Disaster Films

When Worlds Collide

Winner of the 1951 Academy Award for Best Special Effects, this science fiction extravaganza set a new standard for the realistic depiction of cinematic disasters. Of course, it's a quaint curiosity by today's technological standards, but as produced by visual effects pioneer George Pal, this story of Earth's collision with a runaway star is still a dazzling example of screen sci-fi from the '50s, when special effects were entering a new stage of advancement. Despite scientists' warnings about the star's destructive potential, government officials refuse to take action that could cause international panic, but a consortium of private industrialists prepare for the worst by building a gigantic spaceship--an ark for humanity to begin life anew on a distant planet. Who will be chosen to go, and who left behind? As earthquakes roar and massive tidal waves devastate entire cities, the huge rocket prepares for take-off from its miles-long launching ramp--ready to abandon the shattered Earth! Although it's more enjoyable now as a cinematic museum piece, When Worlds Collide remains a milestone of its kind, leading the way for many more screen disasters that followed this movie's still-worthy example. --Jeff Shannon

The Abyss (Special Edition)

A nuclear sub is lost in a deep chasm, and the Navy commandeers the civilian crew of an experimental deep sea oil rig to help in the search and rescue.
Genre: Feature Film-Action/Adventure
Rating: UN
Release Date: 1-JUN-2004
Media Type: DVD

Meticulously crafted but also ponderous and predictable, James Cameron's 1989 deep-sea close-encounter epic reaffirms one of the oldest first principles of cinema: everything moves a lot more slowly underwater. Ed Harris and Mary Elizabeth Mastrantonio, as formerly married petroleum engineers who still have some "issues" to work out, are drafted to assist a gung-ho Navy SEAL (Michael Biehn) with a top-secret recovery operation: a nuclear sub has been ambushed and sunk, under mysterious circumstances, in some of the deepest waters on earth, and the petro-techies have the only submersible craft capable of diving down that far. Every image and every performance is painstakingly sharp and detailed (and the computerized water creatures are lovely) but the movie's lumbering pace is ultimately lethal. It's the audience that ends up feeling waterlogged. For a guy who likes guns as much as Cameron (his next film after all, was the body-count masterpiece Terminator 2: Judgment Day), it's interesting that the moral balance here is weighted heavily in favor of the can-do engineers; the military types are end-justifies-the-means amoralists, just like the weasely government bureaucrats in Aliens. --David Chute

The Postman

Falling from the Oscar-winning glory of Dances with Wolves to the opposite end of the critical and box-office scale, Kevin Costner must have been deeply humbled when this three-hour postapocalyptic tale--his sophomore effort as a director--was greeted with a critical thrashing and tepid audience response. One of the most conspicuous flops of its decade, the 1997 release must have seemed like a sure thing on paper: a kind of futurist Western starring Costner as a charismatic drifter-turned-hero who leads the resistance against a military tyrant (Will Patton) by reviving the long-dormant postal system to reunite isolated communities in their fight for freedom. The movie bombed, but, like many audacious failures, it's got qualities that make it at least partially endearing, and its earnestness (although bordering on corny) keeps it from being entirely silly. Faint praise, perhaps, but Costner's ode to patriotism is occasionally stirring and visually impressive. The dual-layered, widescreen DVD includes a documentary segment about the creation of the film's special effects sequences, featuring a running commentary by the special effects creators. --Jeff Shannon

Deep Impact (Special Collector's Edition)

A great big rock hits the earth, and lots of people die. That's pretty much all there is to it, and most of that was in the trailer. Can a major Hollywood movie really squeak by with such a slender excuse for a premise? The old disaster-movie king, cheese-meister Irwin Allen (The Poseidon Adventure, Earthquake), would have made a kitsch classic out of this, with Charlton Heston, rather than a resigned and mumbly Robert Duvall, as the veteran astronaut who risks several lives trying to blow up the comet that's headed right this way! As stiffly directed by Mimi Leder, this thick slice of ham errs on the side of solemnity. It may the be most earnest end-of-the-world picture since Stanley Kramer's atomic-doom drama On the Beach. There are a couple of classic melodramatic flourishes: an estranged father and daughter who share a tearful reconciliation as a Godzilla-sized tidal wave looms on the horizon; and an astronaut, communicating on video with his loved ones back on Earth, who follows whispered instructions from a buddy lurking just off camera--so that his little boy won't realize that he's been struck blind. With Morgan Freeman as the president of the United States. --David Chute

In DEEP IMPACT, Leo Beiderman (Elijah Wood), joins a field study for his high school's Astronomy Club and discovers a new comet that unfortunately is headed for Earth. While scientists build a cave to prevent the extinction of the human race, they estimate that only 800,000 people can be selected to survive the "Deep Impact." The threat of a comet ending the world quickly sends Americans into a panic until the president announces a plan to send astronauts on a mission to destroy the comet before it reaches earth.

