Judaism

Masada - The Complete Epic Mini-Series

This 1981 television miniseries, based on Ernest K. Gann's historical novel The Antagonists, is a dramatization of a documented revolt by nearly a thousand Jerusalem Jews against Roman oppressors in A.D. 72 to 73. Following a city-wide siege by Rome's soldiers, Jewish Zealots move into a fortress in the mountains of Masada, from which they present a defense strong enough to convince the enemy to negotiate. Peter O'Toole, in all his golden dignity, plays Cornelius Flavius Silva, commander of the Roman legions, and Peter Strauss is Zealot leader Eleazar ben Yair. Both are outstanding as representatives from each side trying, in good faith, to find a way out of the deadlocked situation. Unfortunately, neither realizes that Rome has no intention of yielding, resulting in one of the greatest tragedies in Jewish history. A strong cast of character actors--David Warner, Barbara Carrera, Timothy West, and Anthony Quayle--is rewardingly watchable, the action and sets are persuasive without overwhelming the story's human dimension, and direction by Boris Sagal (The Omega Man) is crisp and enthralling. This was a pleasure to watch when it was first broadcast, and it holds up very well today. --Tom Keogh

"A victory? What have we won?" laments a breathtaking Peter O'Toole as the Roman warrior Flavius Silva. "We've won a rock in the middle of a wasteland, on the shores of a poisoned sea." Thus does Masada, the epic 1981 miniseries about a horrific battle in ancient Palestine, echo the terrible toll of war in general, and of the brutal conflicts in today's Middle East in particular. Masada, from the golden age of miniseries (Roots, Shogun), is a transportive viewing event--shot on location, and apparently no expense spared.

The film retells (with some dramatic license) the true story of an uprising in Palestine of a ragtag band of Jews, in a fortress called Masada, who refuse to surrender to the governing Romans. O'Toole, as Flavius Silva, is the brilliant commander who, over the course of several years of trying, and failing, to breach Masada, comes to regard the leader of his foes, Eleazar ben Yair (the charismatic Peter Strauss), with a certain amount of respect and awe. If left to Flavius, he might have simply leave the holdout fortress and return to the Italy he so longs for; but the Roman emperor demands victory--at any cost.

The performances are uniformly crisp and believable; the direction by Boris Sagal, economical; the screenplay, sharp and incisive. David Warner, who won an Emmy for his performance, plays the brutal Roman henchman Falco with seething determination. The location shooting is nothing short of spectacular. There is sorrow in the story of Masada, but an uplifting message in the ability of true believers to create their own destiny. --A.T. Hurley

In first century A.D., Flavius Silva (Peter O'Toole), commander in Roman Palestine, leads his forces in combat against the remaining Jewish Zealots who have taken refuge in the seemingly impregnable fortress of Masada. There, the engineering and military might of Rome faces the passion and ingenuity of Eleazar Ben Yair (Peter Strauss) and his people. Based on the novel "The Antagonists" by Ernest K. Gann, this epic, 4-part mini-series was shot on location in Israel.

The Jewish Americans

The Jewish Americans directed and produced by David Grubin tells the dramatic history of Jews in America. This riveting documentary focuses on individual personalities and stories that chronicle the 350 year saga about immigrants who gradually wove themselves into the fabric of American life by forging a thoroughly American identity without abandoning the cherished traditions that often set them apart.System Requirements:Running Time: 360 Mins.Format: DVD MOVIE Genre: DOCUMENTARIES/BIOGRAPHY UPC: 841887052252 Manufacturer No: 705225

Originally broadcast on PBS, The Jewish-Americans covers 350 years in the lives of Jews who have struggled to maintain their religious identity and still be fully accepted as Americans. It is a story at once specific and universal, one that can be appreciated by any ethnic or religious minority who tests whether "democracy, like America, can find room for everyone." Beginning with 23 Jewish exiles seeking safe haven in New Amsterdam in 1654, writer-director David Grubin does an admirable job of charting the often rocky and treacherous course for Jews in this country, and their personal "tug of war between being American and being a Jew." Do they consider themselves Jewish-Americans, or American Jews? Carl Reiner, Mandy Patinkin, Sid Caesar, Jules Feiffer, playwright Tony Kushner, and Supreme Court Justice Ruth Bader Ginsburg are among the more recognizable personalities who offer illuminating commentary and bittersweet reminiscences. But Grubin presents what he calls "an ensemble of voices" rather than "a star-studded parade." Authors, historians, sociologists, academics, and rabbis share a rich personal and cultural history.

