HBO

John Adams (HBO Miniseries)

John Adams is a sprawling HBO miniseries event that depicts the extraordinary life and times of one of Americas least understood and most underestimated founding fathers: the second President of the United States John Adams. Starring Paul Giamatti (Sideways Cinderella Man HBOs American Spendor) in the title role and Laura Linney (You Can Count on Me Kinsey) as Adams devoted wife Abigail John Adams chronicles the extraordinary life journey of one of the primary shapers of our independence and government whose legacy has often been eclipsed by more flamboyant contemporaries like George Washington Thomas Jefferson Alexander Hamilton and Benjamin Franklin. Set against the backdrop of a nations stormy birth this sweeping miniseries is a moving love story a gripping narrative and a fascinating study of human nature. Above all at a time when the nation is increasingly polarized politically this story celebrates the shared values of liberty and freedom upon which this country was built.Running Time: 501 min.Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS UPC: 883929020065 Manufacturer No: 1000038820

Based on David McCullough's best-selling biograpy, the HBO miniseries John Adams is the furthest thing from a starry-eyed look at America's founding fathers and the brutal path to independence. Adams (Paul Giamatti), second president of the United States, is portrayed as a skilled orator and principled attorney whose preference for justice over anti-English passions earns enemies. But he also gains the esteem of the first national government of the United States, i.e., the Continental Congress, which seeks non-firebrands capable of making a reasoned if powerful case for America's break from England's monarchy. The first thing one notices about John Adams' dramatizations of congress' proceedings, and the fervent pro-independence violence in the streets of Boston and elsewhere, is that America's roots don't look pretty or idealized here. Some horrendous things happen in the name of protest, driving Adams to push the cause of independence in a legitimate effort to get on with a revolutionary war under the command of George Washington. But the process isn't easy: not every one of the 13 colonies-turned-states is ready to incur the wrath of England, and behind-the-scenes negotiations prove as much a part of 18th century congressional sessions as they do today.

Besides this peek into a less-romanticized version of the past, John Adams is also a story of the man himself. Adams' frustration at being forgotten or overlooked at critical junctures of America's early development--sent abroad for years instead of helping to draft the U.S. constitution--is detailed. So is his dismay that the truth of what actually transpired leading to the signing of the Declaration of Independence has been slowly forgotten and replaced by a rosier myth. But above all, John Adams is the story of two key ties: Adams' 54-year marriage to Abigail Adams (Laura Linney), every bit her husband's intellectual equal and anchor, and his difficult, almost symbiotic relationship with Thomas Jefferson (Stephen Dillane) over decades. Giamatti, of course, has to carry much of the drama, and if he doesn't always seem quite believable in the series' first half, he becomes increasingly excellent at the point where an aging Adams becomes bitter over his place in history. Linney is marvelous, as is Dillane, Sarah Polley as daughter Nabby, Danny Huston as cousin Samuel Adams, and above all Tom Wilkinson as a complex but indispensable Ben Franklin. --Tom Keogh

Flight of the Conchords - The Complete First Season

Unlike most HBO series, Flight of the Conchords does not want to set the world on fire. It is droll and deadpan to beat the band. If you like Tenacious D, They Might Be Giants, Jonathan Richman, Leningrad Cowboys Go America, and silly Pythonian wordplay, then its off-center charms will definitely strike a resonant chord. The Conchords are comprised of funky, funny folk duo Bret McKenzie and mutton-chopped Jemaine Clement, transplanted New Zealanders trying to make it in New York. Brett, their incompetent manager, Murray (Rhys Darby) notes, has "the right attitude," while Jemaine has "what I like to call, 'the wrong attitude.'" (Murray, who works out of the New Zealand consulate, makes the clueless agent in Extras look like Ari Gold.) Stardom eludes the band. They have one fan, Mel (Kristin Schaal), whose seething husband chaperones her while she stalks them (by season's end, even she will desert them). Financially strapped, they live in squalor and are forced to film a music video with a cell-phone camera. The dense Jemaine is a damper on Brett's love life (he derisively calls Coco, Brett's new girlfriend, "Yoko"). But from their mundane lives springs their inspired music, and it is during each episode's musical numbers that Conchords really takes flight. Sample lyrics: "You're so beautiful / You could be a hostess in the '60s"; and "I'm not crying / It's just been raining / On my face." Another mad highlight is "Bowie to Bowie" in the episode in which Brett is visited by visions of Bowie in his various career incarnations (portrayed by a dead-on Clement). But the dialogue, too, sings with an inspired, surreal lunacy. One exchange between Brett and Murray degenerates into a chicken-egg discussion over a job vs. a gig. HBO has renewed Flight of the Conchords for a second season. Bravo! As a greeting-card executive (The Daily Show's John Hodgman), who wants to license one of their tracks, tells the duo, "I believe in potential. I can see it in you guys." --Donald Liebenson

