Classic Sci-Fi

Journey to the Center of the Earth

James Mason plays Professor Oliver Lindenbrook, a scientist hoping to find the world's core in this 1959 adaptation of the Jules Verne novel. He leads his unusual party on an expedition to the center of the earth, by way of a volcano in Iceland. On the way, they encounter enormous mushrooms and giant prehistoric monsters. Produced by Michael Todd with then-spectacular special effects, the story was modernized to 1950s sensibilities. Mason gives this class, while Arlene Dahl and Diane Baker are the romantic interests. And Pat Boone is more palatable than you might expect as a secondary lead. You can watch this with your children and not be bored, and they will surely love it. --Rochelle O'Gorman

The accent is on fun and fantasy in this film version of Jules Verne's classic thriller that stars James Mason, Pat Boone, and Arlene Dahl. With spectacular visuals as a backdrop, the story centers on an expedition led by Professor Lindenbrook (Mason) down into the earth's dark, threat-laden core. Members of the group include the professor's star student, Alec (Boone), and the widow (Dahl) of a colleague. Along the way lurk dangers such as kidnapping, death, sabotage by a rival explorer, and attacks by giant prehistoric reptiles. But they also encounter such magnificent wonders as a glistening cavern of quartz crystals, luminescent algae, a forest of giant mushrooms, and the lost city of Atlantis.

Remaining faithful to Verne's story, this is a sweeping adventure that offers enough thrills and entertainment to satisfy every explorer in the family.

The Day the Earth Stood Still

A hallmark of the science fiction genre as well as a wry commentary on the political climate of the 1950s, The Day the Earth Stood Still is a sci-fi movie less concerned with special effects than with a social parable. A spacecraft lands in Washington, D.C., carrying a humanoid messenger from another world (Michael Rennie) imparting a warning to the people of Earth to cease their violent behavior. But panic ensues as the messenger lands and is shot by a nervous soldier. His large robot companion destroys the Capitol as the messenger escapes the confines of the hospital. He moves in with a family as a boarder and blends into society to observe the full range of the human experience. Director Robert Wise (West Side Story) not only provides one of the most recognizable icons of the science fiction world in his depiction of the massive robot loyal to his master, but he avoids the obvious camp elements of the story to create a quiet and observant story highlighting both the good and the bad in human nature. --Robert Lane

Rennie stars as Klaatu, an advanced alien who comes to earth to put a stop to nuclear proliferation. With him comes his robot Gort. They are forced to use superpowers to get the attention of the scientists.
Genre: Science Fiction
Rating: G
Release Date: 2-MAR-2004
Media Type: DVD

Twilight Zone: The Complete Definitive Collection

All five seasons of the program hosted by Rod Serling featuring tales of the unexpected.
Genre: Television
Rating: NR
Release Date: 3-OCT-2006
Media Type: DVD

2001 - A Space Odyssey (Two-Disc Special Edition)

When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon

When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon

A space mission that could reveal man?s destiny is jeopardized by a malfunctioning shipboard computer. A dazzling journey that tops them all ? and showed the way for other effects-packed films that followed.

The War of the Worlds (Special Collector's Edition)

After the success of 1950's Destination Moon and 1951's When Worlds Collide, visionary producer George Pal brought the classic H.G. Wells story of a Martian invasion to the big screen, and it instantly became a science fiction classic and winner of the 1953 Academy Award for Best Special Effects. It's a work of frightening imagination, with its manta-ray spaceships armed with cobra-like probes that shoot a white-hot disintegration ray. As formations of alien ships continue to wreak destruction around the globe, the military is helpless to stop this enemy while scientists race to find an effective weapon. Gene Barry and Ann Robinson play the hero and heroine roles that were de rigueur for movies like this in the '50s, and their encounter with one of the Martians is as creepy today as it was in '53. It finally takes an unseen threat--simple Earth bacteria--to conquer the alien invaders, but not before War of the Worlds has provided a dazzling display of impressive special effects. As memorable for its sound effects as for its spectacular visions of destruction, this is a movie for the ages--the kind of spectacular that inspired little kids such as Steven Spielberg (not to mention Roland Emmerich and Dean Devlin, whose Independence Day cribs liberally from the plot) and still packs a punch. --Jeff Shannon

H.G. Wells' chilling novel of a Martian invasion of Earth becomes even more frightening in this 1952 film adaptation that's widely regarded as one of the greatest sci-fi movies of all time. An Oscar. winner for Best Special Effects, The War of the Worlds delivers eye-popping thrills, laser-hot action and unrelenting, edge-of-your-seat suspense. No one who has seen the film's depiction of the swan-shaped Martian machines-ticking and hissing menacingly as they cut their path of destruction-will ever forget their ominous impact.

