Race Against Time

When Worlds Collide

Winner of the 1951 Academy Award for Best Special Effects, this science fiction extravaganza set a new standard for the realistic depiction of cinematic disasters. Of course, it's a quaint curiosity by today's technological standards, but as produced by visual effects pioneer George Pal, this story of Earth's collision with a runaway star is still a dazzling example of screen sci-fi from the '50s, when special effects were entering a new stage of advancement. Despite scientists' warnings about the star's destructive potential, government officials refuse to take action that could cause international panic, but a consortium of private industrialists prepare for the worst by building a gigantic spaceship--an ark for humanity to begin life anew on a distant planet. Who will be chosen to go, and who left behind? As earthquakes roar and massive tidal waves devastate entire cities, the huge rocket prepares for take-off from its miles-long launching ramp--ready to abandon the shattered Earth! Although it's more enjoyable now as a cinematic museum piece, When Worlds Collide remains a milestone of its kind, leading the way for many more screen disasters that followed this movie's still-worthy example. --Jeff Shannon

12 Monkeys (Special Edition)

Inspired by Chris Marker's acclaimed short film La Jetée (which is included on the DVD Short 2: Dreams), 12 Monkeys combines intricate, intelligent storytelling with the uniquely imaginative vision of director Terry Gilliam. The story opens in the wintry wasteland of the year 2035, where a virulent plague has forced humans to live in a squalid, oppressively regimented underground. Bruce Willis plays a societal outcast who is given the opportunity to erase his criminal record by "volunteering" to time-travel into the past to obtain a pure sample of the deadly virus that will help future scientists to develop a cure. But in bouncing from 1918 to the early and mid-1990s, he undergoes an ordeal that forces him to question his own perceptions of reality. Caught between the dangers of the past and the devastation of the future, he encounters a psychiatrist (Madeleine Stowe) who is initially convinced he's insane, and a wacky mental patient (Brad Pitt in a twitchy Oscar-nominated role) with links to a radical group that may have unleashed the deadly virus. Equal parts mystery, tragedy, psychological thriller, and apocalyptic drama, 12 Monkeys ranks as one of the best science fiction films of the '90s, boosted by Gilliam's visual ingenuity and one of the finest performances of Willis's career. --Jeff Shannon

Deep Impact (Special Collector's Edition)

A great big rock hits the earth, and lots of people die. That's pretty much all there is to it, and most of that was in the trailer. Can a major Hollywood movie really squeak by with such a slender excuse for a premise? The old disaster-movie king, cheese-meister Irwin Allen (The Poseidon Adventure, Earthquake), would have made a kitsch classic out of this, with Charlton Heston, rather than a resigned and mumbly Robert Duvall, as the veteran astronaut who risks several lives trying to blow up the comet that's headed right this way! As stiffly directed by Mimi Leder, this thick slice of ham errs on the side of solemnity. It may the be most earnest end-of-the-world picture since Stanley Kramer's atomic-doom drama On the Beach. There are a couple of classic melodramatic flourishes: an estranged father and daughter who share a tearful reconciliation as a Godzilla-sized tidal wave looms on the horizon; and an astronaut, communicating on video with his loved ones back on Earth, who follows whispered instructions from a buddy lurking just off camera--so that his little boy won't realize that he's been struck blind. With Morgan Freeman as the president of the United States. --David Chute

In DEEP IMPACT, Leo Beiderman (Elijah Wood), joins a field study for his high school's Astronomy Club and discovers a new comet that unfortunately is headed for Earth. While scientists build a cave to prevent the extinction of the human race, they estimate that only 800,000 people can be selected to survive the "Deep Impact." The threat of a comet ending the world quickly sends Americans into a panic until the president announces a plan to send astronauts on a mission to destroy the comet before it reaches earth.

The Fifth Element (Ultimate Edition)

Ancient curses, all-powerful monsters, shape-changing assassins, scantily-clad stewardesses, laser battles, huge explosions, a perfect woman, a malcontent hero--what more can you ask of a big-budget science fiction movie? Luc Besson's high-octane film incorporates presidents, rock stars, and cab drivers into its peculiar plot, traversing worlds and encountering some pretty wild aliens. Bruce Willis stars as a down-and-out cabbie who must win the love of Leeloo (Milla Jovovich) to save Earth from destruction by Jean-Baptiste Emmanuel Zorg (Gary Oldman) and a dark, unearthly force that makes Darth Vader look like an Ewok. --Geoff Riley

Ancient curses, all-powerful monsters, shape-changing assassins, scantily-clad stewardesses, laser battles, huge explosions, a perfect woman, a malcontent hero--what more can you ask of a big-budget science fiction movie? Luc Besson's high-octane film incorporates presidents, rock stars, and cab drivers into its peculiar plot, traversing worlds and encountering some pretty wild aliens. Bruce Willis stars as a down-and-out cabbie who must win the love of Leeloo (Milla Jovovich) to save Earth from destruction by Jean-Baptiste Emmanuel Zorg (Gary Oldman) and a dark, unearthly force that makes Darth Vader look like an Ewok. --Geoff Riley

