Sea Adventures

The Abyss (Special Edition)

Meticulously crafted but also ponderous and predictable, James Cameron's 1989 deep-sea close-encounter epic reaffirms one of the oldest first principles of cinema: everything moves a lot more slowly underwater. Ed Harris and Mary Elizabeth Mastrantonio, as formerly married petroleum engineers who still have some "issues" to work out, are drafted to assist a gung-ho Navy SEAL (Michael Biehn) with a top-secret recovery operation: a nuclear sub has been ambushed and sunk, under mysterious circumstances, in some of the deepest waters on earth, and the petro-techies have the only submersible craft capable of diving down that far. Every image and every performance is painstakingly sharp and detailed (and the computerized water creatures are lovely) but the movie's lumbering pace is ultimately lethal. It's the audience that ends up feeling waterlogged. For a guy who likes guns as much as Cameron (his next film after all, was the body-count masterpiece Terminator 2: Judgment Day), it's interesting that the moral balance here is weighted heavily in favor of the can-do engineers; the military types are end-justifies-the-means amoralists, just like the weasely government bureaucrats in Aliens. --David Chute

A nuclear sub is lost in a deep chasm, and the Navy commandeers the civilian crew of an experimental deep sea oil rig to help in the search and rescue.
Genre: Feature Film-Action/Adventure
Rating: UN
Release Date: 1-JUN-2004
Media Type: DVD

Atlantis - The Lost Empire

The Disney Studio was built on innovation in animation, so it seems ironic that Atlantis is both a bold departure and highly derivative, borrowing heavily from anime, video games, and graphic novels. Instead of songs and fuzzy little animals, the artists offer an action-adventure set in 1914: nerdy linguist Milo Thatch (Michael J. Fox) believes he's found the location of the legendary Lost Continent. An eccentric zillionaire sends Milo out to test his hypothesis with an anachronistic crew that includes tough Puerto Rican mechanic Audrey (Jacqueline Obradors), demolition expert Vinnie (Don Novello), and butt-kicking blond adventurer Helga (Claudia Christian). When they find Atlantis, its culture is dying because the people can no longer read the runes that explain their mysterious power source--but Milo can. Nasty Commander Rourke (James Garner) attempts to steal that power source, leading to the requisite all-out battle.

Atlantis offers some nifty battle scenes, including an attack on a Jules Verne-esque submarine by a giant robotic trilobite and fishlike flying cars. But the film suffers from major story problems. If Princess Kida (Cree Summer) remembers her civilization at its height, why can't she read the runes? Why doesn't Milo's crew notice that the Atlanteans live for centuries? The angular designs are based on the work of comic book artist Mike Mignola (Hellboy), and the artists struggle with the characters' stubby hands, skinny limbs, and pointed jaws. The result is a film that will appeal more to 10-year-old boys than to family audiences.

Suitable for ages 8 and up: violence, scary imagery, tobacco use, and a difficult-to-follow story. --Charles Solomon

From the creative team who brought you THE LION KING and BEAUTY AND THE BEAST comes an exciting quest of adventure and discovery. Join the expedition and search below the sea for one of the greatest mysteries of all time ... ATLANTIS: THE LOST EMPIRE. The world's most highly qualified crew of archaeologists and explorers are led by historian Milo Thatch as they board the incredible 1,000-foot submarine Ulysses and head deep into the mysteries of the sea. The underwater expedition takes an unexpected turn when the team's mission must switch from exploring Atlantis to protecting it. Filled with stunning visual effects, this captivating story is loaded with laughs and messages of friendship and teamwork. Dive into ATLANTIS: THE LOST EMPIRE -- it's an adventure your family will enjoy taking over and over again.