Jemaine Clement and Bret McKenzie â€" a.k.a. Flight of the Conchords â€" may be “New Zealand’s 4th Most Popular Folk Parody Duo,” but in the USA, finding someone who knows their act is about as easy as finding a kiwi nest in Central Park. To rectify this oversight, Jemaine and Bret have moved to New York’s East Village to conquer America, one fan (literally) at a time.

Sex and the City - The Complete Series

Sex and the City is based on Candace Bushnell's provocative bestselling book. Sarah Jessica Parker stars as Carrie Bradshaw, a self-described "sexual anthropologist," who writes "Sex and the City," a newspaper column that chronicles the state of sexual affairs of Manhattanites in this "age of un-innocence." Her "posse," including nice girl Charlotte (Kristin Davis), hard-edged Miranda (Cynthia Nixon), and party girl Samantha (Kim Cattrall)--not to mention her own tumultuous love life--gives Carrie plenty of column fodder. Over the course of the first season's 12 episodes, the most prominent dramatic arc concerns Carrie, who goes from turning the tables on "toxic bachelors" by having "sex like a man" to wanting to join the ranks of "the monogamists" with the elusive Mr. Big (Chris Noth). Meanwhile, Miranda, Cynthia, and Samantha have their own dating woes.

The second season builds on the foundation of the first season with plot arcs that are both hilarious and heartfelt, taking the show from breakout hit to true pop-culture phenomenon. Relationship epiphanies coexist happily alongside farcical plots and zingy one-liners, resulting in emotionally satisfying episodes that feature the sharp kind of character-defining dialogue that seems to have disappeared from the rest of TV long ago. When last we left the NYC gals, Carrie had just broken up with a commitment-phobic Mr. Big (Chris Noth), but fans of Noth's seductive-yet-distant rake didn't have to wait long until he was back in the picture, as he and Carrie tried to make another go of it. Their relationship evolution, from reunion to second breakup, provides the core of the second season. Among other adventures, Charlotte puzzles over whether one of her beaus was "gay-straight" or "straight-gay"; Miranda tries to date a guy who insists on having sex only in places where they might get caught; and Samantha copes with dates who range from, um, not big enough to far too big--with numerous stops in between.

The third season was the charm, as the series earned its first Emmy for Outstanding Comedy Series to go along with its Golden Globes for Best Comedy Series and Best Actress (Parker). One of this season's two principal story arcs concerned hapless-in-love Charlotte and her pursuit of a husband; enter (if only...) Kyle McLachlan as the unfortunately impotent Trey. Meanwhile, Carrie has a brief but memorable fling with a politician who's golden, but not in the way she anticipated. She then sabotages her too-good-to-be-true relationship with furniture designer Aidan (John Corbett) by having an affair with Mr. Big (Chris Noth), who himself has gotten married. Like I Love Lucy, the series benefited from a brief change of scenery with a three-episode jaunt to Los Angeles, where Carrie and company encountered, among others, Matthew McConaughey, Vince Vaughn, Hugh Hefner, and Sarah Michelle Gellar.

