Amateur Sleuths

The Name of the Rose

Jean-Jacques Annaud's The Name of the Rose is a flawed attempt to adapt Umberto Eco's highly convoluted medieval bestseller for the screen, necessarily excising much of the esoterica that made the book so compelling. Still, what's left is a riveting whodunit set in a grimly and grimily realistic 14th-century Benedictine monastery populated by a parade of grotesque characters, all of whom spend their time lurking in dark places or scuttling, half-unseen, in the omnipresent gloom. A series of mysterious and gruesome deaths are somehow tied up with the unwelcome attention of the Inquisition, sent to root out suspected heretical behavior among the monastic scribes whose lives are dedicated to transcribing ancient manuscripts for their famous library, access to which is prevented by an ingenious maze-like layout.

Enter Sean Connery as investigator-monk William of Baskerville (the Sherlock Holmes connection made explicit in his name) and his naive young assistant Adso (a youthful Christian Slater). The Grand Inquisitor Bernado Gui (F. Murray Abraham) suspects devilry; but William and Adso, using Holmesian forensic techniques, uncover a much more human cause: the secrets of the library are being protected at a terrible cost. A fine international cast and the splendidly evocative location compensate for a screenplay that struggles to present Eco's multifaceted story even partially intact; Annaud's idiosyncratic direction complements the sinister, unsettling aura of the tale ideally. --Mark Walker

"The Name of the Rose" is a gothic medieval mystery thriller set in a 14th-century Italian monastery. Franciscan monk William of Baskerville (Sean Connery) and a young novice (Christian Slater) arrive for a conference to find that several monks have been murdered in mysterious circumstances. To solve the crimes, William must rise up against the Church authority and fight the shadowy conspiracy of monastery monks using only his wit and intelligence.

DVD Features:
Audio Commentary:Commentary by Director Jean-Jaques Annaud
Documentary:Vintage making-of documentary - The Abbey of Crime: Umberto Eco's "The Name of the Rose"
Featurette:All-new Photo Video Journey with Jean-Jacques Annaud
Scene Access
Theatrical Trailer

And Then There Were None

At first glance, René Clair might seem an odd match for Agatha Christie's mystery thriller Ten Little Indians, but his buoyant touch is exactly what is missing from so many overly solemn remakes. Ten strangers gather for a mysterious gathering on a secluded island. It turns out to be a farewell party, for they all have been sentenced to die for crimes in their past by a self-appointed judge, jury, and executioner who may be one of them. One by one, the guests are systematically dispatched in the manner described in the lyrics of the children's rhyme "Ten Little Indians," while the survivors nervously eye one another, splintering into tenuous alliances until the next murder throws suspicion on someone new. The terrific cast of character actors has a ball with Dudley Nichols's witty script. The flamboyant sparring of Barry Fitzgerald (whose paternal Irish lilt takes a sinister dimension) and Walter Huston is almost upstaged by Roland Young's deadpan drollery. Romantic leads Louis Hayward and June Duprez come off as arch and stiff in august company that includes a sinisterly detached Judith Anderson, a dotty and distracted C. Aubrey Smith, and a hilariously flippant Mischa Auer. The story has been remade numerous times under the title of Christie's novel, Ten Little Indians, but never as well. Clair's effervescent, lively little gem is a fatal drawing-room comedy with a body count and a surreal mood of doom. --Sean Axmaker

Ten people, strangers to each other, are invited to a lavish estate on an island. Through a recording, their mysterious host accuses each of his `guests' of murder and proceeds to exact `justice'. The tension mounts as, one by one, the number of people are reduced through the ingenious plotting of the unseen killer. Finally only two are left and each is uncertain as to weather or not the other is the murderer. A top cast of veteran performers bring the intricate twist of the plot to life. One of the most thrilling novels, climaxes at the spine tingling conclusion. Match wits with the script as you watch a thriller that has carved its own special niche in the realm of tales of suspense and mystery. Released by 20th Century Fox. Bonus Features: Bonus Classic Comedy Two-Reeler starring Leon Errol, Scene Selection, Actor Bios, Narrative track for the blind. Specs: DVD5; Dolby Digital Mono; 97 minutes; B&W; 1.33:1 Aspect Ratio; MPAA - NR; Year -1945.

Blow Up

Taking photographs of a couple making love proves deadly when the photographer enlarges the image and discovers murder. The film and pictures are stolen from his studio and the body vanishes. In this elegant balance of deciet and trickery the photographer must question the reality of what he has actually seen.Running Time: 111 min.Format: DVD MOVIE Genre: DRAMA UPC: 012569513525

This 1966 masterpiece by Michelangelo Antonioni (The Passenger) is set in the heady atmosphere of Swinging London, and stars David Hemmings as an unsmiling fashion photographer hooked on ephemeral meaning attached to anything: art, sex, work, relationships, drugs, events. When a real mystery falls into his lap, he probes the evidence for some reliable truth, but finds it hard to reckon with. Vanessa Redgrave plays an enigmatic woman whose desperation to cover something up only seems like one more phenomenon in Hemmings's disinterested purview. This is one of the key films of the decade, and still an unsettling and lasting experience. --Tom Keogh