On the Beach

Stanley Kramer's 1959 antiwar movie looks like everything Kramer did: subtle as a car wreck but undeniably affecting. Gregory Peck plays a submarine commander looking for survivors in Australia after a nuclear holocaust. Ava Gardner is among them and, somewhat improbably under the circumstances, becomes his love interest. Fred Astaire and Anthony Perkins are among the characters awaiting death from the gradual spread of radiation from the north. One might scoff at Kramer's implicit finger-wagging about nuclear politics in this mad, mad, mad, mad world, but it is hard to stop watching this compelling drama all the same. --Tom Keogh

The war is over. Nobody won. Only the inhabitants of Australia and the men of the US submarine Sawfish have escaped the nuclear destruction and radiation. Captain Dwight Towers (Gregory Peck) takes the Sawfish on a mission to see if an approaching radiation cloud has weakened, but returns with grim news: the cloud is lethal. With the days and hours dwindling, each person confronts the grim situation in his or her own way. One (Fred Astaire) realizes a lifetime Grand Prix ambition,another (Ava Gardner) reaches out for a chance at love. The final chapter of human history is coming to a close... From acclaimed director Stanley Kramer (The Defiant Ones, Inheritthe Wind) and screenwriter John Paxton comes this spectacular movie landmarka film masterpiece with a message that will resonate as long as the world has the power to self-destruct at its own fingertips.

Waterworld

Let's be honest: this 1995 epic isn't nearly as bad as its negative publicity led us to expect. At the time it was the most expensive Hollywood production in history (it had a Titanic-sized $200 million budget), and the film arrived in theaters with so much controversy and negative gossip that it was an easy target for ridicule. The movie itself, a flawed but enjoyable post-apocalypse thriller, deserves better. Waterworld stars Kevin Costner as the Mariner, a lone maverick with gills and webbed feet who navigates the endless seas of Earth after the complete melting of the polar ice caps. The Mariner has been caged like a criminal when he's freed by Helen (Jeanne Tripplehorn) and enlisted to help her and a young girl (Tina Majorino) escape from the Smokers, a group of renegade terrorists led by Dennis Hopper in yet another memorably villainous role. It is too bad the predictable script isn't more intelligent, but as a companion piece to The Road Warrior, this seafaring stunt-fest is adequately impressive. --Jeff Shannon

The Day After

The countdown has begun! Against the real-life backdrop of the US deployment of WMDs in Europe during the escalating cold war this dramatically involving [and] agonizingly graphic film (The Hollywood Reporter) about nuclear holocaust detonated a direct hit into the heartland of America. Starring Jason Robards JoBeth Williams Steven Guttenberg John Cullum and John Lithgow this controversial potent drama (Leonard Maltin) remains one of the most talked-about programs in history (Newsweek)! When cold-war tensions reach the ultimate boiling point the inhabitants of a small town in Kansas learn along with the rest of America that they have less than 30 minutes before 300 Soviet warheads begin to appear overhead! Can anyone survive this ultimate nightmare or the nuclear winter that is sure to follow?System Requirements: Running Time 127 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 027616911254 Manufacturer No: 1006987

Few American movies have dealt as graphically with nuclear holocaust as The Day After, which accounted for the controversy that surrounded the telefilm at the time of its initial network broadcast. In previous films, nuclear warfare was a matter for crusading politicians or military might, but here, both are kept in the background (the airman played by William Allen Young is more concerned with returning to his new wife than his duties) and the focus is fixed firmly on middle America--literally so, as the setting is Lawrence, Kansas, the near-center of the country. Audiences are briefly introduced to a representative cross-section of American life, including a doctor (Jason Robards), a young bride-to-be (Lori Lethin), a graduate student (Steve Guttenberg), and an academic (John Lithgow), before the Bomb hits nearby Kansas City. The ensuing destruction is utterly horrific, but a few manage to survive to struggle vainly with rising radiation levels and the slow, inevitable collapse of society. As a protest vehicle, The Day After is a triumph--its scenes of nuclear devastation remain the most powerful statements against nuclear armament ever depicted. It's buoyed by strong direction from Nicholas Meyer, who previously specialized in fantasy (Time After Time), and a capable cast who weather the material with grim determination. Edward Hume's script occasionally stumbles into sudsy territory, but the end result compares with equally moving British efforts like The War Game and Threads. The original network broadcast ran 120 minutes (edited from three hours); this is the 126-minute European theatrical cut. --Paul Gaita