The fourth season is just as smart and sexy as ever, mixing caustic adult wit and sharply observed situation comedy on the mean streets of Manhattan, though this time the quartet of singleton city girls must endure even tougher combat in the unending war of love, sex, and shopping. Carrie finally seems to have found her ideal life partner when she is reunited with handsome craftsman Aidan. But can their relationship survive trial by cohabitation? Meanwhile Charlotte seems to have both her dream Park Avenue apartment and a solution to her marital problems with Trey. But when the subject of babies comes up, everything starts to unravel for her, too. It's not just Charlotte who has baby issues either: after what seems like an eternity of enforced sexual abstinence Miranda is horrified to discover she's pregnant. And as for the sultry Samantha, she's on a quest for monogamy, first with an exotic lesbian artist, then with a philandering businessman, with whom to her utter dismay she just might have fallen in love.

It was a short but sweet fifth season, as HBO's resident comediennes found themselves affected by forces beyond their control--the pregnancies of both Sarah Jessica Parker and Cynthia Nixon. A truncated shooting schedule to accommodate the actresses forced this season to be reduced to a mere eight episodes, but they and creators forged ahead, creating a handful of episodes that if short in content were long on emotion and laughs. Carrie and Miranda wrestled with their solitary lifestyles, albeit with new attachments--Miranda had new baby Brady and single motherhood, while Carrie found herself in the world of publishing as the author of a real-life book of her columns. Charlotte wondered if she'd ever find another man, while Samantha finally got rid of the one that had been vexing her far too much. If the season as a whole felt less than the sum of its parts, those parts were some of the best comedy in the show's history. The season's climactic episode, "I Love a Charade," was one of the series' best episodes ever, equally touching and funny, and grounded the show in an emotional maturity that announced that after all their wild travails, these women had truly grown up.

After a long wait--like the entire fifth season--Carrie is dating again. The sixth season starts with Carrie and her sparkly new potential, Berger (Ron Livingston), trying to leave past relationships and hit it off, with mixed results. Meanwhile Carrie's friends seem to be settling down, relatively speaking. Miranda decides that her affair with TiVo cannot compete when Mr. Perfect (Blair Underwood, at his most charming) moves into her building. Charlotte's feelings for her "opposites attract" boyfriend (Evan Handler) deepen, but they still have a few things to iron out. Most surprising is Samantha's hot relationship with waiter-actor-stud Smith Jerrod (Jason Lewis) taking on something resembling love, despite Samantha's best intentions. Before the sixth season started in the summer of 2003, a bombshell hit: it was announced that this would be the finale. But it would be a long season, and these 12 episodes plant the seeds for the final 8 airing the following winter. These dozen episodes illustrate the maturity of the show: there's not a bad one in the bunch, and the show is still flat-out funny. The comedy blends serious points of how we perceive singles, couples, and parents (and the gifts we lavish on the latter two). Carrie's method of celebrating her singlehood is just another gem in this treasure of a series.

With the last eight episodes of the sixth season, HBO's grand sitcom concluded, leaving untold numbers of women--and many men--feeling deprived. The six-year series certainly did not outlast its welcome; the final season is some of the best TV had to offer in 2004. In many ways, the eight episodes served as a single finale, with all four characters approaching a kind of destiny and happiness, the theme of this last half-season (which aired weeks after the first half). Carrie (Sarah Jessica Parker) continues her romance with Russian artist (Mikhail Baryshnikov), a flippantly arrogant man who's been around the block, but able to supply Carrie's needed desire for magic. Miranda (Cynthia Nixon) has settled down with Steve (David Eigenberg), but there is more that will change with her, including her address. Charlotte (Kristin Davis) continues to make baby plans now that the husband slot is filled quite nicely (Evan Handler). Going down the final stretch--and Samantha's (Kim Cattrall) cancer--gives the series a more serious tone, but there's always a jab to tickle the funny bone: Miranda's awkwardness with happiness, Charlotte's latest passion, Carrie typing someplace new, and Samantha getting into Paris Hilton territory. Like any series winding down, there is a wedding, a baby, old faces popping up, and some star-ladened new ones. In the final two-part episode, "An American in Paris," Carrie faces her romantic destiny, but also solidifies herself as a fashion icon, an Audrey Hepburn for 21st-century television. In the penultimate episode, she asks her friends an emotional question: "What if I never met you?" Certainly fans can ask of themselves the same question and reminisce how much better TV became since they first tuned in these four women of the City.