Young Sherlock Holmes

This 1985 adventure directed by Barry Levinson (Rain Man) and written by Chris Columbus (Gremlins) may not have much to do with the Sherlock Holmes of Arthur Conan Doyle's invention. But it is a delightful and somewhat unexpected combination of exciting elements: Victorian-era, foggy-London mystique, Gothic horror, and Indiana Jones-like exotica. Nicholas Rowe plays Holmes as a schoolboy at a boarding academy for young men. Paired with the owlish, reticent young Watson (Alan Cox), Holmes embarks on the solution of a mystery that involves a hallucinatory and lethal drug, and a religious cult celebrating ancient Egyptian rites of mummification. Levinson makes handsome and crisp work of this Steven Spielberg production, without a trace of the treacle that often found its way into other Spielbergian projects at the time (The Goonies). Rowe is wonderfully convincing as a teen incarnation of the Great Detective, and while Cox mostly maintains Hollywood's traditionally unflattering idea of Watson, he does bring warmth and comedy to the role. The cast includes Freddie Jones as an eccentric inventor, Anthony Higgins as the villain, and Sophie Ward as Holmes's love interest. --Tom Keogh

Identity

What if every choice we ever make was already made for us? What if there really were no coincidences in life and our destinies were already predetermined? Ten strangers with secrets are brought together in a savage rainstorm: A limo driver (John Cusack) an '80s TV star (Rebecca DeMornay) a cop (Ray Liotta) who is transporting a killer (Jake Busey) a call girl (Amanda Peet) a pair of newlyweds (Clea DuVall and William Lee Scott) and a family in crisis (John C. McGinley Leila Kenzle Bret Loehr) all take shelter at a desolate motel run by a nervous night manager (John Hawkes). Relief in finding shelter is quickly replaced with fear as the ten travelers begin to die one by one. They soon realize that if they are to survive they'll have to uncover the secret that has brought them all together.System Requirements:Running Time: 90 Min.Format: DVD MOVIE Genre: MYSTERY/SUSPENSE Rating: R UPC: 043396005396 Manufacturer No: 00539

With an ace up its sleeve, Identity does for schizophrenia what The Silence of the Lambs did for fava beans and a nice chianti. On the proverbial dark and stormy night, this anxiety-laced thriller offers a tasty blend of And Then There Were None and Psycho, with a dash of Sybil for extra spice and psychosis. Things go from bad to worse when 10 unrelated travelers converge at an isolated motel and proceed to die, one by one, with no apparent connection... until they discover the common detail that's drawn them into this nightmare of relentless trauma. Even as it flunks Abnormal Psychology 101, Michael Cooney's screenplay offers meaty material for a superior ensemble cast including John Cusack and Rebecca DeMornay (who wins the Janet Leigh prize in a bitchy comeback role). Director James Mangold pivots the action around one character (played by his Heavy star, Pruitt Taylor Vince, in eye-twitching cuckoo mode), and half the fun of Identity comes from deciphering who's who, what's what, and who'll be the next to die. --Jeff Shannon

Conspiracy Theory

What is it about director Richard Donner that Mel Gibson enjoys so much that he's appeared in five of Donner's films? Is it the on-set pranks? Could it be the big-budget perks and $20-million paychecks? Or is it just a well-stocked catering table? Whatever the case, the Lethal Weapon star and director teamed up again, along with fellow superstar Julia Roberts, for this typically glossy, entertaining but ultimately hokey thriller. Gibson plays New York cab driver Jerry Fletcher, whose wacky belief in conspiracies finally hits on a coincidental truth involving an evil figure named Jonas (Patrick Stewart) and a secret program of government-funded mind control. Roberts plays the Justice Department attorney who finally believes in Jerry's paranoid ramblings. With a plot (from LA. Confidential cowriter Brian Helgeland) that's a lot of fun as long as you don't think about it too critically, Conspiracy Theory benefits immeasurably from the charisma of its high-magnitude stars. --Jeff Shannon

Smilla's Sense of Snow

Based on a much-praised 1992 bestseller by Peter Hoeg, Smilla's Sense of Snow is a film of moody power and boundless mystery in its first half, but it becomes an overblown, conspiracy-laden schlock thriller in its second. Julia Ormond stars as the half-Inuit, Greenland native of Hoeg's book, a loner who is supported by an emotionally ambivalent father (Robert Loggia) in Copenhagen. Apparently perceived as a troublemaker who sees secret plots everywhere, Smilla finds herself largely alone in an effort to discover what really happened to a six-year-old Inuit boy who fell (or jumped) off the roof of her apartment building. Somewhat aided by an ambiguous neighbor (Gabriel Byrne), Smilla investigates a connection between the child's death and the misdeeds of a mining company, a story hook that conveniently ratchets up the action but quickly dissipates the more compelling, introspective intrigue of the film's beginning. Ormond is fascinating, somehow more beautiful than usual through her emphasis of her character's destabilizing conflicts (isolation and a possibly unhinged intelligence). But she isn't done any favors by an unreliable script or by the usually superb Danish director Bille August's chronic problems working in English-language films (including his disastrous The House of the Spirits). The DVD edition of this film includes an original theatrical trailer and a short feature on the making of the production. --Tom Keogh

Based on the best-selling novel this gripping, suspenseful thriller about a headstrong woman who uses her uncanny knowledge of ice and snow to unravel a taut web of lies and intrigue. When her six-year old neighbor falls from a snow covered roof, Smilla suspects the boys death was no accident. Together with a mysterious lover, who holds secrets of his own, she defies local authorities and begins a dangerous game of cat-and-mouse in an effort to uncover the truth.

