Genesis

Phil Collins - Finally....The First Farewell Tour (2DVD)

An eight hour DVD featuring Phil Collins' performance from Paris that formed part of the Final Farewell Tour. The 2-DVD set not only includes the live performances, but is also jam-packed with 22 promotional music video clips from the singles played during the concert. In fact-music videos from of his Billboard #1Singles are here: "Against All Odds," "One More Night," "Separate Lives," "Sussudio," "A Groovy Kind of Love," "Another Day in Paradise," and "Two Hearts." And if that isn't enough, the DVD also features backstage and documentary footage plus a photo gallery.

Track Listing:
1. Drums, Drums & More Drums
2. Something Happened On the Way to Heaven
3. Against All Odds
4. Don't Lose My Number
5. Chat to Audience
6. You'll Be In My Heart
7. One More Night
8. Can't Stop Loving You
9. Hang in Long Enough
10. True Colors
11. Come With Me
12. Groovy Kind of Love
13. I Missed Again
14. Another Day in Paradise
15. No Way Out
16. Separate Lives
17. In the Air Tonight
18. Dance into the Light
19. You Can't Hurry Love
20. Two Hearts
21. Wear My Hat
22. Easy Lover
23. Sussudio
24. It's Not Too Late
25. Take Me Home
26. Wear My Hat
27. Easy Lover

Grease

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative.

The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

When in Rome 2007

Peter Gabriel - Secret World Live

Peter Gabriel's extraordinary mix of sound, visuals, and theatrics gets the widescreen digital treatment in this remixed and remastered edition of a 105-minute concert recorded in 1994 in Italy. But not without some controversy, it seems, as several viewers have protested that the new version contains some not-so-deft lip-syncing with poor visual quality. The complaints may be valid, but chances are most viewers won't notice; in any event, the performance by Gabriel and his international band (with violinist Shankar, drummer Manu Katche, and bassist Tony Levin, among others) is strong, featuring versions of well-known material like "Solsbury Hill," "Sledgehammer," "In Your Eyes," and the always-moving "Don't Give Up" (with then-backup singer Paula Cole capably handling the Kate Bush role). Bonus features include a delightful "time lapse" view of the concert setup and breakdown, a "making of" documentary, and a brief preview of Gabriel's 2002-03 "Growing Up" tour. --Sam Graham

Peter Gabriel - Growing Up Live

Peter Gabriel: Growing Up Live presents the complete 2003 Milan concert from Peter Gabriel's tour based around the album Up, featuring 17 tracks across 134 minutes. Literally central to a memorable show is a revolving stage that sees Gabriel going for a cycle ride in an exuberant "Solsbury Hill," performing "Growing Up" inside a Zorb ball, and delivering a gravity-defying sky walk in "Downside Up" with daughter Melanie. Accompanied by regular sidemen David Rhodes (guitar) and Tony Levin (bass), Gabriel is joined by the legendary Blind Boys of Alabama for the spine-tingling "Sky Blue," throughout mixing recent tracks like the abrasive "Darkness" and "The Barry Williams Show" with established crowd pleasers such as "Red Rain," "In Your Eyes," and "Sledgehammer."

Gabriel may be less wired than before, but he commands the arena with effortless charm and charismatic presence, his voice retaining all its paradoxically fragile power. Presented in an understated blue light and shot in an unobtrusive, gimmick-free style, the concert begins and ends in virtual darkness with Gabriel alone at a keyboard; from the opening "Here Comes the Flood" to the final "Father, Son," Growing Up is rock theater of rare intimacy, emotion, and intelligence.

The DVD is presented with a flawless 16:9 anamorphically enhanced picture and three soundtracks: rich and clear stereo, excellent Dolby Digital 5.1 and even more precise and detailed DTS. The Story of Growing Up is polished nine-minute documentary in which Gabriel talks about his ideas for the tour and the presentation of some of the songs. Tony Levin's View (five minutes) sets the song "More Than This" to photos taken by the bass player. --Gary S. Dalkin

The Audrey Hepburn Story

Jennifer Love Hewitt is a beautiful and talented actress with style and charm. She is not, however, Audrey Hepburn, and try as she might, she is unable to embody the gamine actress in the made-for-television biopic The Audrey Hepburn Story.

