Fantastic Four (Widescreen Edition)
by Tim Story
from 20th Century Fox
Four astronauts obtain superpowers after exposure to cosmic radiation and set out to save the world and foil the plans of the evil Doctor Doom.
No Track Information Available
Media Type: DVD
Artist: EVANS/ALBA/CHIKLIS/GRUFFUDD/MCMAHON
Title: FANTASTIC FOUR
Street Release Date: 07/17/2007
Genre: ACTION / ADVENTURE
Marvel Comics' first family of superherodom, the Fantastic Four, hits the big screen in a light-hearted and funny adventure. It begins when down-on-his-luck genius Reed Richards (Ioan Gruffudd, Horatio Hornblower) has to enlist the financial and intellectual help from former schoolmate and rival Victor Von Doom (Julian McMahon, Nip/Tuck) in order to pursue outer-space research into human DNA. Also on the trip are Reed's best friend, Ben Grimm (Michael Chiklis, The Shield); his former lover, Sue Storm (Jessica Alba, Dark Angel, Sin City), who's now Doom's employee and love interest; and her hotshot-pilot brother, Johnny Storm (Chris Evans, Cellular). Things don't go as planned, of course, and the quartet becomes blessed--or is it cursed?--with superhuman powers: flexibility, brute strength, invisibility and projecting force fields, and bursting into flame. Meanwhile, Doom himself is undergoing a transformation.
Among the many entries in the comic-book-movie frenzy, Fantastic Four is refreshing because it doesn't take itself too seriously. Characterization isn't too deep, and the action is a bit sparse until the final reel (like most "first" superhero movies, it has to go through the "how did we get these powers and what we will do with them" churn). But it's a good-looking cast, and original comic-book cocreator Stan Lee makes his most significant Marvel-movie cameo yet, in a speaking role as the FF's steadfast postal carrier, Willie Lumpkin. Newcomers to superhero movies might find the idea of a family with flexibility, strength, invisibility, and force fields a retread of The Incredibles, but Pixar's animated film was very much a tribute to the FF and other heroes of the last 40 years. The irony is that while Fantastic Four is an enjoyable B-grade movie, it's the tribute, The Incredibles, that turned out to be a film for the ages. --David Horiuchi
On the DVD
The principal extra on the DVD is a spirited commentary track by Jessica Alba, Michael Chiklis, and Ioan Gruffud. Self-avowed FF fan Chiklis explains why the Thing doesn't have a craggy brow, Alba recalls which things were "cool," and they talk about looking forward to the sequel. There are three short deleted scenes (including a goofy Wolverine reference), 20 minutes of barely watchable hand-held video footage from the press tour, music videos, and some short featurettes including an appearance by FF creator Stan Lee. --David Horiuchi
The Fantastic Four at Amazon.com
![]() Comics and Graphic Novels | ![]() Disney animated series | ![]() The classic comic book |
![]() Movie tie-in graphic novel | ![]() The Xbox game | ![]() Fantastic Four Soundtrack |
The Fantastic Cast
![]() Jessica Alba as Sue Storm | ![]() Michael Chiklis as The Thing |
![]() Ioan Gruffudd as Reed Richards | ![]() Chris Evans as Johnny Storm |
Stills from Fantastic Four (click for larger images)
![]() | ![]() | ![]() |
Forbidden Planet
by Fred M. Wilcox
from Warner Home Video
This 1956 pop adaptation of Shakespeare's The Tempest is one of the best, most influential science fiction movies ever made. Its space explorers are the models for the crew of Star Trek's Enterprise, and the film's robot is clearly the prototype for Robby in Lost in Space. Walter Pidgeon is the Prospero figure, presiding over a paradisiacal world with his lovely young daughter and their servile droid. When the crew of a spaceship lands on the planet, they become aware of a sinister invisible force that threatens to destroy them. Great special effects and a bizarre electronic score help make this movie as fresh, imaginative, and fun as it was when first released.
