Classical

Gaetano Donizetti - La Fille du regiment / Dessay, Florez, Palmer, Corbelli, French, Campanella, Pelly (Royal Opera House 2007)

This DVD version of Donizetti's comic opera zooms right to the top of any list of essential videos for opera fans. It may not be the composer's best work, but given a top-notch production with world class singing actors, it brings vocal thrills and an abundance of laughs, a combination that's hard to beat. The stars are Juan Diego Flórez and Natalie Dessay, both unbeatable in bel canto roles, and both in top form here. Flórez's mellifluous tenor is flexible enough to make child's play of the terrifying (to other tenors) nine high C's in Ah! mes amis," and supple enough to make his tender love arias moving. Dessay is equally comfortable in the stratospheric coloratura passages and poignant in such heart-tugging set-pieces as her farewell to her regimental "fathers" and her misery as the victim of the Marquise's well-meaning attempts to teach her to be an aristocratic lady. She's also a terrific comic actress. In her first appearance she's doing the regiment's laundry, and her antics with the iron and the ironing board while singing elaborately difficult coloratura passages induce belly laughs. But then, so do her comic acting in many other scenes, such as her Act II entry in a silk dress and full petticoat, her walk a wonderful parody of a "lady's" heel-to-toe gait. That moment alone is worth the price of admission. Lesser roles too, are done to perfection. Felicity Palmer, a long-time Covent Garden favorite, is a delicious Marquise de Berkenfield, and Donald Maxwell, is her apt partner as Hortensius, her servant. Sergeant Sulpice, the heroine's protector, is well-sung and acted by Alessandro Corbelli, and Dawn French almost steals the show as the overbearing Duchess. Conductor Bruno Campanella leads a spirited performance, enhanced by the fine playing by the Orchestra and Chorus of the Royal Opera House. Laurent Pelly's stage direction is wonderful for its comic touches and Chantal Thomas' simple but effective sets add to the delights. The video direction efficiently serves the staging, focusing on the action and the singers without adding extraneous shots that detract from the musical flow. All of which makes this DVD a can't-miss for opera fans. --Dan Davis La Fille du regiment is in 16:9 ratio. Sound options include PCM Stereo, Dolby 5.1 Surround and DTS 5.1 Surround. Subtitles include English, French, German, Spanish, and Italian.

In January 2007, superstar soprano Natalie Dessay, joined on stage by acclaimed tenor Juan Diego Florez dazzled British audiences in Laurent Pelly's new production of Donizetti's "LA FILLE DU REGIMENT". The perfectly staged & cast production became the operatic event of the year, receiving rave press reviews & rapturous audience ovations.

Fantasia (Special 60th Anniversary Edition)

Groundbreaking on several counts, not the least of which was an innovative use of animation and stereophonic sound, this ambitious Disney feature has lost nothing to time since its release in 1940. Classical music was interpreted by Disney animators, resulting in surreal fantasy and playful escapism. Leopold Stokowski and the Philadelphia Orchestra provided the music for eight segments by the composers Tchaikovsky, Moussorgsky, Stravinsky, Beethoven, Ponchielli, Bach, Dukas, and Schubert. Not all the sequences were created equally, but a few are simply glorious, such as "Night on Bald Mountain," "The Sorcerer's Apprentice," and "The Nutcracker Suite." The animation ranges from subtly delicate to fiercely bold. The screen bursts with color and action as creatures transmute and convention is thrust aside. The painstaking detail and saturated hues are unique to this film, unmatched even by more advanced technology. --Rochelle O'Gorman

Baby Einstein - Baby Mozart - Music Festival

It's called "the Mozart Effect," the notion that exposing youngsters to the melodies of the maestro can improve verbal ability, spatial intelligence, creativity, and memory. It's a pretty big leap of faith to understand that effect unless you personally see a toddler react to the stimulation. The Baby Einstein folks have a series of tapes (Baby Einstein, Baby Bach) that add visual stimulation to the bouncy recordings (using vibraphone, Rhodes electric piano, and even a glockenspiel). The melodies are heard against colorful imagery of spinning tops, wave machines, soft baby toys, mobiles, and the like. Several parenting groups and magazines have heralded the tapes for children 1 to 36 months, but the Orwellian aspect of introducing babes in arms to the TV screen may cause many to just pick up the CD. --Doug Thomas

A trusted, award-winning musical banquet for little eyes and ears!
-- Exposes babies to the brilliance of Mozart's music
-- Provides captivating visual stimulation
As your baby grows, and the world beckons with amazing things to see, hear and do, every moment of every day provides a brand-new opportunity for discovery. It's an incredible journey you'll embark on together, and to accompany you along the way there's BABY MOZART™ MUSIC FESTIVAL. Acclaimed by parents, this vibrant, award-winning musical feast for little eyes and ears exposes babies to the splendor and delight of classical music. Treat yourself and your little one to mesmerizing, multi colored images accompanied by enchanting versions of Wolfgang Amadeus Mozart's most popular compositions. It's a fun way to share the joy of discovering music -- and the world -- together!