Masterpiece Theatre - Painted Lady (1997)

Helen Mirren (Prime Suspect The Clearing) stars in this compelling murder-mystery set amid the murky underworld of illegal art trade.Maggie Sheridan (Mirren) once one of the most famous blues voices of her generation lost decades of her life to drinking and hard-living. After a failed suicide attempt she was taken in by Sir Charles Stafford (Iain Cuthbertson Antonia and Jane) and his son Sebastian (Iain Glen Tomb Raider). She has lived quietly on their Irish estate for ten years. But one summer evening her peaceful life is shattered when Sir Charles is brutally murdered and a valuable sixteenth century painting is stolen. The painting is one of several disturbing pictures sent to Sir Charles marking the major events in his life.Maggie is convinced that the stolen painting holds the key to Sir Charles' death and decides to track it down. Meanwhile Sebastian uncovers a terrible secret with horrific consequences.Special DVD features include:link to the Masterpiece Theatre Web site scene selections and closed captions.System Requirements: Running Time 204 MinFormat: DVD MOVIE Genre: MYSTERY/SUSPENSE Rating: NR UPC: 783421338395 Manufacturer No: WG33839

Rear Window (Collector's Edition)

Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: both its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbors. Cheerful voyeurism, as well as the behavior glimpsed among the various tenants, affords a droll comic atmosphere that gradually darkens when he sees clues to what may be a murder.

Photographer L.B. "Jeff" Jeffries (James Stewart) is, in fact, a voyeur by trade, a professional photographer sidelined by an accident while on assignment. His immersion in the human drama (and comedy) visible from his window is a by-product of boredom, underlined by the disapproval of his girlfriend, Lisa (Grace Kelly), and a wisecracking visiting nurse (Thelma Ritter). Yet when the invalid wife of Lars Thorwald (Raymond Burr) disappears, Jeff enlists the two women to help him to determine whether she's really left town, as Thorwald insists, or been murdered.

Hitchcock scholar Donald Spoto convincingly argues that the crime at the center of this mystery is the MacGuffin--a mere pretext--in a film that's more interested in the implications of Jeff's sentinel perspective. We actually learn more about the lives of the other neighbors (given generic names by Jeff, even as he's drawn into their lives) he, and we, watch undetected than we do the putative murderer and his victim. Jeff's evident fear of intimacy and commitment with the elegant, adoring Lisa provides the other vital thread to the script, one woven not only into the couple's own relationship, but reflected and even commented upon through the various neighbors' lives.

At minimum, Hitchcock's skill at making us accomplices to Jeff's spying, coupled with an ingenious escalation of suspense as the teasingly vague evidence coalesces into ominous proof, deliver a superb thriller spiked with droll humor, right up to its nail-biting, nightmarish climax. At deeper levels, however, Rear Window plumbs issues of moral responsibility and emotional honesty, while offering further proof (were any needed) of the director's brilliance as a visual storyteller. --Sam Sutherland

Tower of Terror

Kirsten Dunst stars as plucky teen niece to Steve Guttenberg in this 1997 telefilm that sets out to provide background for one of Disney/MGM Studios' popular thrill-rides, the Twilight Zone Tower of Terror. Guttenberg plays Buzzy, a down-on-his-luck former journalist relegated to concocting stories for a Weekly World News-inspired tabloid. When an elderly woman approaches Buzzy with a compelling ghost story, he's persuaded to investigate. Dunst is Anna, who joins Buzzy in his search to find out the truth about the mysterious 1939 disappearance of five people--including a Shirley Temple-like child star--at the eerily abandoned Hollywood Tower Hotel. There are some scary segments, which may truly frighten sensitive younger viewers. Still, for older kids and adult viewers, Dunst's presence and a fairly fun story makes this an engaging film. (Ages 8 and older) --N.F. Mendoza

Big-screen stars Steve Guttenberg (THREE MEN AND A LITTLE LADY) and Kirsten Dunst (DROP DEAD GORGEOUS, CRAZY/BEAUTIFUL) encounter a host of haunts in this delightfully spooky mystery! Buzzy Crocker (Guttenberg) is a hard-luck photojournalist whose unexpected encounter with an old woman leads him to investigate an unexplained, decades-old disappearance. It seems that one Halloween night, many years ago, five partygoers vanished in the elevator of the Hollywood Tower Hotel ... and ever since, their ghosts have remained trapped inside the dilapidated old building! In an action-filled story that delivers creepy fun for everyone, Buzzy ultimately teams with his niece (Dunst) to solve the mystery while managing to save their lives and capture the biggest story of the year!