Making the Hepburn bio was a gusty move for Hewitt, and one has to admire her chutzpah. But the role, if it was to be dared, would have been better off in the hands of an unknown. As it is, it's difficult to shake the image of Hewitt in her television and teen roles, and while she mastered the wide-eyed look, her eyes are not doelike enough and her accent borders on ludicrous. If you can move past this, though, the story of Hepburn's life--even given her do-gooder qualities--is interesting fodder for exploration, although at times the script feels as if it's trying to create tension where there is little. Desertion by her father, a brief stint in the resistance in wartime Netherlands, and affairs with fellow actors create drama, but not enough to enliven the film. Part of the problem is the entire film is told from flashback from the set of Breakfast at Tiffany's, so much of Hepburn's great work is left untouched.

Yet, despite the flaws, fans will appreciate the paean to Hepburn, as we glimpse into the difficulties of her early career and her budding stardom. The two girls who play the childhood Hepburn excel in their roles, and the strong supporting cast--including Frances Fisher as her mother and Eric McCormack as Mel Ferrer--brighten the film, which ultimately brings a touch of Hepburn's elegance to our own humdrum lives. --Jenny Brown

Sea Monsters: A Prehistoric Adventure

For nearly 200 million years while dinosaurs roamed the Earth, the seas teemed with some of the most awe-inspiring ocean creatures of all time. Sea Monsters, a National Geographic Giant Screen film, is an entertaining journey into prehistoric oceans. Inter-cutting between the animated story and the reenactments of fossil discoveries combine the appeal of "Indiana Jones" with the CGI that brings these prehistoric monsters to life. Perfect for the whole family.

The Jungle Book 2

After a delightful opening, in which jungle boy Mowgli (voiced by Haley Joel Osment) recaps much of the original Jungle Book in a sprightly shadow puppet show, The Jungle Book 2 swiftly turns into a carbon copy of the splendidly swinging previous movie. After his old pal Baloo the bear (voiced by John Goodman) draws Mowgli away from the man-village, with all its work and rules, and back into the glorious indolence of the jungle, the movie repeats--in a less energetic form--an encounter with Kaa the snake, the cockney vultures, a musical number at the monkey's palace, the menace of Shere Khan the tiger, and even the song "The Bare Necessities." The only difference is that there's a girl named Shanti along for the ride; sadly, her character is so bland that it doesn't do much to justify the movie's existence. --Bret Fetzer

From Disney's wildly popular THE JUNGLE BOOK comes a thrilling, all-new animated feature film. The jungle is jumping again as Mowgli, Baloo, Bagheera, and the rest of your favorite characters return in the fun-filled musical adventure THE JUNGLE BOOK 2. "It's a work of such charm and imagination it should enchant children of all ages" (Kevin Thomas, Los Angeles Times). Mowgli (Haley Joel Osment) has been living in the village among the humans. His new life includes his little stepbrother, Ranjan, and his best friend, Shanti, but the man-cub still has that jungle rhythm in his heart, and he misses his old buddy Baloo (John Goodman). When Mowgli wanders back into the wild for some swingin' fun, he soon finds Baloo isn't the only one waiting for him -- the man-eating tiger Shere Khan is lurking in the shadows and planning his revenge. If he is to defeat his nemesis, Mowgli will need the help of both his old friends and his new family. With fresh new renditions of "Bare Necessities" and "I Wanna Be Like You," and a host of original toe-tappin' tunes paired with classic Disney animation, THE JUNGLE BOOK 2 is sure to delight the entire family.

Genesis - Turning It On Again (40th Anniversary Edition)

This unique 3-DVD collection is the definitive critical overview of the work of Genesis. Taking the viewer on a journey from the band's early days through to the more recent past, the programs feature fascinating archive interviews with Phil Collins, Steve Hackett, Tony Banks and Michael Rutherford; also on hand to provide expert analysis of the music is a team of leading rock journalists and music industry insiders. And then there's the music - featured here are superb tracks from the ground breaking Gabriel era and the bands later years as a commercial super group, including I Know What I like (In Your Wardrobe), Supper's Ready, The Musical Box, In The Cage, The Knife, Turn It On Again and many more.

DiG!

