By Performer

Vivere Live in Tuscany [DVD/CD]

CAPTURING BOCELLI S FIRST EVER CONCERT PERFORMANCE OF HIS MOST POPULAR SONGS FEATURING GUESTS CHRIS BOTTI KENNY G. LANG LANG SARAH BRIGHTMAN HEATHER HEADLEY and more.Last July on the slopes of Andrea Boceli s home town Lajatico a rural village in Tuscany a special theater was constructed for a one-night-only concert of his greatest popular hits along with new songs performed to honor the occasion. Some famous musical friends dropped by and the magical result is Andrea Bocelli Vivere Live in Tuscany.Format: DVD AUDIO Genre: MUSIC DVD/LIVE PERFORMANCES Artist: BOCELLIANDREA UPC: 602517602694 Manufacturer No: B0010669-50

Tchaikovsky - Eugene Onegin / Fleming, Vargas, Hvorostovsky, Gergiev, Carsen [Metropolitan Opera 2007]

This set, filmed at the Metropolitan Opera's February 2007 performances of Tchaikovsky's most popular opera, has just about everything going for it: an all-star cast in peak form, a great orchestra led by today's leading Russian conductor, and a striking stage production whose minimalist, often stark, sets manage to superbly suit this most Romantic of operas.

Drawn from Pushkin's classic, the opera tightly focuses on the story of Tatiana, a naive young girl who declares her love for a dashing rake (Onegin) who rejects her overtures. His arrogance surfaces leads to flirting with his best friend's fiancée and then to killing him in a duel. Plagued by remorse, a superficially reformed but still impossibly self-centered Onegin meets Tatiana at a ball, but now the childish country bumpkin is the glamorous wife of a Prince. He declares his love but she rejects him and leaves him alone, a solitary, tragic figure.

Renée Fleming's Tatiana is a triumph, her gorgeous soprano voice, intense acting and precise characterization make the complex young woman come alive. Her "Letter Scene," in which the singer must reveal the innermost thoughts of a confused soul, is as good as it gets, as Fleming fully reveals the young woman's joyous hopes of requited love and also her fears of rejection. In the final act, she's still attracted to the dashing Onegin but resolved to preserve her marriage. In the title role, Dmitri Hvorostovsky is her equal; his firm baritone fits the music like a velvet glove and his acting matches Fleming's in its intensity. He's especially fine in his last-act monologue, bursting with despair and passion. Tchaikovsky gave the work's most beautiful arias to Lenski, Onegin's friend. Ramon Vargas' mellifluous tenor is well-suited to the lyricism of Lenski's Act One love aria and to the poignant aria before his duel with Onegin. Lenski's anger at his friend in the ball scene is palpably menacing. As Olga, Tatiana's high-spirited sister and Lenski's fiancée, Elena Zaremba is fully up to the rest of the cast, her rich mezzo and pointed phrasing a strong point. Sergei Aleksaskin's Prince Gremin is a dignified presence, Larisa Schevchenko as Tatiana's old nurse is convincing, and the smaller roles are well sung and acted. Jean-Paul Fouchécourt is not only in excellent voice in the beautiful aria of Triquet, Tatiana's French tutor, but manages to invest his song with an apt touch of parody as well. Valery Gergiev's conducting is a major asset, and the MET Orchestra is in terrific form, with special kudos due to the soulful clarinet solos that are so important in the musical texture.

Producer Robert Carson imbues the work with Romantic glow and Michael Levine's spare sets are far more effective than one might think. The stage is strewn with leaves and framed by textured rods doing duty as birch trees in Act One; the ball scene similarly framed by a rectangle of chairs and side tables, both sets analogues for the character's imprisonment in their unbridled emotions. Video director Brian Large keeps his cameras well-focused on the action, to complete an Onegin that's the DVD version to get. --Dan Davis

Renée Fleming and Dmitri Hvorostovsky triumph in Tchaikovsky's operatic masterpiece Eugene Onegin, filmed live at the Metropolitan Opera. Their onstage chemistry, emotional singing and outstanding acting make this a very special production. Valery Gergiev, Russia's greatest living conductor, leads Russia's classic opera, with a thrilling account of Tchaikovsky's most intense and passionate score. Robert Carsen's evocative staging is striking and beautiful and highlights the personal drama at the heart of Pushkin's tragic tale of young love unrequited. The opera is introduced on this DVD by the great Russian dancer Mikhail Barishnikov. DVD extras include: Eugene Onegin "In Rehearsal," and "Backstage at The Met," a short documentary presented by Beverly Sills, who talks in person to Fleming and Hvorostovsky about the opera and their working relationship. Filmed in Hi-Definition Widescreen.