DVD Features
-- Repeat play
-- Language tracks (Spanish, French and English)
-- Discovery cards
-- Puppet shows
-- Toy chest

Vivere Live in Tuscany [DVD/CD]

CAPTURING BOCELLI S FIRST EVER CONCERT PERFORMANCE OF HIS MOST POPULAR SONGS FEATURING GUESTS CHRIS BOTTI KENNY G. LANG LANG SARAH BRIGHTMAN HEATHER HEADLEY and more.Last July on the slopes of Andrea Boceli s home town Lajatico a rural village in Tuscany a special theater was constructed for a one-night-only concert of his greatest popular hits along with new songs performed to honor the occasion. Some famous musical friends dropped by and the magical result is Andrea Bocelli Vivere Live in Tuscany.Format: DVD AUDIO Genre: MUSIC DVD/LIVE PERFORMANCES Artist: BOCELLIANDREA UPC: 602517602694 Manufacturer No: B0010669-50

Tchaikovsky - Eugene Onegin / Fleming, Vargas, Hvorostovsky, Gergiev, Carsen [Metropolitan Opera 2007]

This set, filmed at the Metropolitan Opera's February 2007 performances of Tchaikovsky's most popular opera, has just about everything going for it: an all-star cast in peak form, a great orchestra led by today's leading Russian conductor, and a striking stage production whose minimalist, often stark, sets manage to superbly suit this most Romantic of operas.

Drawn from Pushkin's classic, the opera tightly focuses on the story of Tatiana, a naive young girl who declares her love for a dashing rake (Onegin) who rejects her overtures. His arrogance surfaces leads to flirting with his best friend's fiancée and then to killing him in a duel. Plagued by remorse, a superficially reformed but still impossibly self-centered Onegin meets Tatiana at a ball, but now the childish country bumpkin is the glamorous wife of a Prince. He declares his love but she rejects him and leaves him alone, a solitary, tragic figure.

Renée Fleming's Tatiana is a triumph, her gorgeous soprano voice, intense acting and precise characterization make the complex young woman come alive. Her "Letter Scene," in which the singer must reveal the innermost thoughts of a confused soul, is as good as it gets, as Fleming fully reveals the young woman's joyous hopes of requited love and also her fears of rejection. In the final act, she's still attracted to the dashing Onegin but resolved to preserve her marriage. In the title role, Dmitri Hvorostovsky is her equal; his firm baritone fits the music like a velvet glove and his acting matches Fleming's in its intensity. He's especially fine in his last-act monologue, bursting with despair and passion. Tchaikovsky gave the work's most beautiful arias to Lenski, Onegin's friend. Ramon Vargas' mellifluous tenor is well-suited to the lyricism of Lenski's Act One love aria and to the poignant aria before his duel with Onegin. Lenski's anger at his friend in the ball scene is palpably menacing. As Olga, Tatiana's high-spirited sister and Lenski's fiancée, Elena Zaremba is fully up to the rest of the cast, her rich mezzo and pointed phrasing a strong point. Sergei Aleksaskin's Prince Gremin is a dignified presence, Larisa Schevchenko as Tatiana's old nurse is convincing, and the smaller roles are well sung and acted. Jean-Paul Fouchécourt is not only in excellent voice in the beautiful aria of Triquet, Tatiana's French tutor, but manages to invest his song with an apt touch of parody as well. Valery Gergiev's conducting is a major asset, and the MET Orchestra is in terrific form, with special kudos due to the soulful clarinet solos that are so important in the musical texture.