Waterworld

Let's be honest: this 1995 epic isn't nearly as bad as its negative publicity led us to expect. At the time it was the most expensive Hollywood production in history (it had a Titanic-sized $200 million budget), and the film arrived in theaters with so much controversy and negative gossip that it was an easy target for ridicule. The movie itself, a flawed but enjoyable post-apocalypse thriller, deserves better. Waterworld stars Kevin Costner as the Mariner, a lone maverick with gills and webbed feet who navigates the endless seas of Earth after the complete melting of the polar ice caps. The Mariner has been caged like a criminal when he's freed by Helen (Jeanne Tripplehorn) and enlisted to help her and a young girl (Tina Majorino) escape from the Smokers, a group of renegade terrorists led by Dennis Hopper in yet another memorably villainous role. It is too bad the predictable script isn't more intelligent, but as a companion piece to The Road Warrior, this seafaring stunt-fest is adequately impressive. --Jeff Shannon

Sphere

From yet another derivative science fiction novel by Michael Crichton comes this equally derivative and flaccid movie, in which three top Hollywood stars struggle to squeeze tension and excitement out of material that doesn't match their talents. You're supposed to find awe and mystery in Crichton's story about a team of scientists and scholars who discover a 300-year-old alien spacecraft deep on the ocean floor, but mostly you feel that this is all much ado about nothing. The exploration team consists of a psychologist (Dustin Hoffman), mathematician (Samuel L. Jackson), biochemist (Sharon Stone), and an astrophysicist (Liev Schreiber), and when they enter the alien ship they discover a mysterious sphere inside. What they don't know is that the sphere has the power to manipulate their thoughts and perceptions, and before long the scientists' undersea habitat is a veritable haunted house of frightening visions and creeping paranoia. Who can be trusted? What is the sphere's purpose, and why is it on the ocean floor? Sphere makes some attempt to answer these questions, but the film is a mess, and it leads to one of the most anticlimactic endings of any science fiction film ever made. There are moments of high intensity and psychological suspense, and the stellar cast works hard to boost the talky screenplay. But it's clear that this was a hurried production (Hoffman and director Barry Levinson made Wag the Dog during an extended production delay), and as a result Sphere looks and feels like a film that wasn't quite ready for the cameras. Though it's by no means a waste of time, it's undeniably disappointing. The special edition DVD includes audio commentary by Hoffman and Jackson and a behind-the-scenes featurette, Shaping the Sphere: The Art of the Special Effects Supervisor, exploring the alien ship's design and creation by special effects technicians. --Jeff Shannon

Atlantis: The Lost Empire (2-Disc Collector's Edition)

The Disney Studio was built on innovation in animation, so it seems ironic that Atlantis is both a bold departure and highly derivative, borrowing heavily from anime, video games, and graphic novels. Instead of songs and fuzzy little animals, the artists offer an action-adventure set in 1914: nerdy linguist Milo Thatch (Michael J. Fox) believes he's found the location of the legendary Lost Continent. An eccentric zillionaire sends Milo out to test his hypothesis with an anachronistic crew that includes tough Puerto Rican mechanic Audrey (Jacqueline Obradors), demolition expert Vinnie (Don Novello), and butt-kicking blond adventurer Helga (Claudia Christian). When they find Atlantis, its culture is dying because the people can no longer read the runes that explain their mysterious power source--but Milo can. Nasty Commander Rourke (James Garner) attempts to steal that power source, leading to the requisite all-out battle.

Atlantis offers some nifty battle scenes, including an attack on a Jules Verne-esque submarine by a giant robotic trilobite and fishlike flying cars. But the film suffers from major story problems. If Princess Kida (Cree Summer) remembers her civilization at its height, why can't she read the runes? Why doesn't Milo's crew notice that the Atlanteans live for centuries? The angular designs are based on the work of comic book artist Mike Mignola (Hellboy), and the artists struggle with the characters' stubby hands, skinny limbs, and pointed jaws. The result is a film that will appeal more to 10-year-old boys than to family audiences.

Suitable for ages 8 and up: violence, scary imagery, tobacco use, and a difficult-to-follow story. --Charles Solomon

Set your course for the ultimate undersea adventure of discovery and amazement in this state-of-the-art 2-Disc DVD Collector's Edition. Begin your journey by exploring the action-and-effects packed 2D/3D animated feature and awe-inspiring extras on Disc One. Navigate through stunning, never-before-seen bonus features on Disc Two using one of three exclusive viewing modes, a historic first from Disney! Loaded to capacity with technical wizardry, this special Collector's Edition of ATLANTIS: THE LOST EMPIRE sets a course as one of Disney's most exciting DVD creations ever. The journey awaits!