Sarah Brightman - Live from Las Vegas

Recorded in March 2004 at the MGM Grand in Las Vegas during Sarah Brightman's Harem World Tour, this new live CD and DVD (sold separately) demonstrates the musical seductress's penchant for fusing musical genres- musical theater, classical, rock and world music- and plays like a collection of greatest hits performed live. The DVD will be a double-disc containing the entire Las Vegas show on Disc 1 (approx. run time of 110 minutes). The show was filmed with 18 cameras and directed by world-renown David Mallet (projects include Cher, Celine Dion, Cirque du Soleil, and the Three Tenors). Disc 2 features more than 1 hour of bonus footage: The making of…, all access backstage footage, multiple angle views, photo gallery of 100+photos and an interactive Harem quiz with a special prize

Andrew Lloyd Webber - The Royal Albert Hall Celebration

In 1998 a concert at the Royal Albert Hall celebrated Sir Andrew Lloyd Webber's 50th birthday and featured more than two hours of hits from a body of work spanning almost three decades. In this keepsake of a memorable night, star after star steps on to a massive, Eurovision-style set to revisit golden moments in their long association with Britain's most successful composer of musicals. Elaine Paige in big frocks and an even bigger voice delivers "Don't Cry for Me, Argentina" and "Memory" with her usual power; Michael Ball and Donny Osmond stretch the last vestiges of boyish charm to the very limits but still sound great; and Boyzone gets the youth vote. Then there are Kiri Te Kanawa, Bonnie Tyler, Tina Arena, and, of course, another encore for brother Julian Lloyd Webber and those Variations on the cello. But the stars are Sir Andrew's ex-wife Sarah Brightman in an outstanding selection from The Phantom of the Opera (probably his best work), Antonio Banderas (who really can sing), and Glenn Close, a stupendous, moving Norma Desmond in songs from Sunset Boulevard. All in all, a deserved celebration for someone who has given so many people a great deal of pleasure, and a treat for musicals fans of all ages. --Piers Ford

Puccini - La Boheme / Pavarotti, Scotto, Niska, Wixell, Plishka, Levine, Metropolitan Opera

Puccini - Turandot / Franco Zeffirelli - Marton, Domingo, Mitchell, Plishka, Cuenod - James Levine, MET (1988)

The Berlin Concert - Live from Waldbuhne

Sparks fly in this video of the all-star concert from Berlin's equivalent of the Hollywood Bowl in July 2006, part of the World Cup festivities. The electricity is generated by the all-star trio of tenors Placido Domingo and Rolando Villazon and soprano Anna Netrebko in a program of operatic and vocal favorites. The crowd estimated at 20,000 eats it all up, and so will home viewers who'll relish the prospect of great singers performing great music.

Domingo is his usual self, still remarkable at an age when most tenors have called it quits. He sings with intensity and a voice undimmed by the passing of time. Domingo's duets with his partners are notable for his acute phrasing, the highlights being the first-act love duet from Verdi's Otello with Netrebko's gorgeous lyric Desdemona and the ravishing duet with Villazon from Bizet's The Pearlfishers, in which he takes on the baritone role. Netrebko seems slightly stiff at first but loosens up as the evening progresses, but she's in excellent voice, with luminous pianissimos most sopranos wish they could emulate. Her Puccini arias are beautifully sung, and she even offers a Franz Lehar aria and a charmingly accented duet, "Tonight," from West Side Story with Villazon. But if anyone can be said to steal the show it's Villazon, a singer in perpetual motion, who brings the house down with a version of Rossini's La Danza full of dash and brio. There's a lot more, from Spanish songs to arrangements of the Brindisi from La traviata and Lehar's featuring all three singers, with the tenors dividing their lines between to woo the soprano. These are part of the scintillating encore set--good fun that has the audience panting for more.

Expert accompaniments are by the Orchestra of the Deutschen Opera of Berlin under the baton of conductor Marco Armiliato, who also offers several well-shaped operatic overtures and intermezzos and joins in the fun during the unbuttoned encores. Too bad the video direction doesn't match the on-stage proceedings. The production team apparently suffers from camera nervosa, the cameras swooping above the scene, then to floor level, now up, now down, now in close-up, now in long shot, searching for novelty while distracting from the music. There are also misjudged cuts, jumps, and angles. This hyperactivity doesn't seriously mar enjoyment but it is a blemish on a terrific concert. --Dan Davis

Andrea Bocelli - Under the Desert Sky [CD Included]

