls head down to Ft. Lauderdale, Florida for spring break.

Stand By Me (Deluxe Edition)

A sleeper hit when released in 1986, Stand by Me is based on Stephen King's novella "The Body" (from the book Different Seasons); but it's more about the joys and pains of boyhood friendship than a morbid fascination with corpses. It's about four boys ages 12 and 13 (Wil Wheaton, River Phoenix, Corey Feldman, Jerry O'Connell) who take an overnight hike through the woods near their Oregon town to find the body of a boy who's been missing for days. Their journey includes a variety of scary adventures (including a ferocious junkyard dog, a swamp full of leeches, and a treacherous leap from a train trestle), but it's also a time for personal revelations, quiet interludes, and the raucous comradeship of best friends. Set in the 1950s, the movie indulges an overabundance of anachronistic profanity and a kind of idealistic, golden-toned nostalgia (it's told in flashback as a story written by Wheaton's character as an adult, played by Richard Dreyfuss). But it's delightfully entertaining from start to finish, thanks to the rapport among its young cast members and the timeless, universal themes of friendship, family, and the building of character and self-esteem. Kiefer Sutherland makes a memorable teenage villain, and look closely for John Cusack in a flashback scene as Wheaton's now-deceased and dearly missed brother. A genuine crowd-pleaser, this heartfelt movie led director Rob Reiner to even greater success with his next film, The Princess Bride. --Jeff Shannon

In a small woodsy Oregon town a group of friends--sensitive Gordie (Wil Wheaton) tough guy Chris (River Phoenix) flamboyant Teddy (Corey Feldman) and scaredy-cat Vern (Jerry O'Connell)--are in search of a missing teenager's body. Wanting to be heroes in each other's and their hometown's eyes they set out on an unforgettable two-day trek that turns into an odyssey of self-discovery. They sneak smokes tell tall tales cuss 'cause it's cool and band together when the going gets tough. When they encounter the town's knife-wielding hoods who are also after the body the boys discover a strength they never knew they had. STAND BY ME is a rare and special film about friendship and the indelible experiences of growing up. Filled with humor and suspense STAND BY ME is based on the novella 'The Body' by Stephen King.System Requirements:Running Time: 88 Min.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 043396104204 Manufacturer No: 10420

Brighton Beach Memoirs

Gene Saks, an old hand at directing Neil Simon's work on film (The Odd Couple, Barefoot in the Park), here takes a stab at Simon's most autobiographical work, which stars Jonathan Silverman as an aspiring writer living with two families under one roof in 1937 Brooklyn. Following his old working formula, Saks keeps an eye on the cast's energy and timing but otherwise stays out of the way and lets Simon's story and dialogue tumble wonderfully from the mouths of good actors. Cast in the lead in this 1986 film, the young Silverman (later the star of NBC's Single Guy) makes a very good impression, as does Bob Dishy as his narrator-father. The DVD release has a full-screen presentation. --Tom Keogh

Helter Skelter (Director's Cut)

Solid performances are the high point of this 2004 adaptation of L.A. prosecutor Vincent Bugliosi's book about Charles Manson's Family, the Tate-La Bianca murders, and the subsequent trial that caught the world's attention in 1969. While the 1976 TV movie focused mainly on Bugliosi (here played by Bruno Kirby), writer-director John Gray turns his film's attention to cult member Linda Kasabian (a typically fine Clea DuVall), who eventually testified against Manson (a mannered Jeremy Davies) and his followers after they were arrested for several brutal murders, including actress Sharon Tate. Gray gets chilling turns from Allison Smith, Marguerite Moreau, and Mary Lynn Rajskub as "Manson Girls" Patricia Krenwinkle, Susan Atkins, and Squeaky Fromme, respectively, and the production is atmospherically photographed, but the dialogue is often ham-fisted, and rushes to an all-too-early conclusion (midway through the trial). The DVD offers the 180-minute film in a 1:78:1 anamorphic transfer, and includes a brace of deleted scenes (including some violent moments cut for TV broadcast), commentary by Gray and executive producer Mark L. Wolper, and footage of Davies in rehearsal. --Paul Gaita

Jeremy Davies stars as convicted killer Charles Manson in this new television movie based on the true story of the August 1969 Tate/LaBianca murders, as chronicled in the bestselling book Helter Skelter by Vincent Bugliosi. Almost 35 years ago Manson's followers, at his instruction, brutally massacred seven people over two consecutive nights in Los Angeles and scrawled bloody messages on the walls of the crime scenes. The first night, director Roman Polanski's wife, eight-month-pregnant actress Sharon Tate, was murdered along with coffee heiress Abigail Folger, Jay Sebring, Voytek Frykowski and Steven Parent. The second night, supermarket chain president Leno LaBianca and his wife, Rosemary, were found stabbed to death in their home.

The Beach Boys - Endless Harmony

This smartly produced, intelligently written documentary strikes a satisfying balance between thoughtful analysis, personal history, and sheer musical pleasure for a portrait of the seminal California pop band that will prove equally compelling to both knowledgeable fans and casual listeners. In the audiovisual equivalent of a loaves-and-fishes miracle, The Beach Boys: Endless Harmony weaves 45 of the group's songs through extended interview segments with all the original members, key musicians involved in their career-defining recordings, and astute peers and industry observers. Evocative period footage, including archival film and early, no-budget promotional videos, only add to the impact, but the real achievement is the clarity and candor of this authorized project, which might easily have lapsed into callow myth-making and media spin control given the involvement of the surviving Beach Boys and their record label, Capitol, which is releasing both the documentary and a companion hits compilation.