When Worlds Collide

Winner of the 1951 Academy Award for Best Special Effects, this science fiction extravaganza set a new standard for the realistic depiction of cinematic disasters. Of course, it's a quaint curiosity by today's technological standards, but as produced by visual effects pioneer George Pal, this story of Earth's collision with a runaway star is still a dazzling example of screen sci-fi from the '50s, when special effects were entering a new stage of advancement. Despite scientists' warnings about the star's destructive potential, government officials refuse to take action that could cause international panic, but a consortium of private industrialists prepare for the worst by building a gigantic spaceship--an ark for humanity to begin life anew on a distant planet. Who will be chosen to go, and who left behind? As earthquakes roar and massive tidal waves devastate entire cities, the huge rocket prepares for take-off from its miles-long launching ramp--ready to abandon the shattered Earth! Although it's more enjoyable now as a cinematic museum piece, When Worlds Collide remains a milestone of its kind, leading the way for many more screen disasters that followed this movie's still-worthy example. --Jeff Shannon

20,000 Leagues Under The Sea (Special Edition)

The swashbuckler genre bumped into science fiction in 1954 for one of Hollywood's great entertainments. The Jules Verne story of adventure under the sea was Walt Disney's magnificent debut into live-action films. A professor (Paul Lukas) seeks the truth about a legendary sea monster in the years just after the Civil War. When his ship is sunk, he, his aide (Peter Lorre), and a harpoon master (Kirk Douglas) survive to discover that the monster is actually a metal submarine run by Captain Nemo (James Mason). Along with the rollicking adventure, it's fun to see the future technology that Verne dreamed up in his novel, including diving equipment and sea farming. The film's physical prowess is anchored by the Nautilus, an impressive full-scale gothic submarine complete with red carpet and pipe organ. In the era of big sets, 20,000 Leagues set a precedent for films shot on the water and deservedly won Oscars for art direction and special effects. Lost in the inventiveness of the film and great set pieces including a giant squid attack are two great performances. Mason is the perfect Nemo, taut and private, clothed in dark fabric that counters the Technicolor dreamboat that is the beaming red-and-white-stripe-shirted Kirk Douglas as the heroic Ned Land. The film works as peerless family adventure nearly half a century later. --Doug Thomas

Climb aboard the Nautilus ... and into a strange undersea world of spellbinding adventure! Kirk Douglas, Paul Lukas, and Peter Lorre star as shipwrecked survivors taken captive by the mysterious Captain Nemo, brilliantly portrayed by James Mason. Wavering between genius and madness, Nemo has launched a deadly crusade across the seven seas. But can the captive crew expose his evil plan before he destroys the world? Disney's brilliant Academy Award(R)-winning (1955, Best Art Direction and Best Special Effects) adaptation of Jules Verne's gripping tale makes 20,000 LEAGUES UNDER THE SEA a truly mesmerizing masterpiece!

Journey to the Far Side of the Sun

Sci-fi adventure and suspense has never been more exciting or intense as when you Journey to the Far Side of the Sun! One hundred years in the future two astronauts are sent to uncover the secrets of a "duplicate" Earth on the other side of the Sun. When they crash land three weeks earlier than they had planned they must embark on a life-or-death mission to determine whether they have arrived back home or on the strange mirror world. This imaginative space adventure offers a journey few will ever forget!

