Sabotage and The Lodger
from Delta
As Germany infiltrates England with plans to blow up key installations, the Brits spare no effort to trap the Nazis before they can complete their mission. In The Lodger, evidence indicates that the new lodger may be the notorious Jack The Ripper.
Includes an intro by Tony Curtis and the trailer for Hitchcock's "Foreign Correspondent".
Menus: English • Spanish • Chinese • Japanese
Subtitles: Spanish • Chinese • Japanese
B&W/159 min.
Blackmail/Easy Virtue
from Delta
When Frank's job at Scotland Yard comes between them, Alice goes out on a date with another man, but as he attacks her, she kills him in self defense. In Easy Virtue, an innocent woman cannot escape her past.
Includes an intro by Tony Curtis and the trailer for Hitchcock's classic, "Rear Window".
Menus: English • Spanish • Chinese • Japanese
Subtitles: Spanish • Chinese • Japanese
B&W/164 min.
Juno and the Paycock/Blackmail
from Whirlwind Media
The Farmer's Wife
by Alfred Hitchcock
from Delta
Essentially a one-joke story line based on Eden Philpotts's comic play, the 1928 silent film The Farmer's Wife makes up for its lack of substantive material with a noticeable leap in Alfred Hitchcock's cinematic skills. Jameson Thomas stars as a rustic farmer named Sweetland whose recently deceased wife has left a hole in his home and life. The subsequent marriage of his daughter inspires Sweetland to contemplate the altar again, and he enlists the aid of his lovely housekeeper, Minta (Lillian Hall-Davies), to draw up a list of available if ill-considered candidates. One by one, Sweetland proposes to the ladies and is rebuffed, then huffs his way home to a warm reception by the woman he should obviously be with: Minta. In almost anyone else's hands, this slight and silly tale would instantly evaporate, but Hitchcock takes it as an opportunity to make a lively, good-looking film full of delightful transitions (this is the kind of movie where a wordless exchanged glance leads us from one world and into another), at least one early experiment with a rapid dolly shot (all roads lead to Vertigo, don't you know), and a remarkable amount of suggestively grim humor. One paving stone on the path to Hitchcock's full, brilliant career, The Farmer's Wife reveals a great talent still growing. Tom Keogh
The Manxman
by Alfred Hitchcock
from Delta
Alfred Hitchcock's 1929 remake of the 1916 U.K. drama The Manxman is no picnic: lives are destroyed, careers ruined, and hopes dashed. One of the director's harshest works, this silent film concerns two old school chums on the Isle of Man, Pete (Carl Brisson) and Phil (Malcolm Keen), who both love the same woman, Kate (Anny Ondra). Phil has been reared and educated to become an aristocrat--a successful lawyer and eventual judge. Pete, by contrast, is happy as a fisherman but cannot win Kate until he earns his fortune. (He also doesn't know how Phil really feels about his girl.) When word comes that Pete has died overseas, Phil and Kate consummate their passion, only to find that the news of their friend's demise has been greatly exaggerated. What follows is a doomed effort by the lovers to paper over what they've done: Pete marries Kate, all right, but Kate and Phil's deception not only doesn't go away, it just gets deeper. Hitchcock explores, though not too subtly, his developing preoccupation with shared guilt and secret selves, and he layers in strong hints of ever-deepening motivation behind so much self-destruction. (A suggestion that blue-blooded Phil is really using the barmaid Kate as a shield against his destiny is not only provocative but amplifies the tragedy.) Much of the film is set-bound, but there are also astonishing moments of Hitchcock working out early versions of visual ideas fulfilled up to 30 years later in such films as North by Northwest and Psycho. --Tom Keogh
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