The Abyss (Full Screen Edition)

Meticulously crafted but also ponderous and predictable, James Cameron's 1989 deep-sea close-encounter epic reaffirms one of the oldest first principles of cinema: everything moves a lot more slowly underwater. Ed Harris and Mary Elizabeth Mastrantonio, as formerly married petroleum engineers who still have some "issues" to work out, are drafted to assist a gung-ho Navy SEAL (Michael Biehn) with a top-secret recovery operation: a nuclear sub has been ambushed and sunk, under mysterious circumstances, in some of the deepest waters on earth, and the petro-techies have the only submersible craft capable of diving down that far. Every image and every performance is painstakingly sharp and detailed (and the computerized water creatures are lovely) but the movie's lumbering pace is ultimately lethal. It's the audience that ends up feeling waterlogged. For a guy who likes guns as much as Cameron (his next film after all, was the body-count masterpiece Terminator 2: Judgment Day), it's interesting that the moral balance here is weighted heavily in favor of the can-do engineers; the military types are end-justifies-the-means amoralists, just like the weasely government bureaucrats in Aliens. --David Chute

The Abyss (Special Edition)

Meticulously crafted but also ponderous and predictable, James Cameron's 1989 deep-sea close-encounter epic reaffirms one of the oldest first principles of cinema: everything moves a lot more slowly underwater. Ed Harris and Mary Elizabeth Mastrantonio, as formerly married petroleum engineers who still have some "issues" to work out, are drafted to assist a gung-ho Navy SEAL (Michael Biehn) with a top-secret recovery operation: a nuclear sub has been ambushed and sunk, under mysterious circumstances, in some of the deepest waters on earth, and the petro-techies have the only submersible craft capable of diving down that far. Every image and every performance is painstakingly sharp and detailed (and the computerized water creatures are lovely) but the movie's lumbering pace is ultimately lethal. It's the audience that ends up feeling waterlogged. For a guy who likes guns as much as Cameron (his next film after all, was the body-count masterpiece Terminator 2: Judgment Day), it's interesting that the moral balance here is weighted heavily in favor of the can-do engineers; the military types are end-justifies-the-means amoralists, just like the weasely government bureaucrats in Aliens. --David Chute

20,000 Leagues Under the Sea

Released by Universal in 1916, "20,000 Leagues Under the Sea" was the first great special effects spectacular of early cinema. Based on the Jules Verne novel, the story concerns a team of scientists investigating a series of naval disturbances who find the culprit is the Nautilus, a submarine piloted by Captain Nemo, a hate-driven renegade seaman. Over a year-and-a-half in production, "20,000 Leagues Under the Sea" is a colorful recreation of Verne's science fiction classic.

War Gods of the Deep

Vincent Price and Tab Hunter star in this entertainingly silly adventure. Very, very loosely based on Edgar Allan Poe's "City in the Sea," War-Gods of the Deep starts off just right, with a stormy night and a huge old mansion by the sea. Before you know it, everyone is charging through secret passages and swimming around in enormous diving helmets. The plot zips along nicely, and the cast of pros knows just what to do with it. By this point in his career, Vincent Price could do tragic brooding menace with both hands tied behind his back, but he still puts his all into it like a champ. David Tomlinson also does a great job as half of a comic relief team--the other half being an uncredited chicken. This may not be a story for the ages, but it's not a bad way to spend an evening. -Ali Davis

Waterworld - DTS

Let's be honest: this 1995 epic isn't nearly as bad as its negative publicity led us to expect. At the time it was the most expensive Hollywood production in history (it had a Titanic-sized $200 million budget), and the film arrived in theaters with so much controversy and negative gossip that it was an easy target for ridicule. The movie itself, a flawed but enjoyable post-apocalypse thriller, deserves better. Waterworld stars Kevin Costner as the Mariner, a lone maverick with gills and webbed feet who navigates the endless seas of Earth after the complete melting of the polar ice caps. The Mariner has been caged like a criminal when he's freed by Helen (Jeanne Tripplehorn) and enlisted to help her and a young girl (Tina Majorino) escape from the Smokers, a group of renegade terrorists led by Dennis Hopper in yet another memorably villainous role. It is too bad the predictable script isn't more intelligent, but as a companion piece to The Road Warrior, this seafaring stunt-fest is adequately impressive. --Jeff Shannon