Italian fabulist Italo Calvino observed that there are two kinds of artists--those who are prolific and successful, and the tortured geniuses, each gazing at the other in deep jealousy and admiration. The two rock bands chronicled in the documentary DiG! fall easily into this equation. On the side of the tortured geniuses is the Brian Jonestown Massacre, led by the psychedelic and volatile Anton Newcombe. Portland's the Dandy Warhols, fronted by Courtney Taylor, fulfill the role of the artists who, while unable to plumb the artistic depths of their friendly rivals, achieve a fair degree of popular acclaim (in Europe, anyway). Shot over seven years and containing some astonishingly intimate footage, the film represents a labor of love for director Ondi Timoner, who befriended, lived, and traveled with the bands. DiG! will likely be most remembered for a remarkable scene of rock and roll implosion--a show in LA's Viper Room after which the Brian Jonestown Massacre were expected to ink a record deal. Instead, the band erupted in a fist fight onstage. Among themselves.

Does it go uphill or downhill from here? Depends on your definition of the terms. While dooming their careers, the Brian Jonestown Massacre manage to crank out an insane number of self-distributed albums--including three records in a single year. Courtney Taylor and the Dandies regard the musical output of their peers worshipfully and find themselves virtually ignored stateside but huge stars across the pond. While tens of thousands of fans in Germany and the UK sing along to every word at sold-out festivals headlined by the Dandies, Newscombe leads his crew in a nine-hour set in a dingy club for an audience of ten. Throughout the film there are controlled substances imbibed, clothing shed, sitars broken, punches thrown, arrests made. Taylor performs double duty as narrator of the film, begging the question of whether to accept his assertion that he fronts "the most well-adjusted band in America" at face value. The destined-for-greater-things Joel Gion, BJM's tambourine player, is the thief of every scene in which he appears, playing Flavor Flav to Newscombe's Chuck D. For those who want even more immersion, the DVD includes the option to "zoom," or expand, various scenes--a very cool feature. Those responsible for the hilarious excesses of DiG! have made a movie worthy of being mentioned in the same breath as This Is Spinal Tap, as mixed an honor as that might be.

DVD Features

The second of this set's two discs is practically its own sequel. Director Ondi Timoner had 1500 hours of footage to work with, so there was plenty of good material left on the cutting-room floor that found its way onto this supplemental disc. The deleted scenes include an unintentionally haunting pre-9/11 interview on a New York rooftop with BJM's Anton Newcombe; the twin towers loom behind the singer as he attempts to justify singing about love yet engaging in violence, drawing tenuous parallels between himself and militant prophets throughout history. This, and Newcombe's delight in listening to Charles Manson's musical recordings, is about as heavy as it gets, though. Other extras include various videos by the bands, with the conspicuous absence of the Dandy Warhol's David LaChapelle-directed "Not if You Were the Last Junkie on Earth." (The omission is understandable in light of the Dandies' sour grapes over the $400,000 video.) The Where Are They Now features find various members of the bands a little older and reflective, with new families and new gigs, reminiscing fondly on the seven years spent under Timoner's watchful spycam. As is the case with the film proper, the mood picks up whenever Joel Gion appears. When is this guy going to get his own talk show? For fans of Timoner's commentary on disc 1 there is--get this--footage of the director and her partners recording that commentary. Why there's no footage of Timoner watching and commenting on the footage of herself recording the commentary is anyone's guess. --Ryan Boudinot

Dig These Discs by the Brian Jonestown Massacre

Tepid Peppermint Wonderland: A Retrospective	Strung Out in Heaven	Bravery Repetition & Noise
And This Is Our Music	Thank God for Mental Illness	Bringing It All Back Home Again

Dig These Discs by the Dandy Warhols

Welcome to the Monkey House

Thirteen Tales from Urban Bohemia

The Dandy Warhols Come Down

Dig These Documentaries (and One Classic Mockumentary) on DVD

This Is Spinal Tap (Special Edition)	Metallica: Some Kind of Monster	Hype
X (The Band): The Unheard Music	End of the Century: The Story of the Ramones	Gimme Shelter

Seven years in the making and culled from over 1500 hours of footage, DIG! plunges into the underbelly of rock `n' roll, unearthing an incredible true story of success and self-destruction. Anton A. Newcombe of the Brian Jonestown Massacre and Courtney Taylor of the Dandy Warhols are star-crossed friends and bitter rivals - DIG! is the story of their loves and obsessions, gigs and recordings, arrests and death threats, uppers and downers, and the delicate balance between art and commerce.