Biography

American Caruso

Mario Lanza did more to bring classical music and opera to the masses through the popular art of movies than anyone else. His unique tenor voice was known to millions through such hit films as The Great Caruso and The Toast of New Orleans, and on such chart-topping records as "Be My Love." The chubby "singing truck driver" from Philadelphia became a Hollywood legend, only to be destroyed by his own excess. In a brief twelve years, Lanza went from being a star to an overeating has-been. He died tragicaly at the age 38 alone and near penniless in a diet clinic under mysterious circumstances. Through clips of his popular recordings, and from interviews his story is now told. This revealing video profile presents the highs and lows of this remarkable performer. Video hosted by Placido Domingo. 1983, color, 70 minutes.

Speaking in Strings

Emotional, raw, and revealing--those adjectives apply to the documentary Speaking in Strings and the person profiled, Nadja Salerno-Sonnenberg, one of the world's most acclaimed violinists. The intense musician's professional journey, which began at Carnegie Hall when she was a teenager, was sidetracked when she accidentally cut off the tip of a finger and almost ended when she tried to commit suicide. Filmmaker Paola di Florio was a childhood friend, and this intimacy is reflected in frank oncamera interviews. ("Feeling more than anyone I know" can be phenomenal and "a damn curse," she says.) The concert footage is electrifying: Two weeks after the suicide attempt, a possessed Salerno-Sonnenberg once again plays Carnegie Hall. Her mother, friends, fellow musicians, and critics--who say she lets her emotions overpower the music--are heard from. The loudest voice, though, is the honest one of Salerno-Sonnenberg, consumed yet empowered by her talent. "It's amazing what you endure," she says, "when you must." --Valerie Nelson

Described as "possessed, "frightening," and "brilliant," Nadja Salerno-Sonnenberg has either enraged or enraptured critics while earning herself the nickname "the bad girl of the violin." Academy Award® nominee Speaking In Strings explores the controversial and fascinating life of this funny, fearless, irreverent, and world-renowned musician. A deeply private look at the woman behind all the accolades and controversy.

DVD Features: Nadja Salerno-Sonnenberg Biography; Docurama Previews; Interactive Menu; Scene Selection

Evgeny Kissin: The Gift of Music

Gesualdo - Death for Five Voices

Don Carlo Gesualdo, Prince of Venosa (1560-1613), was not only insanely jealous (he murdered his unfaithful wife and her lover); he was insane, period. In this brilliantly directed documentary with expertly sung music, Werner Herzog explores Gesualdo's madness through his biography, visits to the sites of key events in his life, paintings, still-active gossip, and above all the music he composed--madrigals whose death-haunted texts and abrasive harmonies still have the power to shock.

Music is only a part of this disc's attractions, but it is powerful and well-integrated into the flow of the film, and it puts the viewer directly in touch with Gesualdo's tortured soul. Two vocal groups exemplify different views on how it should be performed. Il Complesso Barocco uses instruments, very discreetly, to support the voices; the Gesualdo Consort has five unaccompanied voices. Both sing with the expressive intensity the music requires. --Joe McLellan

Werner Herzog's chilling story of sixteenth century composer Don Carol Gesualdo, Prince of Venosa, whose life embraced sexual excess, ghastly murder and obsession. Filmed on location in Italy, the program explores both Gesualdo's musical legacy and the extraordinary influence his tormented life has continued to exert on those whose lives crossed his path. Contributors include Gerald Pace, director of The Gesualdo Consort, Alan Curtis, music director of the singing ensemble II Complesso Barocco, and Professor Ludica of the Archeological Museum in Venosa.

Leonard Bernstein - Reaching for the Note

Originally aired on PBS's American Masters series, this evocative biography of the American composer, conductor, and de facto musical evangelist Leonard Bernstein offers a compelling balance of musical scholarship and personal insight. It's a fitting approach to the brilliant--and emotional--life and art of Bernstein, who elevated Broadway musical theater, demystified and democratized classical music for two generations of American children, and brought a true New Yorker's vigor and directness to his conducting.