La Vie en Rose (Extended Version)

Picturehouse and HBO Films present a critically-acclaimed biopic about the legendary international singing icon Edith Piaf whose voice and talent captivated the world. Starring award-winner Marion Cotillard (A Very Long Engagement A Good Year) in an astonishing performance the film is a portrait of a remarkable artist born into poverty who survived using the only gift she had ? her voice. Piaf?s tragic life was a constant battle to sing and survive to live and love with no regrets.Running Time: 141 min.Format: DVD MOVIE Genre: DOCUMENTARIES/BIOGRAPHY UPC: 026359441226 Manufacturer No: 94412

Edith Piaf is the subject of La Vie en Rose, director Olivier Dahan's powerful if emotionally redundant biographical film about the iconic French superstar whose life, as depicted here, seems to have been a numbing succession of tragedies interrupted on occasion by artistic triumph. Dahan's portrait begins with Piaf's stay in a brothel as a young girl. Left to the care of her grandmother (who runs the place) after her father pulls her away from a narcissistic mother, Piaf undergoes significant health problems and grows up to sing on the street in lieu of outright prostitution. The film pulses along with the usual biopic rhythms, with pivotal moments in the life of Piaf (played as an adult by Marion Cotillard) turning up regularly only to be smacked aside by the unseen hand of perpetual misfortune. There's the impresario (Gerard Depardieu) who recognizes Piaf's great but raw talent only to have a run-in with the criminal element around her. There's the heavyweight fighter (Marcel Cerdan) who becomes the love of Piaf's life but can't be with her. Drug addiction, random car accidents, tax problems, you name it, it's all here, topped by an unnerving revelation that pops up in La Vie en Rose's final moments. After awhile, with such a concentration of bad news squeezed into 140 minutes, one begins to wish Dahan had taken a more expansive approach to Piaf's life and times. But the film is never less than interesting, and the lead performance by Cotillard is often astonishing. --Tom Keogh

Sex and the City - Season Six, Part 2

Sex this good can't last forever...but Carrie Bradshaw and her three best friends - Miranda Charlotte and Samantha - are back for one last fling sure to be scintillating and unpredictable as the metropolis they live in. It's the last hurrah for Carrie and Co. with more new episodes of the sixth - and final - season of HBO's smash-hit comedy series Sex and the City!Format: DVD MOVIE Genre: COMEDY Rating: NR UPC: 026359232923 Manufacturer No: 92329

With these eight episodes, HBO's grand sitcom concluded, leaving untold numbers of women--and many men--feeling deprived. The six-year series certainly did not outlast its welcome; the final season is some of the best TV had to offer in 2004. In many ways, the eight episodes served as a single finale, with all four characters approaching a kind of destiny and happiness, the theme of this last half-season (which aired weeks after the first half). Carrie (Sarah Jessica Parker) continues her romance with Russian artist (Mikhail Baryshnikov), a flippantly arrogant man who's been around the block, but able to supply Carrie's needed desire for magic. Miranda (Cynthia Nixon) has settled down with Steve (David Eigenberg), but there is more that will change with her, including her address. Charlotte (Kristin Davis) continues to make baby plans now that the husband slot is filled quite nicely (Evan Handler). Samantha (Kim Cattrall) brings a good sense of drama to the show with a breast-cancer scare.

Going down the final stretch--and Samantha's cancer--gives the series a more serious tone, but there's always a jab to tickle the funny bone: Miranda's awkwardness with happiness, Charlotte's latest passion, Carrie typing someplace new, and Samantha getting into Paris Hilton territory. Like any series winding down, there is a wedding, a baby, old faces popping up, and some star-ladened new ones (like creative consultant Julia Sweeney as a nun). In the final two-part episode, "An American in Paris," Carrie faces her romantic destiny, but also solidifies herself as a fashion icon, an Audrey Hepburn for 21st-century television. In the penultimate episode, she asks her friends an emotional question: "What if I never met you?" Certainly fans can ask of themselves the same question and reminisce how much better TV became since they first tuned in these four women of the City.