Narrated by Liev Schreiber, The Jewish-Americans is comprised of three two-hour episodes, "They Came to Stay," "The Best of Times, the Worst of Times," and "Home." Each is a richly textured tapestry of talking heads, still photos, archival footage, and audio and film clips (the inevitable Gentleman's Agreement), and reveal how Jews have become woven into the fabric of Jewish life. Songwriter Irving Berlin wrote "God Bless America," and the holiday classics "White Christmas" and "Easter Parade." Jerry Siegel and Joe Schuster created Superman. Another crossover pop culture success was Gertrude Berg as Molly Goldberg of the Bronx, offering sage advice and homespun wisdom on radio, television and the movies. One illuminating segment reveals how assimilated movie mogul Louis B. Mayer's Andy Hardy films, with their "fairy tale visions of small town life," were the "American fantasies of a Jewish immigrant." Anti-Semitism rears its ugly head throughout the series. Grubin captures the hysteria surrounding the murder trial of Georgia factory worker Leo Franks, who, in 1915, was falsely convicted in the murder of 13-year-old Mary Phagan, and subsequently lynched by a homicidal mob. The segment that addresses the Holocaust documents America's indifference in dealing with Hitler's "Final Solution." Grubin notes how political activism has long been a part of Jewish-American life, and how Jews took an active role in the Civil Rights struggle. As the old saying goes, you don't have to be Jewish to be compelled and profoundly moved by this ambitious documentary miniseries. But it couldn't hurt. --Donald Liebenson

The Jazz Singer (Three-Disc Deluxe Edition)

The first feature film to utilize Synchronous Sound. The story is about Cantor Oland's son who goes into show business over his objections. Tunes include "Mammy" "Toot Toot Tootsie" and more. Academy Award Nominations: 2 including Best Adapted Writing. Academy Awards: Special Award for technical achievement.Format: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: NR UPC: 012569798892 Manufacturer No: 79889

It's one of the most famous titles in film history, and everybody knows why: in a handful of sequences in The Jazz Singer, sound and image are excitingly synchronized. By 1927, some short subjects had already been "talkies," and a few features had synchronized music, but The Jazz Singer gets the prize as the breakthrough. Because the film is largely without dialogue, you can--even watching the film today--almost palpably sense the shift in movie epochs, as cinema takes an evolutionary leap from one form to the next. The movie itself, based on a successful Broadway show by Samson Raphaelson, is strictly melodrama of an ancient kind. Young Jakie Rabinowitz is expected to follow in the long line of family Cantors, but his heart yearns to sing "Toot Toot, Tootsie" instead of "Kol Nidre." Al Jolson plays Jakie (later Jack Robin of footlights fame), and you get a taste of why he was widely considered the greatest entertainer of his time; watch him with a tearjerker such as "Dirty Hands, Dirty Face" and you'll see the skillful, completely irony-free manipulations of a master storyteller. Equally fun is Jolson's non-singing patter--in fact, this is where you get the thrill of talking pictures, more so than the songs. "You ain't heard nuthin' yet," he burbles, and it's hard not to catch the excitement.

Jolson's numbers include his blackface act, a longstanding tradition of minstrel shows and music halls, and an unavoidable source of awkwardness for later viewers (see The Savages for an amusing account of the embarrassment this can cause). Blackface is a bizarre show business reality, and it's part of the movie, so some historical context is required.

