Beethoven Lives Upstairs
by David Devine
from CHILDREN'S GROUP INC.
Based on the best-selling and award-winning Classical Kids CD, Beethoven Lives Upstairs was hailed upon its original release as "a video masterpiece" by the Boston Herald and "the best family film to appear in a long time" by the Ottawa Citizen. The television special has been seen on HBO, PBS, CBC, the Family Channel and YTV and the home video has sold more than 250,000 copies in North America. Based in part on historical fact and featuring more than 25 beautifully-performed excerpts of Beethoven's best-loved works, Beethoven Lives Upstairs presents the great composer as a hero for today's children.
Beethoven, Mozart & Brahms Piano Concertos
from Deutsche Grammophon
A terrific collection of five great piano concertos performed by Maurizio Pollini, one of the 20th centuries great virtuosos. Filmed with the Vienna Philharmonic in the 1970s at the beautiful Musikverein in Vienna. Karl Böhm conducts the Beethoven and Mozart concertos, while Claudio Abbado reads the Brahms.
TRACK LIST DVD1: Beethoven: Piano Concerto No. 3, op 37 Piano Concerto No. 5, op 73 "Emperor" Vienna Philharmonic Karl Böhm, conductor DVD2: Mozart: Piano Concerto No. 19, KV 459 Piano Concerto No. 23, KV 488 Vienna Philharmonic Karl Böhm, conductor
Brahms: Piano Concerto No. 2 in B-flat major, op. 83 Vienna Philharmonic Claudio Abbado, conductor
Beethoven - The Symphonies Boxset / Herbert von Karajan, Gundula Janowitz, Christa Ludwig, Jess Thomas, Walter Berry, Berlin Philharmoniker
from Deutsche Grammophon
Beethoven - Choral Fantasy and Triple Concerto for Violin, Cello & Piano / Barenboim, Ma, Perlman
from EMI Classics
It would be difficult, perhaps impossible, to assemble a better group of musicians to perform Beethoven's Triple Concerto and Choral Fantasy. Daniel Barenboim has been so busy conducting the world's top orchestras and opera companies that there is a danger of forgetting what an excellent pianist he is. He conducts both of these works from the keyboard, as Beethoven would have expected, engaging in chamber music-like dialogue in the concerto and creating a sense of impromptu in the Fantasy's long piano solo, which Beethoven wrote for himself and partly improvised at the first performance. Itzhak Perlman and Yo-Yo Ma are sensitive, alert, and technically superb partners.
The music is not Beethoven's most familiar, but it is absolutely charming. The concerto is appealing in its melodic material and the intricate interactions among the soloists and orchestra. The Choral Fantasy features a long piano solo that Beethoven wrote for himself, plus a choral melody that sounds like a preliminary sketch for the last movement of his Ninth Symphony. Both works pose unusual balance challenges, to which Barenboim and the recording engineers rise impressively. --Joe McLellan
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