For the last of the DVD sets, the folks behind SATC give their fans a few more DVD extras. As we find out in the near-hourlong 2004 U.S. Comedy Arts Festival Seminar (with executive producer Michael Patrick King, Sarah Jessica Parker, and the writing team), the alternate endings seen here were false leads to throw off the press. Thank goodness--what fan would want one of these endings? More enjoyable is the 11 minutes of deleted scenes from the run of the show. King's expert touches on the commentary are fun to listen to, if a lovefest. And speaking of love, the two farewell tributes are filled with reminiscences and favorite clips, all done with a beautiful fondness for this series. --Doug Thomas

The Wire - The Complete Fifth Season

In the projects. On the docks. In City Hall. In the schools. And now in the media. The places and faces have changed but the game remains the same. Times are tough for the detail. Mayor Carcetti has slashed the departments budget to the bone. Police are operating without overtime some without cars and radios. Angered McNulty is off the rails again and headed down a dangerous path of deception and lies that will ally him with an unscrupulous reporter. The drug trade still rules the corners all you have to do is read between the lines.Running Time: 630 min.System Requirements:Running Time: 630 minutesFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS UPC: 883929015368 Manufacturer No: 1000038240

Band of Brothers

An impressively rigorous, unsentimental, and harrowing look at combat during World War II, Band of Brothers follows a company of airborne infantry--Easy Company--from boot camp through the end of the war. The brutality of training takes the audience by increments to the even greater brutality of the war; Easy Company took part in some of the most difficult battles, including the D-Day invasion of Normandy, the failed invasion of Holland, and the Battle of the Bulge, as well as the liberation of a concentration camp and the capture of Hitler's Eagle's Nest. But what makes these episodes work is not their historical sweep but their emphasis on riveting details (such as the rattle of a plane as the paratroopers wait to leap, or a flower in the buttonhole of a German soldier) and procedures (from military tactics to the workings of bureaucratic hierarchies). The scope of this miniseries (10 episodes, plus an actual documentary filled with interviews with surviving veterans) allows not only a thoroughness impossible in a two-hour movie, but also captures the wide range of responses to the stress and trauma of war--fear, cynicism, cruelty, compassion, and all-encompassing confusion. The result is a realism that makes both simplistic judgments and jingoistic enthusiasm impossible; the things these soldiers had to do are both terrible and understandable, and the psychological price they paid is made clear. The writing, directing, and acting are superb throughout. The cast is largely unknown, emphasizing the team of actors as a whole unit, much like the regiment; Damian Lewis and Ron Livingston play the central roles of two officers with grit and intelligence. Band of Brothers turns a vast historical event into a series of potent personal experiences; it's a deeply engrossing and affecting accomplishment. --Bret Fetzer

Based on the bestseller by Stephen E. Ambrose, the epic 10-part miniseries Band of Brothers tells the story of Easy Company, 506th Regiment of the 101st Airborne Division, U.S. Army. Drawn from interviews with survivors of Easy Company, as well as soldiers' journals and letters, Band of Brothers chronicles the experiences of these men who knew extraordinary bravery and extraordinary fear. They were an elete rifle company parachuting into France early on D-Day morning, fighting in the Battle of the Bulge and capturing Hitler's Eagle's Nest at Berchtesgaden. They were also a unit that suffered 150 percent casualties, and whose lives became legend.

DVD Features:
DVD ROM Features:Weblinks to the orignal Band of Brothers website and more!
Documentary:"We Stand Alone Together: The Men of Easy Company" - 80 minute documentary featuring interviews with the real men of Easy Company
Featurette:30-minute "The Making of Band of Brothers" The Premiere On The Beaches of Normandy - includes interviews with Easy Company vetrans and heads of state for the United States, Great Britian, France and Canada.
Interviews:Ron Livingston's Video Diaries - The experience of making "Band of Brothers" through the eyes of one actor.
Other:Interactive "Field Guide": An extensive reference feature that details the people, places and events associated with Easy Company's campaigns through Europe, and World War II as a whole, including sections such as: soldiers, timelines, maps, chain-of-command and glossary of terms.
Scene Access