A dutiful robot named Robby speaks 188 languages. An underground lair provides astonishing evidence of a populace a million years more advanced than Earthlings. There are many wonders on Altair-4, but none is greater or more deadly than the human mind. Forbidden Planet is the granddaddy of tomorrow, a pioneering work whose ideas and style would be reverse-engineered into many cinematic space voyages to come. Leslie Nielsen portrays the commander who brings his spacecruiser crew to the green-skied Altair-4 world that's home to Dr. Morbius (Walter Pidgeon), his daughter (Anne Francis), the remarkable Robby...and to a mysterious terror. Featuring sets of extraordinary scale and the first all-electronic musical soundscape in film history, Forbidden Planet is in a movie orbit all its own.
Hollow Man
from Sony Pictures
In Paul Verhoeven's appropriately shallow Hollow Man, Kevin Bacon plays a bad-boy egotistical scientist who heads up a double-secret government team experimenting with turning life-forms invisible. How do we know he's a bad boy? Because he (a) wears a leather overcoat, (b) compares himself to God, (c) drives a sports car, and (d) spies on his comely next-door neighbor while eating Twinkies. Sadly, this is the most character development anyone gets in this undernourished action/sci-fi thriller, which boasts some amazing special effects and some amazingly ridiculous plot twists. After experimenting rather ruthlessly on a menagerie of lab animals, Bacon finally cracks the code that will turn the invisible gorillas, dogs, and so on, back into their visible forms. Does it work on humans? Faster than you can say "six degrees," Mr. Bacon appoints himself human guinea pig, strapping down for an injection of fluorescent-colored serum. Thanks to some phenomenal, seamless and Oscar-worthy computer effects, Bacon is indeed rendered invisible, organ by organ, vein by vein. And what's the first thing you'd do if you were invisible? Why, spy on your female coworkers in the bathroom and molest your comely next-door neighbor, of course! Soon, Bacon is thoroughly psychotic, and it's up to Elisabeth Shue (Bacon's coworker and ex-girlfriend) and hunky Josh Brolin (her current snuggle bunny) to defeat the invisible man, who's picking off the science team one by one. You'd think this would be a prime opportunity for copious amounts of cheesy sex and aggressive violence--which Verhoeven served up so well and so exuberantly in Starship Troopers and Basic Instinct--but if anything, the director seems to tone down the proceedings, and really, who wants a muted Paul Verhoeven movie? Shue (who got top billing and a bad haircut to boot) and Brolin (who, yes, does take off his shirt at least once) generate little heat, and while Bacon does give an effective, primarily voice-oriented performance, his character is so underdeveloped that, well, you can see right through him. --Mark Englehart
Fantastic Four (Full Screen Edition)
by Tim Story
from 20th Century Fox
Marvel Comics' first family of superherodom, the Fantastic Four, hits the big screen in a light-hearted and funny adventure. It begins when down-on-his-luck genius Reed Richards (Ioan Gruffudd, Horatio Hornblower) has to enlist the financial and intellectual help from former schoolmate and rival Victor Von Doom (Julian McMahon, Nip/Tuck) in order to pursue outer-space research into human DNA. Also on the trip are Reed's best friend, Ben Grimm (Michael Chiklis, The Shield); his former lover, Sue Storm (Jessica Alba, Dark Angel, Sin City), who's now Doom's employee and love interest; and her hotshot-pilot brother, Johnny Storm (Chris Evans, Cellular). Things don't go as planned, of course, and the quartet becomes blessed--or is it cursed?--with superhuman powers: flexibility, brute strength, invisibility and projecting force fields, and bursting into flame. Meanwhile, Doom himself is undergoing a transformation.