Performed on a specially constructed floating stage in Lake Las Vegas a resort community 20 miles south of Las Vegas this historic performance captures Andrea Bocelli's first ever pop concert. Under the Desert Sky which co-stars Tony® winner Heather Headley (Elton John's Aida) represents a new era for the Tuscan-born singer. Spanish guitars flourish traditional Latin percussion seductively keeps the tempo accordions and harmonicas provide haunting ambience. Highlights include "Somos Novios" - Perry Como had a hit with it as "It's Impossible" - and "The Prayer" a duet with Heather Headley David Foster and Carole Bayer Sager's Oscar® nominated song from Quest for Camelot. Capping the program is a new song "Because We Believe" by David Foster with lyrics by Andrea Bocelli and Amy Foster Gillies which was written for and introduced at the 2006 Torino Winter Olympics.Disc 1 DVD1. Amapola2. Besame Mucho3. Somos Novios4. Canzoni Stonate5. Pero Te Extrano6. L'Appuntamento7. Estate8. September Morn9. Can't Help Falling In Love10. Mi Manchi11. Jurame12. Solamente Una Vez13. Les Feuilles Mortes (Autumn Leaves)14. Porque Tu Me Acostumbraste15. Cuando do Me Enamoro16. The Prayer17. Momentos18. Because We BelieveDisc 2 CD1. Besame Mucho - live2. Cuando Me Ennamoro - live3. Estate with Chris Botti - studio version4. September Morn - live5. Can't Help Falling in Love - studio duet with Katharine McPhee6. Canzoni Stonate - new studio edit with Stevie Wonder7. Momentos - live8. Somos Novios - live9. The Prayer - live duet with Heather HeadleyFormat: DVD MOVIE Genre: MUSIC DVD/CONCERTS Rating: NR UPC: 602517043060 Manufacturer No: B0007830-50

If music be the food of love, then Under the Desert Sky is an Italian feast. Andrea Bocelli performs live at the Lake Las Vegas resort for this DVD and bonus CD, featuring some of the world's greatest love songs. In straying from the largely classical repertoire that helped shoot Bocelli to stardom, he is able to take more contemporary material and give it the sheen of timelessness. Most of the selections are in Italian, Spanish, or French--Romance languages, naturally. Highlights include the swoon-inducing "Amapole," the pitch-perfect "Canzoni Stonate," and even a reverent "Can't Help Falling in Love." Through it all, Bocelli's relaxed, self-effacing manner and confident delivery make for an intimate concert experience. Bocelli is also backed by a terrific group of talented musicians, including pianist and executive producer David Foster. A real show-stopper: Bocelli's duet with the Tony-winning Aida singer Heather Headley; the blending of their voices suggests the duets of Aaron Neville and Linda Ronstadt at their most sublime. There's only one real clunker: "Besame Mucho," which is so innately cheeseball that trying to deliver it sincerely only makes it more cheesy. Included is a CD with nine tracks, including a different version of "Can't Help Falling in Love," with a duet by American Idol's Katherine McPhee, and a soulful "Canzoni Stonate" with Stevie Wonder. DVD extras include interviews with Bocelli, Foster, and others (be sure to turn on your subtitles manually if you're not an Italian speaker). That's amore! --A.T. Hurley

Verdi - La Traviata

This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character. Fleming is a great Violetta, and this DVD proves it.

She's blessed with Rolando Villazón as Alfredo. He brings fiery passion to the role of the impetuous lover, convincing in his anger at what he thinks is her betrayal, and in his regrets in their last-act deathbed reconciliation. His singing is on par with his acting, the voice ringing in climaxes, scaled down to sweet lyricism in the love scenes, husky, almost baritone-like in the more overtly dramatic scenes. As his father, Giorgio Germont, the veteran baritone Renato Bruson tends to mistake stiffness for authority and he's on the dry side vocally, lacking the colors that can make Germont's four-square arias interesting. The smaller parts are capably done and conductor James Conlon leads a thrilling, performance, shaping phrases idiomatically.

Stage director Marta Domingo's direction is firmly traditional, with sets and costumes by Giovanni Agostinucci that reflect the period. The first-act party scene in which we are introduced to the characters is imaginatively moved to the terrace of Violetta's house where the greenery, tables, and openness lend a fresh perspective to an opera that grows increasingly darker. By contrast, Flora's party, where Alfredo denounces the hapless Violetta, is draped in the red of demi-monde Paris. The big stage, so useful in the rest of the opera, tends to be too big for the intimate last act. Surely Violetta, down to her last 10 sous, should be in a more humble abode. The opening of this act also finds the only trace of directorial heavy-handedness. We all know the consumptive Violetta dies at the end, but Domingo places Fleming on a bier-like bed during the prelude and introduces a black-clad figure of Death who swoops into the scene. Fortunately, the rest of the act is free of such meaningless indulgences. Bryan Large's video direction is excellent too, always focused where it should be and without the excessive tight close-ups that distract from the singers by showing their tonsils. --Dan Davis

Opera superstars Renée Fleming and Rolando Villazón star in the sumptuous 2006 Los Angeles production of Verdi's tragic masterpiece, La Traviata. This performance was the highlight of James Conlon's much-anticipated inaugural season as the music director of Los Angeles Opera, a post that followed his impressive tenure at the Paris National Opera. The lavish production was filmed in Hi-Definition Widescreen to capture all of the excitement and drama on stage. Veteran Verdi baritone Renato Bruson rounds out this dynamic ensemble. Renée Fleming's heart-breaking portrayal of Violetta, as captured on this extraordinary DVD, has earned her rave reviews from press and Rolando Villazón returns to the role that made him an international powerhouse after his critically-acclaimed, soldout performances at the 2005 Salzburg Festival.

Three Tenors: In Concert