Warner Bros. rightly considers The Jazz Singer a key moment in the studio's history, and this three-disc DVD package gives the deluxe treatment. The film itself is beautifully restored, and reproductions of original supporting materials (souvenir program, stills, ads) are fun. A booklet on early Vitaphone shorts clearly predates The Jazz Singer, for Jolson is mentioned only as a star of Vitaphone shorts, and George Jessel is tabbed as the future star of The Jazz Singer (he'd played Jakie on Broadway). A 90-minute documentary gives a fine account of how the Vitaphone system worked, and how other systems actually became the industry standard.

Supplemental short films are a true treasure trove. A Plantation Act is more Jolson blackface, Hollywood Handicap a studio short comedy directed by Buster Keaton, and I Love to Singa a hilarious 1936 Tex Avery cartoon--a spoof of The Jazz Singer starring a bird named Owl Jolson. A flabbergasting collection of Vitagraph shorts--over four hours' worth--makes up disc 3 of this set: utterly weird and wonderful performances by some of the strangest acts ever to kill vaudeville. There are a few names here: George Burns and Gracie Allen in a short called Lambchops, the Foy Family doing wacky stage business. But the cornball timed jokes of Shaw & Lee, the saucy songs of Trixie Friganza, not to mention "The Wizard of the Mandolin," Bernardo De Pace--these are gems, folks. Anyone with a taste for showbiz past will love them. --Robert Horton

A History of God (History Channel) (A&E DVD Archives)

The Mad Adventures of Rabbi Jacob

THE MAD ADVENTURES OF RABBI JACOB is a comic masterpiece that BOX OFFICE called "one of the funniest movies from any country" upon its initial theatrical release in 1973. THE HOLLYWOOD REPORTER described the performance of French comedy superstar Louis de Funes as "reminiscent of Jerry Lewis!" Now a new generation of movie lovers can finally discover this lost comic treasure that the L.A. HERALD EXAMINER called "a truly entertaining film."Victor Pivert is a very tolerant man - provided you are white Catholic and French. To everyone else he is a shameless racist who believes foreigners should go back where they came from. On his way to his daughter's wedding Victor uncovers a group of scheming Arab revolutionaries. After Victor is discovered he hides himself by dressing up as a rabbi leading to one madcap scene after another. THE MAD ADVENTURES OF RABBI JACOB is an extremely entertaining film - fresh funny and powerfully poignant.Format: DVD MOVIE Genre: COMEDY UPC: 736899082321 Manufacturer No: DV71042

Frontline: The Longest Hatred

Why can't Jews, Arabs, and Palestinians coexist? The answers are deep-rooted, complex, and fully detailed in this stunning history of Jewish persecution.

''They are the other. They are not us.'' Throughout time, words such as these have been used to justify and vilify. The Longest Hatred takes an unsparing look at the ways such words have shaped the experience of Jewish people in this a revealing history of anti-Semitism, a hatred with roots long before the Holocaust and enduring intensity that continues to erupt in the violent conflicts of today.

Part One, From the Cross to the Swastika, traces an image that begins with the earliest writings of Christianity, which leveled the charge that Jews were responsible for Jesus' death. In this segment, historians show how demonizing dogma has affected Jews through the centuries-in Italy, Spain, England, and Germany-reaching its zenith with the development of Nazi ideology.

Part Two, Enemies of the People, shows how anti-Semitic sentiment has accompanied a growing nationalism in Europe in recent decades, causing a mass exodus of Jews from Russia and even resurfacing in Poland and Austria, where few Jews remain. In Germany, the remarkable collapse of the Berlin wall has been followed by the rise of neo-Nazism among German youth.

Part Three, Between Moses and Muhammed, takes a humanistic look at relations between Arabs and Israelis, once linked by pseudo-science under the degrading label ''Semite,'' and now enmeshed in one of the world's most violent conflicts. Experts on both sides tell how Arabs and Jews, who for centuries lived in relative peace, have been drastically alienated by political turmoil-and how the anti-Jewish propaganda now disseminated in the Arab world is so eerily like that seen in Europe before World War II.

Special DVD features include: scene selections and closed captions.

