Vivere Live in Tuscany [DVD/CD]
from Decca
CAPTURING BOCELLI S FIRST EVER CONCERT PERFORMANCE OF HIS MOST POPULAR SONGS FEATURING GUESTS CHRIS BOTTI KENNY G. LANG LANG SARAH BRIGHTMAN HEATHER HEADLEY and more.Last July on the slopes of Andrea Boceli s home town Lajatico a rural village in Tuscany a special theater was constructed for a one-night-only concert of his greatest popular hits along with new songs performed to honor the occasion. Some famous musical friends dropped by and the magical result is Andrea Bocelli Vivere Live in Tuscany.Format: DVD AUDIO Genre: MUSIC DVD/LIVE PERFORMANCES Artist: BOCELLIANDREA UPC: 602517602694 Manufacturer No: B0010669-50
Andrea Bocelli - Under the Desert Sky [CD Included]
from Sugar
If music be the food of love, then Under the Desert Sky is an Italian feast. Andrea Bocelli performs live at the Lake Las Vegas resort for this DVD and bonus CD, featuring some of the world's greatest love songs. In straying from the largely classical repertoire that helped shoot Bocelli to stardom, he is able to take more contemporary material and give it the sheen of timelessness. Most of the selections are in Italian, Spanish, or French--Romance languages, naturally. Highlights include the swoon-inducing "Amapole," the pitch-perfect "Canzoni Stonate," and even a reverent "Can't Help Falling in Love." Through it all, Bocelli's relaxed, self-effacing manner and confident delivery make for an intimate concert experience. Bocelli is also backed by a terrific group of talented musicians, including pianist and executive producer David Foster. A real show-stopper: Bocelli's duet with the Tony-winning Aida singer Heather Headley; the blending of their voices suggests the duets of Aaron Neville and Linda Ronstadt at their most sublime. There's only one real clunker: "Besame Mucho," which is so innately cheeseball that trying to deliver it sincerely only makes it more cheesy. Included is a CD with nine tracks, including a different version of "Can't Help Falling in Love," with a duet by American Idol's Katherine McPhee, and a soulful "Canzoni Stonate" with Stevie Wonder. DVD extras include interviews with Bocelli, Foster, and others (be sure to turn on your subtitles manually if you're not an Italian speaker). That's amore! --A.T. Hurley
Performed on a specially constructed floating stage in Lake Las Vegas a resort community 20 miles south of Las Vegas this historic performance captures Andrea Bocelli's first ever pop concert. Under the Desert Sky which co-stars Tony® winner Heather Headley (Elton John's Aida) represents a new era for the Tuscan-born singer. Spanish guitars flourish traditional Latin percussion seductively keeps the tempo accordions and harmonicas provide haunting ambience. Highlights include "Somos Novios" - Perry Como had a hit with it as "It's Impossible" - and "The Prayer" a duet with Heather Headley David Foster and Carole Bayer Sager's Oscar® nominated song from Quest for Camelot. Capping the program is a new song "Because We Believe" by David Foster with lyrics by Andrea Bocelli and Amy Foster Gillies which was written for and introduced at the 2006 Torino Winter Olympics.Disc 1 DVD1. Amapola2. Besame Mucho3. Somos Novios4. Canzoni Stonate5. Pero Te Extrano6. L'Appuntamento7. Estate8. September Morn9. Can't Help Falling In Love10. Mi Manchi11. Jurame12. Solamente Una Vez13. Les Feuilles Mortes (Autumn Leaves)14. Porque Tu Me Acostumbraste15. Cuando do Me Enamoro16. The Prayer17. Momentos18. Because We BelieveDisc 2 CD1. Besame Mucho - live2. Cuando Me Ennamoro - live3. Estate with Chris Botti - studio version4. September Morn - live5. Can't Help Falling in Love - studio duet with Katharine McPhee6. Canzoni Stonate - new studio edit with Stevie Wonder7. Momentos - live8. Somos Novios - live9. The Prayer - live duet with Heather HeadleyFormat: DVD MOVIE Genre: MUSIC DVD/CONCERTS Rating: NR UPC: 602517043060 Manufacturer No: B0007830-50
Andrea Bocelli - Tuscan Skies (Cieli di Toscana)
by Larry Weinstein
from Philips
Tuscan Skies is an intimate musical journey with Andrea Bocelli. All of the songs featured in this program are new and have been especially written for him, as they are based on and inspired by his own memories and fantasies. Each song at once celebrates Bocelli's soaring spirit, while it is also deeply rooted in the landscape, the people and the soul of his beloved Tuscany. Melodramma (Guerrini & Luciani), Il Mistero Dell'Amore (Laurex & Di Pietro), L'Incontro (Sartori / Bocelli / Bonomo), L'Ultimo Re (Napoletano & Di Marco), L'Abitudine (Guerrini & Calabrese) (with Helena), Resta Qui (Musumeci & Bocelli), Mille Lune Mille Onde (Sartori / Foster / Quarantotto / Corradini), Mascagni (Mascagni / Marioni / Biagioni / Botteghi), Tornerà la Neve (Malavasi), E Sara' a Settembre (Someone Like You) (Smith & Salerno), E Mi Manchi Tu (Bartak & Calabrese).