A Boy & His Dog

Closely adapted from the acclaimed novella by Harlan Ellison, this postapocalyptic black comedy has emerged as a cult favorite since its release in 1975, when Don Johnson was a relative unknown and still years away from TV stardom on Miami Vice. Here Johnson plays a young, libidinous loner named Vic who roams the postnuclear wasteland with his loyal dog, Blood, a remarkable hound with keen intelligence and the ability to telepathically communicate with his less-intelligent master. It's survival of the fittest, so food and sex are Vic's highest priorities, and he gets plenty of both when recruited into a mysterious underground society in desperate need of young fertile males. While Blood must fend for himself on the unfriendly surface, Vic realizes that he's an exploited prisoner and must escape to return to the canine friend he left behind. Thanks in large part to the sly wit of Blood (whose sarcastic voice is splendidly provided by Tim McIntire), this clever and disturbing film readily earns its lasting reputation as a low-budget classic, and features a funny yet chilling supporting role for Jason Robards Jr. --Jeff Shannon

A BOY AND HIS DOG is a wild, kinky and darkly hilarious cinematic adventure, a cult classic for almost 30 years and an inspiration for an era of sci-fi films, including the Mad Max movies. Based on the Nebula winning novella by Harlan Ellison and directed by L. Q. Jones, it stars Don Johnson, Jason Robards and Susanne Benton.

Set in the year 2024 in Post-Apocalyptic America, 18-year old Vic (Johnson) and his telepathic dog Blood (voiced by Tim McIntyre) are happy scavengers in the desolate wilderness ravaged by World War Four, where survivors must battle for food, shelter, and sexual companionship in the desert-like wasteland. Vic and Blood eke out a meager existence, foraging for food and fighting gangs of cutthroats. When they find a woman named Quilla Jones (Benton), she lures Vic into a bizarre underground city, where he is to be used against his will to impregnate dozens of young ladies!

The Day the Earth Caught Fire

After the US and Soviets explode nuclear devices simultaneously, the Earth gets knocked off its axis.
Genre: Science Fiction
Rating: UN
Release Date: 8-JUN-2004
Media Type: DVD

Despite its melodramatic title, which carried on a '50s doomsday naming convention, this taut 1961 English science fiction thriller offers an object lesson in the power of story over special effects. When both the Soviets and the West detonate nuclear tests simultaneously, the seismic double whammy jolts the earth off its axis and onto a new orbit sending it fatally closer to the sun--a fate that writer-director-producer Val Guest views from the street-level perspective of its principal characters, rather than an off-world vantage point. The street in question, however, is London's Fleet Street, the venerable hub of its newspaper and tabloid publishers, and the hard-nosed reporters growing realization that their number is up carries its own stark punch. Edward Judd is Peter Stenning, a rugged, appropriately grim reporter, Leo McKern is tough but compassionate editor Bill Maguire, and Janet Munro is Stenning's love interest, in an elfin, sexy turn that's a striking contrast to her best-known turn in Disney's Darby O'Gill and the Little People. With an effects arsenal that consists largely of a spray bottle to apply beads of "sweat," Guest and his small but crack cast are surprisingly effective, and the cold war plot hook still works, thanks to its uncomfortable proximity to more contemporary environmental terrors. --Sam Sutherland

The Core (Widescreen Edition)

Smarter than Armageddon and equally extreme, The Core is high-tech Hollywood hokum at its finest. It's scientifically ridiculous, but this variant of Fantastic Voyage at least tries to be credible as it plunges deep into the earth's inner core, where a formulaic team of experts pilot an earth-boring ship to jump-start the planet's spinning molten interior, now stalled by a military secret that could seal the fate of all humankind. It's a geophysicist's wet dream that only a fine ensemble cast could rescue from absurdity, and director Jon Amiel (Entrapment, Copycat) draws excellent work (and plenty of humorous interplay) from Aaron Eckhart, Hilary Swank, Stanley Tucci, Delroy Lindo, and a host of memorable supporting players, especially The New Guy's D.J. Qualls as the world's greatest cyber-nerd. With enough digital F/X disasters to satisfy anyone's apocalyptic fantasies, this is a popcorn thriller with all the bells and whistles that its genre demands. Sit back, pump up the volume, and enjoy the dazzling ride. --Jeff Shannon