Writer-director Susan Lacy establishes the film's sympathetic tone in its opening shots of Bernstein's funeral cortege as it passed along Manhattan streets in 1990. Underscoring the footage is the elegiac second movement of Beethoven's Seventh Symphony, the final piece conducted by Bernstein at his final performance months earlier at Tanglewood. Scenes from that last concert (and a return to that slow, funereal march) are the inevitable conclusion of Lacy's film, which finds ample drama over the course of approximately two hours.

Lacy traces the arc of Bernstein's career from his earliest triumphs as a young conductor through his Broadway successes (culminating in West Side Story), his historic network television outreach, the frustrations encountered over his "serious" compositions (often derided, ultimately vindicated), and his autumnal work abroad conducting the Vienna Philharmonic. Bernstein's private demons--anguish over the tradeoff between a conductor's glory and a composer's productivity, the ridicule invited by his impassioned political activism, the conflict between his devotion to his family and his bisexuality, bouts of depression suffered in his later years--are addressed as well.

Excellent archival footage and a literate script are enhanced by interviews with his brother and children; collaborators including Jerome Robbins, Isaac Stern, and Stephen Sondheim; and conductors including John Mauceri, Seiji Ozawa, and Michael Tilson Thomas. --Sam Sutherland

Maria Callas - La Divina: A Portrait

It is almost a quarter of a century since Maria Callas died. But the years have done little to diminish interest in this most iconic of divas. The debate surrounding the real quality of that voice continues to be fanned by her devotees and detractors, intermittently reaching fever pitch with the arrival of another biography or the commercial release of a newly discovered live recording. Tony Palmer's 1987 film portrait, now available on DVD, towers over the bulk of contributions to the Callas industry because it manages to be both passionate about its subject and objective about the forces that shaped a great musical talent and then left it in ruins.

Lengthy interviews with colleagues and confidants embrace both Callas's undoubted theatrical genius and the emotional traumas that propelled her stumbling private life. The scene is set from the moment this documentary's producer, John Ardoin (himself a Callas biographer), declares the story of Callas the woman to be one of the great tragedies of our time. From that point, the film forges potent links between the evolution of the diva's artistry through her great performances--Tosca, in particular--and the defiant soul captured in a considerable archive of media encounters that range from the intense and contemptuous to the coquettish. This is 90 essential minutes for anyone interested in the Callas legend. Her story will never be better told. --Piers Ford

No other opera singer this century has aroused such public interest, such adulation and such controversy as Maria Callas, "La Divina Assoluta." Her dramatic and musical reincarnations of operatic heroines were invested with a psychological depth which made her performances and recordings definitive, and her recordings still outsell every other major classical singer. Callas transformed herself from an overweight ugly duckling into a dazzling beauty, inspired by the sylph-like Audrey Hepburn. She was labeled a "tigress" for her temperamental image, others thought her behavior so unforgivable she was pelted with eggs, but her unique and haunting voice and personality dominated public life in the 1950s and early 1960s. Tony Palmer's award-winning film charts her rapid rise to fame and offers a glimpse into the private life of this remarkable woman. 91 minutes.

Maria Callas - Life and Art

Long before the media's obsession with celebrity scaled its current heights, Maria Callas commanded headlines and column inches equal to any of the jet-setting elite of her time. In those terms alone, and much as opera purists might flinch at the idea, she was the Madonna of her day. But that is only one reason why her legend extends well beyond her place in the pantheon of great sopranos and so long after her death in 1977.

An excellent companion to Tony Palmer's 1987 documentary La Divina, Maria Callas: Life and Art provides a well-rounded picture of an extraordinary talent who defended her art with the courage of a tigress, but whose turbulent private life gave her little except restless grief. It is crammed with concert footage and archive interviews. She was, as contributor Franco Zeffirelli says, a genius of hair-raising stature and one of the greatest artists of the 20th century. But she was also a rather fragile human being. The tension between the two makes the telling of her story utterly compelling. The DVD includes chronologies of Callas's life and the many roles she played during her career. --Piers Ford

The most brilliant of all the documentaries about the legendary Maria Callas, Life and Art includes extensive interviews with her friends and colleagues, as well as priceless footage of "La Divina" in performance.