New York cab driver Korben Dallas didn't mean to be a hero but he just picked up the kind of fare that only comes along every five thousand years: a perfect beauty a perfect being a perfect weapon. Now together they must save the world. Bruce Willis Milla Jovovich and Gary Oldman star in acclaimed director Luc Besson's outrageous sci-fi adventure an extravagantly styled tale of good against evil set in an unbelievable twenty-third century world.System Requirements:Running Time: 126 Min.Format: DVD MOVIE Genre: SCI-FI/FANTASY Rating: PG-13 UPC: 043396074385 Manufacturer No: 07438

Ghost in the Shell

The skillful blending of drawn animation and computer-generated imagery excited anime fans when this science fiction mystery was released in 1995: many enthusiasts believe Ghost suggests what the future of anime will be, at least in the short term. The film is set in the not-too-distant future, when an unnamed government uses lifelike cyborgs or "enhanced" humans for undercover work. One of the key cyborgs is The Major, Motoko Kusanagi, who resembles a cross between The Terminator and a Playboy centerfold. She finds herself caught up in a tangled web of espionage and counterespionage as she searches for the mysterious superhacker known as "The Puppet Master."

Mamoru Oshii directs with a staccato rhythm, alternating sequences of rapid-fire action (car chases, gun battles, explosions) with static dialogue scenes that allow the characters to sort out the vaguely mystical and rather convoluted plot. Kusanagi's final quote from I Corinthians suggests that electronic evolution may compliment and eventually supplant organic evolution. The minor nudity, profanity, and considerable violence would earn Ghost in the Shell at least a PG rating. --Charles Solomon

Space Camp

Zero gravity meets zero fear in this cosmic comedy adventure about a summer camp where regular kids check in and real astronauts check out! Starring Kate Capshaw Lea Thompson Kelly Preston Larry B. Scott Leaf Phoenix and Tate Donovan SpaceCamp is a wild and wonderful thrill-ride packed with special effects spectacular moments (Film Journal) and a gripping climax (Time Out) that s out of this world!For five typical teens NASA s space camp promises to be a fun way to blow off the summer. But when a space shuttle exercise misfires they find themselves launched into orbit facing the adventure of a lifetime. Now the only way back to Earth is to take command of the ship and control of their destinies before time and oxygen run out!System Requirements: Running Time 107 MinFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG UPC: 027616902931 Manufacturer No: 1006070

SpaceCamp shares a striking similarity to Ron Howard's Apollo 13--it's about NASA trying to bring some people down from outer space, except in this case 13 represents the median age of those in danger. Kate Capshaw plays Andie, who throws off the curve by being on the high end of that age scale. She's always a bridesmaid, but never a bride in the shuttle program, an astronaut doomed to play wet nurse to a gaggle of kids enrolled in NASA's summer program. Of course, out of all these teeming hordes of children (there don't appear to be any particular qualifying standards to attend the camp), the film focuses on five. Kathryn (Lea Thompson) is a hopeful pilot who wants to be at the controls of the shuttle one day. Tate Donovan plays Kevin, a daft young carouser who is supposed to be so incorrigible he's winning (he's not). Kelly Preston is Tish, a valley girl with a photographic memory, and Larry B. Scott is Rudy. Rudy's there to meet the Hollywood quota for capsule diversification, but neither he nor Trish does much. Most oddly, Joaquin Phoenix is Max, the young Star Wars nut whose brain and fast friendship with a NASA robot get them all sent into orbit. It's unfortunate that a lot of topical swear words are peppered throughout SpaceCamp, as it could operate as a diverting night's watch for the young astro-nut in your house. Director Harry Winer, who rose from television and sank back to television after this film stiffed over the summer of 1986, directs in 20-minute blocks like he's pacing himself for a commercial break. Once the embarrassing, extremely '80s, opening 40 minutes are dispensed with, however, and the crew accidentally gets blasted into space, the effort to return home is involving, even if it is pretty silly. SpaceCamp won't win any merit badges for script writing, acting, or direction but it's got the right li'l Camp NASA spirit. --Keith Simanton

The Fifth Element

Ancient curses, all-powerful monsters, shape-changing assassins, scantily-clad stewardesses, laser battles, huge explosions, a perfect woman, a malcontent hero--what more can you ask of a big-budget science fiction movie? Luc Besson's high-octane film incorporates presidents, rock stars, and cab drivers into its peculiar plot, traversing worlds and encountering some pretty wild aliens. Bruce Willis stars as a down-and-out cabbie who must win the love of Leeloo (Milla Jovovich) to save Earth from destruction by Jean-Baptiste Emmanuel Zorg (Gary Oldman) and a dark, unearthly force that makes Darth Vader look like an Ewok. --Geoff Riley

Star Trek - The Motion Picture: The Director's Cut (Two-Disc Special Collector's Edition)