There's a sense of awe to the special effects work of animation specialists Gerry and Sylvia Anderson (Thunderbirds Are Go)--the slow, lovingly detailed introduction of a massive spaceship creeping out of dock and struggling against its bulk while trapped on the ground, and the almost balletic spectacle of the ship elegantly floating against an impressive star field or dramatically flying against the rugged landscape. These moments are the highlights of this sober science fiction thriller about the discovery of a planet on the far side of the sun in Earth's orbit. A mission is hastily put together, with British astrophysicist Ian Hendry teamed with hotshot American astronaut Roy Thinnes for the three-week trip, but when they suddenly crash-land the strange creatures that surround them are revealed to be human. Against all rational explanations they're back on Earth, but Thinnes suddenly discovers that everything is a mirror image of his existence: Through the Looking Glass by way of The Twilight Zone. Though it begins as a paranoid spy thriller set in the near future (the opening details an ingenious espionage caper featuring a very special eyepiece), it quickly turns into a serious and oddly unsettling space-race drama with a heady twist. Robert Parrish's direction is unusually aloof, but the film is always intriguing and well acted with gorgeous special effects that may rank second only to Stanley Kubrick's 2001 as the most elegant vision of outer space flight on film. --Sean Axmaker

The Time Machine

After scoring popular hits with When Worlds Collide and The War of the Worlds, special-effects pioneer George Pal returned to the visionary fiction of H.G. Wells to produce and direct this science-fiction classic from 1960. Wells's imaginative tale of time travel was published in 1895 and the movie is set in approximately the same period with Rod Taylor as a scientist whose magnificent time machine allows him to leap backward and forward in the annals of history. His adventures take him far into the future, where a meek and ineffectual race known as the Eloi have been forced to hide from the brutally monstrous Morlocks. As Taylor tests his daring invention, Oscar-winning special effects show us what the scientist sees: a cavalcade of sights and sounds as he races through time at varying speeds, from lava flows of ancient earth to the rise and fall of a towering future metropolis.

The movie's charm lies in its Victorian setting and the awe and wonder that carries over from Wells's classic story. The pioneering spirit of the movie is still enthralling, but it gets a bit silly when Taylor turns into a stock hero, rescuing a beautiful blonde Eloi (Yvette Mimieux) and battling with the chubby green Morlocks whose light-bulb eyes blink out when they die. Although it's quaint when compared to the special-effects marvels of the digital age, the movie's still highly entertaining and filled with a timeless sense of wonder. --Jeff Shannon

This Island Earth

Prepare to blast off from planet Earth in one of the most popular classic sci-fi films of all time! When atomic scientist Dr. Meacham (Rex Reason) is chosen to take part in a top-secret research experiment in a remote lab he quickly discovers that he is really involved in an evil scheme by alien Metalunans to take over Earth. After he and the gorgeous Dr. Adams (Faith Domergue) make their escape shortly before the lab explodes they are whisked away in a flying saucer to Metaluna where they are blamed for the destruction. Will interstellar negotiation save the day or will the scientists be forced to take part in a treacherous battle to the death? Featuring incredible special effects that were 2 1/2 years in the making this is one adventure that you have to see to believe!System Requirements:Running Time: 86 MinutesFormat: DVD MOVIE Genre: SCI-FI/FANTASY Rating: NR UPC: 025192013621 Manufacturer No: 20136

A mysterious, pilotless plane carries scientist Rex Reason to a colony of America's best and brightest minds. They've been kidnapped by a dying alien race, the Metalunians, to repair their defense shield before their enemies destroy their world completely, toiling under their spying eyes and futuristic security cameras (two-way TVs that dominate every room). Jeff Morrow, under a raised forehead, bronze tan, and snow-white hair, philosophizes as Exeter, the thoughtful Metalunian torn between his duty and his morals as he forces the plucky humans to labor in his race's defense. The moody mystery of the first half turns to pure pulp adventure when the humans are transported across the galaxy to the battle-scarred world of Metaluna, under the threatening watch of a monstrous bug-eyed monster with a giant brain for a head and massive claws for hands. There's a genuine sense of wonder to Joseph Newman's intergalactic adventure, one of the most ambitious science fiction films of the 1950s. The story is simple space opera, but the futuristic designs of glass and metal, the marvelous alien makeup, and grandstanding special effects invest the film with a Technicolor splendor. Faith Domergue co-stars as a nuclear physicist and Gilligan's Island's Russell Johnson makes his first professorial appearance as a scientist. Science fiction auteur Jack Arnold was an unbilled codirector. --Sean Axmaker