Instead, these archetypal Southern Californians, who transmuted their experiences growing up in suburban Hawthorne into a potent teen iconography orbiting surfing, cars, and girls, tackle the underlying personal and cultural upheavals beneath their discography. The central, dysfunctional drama of the Wilson family--brothers Brian, Dennis, and Carl, the group's nucleus, and their manager-father, Murry--is addressed early on, and underlined with harrowing excerpts from session tapes capturing the hard-driving, abusive style of Wilson père. Composer and acknowledged group leader Brian Wilson, who long ago became a poster boy for "troubled genius," pop division, is likewise depicted without evasion or apology, as are the internal tensions between Wilson and other members including Wilson cousin Mike Love; it's a testament to the filmmakers' acuity and skill that Love depicts himself as a force of "positivity... and 'upbeatness'" that counterbalanced Brian's darker, more introverted style, then dismisses the elliptical poetry of Wilson's most artistically ambitious collaborations with Van Dyke Parks as lyrically opaque.

Originally aired on VH-1, Endless Harmony works as an apotheosis of the cable channel's Behind the Music concept, elevating the concept substantially and covering an enormous terrain in 105 minutes. For the Beach Boys fan, this will be an essential companion to their enduring music. --Sam Sutherland

Summer Dreams: The Story of the Beach Boys

Beach Boys - An American Band / Brian Wilson - I Just Wasn't Made for These Times

A magnificent DVD pairing for Beach Boys fans, these two stylistically different films here pretty much represent the two sides of "America's Band." First up is The Beach Boys: An American Band, made at the height of their Reagan-era resurgence after then Interior Secretary James Watt banned them from performing at the nation's capitol on the 4th of July. A colorful, upbeat film, it doesn't entirely gloss over the more downbeat aspects of the Beach Boys saga (parental abuse, mental illness, uncomfortably tight pants, loads of drugs, and Charles Manson), though it does go out of its way to give the story a happy ending, despite the recent death of drummer Dennis Wilson and the group's complete creative standstill. However, what it lacks in perspective, it more than makes up for in priceless footage, including Smile-era studio outtakes, the unreleased 1967 concert in Hawaii, numerous TV appearances, and extensive interview footage from the mid-'70s.

I Just Wasn't Made for These Times, on the other hand, goes more out of its way to show the long dark path of head Beach Boy Brian Wilson. While Wilson is now acknowledged as the Mozart of the late 20th century, director Don Was gives us a stark black-and-white portrait of a troubled artist still struggling to get his life back. His reminiscence of dad Murry Wilson's beatings is chilling, and Wilson is as comfortable as he'll ever be in front of the camera bragging up his drug use ("Cocaine... the works... put me in jail") and randomly quoting Arthur Koestler's Darkness at Noon. Through it all, Wilson comes across as a complete original, and if the reworkings of his classic songs don't quite match up to the originals, give the guy a break--he just wasn't made for these times. --Kristian St. Clair

The Beach Boys - Good Timin' (Live at Knebworth, England 1980)

It's entertaining, nostalgic, even poignant... not much more one could ask for from a Beach Boys concert. This 70-minute concert was the last time the complete group (brothers Brian, Carl and Dennis Wilson, Al Jardine, Mike Love, and Bruce Johnston, plus backing musicians) would appear in the U.K., performing a mix of oldies ("California Girls," "Help Me Rhonda," "Fun, Fun, Fun," etc.) and some newer material. And if the show itself is somewhat pedestrian, it's still marvelous to see the three Wilsons together onstage, especially in view of the subsequent deaths of Dennis (in '83) and Carl (in '98), and Brian's eventual triumphant recovery from mental and emotional problems. To hear Carl sing so beautifully on "God Only Knows," or Dennis play drums with such power and emotion, or Brian, vacant but game, contribute a few lines to "Surfer Girl"... well, it might just bring a tear to your eye. --Sam Graham

The Beach Boys - The Lost Concert

Clocking in at a mere 22 minutes, this long-lost concert video goes by much too quickly, but fans of the Beach Boys will be delighted with the quality of the digitally mastered picture and sound, making this a worthwhile addition to any Beach Boys collection. The boys were taped live on March 14, 1964 as part of a concert that also included the Beatles and Lesley Gore. After the performances were aired on closed-circuit TV to theaters packed with screaming fans, the Beach Boys segment remained virtually unseen until it was rediscovered in 1998.

Cutaway shots provide a wonderful glimpse of what teen audiences were like during the heyday of the surfin' craze (plenty of Gidget hairdos, and a few parents in the crowd, marveling at the frenzy of it all), but it's the music that counts here, and clearly the boys were having a pretty good day. Most of the early hits are played here ("Fun, Fun, Fun," "Little Deuce Coupe," "In My Room"), and while lead vocalist Mike Love hams it up, it's fascinating to witness early indications that bandleader Brian Wilson was growing tired of live performance. He revs it up for a wacky cover of "Papa Oom Mow-Mow," though, and that makes this video a time-capsule treasure, showing the Beach Boys in their prime before Wilson retreated completely into the sanctuary of the studio. --Jeff Shannon

Thought lost for thirty-five years, this rare concert brings you the Beach Boys at the peak of their performing talents. Early in 1964, promoters put together a mega-concert with the hottest stars of the day: the Beatles, Lesley Gore and the Beach Boys. The performances were taped live and aired on closed circuit. The Beach Boys' portion of the show was lost until 1998, but now it can be savored by their millions of fans on home video for the first time. Songs: Fun Fun Fun, Long Tall Texan, Little Deuce Coupe, Surfer Girl, Surfin' USA, Shut Down, In My Room, Papa Oom-Mow-Mow, Hawaii.