Back when the first Star Trek feature was released in December 1979, the Trek franchise was still relatively modest, consisting of the original TV series, an animated cartoon series from 1973-74, and a burgeoning fan network around the world. Series creator Gene Roddenberry had conceived a second TV series, but after the success of Star Wars the project was upgraded into this lavish feature film, which reunited the original series cast aboard a beautifully redesigned starship U.S.S. Enterprise. Under the direction of Robert Wise (best known for West Side Story), the film proved to be a mixed blessing for Trek fans, who heatedly debated its merits; but it was, of course, a phenomenal hit. Capt. Kirk (William Shatner) leads his crew into the vast structures surrounding V'Ger, an all-powerful being that is cutting a destructive course through Starfleet space. With his new First Officer (Stephen Collins), the bald and beautiful Lieutenant Ilia (played by the late Persis Khambatta) and his returning veteran crew, Kirk must decipher the secret of V'Ger's true purpose and restore the safety of the galaxy. The story is rather overblown and derivative of plots from the original series, and avid Trekkies greeted the film's bland costumes with derisive laughter. But as a feast for the eyes, this is an adventure worthy of big-screen trekkin'. Douglas Trumbull's visual effects are astonishing, and Jerry Goldmith's score is regarded as one of the prolific composer's very best (with its main theme later used for Star Trek: The Next Generation). And, fortunately for Star Trek fans, the expanded 143-minute version (originally shown for the film's network TV premiere) is generally considered an improvement over the original theatrical release. --Jeff Shannon

Admiral Kirk & the crew of the refurbished Enterprise attempt to stop an unidentified alien from reaching Earth.
Genre: Science Fiction
Rating: PG
Release Date: 10-APR-2007
Media Type: DVD

Escape from New York

In the future, crime is out of control and New York City is a maximum security prison. Grabbing a bargaining chip right out of the air, convicts bring down the President's plane in bad old Gotham. Gruff Snake Plissken, a one-eyed warrior new to prison life, is coerced into bringing the President, and his cargo, out of this land of undesirables. Kurt Russell put his Disney days behind him as the nicest bad guy in the picture. All comic-book sensibilities and macho posturing, this is one of writer-director John Carpenter's better brainless escapes. There are snappy one-liners and explosive action scenes. However, the film lacks tension and some believability even within the realm of SF fantasy. Even when it fails to gel, though, it always manages to amuse, thanks in great part to a varied and unusual supporting cast (watch for Ernest Borgnine as a cabdriver). Followed in 1996 by Carpenter's overdone and campy Escape from L.A. --Rochelle O'Gorman

Kurt Russell (Stargate) stars in a high-velocity sci-fi action-thriller from director John Carpenter (Co-written by Nick Castle) that sets the screen ablaze with heart-stopping suspense outrageous stunts and imaginative special effects. Bristling with riveting chases and hard-hitting fight sequences Escape From New York is your passport to nonstop excitement! In a world ravaged by crime the entire island of Manhattan has been converted into a prison which houses the world s most brutal inmate. And when the President of the United States (Donald Pleasence) crash lands inside only one man can bring him back: Snake Plissken (Russell) a notorious outlaw and former Special Forces war hero who in exchange for a full pardon descends into the decayed city and wages a blistering war against the captors. But time is short: in 24 hours an explosive charge planted inside Snake s body will end the mission and his life unless he succeeds!System Requirements:Starring: Kurt Russell Lee Van Cleef Ernest Borgnine Donald Pleasence Isaac Hayes Season Hubley Harry Dean Stanton and Adrienne Barbeau. Directed By: John Carpenter. Running Time: 99 Min. Color. This film is presented in both "Widescreen" and "Standard" formats. Copyright 2001 MGM Studios.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 027616854773 Manufacturer No: 1001186

The X-Files (aka Fight the Future)

The definitive American television series of the '90s comes to the big screen with an anticlimactic whimper. And how could it be otherwise? Why should material so perfectly realized in one medium necessarily translate well into another? The series is crisply and thoughtfully executed in just about every detail, but the heart of its appeal lies in the elegant handling of complicated and evolving ongoing story lines, which is not something movies are especially good at. The big-screen drive for closure cramps the creative style, though it may also help nonfans get a grip on the proceedings. We do get some invigorating thrills and chills, however, and a more satisfying sense of the scale of an all-enveloping human-alien conspiracy than ever before, but there's no more plot development here than in an average two-part season-ending. FBI black sheep Mulder and Scully have been temporarily transferred from the X-Files project to an anti-terrorist unit to investigate an Oklahoma City-style bombing. They uncover a new wrinkle in the Syndicate/Cancer Man conspiracy--basically an attempt to help one bunch of (benign?) aliens fight off another bunch who want to colonize Earth. A spectacular, ice-bound finale thrillingly staged by series-veteran director Rob Bowman offers Mulder (but not a conveniently unconscious Scully) his first clear look at a You Know What, which in some quarters qualifies as an epochal event. Martin Landau offers the agents some crucial clues, and several familiar TV faces (including the Lone Gunmen and Mitch Pileggi's indispensable Assistant Director Skinner) turn up briefly to wink knowingly at faithful fans. --David Chute