Andrea Bocelli: A Night in Tuscany [Region 2]
by David Amphlett
from Philips
Part concert, part documentary, part travelogue, this video hit duplicates the sleeper success of Italian tenor Andrea Bocelli's album compilations and underscores his unique crossover appeal. In the U.S., Bocelli's critical response has been confined to fusillades of scorn from classical and opera writers, but the bulletproof superstar is better understood in the context of Europe's more established tradition of pop-classical fusions. Ironically, fans abroad are less prickly than stateside arbiters about the need for a discreet wall between high (classical) art and low (pop) kitsch, which Bocelli cheerfully ignores with his mix of operatic chestnuts, soft pop, and traditional Italian songs.
Indeed, despite interview segments in which he proclaims his love of opera or proudly recalls an apprenticeship to operatic veteran Franco Corelli, Bocelli comes across as more fan than virtuoso. But if his voice can prompt technical cavils from hard-core opera buffs, the blind singer's emotional directness and relative lack of onstage preening explain much of his populist appeal. Featured songs include warhorse arias, leading off with the "Louie, Louie" of tenor showpieces, Turandot's "Nessun Dorma," and duets with gruff Italian pop-rocker Zucchero and sopranos Nuccia Focile and Sarah Brightman (who buddies up for the tear-jerking closer, "Time to Say Goodbye").
Even with the marquee bonus of those guests, however, A Night in Tuscany gets its biggest boost from the seductive Italian countryside, prominently featured in between-song segments, and in the romantic concert setting, Pisa's Piazza dei Cavalieri. --Sam Sutherland
Christmas Glory from Westminster
from Homevision
It's a marketer's dream to have two PBS superstars, Andrea Bocelli and Charlotte Church, singing in Christmas Glory from Westminster. Bocelli and Church (who don't sing together here) are among a handful of performers in this 1999 service from London's Westminster Abbey, including actresses Greta Scacchi and Joan Plowright and Welsh baritone Bryn Terfel.
Following an introduction to the abbey by HRH the Duke of Edinburgh (his wedding took place there), the first part of the hourlong service tells the Christmas story, alternating poetry and Bible readings with musical selections from the choir and soloists, including Messiah's "For unto us a child is born" and "But who may abide the day of his coming" by Terfel. Bocelli contributes two Schubert selections, "Mille Cherubino in Coro" and the beloved "Ave Maria," as well as "Sancta Maria," a version of Mascagni's famous melody from Cavalleria Rusticana. Church performs Stephen Adams's "The Holy City" (from her second CD) and shares "Silent Night" with Terfel. The program isn't all solemnity, however. Actor Richard Griffiths offers a spirited reading from A Christmas Carol near the abbey's famous Poets' Corner, where Dickens is buried. A blessing from the Dean of Westminster closes the distinguished evening. --David Horiuchi
The program:
1. "O Come O Come Emmanuel"--choir procession
2. Fanfare
3. "O Come All Ye Faithful"--choir and congregation
4. HRH intro
5. "Once in Royal David's City"--choir and congregation
6. First Reading: Isaiah--Trevor McDonald
7. Handel: "For unto Us a Child Is Born"--choir
8. Second Reading: Luke, Chapter 2--Betty Boothroyd
9. Handel: "But Who May Abide the Day of His Coming"--Bryn Terfel
10. Eddie's Service (Kipling)--Joan Plowright
11. William Matthias: Sir Christemas--choir
12. Reading: "And there were in the fields..."--Greta Scacchi
13. Schubert: "Ave Maria"--Andrea Bocelli
14. John Gardiner: "Tomorrow Shall Be My Dancing Day"--choir
15. Christmas Campaign (Frederic Coleman reading)--Trevor McDonald
16. "It Came upon a Midnight Clear"--choir and congregation
17. Stephen Adams: "The Holy City"--Charlotte Church
18. "The Lamb" (William Blake reading)--Greta Scacchi
19. "Mille Cherubini in Coro"--Andrea Bocelli
20. "Tna Bethlehem Dref" (Welsh)--Bryn Terfel
21. Christmas Carols (Dickens reading)--Richard Griffith
22. "Silent Night"--Bryn Terfel and Charlotte Church
23. Archbishop of Canterbury
24. "Mascagni: Sancta Maria"--Andrea Bocelli
25. HRH reading: "In the beginning..."
26. Fanfare
27. "Hark the Herald Angels Sing"--choir and congregation
28. The Blessing: Dean of Westminster
29. Widor organ with credits
Andrea Bocelli - Sacred Arias: The Home Video
from Philips
Critics may remain divided over Andrea Bocelli's operatic credentials, but the popular verdict long ago crowned the sightless tenor as a crossover champion, a victory that will only be reinforced by this handsomely produced video companion to Sacred Arias, his well-timed 1999 album of devotional pieces. That collection mingled sacred classics with a handful of venerable Christmas songs to combine seasonal appeal with a broader spiritual fervor, providing a sturdy platform for Bocelli's unfailingly earnest style. For its video incarnation, Bocelli, performing with the Orchestra e coro dell'Accademia Nazionale di Santa Cecilia under the baton of Myung-Whun Chung, reprises the album with three additional works, with Chung and the orchestra and chorus contributing a fourth bonus track, Handel's "Hallelujah Chorus."
As first aired on PBS, Sacred Arias dovetails comfortably with Bocelli's hugely popular, preceding broadcast and video, A Night in Tuscany, again adding color to its often solemn musical performances with glimpses of Italy. The performances were shot in Rome's Cathedral of Sopra Miverva, employing wide-angle lenses and graceful camera movement to supply energy to the otherwise static performers: Bocelli's own lack of body movement is offset by Chung's more expressive conducting, but the program's most striking visuals are achieved through long shots that pan down onto the group from high in the cathedral's nave, and cutaways that show us the rich frescoes that adorn the walls and vaulted ceilings. The pacing also makes good use of contrasts between Bocelli's solo performances and those pieces that rely more on the sweep of the chorus and orchestra.
Brief interview segments with the singer and conductor allow the camera to move outdoors for romantic vistas of the Italian countryside, shot in golden light complementing the darker sepias and grays seen in the cathedral. A slightly wider screen aspect ratio gives the concert a cinematic flavor while imposing discreet black bars on standard sets that won't trouble viewers who prefer full-frame videos. --Sam Sutherland
Credo: John Paul II
from Warner Music Latina
Credo John Paul II portrays the highlights of John Paul II pontificate his spiritual heritage the most significant metings with heads of governments but also with people from all over the world from the day of his election to his funeral.System Requirements:Running Time: Approximately 63 MinutesFormat: DVD MOVIE Genre: MUSIC DVD/CONCERTS UPC: 825646356423 Manufacturer No: 35642
Andrea Bocelli - A Night in Tuscany
from Philips
Part concert, part documentary, part travelogue, this video hit duplicates the sleeper success of Italian tenor Andrea Bocelli's album compilations and underscores his unique crossover appeal. In the U.S., Bocelli's critical response has been confined to fusillades of scorn from classical and opera writers, but the bulletproof superstar is better understood in the context of Europe's more established tradition of pop-classical fusions. Ironically, fans abroad are less prickly than stateside arbiters about the need for a discreet wall between high (classical) art and low (pop) kitsch, which Bocelli cheerfully ignores with his mix of operatic chestnuts, soft pop, and traditional Italian songs.
Indeed, despite interview segments in which he proclaims his love of opera or proudly recalls an apprenticeship to operatic veteran Franco Corelli, Bocelli comes across as more fan than virtuoso. But if his voice can prompt technical cavils from hard-core opera buffs, the blind singer's emotional directness and relative lack of onstage preening explain much of his populist appeal. Featured songs include warhorse arias, leading off with the "Louie, Louie" of tenor showpieces, Turandot's "Nessun Dorma," and duets with gruff Italian pop-rocker Zucchero and sopranos Nuccia Focile and Sarah Brightman (who buddies up for the tear-jerking closer, "Time to Say Goodbye").
Even with the marquee bonus of those guests, however, A Night in Tuscany gets its biggest boost from the seductive Italian countryside, prominently featured in between-song segments, and in the romantic concert setting, Pisa's Piazza dei Cavalieri. --Sam Sutherland
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