Among the many entries in the comic-book-movie frenzy, Fantastic Four is refreshing because it doesn't take itself too seriously. Characterization isn't too deep, and the action is a bit sparse until the final reel (like most "first" superhero movies, it has to go through the "how did we get these powers and what we will do with them" churn). But it's a good-looking cast, and original comic-book cocreator Stan Lee makes his most significant Marvel-movie cameo yet, in a speaking role as the FF's steadfast postal carrier, Willie Lumpkin. Newcomers to superhero movies might find the idea of a family with flexibility, strength, invisibility, and force fields a retread of The Incredibles, but Pixar's animated film was very much a tribute to the FF and other heroes of the last 40 years. The irony is that while Fantastic Four is an enjoyable B-grade movie, it's the tribute, The Incredibles, that turned out to be a film for the ages. --David Horiuchi
The Fantastic Four at Amazon.com
![]() Comics and Graphic Novels | ![]() Disney animated series | ![]() The classic comic book |
![]() Movie tie-in graphic novel | ![]() The Xbox game | ![]() Fantastic Four Soundtrack |
The Fantastic Cast
![]() Jessica Alba as Sue Storm | ![]() Michael Chiklis as The Thing |
![]() Ioan Gruffudd as Reed Richards | ![]() Chris Evans as Johnny Storm |
Stills from Fantastic Four (click for larger images)
![]() | ![]() | ![]() |
Jessica Alba, Chris Evans and Michael Chiklis head a sexy, star-powered cast in this explosive adventure about a quartet of flawed, ordinary human beings who suddenly find themselves with extraordinary abilities.
After exposure to cosmic radiation, four astronauts become the most remarkable, if dysfunctional, superheroes of all time. Unfortunately, the mission's sponsor has also been transformed ? into the world's most lethal supervillain ? setting the stage for a confrontation of epic proportions. Packed with nonstop action, big laughs and awesome special effects, Fantastic 4 is "powerful fun" (The Baltimore Sun) from start to finish!
The Invisible Man
by James Whale
from Universal Studios
Claude Rains practically owns his film debut in The Invisible Man, despite the fact that his face (let alone his body) is seen only for seconds in the final moments. As the brilliant scientist who discovers the secret of invisibility, Rains steps into the film wrapped up like a mummy behind a layer of bandages and blanketed in heavy clothes. When he removes his garments, there's nothing underneath, a simple but effective bit of 1930s movie magic that, apart from a few glitches, works as well today as it did in 1933. Like Frankenstein, another cautionary tale of science gone horribly wrong, the consequences of the doctor's experiments are dire: the chemicals drive him insane. Director James Whale infuses the film with plenty of humor, much of it arising from the quaint quirks of the local villagers, but it turns to black comedy as the doctor transforms from an impish prankster upsetting bicycles and taunting tavern patrons to a megalomaniac bent on world domination. It's slow going even at 71 minutes, but full of delightful touches and boasts a terrific performance by the all but unseen Rains, whose rich, cultured voice envelopes the picture in a kind of omnipresent fog. Vincent Price took up the role in the sequel, The Invisible Man Returns. --Sean Axmaker
Claude Rains delivers a remarkable performance in his screen debut as a mysterious doctor who discovers a serum that makes him invisible. Covered by bandages and dark glasses, Rains arrives at a small English village and attempts to hide his amazing discover. But the same drug which rends him invisible slowly drives him to commit acts of unspeakable terror. Based on H.G. Well' classic novel and direct by the master of macabre James Whale, The Invisible Man no only fueled a host of sequels but features some special effects that are still imitated today.
The Phantom Creeps
by Saul A. Goodkind
from Whirlwind Media
Motion picture serials from the '20s to the '50s were short adventure films that played before the feature attractions. Genres included horror, sci-fi, mystery, superhero, western and more that were played over 10-15 episodes in order to entice the audience back to the theatre the following week. Serials were known as "cliffhangers" because each episode would leave the viewer hanging, always "to be continued" until the final episode's resolution 10 or 15 weeks later.
One of the most memorable serials of the 1930's was The Phantom Creeps (1939). Bela Lugosi stars as Dr. Alex Zorka, a mad scientist, who conducts bizarre experiments in a secret laboratory with his assistant, Monk, an ex-convict. Dr. Zorka's inventions are sought after by the U.S. Government as well as hostile spies. The source of his inventions' power is a meteorite fragment he discovered in Africa, containing a source of limitless energy. Hokey, entertaining, and funny by today's standards, The Phantom Creeps is a classic example of the bygone era of Saturday matinees at the local movie house. All 12 episodes are presented here in their original unedited version.
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