Sex and the City - Season Six, Part 1

After a long wait--like the entire fifth season--Carrie Bradshaw (Sarah Jessica Parker) is dating again. The sixth season of the popular HBO show starts with Carrie and her sparkly new potential, Berger (Ron Livingston), trying to leave past relationships and hit it off. The results are mixed (up to Berger's memorable exit), but the good news is Carrie is at it again, and a new love interest can be found in the member of a wedding party, an old high school flame (David Duchovny), or an über-famous painter (Mikhail Baryshnikov). As Carrie plays the field, her friends seem to be settling down, relatively speaking. Miranda (Cynthia Nixon) decides that her affair with TiVo cannot compete when Mr. Perfect (Blair Underwood, at his most charming) moves into her building. Charlotte's (Kristin Davis) feelings for her "opposites attract" boyfriend (Evan Handler, perhaps fans' most-loved boyfriend) deepen, but they still have a few things to iron out. Most surprising is Samantha's (Kim Cattrall) hot relationship with waiter-actor-stud Smith Jerrod (Jason Lewis) taking on something resembling love, despite Samantha's best intentions.

Before the sixth season started in the summer of 2003, a bombshell hit: it was announced that this would be the finale. Fans, just getting over the truncated fifth season (due to half the cast getting pregnant), were beside themselves. But it would be a long season, and these 12 episodes plant the seeds for the final 8 airing the following winter. These dozen episodes illustrate the maturity of the show: there's not a bad one in the bunch, with things like old flames Mr. Big (Chris Noth), and Steve (David Eigenberg) popping in with deeper resiliency. And the show is still flat-out funny. Berger is the most intrinsically humorous of Carrie's beaus (his introduction to Prada is a classic), Jarrod's earnest streak on Samantha gets her flabbergasted in the giddiest ways, and Charlotte's attempt to convert to Judaism is right in character. The touchstone episode is "A Woman's Right to Shoes," in which Carrie loses her prized and expensive Manolo Blahniks at a party. The comedy blends serious points of how we perceive singles, couples, and parents (and the gifts we lavish on the latter two). Carrie's method of celebrating her singlehood is just another gem in this treasure of a series. --Doug Thomas

They've experienced the pleasure of sex, the pain of heartbreak and the panacea of friendship. Now, Carrie Bradshaw and her three best friends-Miranda, Charlotte and Samantha- are headed into an exciting new chapter in their lives that's as unpredictable as the metropolis they live in. It's the last hurrah for Carrie and Co.

DVD Features:
Audio Commentary:With Executive Producer Michael Patrick King
Other:Museum of TV and Radio Seminar featuring Sarah Jessica Parker, Kim Cattrall, Kristin Davis, Cynthia Nixon and Michael Patrick King

The Sopranos - Season 6, Part 2

Completing the run of one of the most acclaimed television shows in broadcast history, season 6, part II of The Sopranos will be remembered mostly not for what happened during the season, but for what didn't happen at the very end. Creator David Chase pulled off a series ending that was as controversial as it was surprising and unforgettable, leaving countless fans to look away from the show and to blogs and articles for answers to the biggest mystery since "who shot J.R.?": what happened to Tony Soprano? But before we get to that point, there are nine episodes to digest, and they are some of the best in the run of the show since season 3. As Tony's (James Gandolfini) paranoia and suspicions grow, his family makes choices that are threatening to bring big changes to his personal life, and his other "family" is crashing headlong towards an inevitable showdown with Phil Leotardo and the New York crew. Episode 1, "Soprano Home Movies," starts off peacefully enough with Tony and Carmela (Edie Falco) enjoying a relaxing summer weekend at Bobby and Janice's (Steve Schirripa and Aida Turturro) bucolic lake house, and by the end of the episode Tony has effectively taken Bobby's soul, proving Tony's ruthlessness and ending any doubt about his will to maintain dominance over those around him. In "Kennedy and Heidi," one of the season's signature episodes, Christopher's (Michael Imperioli) drug use continues to spiral out of control, forcing Tony to take matters into his own hands and resolve things with his nephew once and for all.