On one DVD5 disc. Region coding: All regions. Audio: Dolby stereo. Screen format:4 x 3 full frame.

The Life and Times of Hank Greenberg

Aviva Kempner's Peabody Award-winning documentary is about baseball like Field of Dreams is about cornfields. Kempner efficiently covers all the bases of Detroit Tigers Hall of Famer Hank Greenberg's magnificent career with archival footage and talking heads, including family members, former teammates and baseball legends, broadcasters and sportswriters, and such unabashed fans as Alan Dershowitz and Walter Matthau. If this biography's style is not remarkable, its subject certainly was. Greenberg, the son of immigrant parents, was a beacon of hope to Jews. As one observer notes, baseball was a way of "showing we were as American as everybody else." To see one of their own succeed in the national pastime at a time of virulent anti-Semitism was a source of pride and inspiration. One lifelong fan, a rabbi, states, "He was the baseball Moses." Winner of several critics association awards for Best Documentary, this is a stirring film for all seasons. --Donald Liebenson

As baseball's first Jewish star, Hammerin' Hank Greenberg's career contains all the makings of a true American sucess story. An extraordinary ball player notorious for his hours of daily practice, Greenberg's career was an inspiration to all and captured the headlines and the admiration of sportswriters and fans alike. This is the story of how he became an American hero.

National Geographic - Secrets of Jerusalem's Holiest Sites

Secrets of Jerusalem's Holiest Sites takes us on a journey into one of the most sacred places on Earth dating back to biblical times. It is the most hotly contested piece of real estate on the planet and its name alone is enough to spark riots across the Middle East. Known as the Temple Mount to Jews and Christians and as the Noble Sanctuary to Muslims, it is so sacred to all three religions that followers willingly die for it.

Sesame Street - Elmo's World - Happy Holidays

A Life Apart - Hasidism in America

Hasidic Jews seem alien, and even hostile, to those outside their culture, which frequently includes other Jews. They dress differently, don't mingle between the sexes, speak Yiddish, and wear side curls, all in an attempt to rigorously follow the commandments of the Torah. They tend to keep to themselves, shunning television and the media so outside influences cannot corrupt their values and views. Yet filmmakers Oren Rudavsky and Menachem Daum were able to enter their world, and the result is the fascinating documentary A Life Apart: Hasidism in America. Using interviews with academics and members of the community and some historical footage, the filmmakers trace the growth of Hasidic groups in the United States. Groups formed around particular Rebbes (learned leaders) and they took their names from their Eastern European home cities (the Samovar Hasids, the Breslover Hasids, and so on). Leonard Nimoy and Sarah Jessica Parker narrate, explaining how this movement came to America and how it was able to flourish. Dissenting voices also appear, in the form of neighborhood people who are distressed at the Hasids' refusal to speak to members not in their community and of a young woman, Pearl Gluck, who left the community in order to pursue her writing and to follow a life of her own choosing. Many Hasids refuse to speak on camera, and we see many shielding themselves with hands or coats so as not to appear on film. But those who do appear are poignant in their discussions of why the Hasidic life is important to them. One man speaks to the directors, even as he acknowledges that he will never see the movie, but he will do it "in order to help a Jew make a living." One couple, Holocaust survivors, are not Hasidic, but their children are, and the reasonings of both the parents and the children are interesting. This film, shown on PBS, is a consequential look into a lifestyle many of us don't understand, and it may help in increasing an understanding. --Jenny Brown

In New York City, the Hasidim are a common sight, but their way of life remains a mystery to those outside their community. With their use of Yiddish, their distinctive clothes and their strict observance of Jewish ritual and law, the Hasidim are considered by many an insular people with little connection to mainstream America. And yet their values are those that many Americans find most precious: family, community, and a life of meaning. In this extraordinarily intimate film, seven years in the making, we are taken into the depths of the Hasidim's joyous, sometimes harsh, and often-beautiful world. From mystical tales to mesmerizing music, Rebbes to Holocaust survivors, A Life Apart reveals a strange, insular world few outsiders have seen, and fewer yet could imagine.