Producer Robert Carson imbues the work with Romantic glow and Michael Levine's spare sets are far more effective than one might think. The stage is strewn with leaves and framed by textured rods doing duty as birch trees in Act One; the ball scene similarly framed by a rectangle of chairs and side tables, both sets analogues for the character's imprisonment in their unbridled emotions. Video director Brian Large keeps his cameras well-focused on the action, to complete an Onegin that's the DVD version to get. --Dan Davis

Renée Fleming and Dmitri Hvorostovsky triumph in Tchaikovsky's operatic masterpiece Eugene Onegin, filmed live at the Metropolitan Opera. Their onstage chemistry, emotional singing and outstanding acting make this a very special production. Valery Gergiev, Russia's greatest living conductor, leads Russia's classic opera, with a thrilling account of Tchaikovsky's most intense and passionate score. Robert Carsen's evocative staging is striking and beautiful and highlights the personal drama at the heart of Pushkin's tragic tale of young love unrequited. The opera is introduced on this DVD by the great Russian dancer Mikhail Barishnikov. DVD extras include: Eugene Onegin "In Rehearsal," and "Backstage at The Met," a short documentary presented by Beverly Sills, who talks in person to Fleming and Hvorostovsky about the opera and their working relationship. Filmed in Hi-Definition Widescreen.

Puccini - La Boheme / Pavarotti, Scotto, Niska, Wixell, Plishka, Levine, Metropolitan Opera

Gilbert & Sullivan - The Pirates of Penzance / Kline, Ronstadt, Smith, Routledge, Delacorte Theater (Broadway Theatre Archive)

This Pirates of Penzance is primarily a historical document, part of the Broadway Theater Archive television series. It presents, with some inevitable, tiny technical shortcomings, a live 1980 performance in Central Park, not the 1983 movie of the same name that also starred Linda Ronstadt and Kevin Kline. Those who remember that film, which had the benefit of retakes and editing, a lavish production budget, and the spaciousness of a Hollywood studio, may find this video less polished. On its own terms, it is nonetheless thoroughly enjoyable.

Advantages of this live performance include a sense of spontaneity, and the feeling of being part of a theatrical audience that is visibly and audibly having a very good time. The (reduced and partly electronic) orchestra is also visible; scenery is minimal; the onstage pirate boat, excellent for a live production, is no match for what a movie can offer. The voices are uneven, and some of them evoke Broadway more than London. But the performance is well styled, lively, and energetic. Gilbert and Sullivan's witty sparkle comes through clearly. --Joe McLellan

Gilbert and Sullivan's raucous operatic tale is captured in all its fun and glory in this production, recorded live at Central Park's Delacorte Theater. Kevin Kline sparkles as the swashbuckling and libidinous Pirate King while Linda Ronstadt makes her theatrical debut as the lovely and virginal Mabel. When Mabel and Frederic, a young pirate bound to serve the Pirate King, fall in love, complications arise and high spirited antics ensue. The incomparable cast offers the best in this boisterous romp. END

Puccini - Turandot / Franco Zeffirelli - Marton, Domingo, Mitchell, Plishka, Cuenod - James Levine, MET (1988)

Andrew Lloyd Webber - The Royal Albert Hall Celebration

In 1998 a concert at the Royal Albert Hall celebrated Sir Andrew Lloyd Webber's 50th birthday and featured more than two hours of hits from a body of work spanning almost three decades. In this keepsake of a memorable night, star after star steps on to a massive, Eurovision-style set to revisit golden moments in their long association with Britain's most successful composer of musicals. Elaine Paige in big frocks and an even bigger voice delivers "Don't Cry for Me, Argentina" and "Memory" with her usual power; Michael Ball and Donny Osmond stretch the last vestiges of boyish charm to the very limits but still sound great; and Boyzone gets the youth vote. Then there are Kiri Te Kanawa, Bonnie Tyler, Tina Arena, and, of course, another encore for brother Julian Lloyd Webber and those Variations on the cello. But the stars are Sir Andrew's ex-wife Sarah Brightman in an outstanding selection from The Phantom of the Opera (probably his best work), Antonio Banderas (who really can sing), and Glenn Close, a stupendous, moving Norma Desmond in songs from Sunset Boulevard. All in all, a deserved celebration for someone who has given so many people a great deal of pleasure, and a treat for musicals fans of all ages. --Piers Ford

Sarah Brightman - Live from Las Vegas

Recorded in March 2004 at the MGM Grand in Las Vegas during Sarah Brightman's Harem World Tour, this new live CD and DVD (sold separately) demonstrates the musical seductress's penchant for fusing musical genres- musical theater, classical, rock and world music- and plays like a collection of greatest hits performed live. The DVD will be a double-disc containing the entire Las Vegas show on Disc 1 (approx. run time of 110 minutes). The show was filmed with 18 cameras and directed by world-renown David Mallet (projects include Cher, Celine Dion, Cirque du Soleil, and the Three Tenors). Disc 2 features more than 1 hour of bonus footage: The making of…, all access backstage footage, multiple angle views, photo gallery of 100+photos and an interactive Harem quiz with a special prize