Inevitably it's all leading up to that big finale, and it's deftly handled over the last two episodes, "The Blue Comet" and "Made in America" (an episode replete with subtle references to The Godfather). Things finally start to get resolved with Phil's crew, Dr. Melfi (Lorraine Bracco), Uncle Junior (Dominic Chianese), A.J. (Robert Iler), and Meadow (Jamie-Lynn Sigler), and as for Tony… Cut to black. To quote from another hit HBO show of the same era, "everything ends," even The Sopranos, and while the way Chase chose to end The Sopranos may not be to the liking of fans hoping for a definitive resolution, give the man credit for not stooping to clichés or tired old scenarios. As A.J. says in one of the last lines of the entire series, quoting his father, "Try to remember the times that were good." That's good advice. --Daniel Vancini

Last year, Tony Soprano cheated death when he was shot by his now institutionalized Uncle Junior. While Tony continues to muse about his second chance at life, he faces a myriad of immediate, stress-inducing crises at home, at work and from the law. Tony's wife Carmela plans for a future she's not sure will arrive, and son AJ and daughter Meadow find that adulthood holds its own surprises. Meanwhile, at work, Tony comes to doubt the allegiances of many of those closest to him ¿ no one, not Paulie, Bobby, Silvio or even Christopher is above suspicion. The clock is ticking. Time is running out. But on who?

Sex and the City - The Complete First Season

From unmarried women and toxic bachelors to the bay of "married pigs" and the men women call "modelizers," welcome to the world of Sex And The City, a brutally frank and hilarious look at surviving as a single woman in New York City.

Sarah Jessica Parker, as sex journalist Carrie Bradshaw, is supported by her friends Samantha, Charlotte and Miranda (played by Kim Cattrall, Kristin Davis and Cynthia Nixon).

Are men in their 20s the new designer drug? Can you use sex for personal gain? Is motherhood a cult? These and many more questions are explored - as if for the first time - in the complete first season now coming to home video.

System Requirements:
Starring: Sarah Jessica Parker, Kim Cattrall, Kristin Davis, and Cynthia Nixon.
Directed By: John David Coles, Allen Coulter.
Running Time: 300 Min., Color.
This film is presented in "Standard" format.
Copyright 2000 Warner Home Video.

Format: DVD MOVIE

Now you can achieve multiple viewings of the best Sex on TV. Winner of Golden Globes for Best TV Series and Best Actress, Sex and the City is based on Candace Bushnell's provocative bestselling book. Sarah Jessica Parker stars as Carrie Bradshaw, a self-described "sexual anthropologist," who writes "Sex and the City," a newspaper column that chronicles the state of sexual affairs of Manhattanites in this "age of un-innocence." Her "posse," including nice girl Charlotte (Kristin Davis), hard-edged Miranda (Cynthia Nixon), and party girl Samantha (Kim Cattrall)--not to mention her own tumultuous love life--gives Carrie plenty of column fodder. Over the course of the first season's 12 episodes, the most prominent dramatic arc concerns Carrie, who goes from turning the tables on "toxic bachelors" by having "sex like a man" to wanting to join the ranks of "the monogamists" with the elusive Mr. Big (Chris Noth). Meanwhile, Miranda, Cynthia, and Samantha have their own dating woes, few of which can be described on a family Web site. Seinfeld has nothing on Sex and the City when it comes to shallow, self-absorbed characters or coining catch phrases. Episode 2, for example, introduces the term "modelizer": a guy who is obsessed with and will only date models. Some may accuse this series of male bashing. But women, after years of enduring shows with "men behaving badly," will relish the equal time. Some may blanch at the ladies' graphic language and ribald humor, or dismiss some of the situations as unrealistic (Carrie doesn't bat an eye when she discovers that an artist friend surreptitiously videotapes his sexual conquests). Still others will view Sex and the City as documentary. Regardless of your view, this groundbreaking series will have you longing for more. --Donald Liebenson