Isaac Stern: Life's Virtuoso

This American Masters production celebrating Isaac Stern is more a profile of the man than the musician. Fans hoping to hear Stern performing will have to settle for the briefest snippets of fiddling: a bar or two from Mendelssohn, a fragment of Rimsky-Korsakov, a taste of Beethoven. Though each of these begins enticingly, they all quickly fade into the background, little more than aural wallpaper behind the comments and testimonials from such notables as Pinchas Zukerman, Yo-Yo Ma, and Itzhak Perlman--as well as some less-expected commentators such as Gregory Peck and Jimmy Connors. But the portrait that all give of this marvelous octogenarian is almost as dazzling and multifaceted as hearing him play. After all, master violinist is only one of the hats Stern can wear with aplomb. There's also the flashy celebrity who provided the music for Hollywood films like Fiddler on the Roof and Humoresque and who could share the stage as easily with Jack Benny as Eugene Ormandy; the musical emissary who sought to bridge cold war divides with music, touring the Soviet Union and communist China as soon as he was allowed (as recorded in the 1980 documentary From Mao to Mozart); the beloved teacher, demanding but genuinely respectful toward young performers; even the hard-driving fundraiser who kept Carnegie Hall from being torn down.

Through it all, Stern has carried himself with a no-nonsense humility, born of his profound love of humanity and devotion to his craft that is never less than inspiring. Footage (again, far from enough!) of Stern performing in Israel during the Gulf War, ignoring the whine of the air-raid sirens and the anxious surreality of an audience decked out in their gas masks, rapturous as he unfolds the serene music of Bach, raises the inspirational to the magnificent. --Bruce Reid

Sir Georg Solti - The Making of a Maestro

This too-brief but informative and insightful documentary was finished soon after Maestro Solti's death in 1997 at age 85, a title card informing us that the very last interview was filmed five days before he died. In only 90 minutes, Solti's extraordinary life and career are vividly recounted, from his upbringing in Austria to his clash with the Nazis while in his late 20s; from his days leading the Royal Opera House at Covent Garden to his shaping of the Chicago Symphony Orchestra into one of the world's greatest musical ensembles. Solti himself engagingly discusses his techniques and musical influences (including his analytical account of Richard Strauss as a conductor) while colleagues like soprano Kiri Te Kanawa and director Sir Peter Hall and his widow Lady Solti give their own personal takes on the man. The Making of a Maestro is a richly satisfying glimpse at a seminal musical artist. -- Kevin Filipski

This definitive profile of one of the greatest conductors of our day captures the remarkable man's amazing energy and passion for music. Filmed with Solti in Budapest, Bavaria, Chicago and London during the last year of his life, and filled with a wealth of archival footage and music, this documentary charts Solti's amazing life and illustrious career.

Andre Previn - The Kindness of Strangers

André Previn is one of the most interesting figures on the classical music scene, and this well-crafted television documentary on his career deserves to be preserved, in classrooms and public libraries if not in private collections. It is essentially an introduction to Previn's blockbuster opera A Streetcar Named Desire (based on the Tennessee Williams play), which is available on both CD and DVD recordings, and it will be most useful when played in tandem with the opera.

Besides scenes from the opera and the Williams drama, with occasional filmed comments by Williams himself, The Kindness of Strangers takes a look at Previn's biography: a jazz pianist and Hollywood soundtrack composer, often married and divorced, who successfully crossed over an almost unbridgeable gap to become a respected conductor with the world's most important symphony orchestras. He is shown composing, rehearsing, teaching young conductors, and even (though not often) enjoying moments of relaxation. --Joe McLellan