Based on a True Story

Band of Brothers

An impressively rigorous, unsentimental, and harrowing look at combat during World War II, Band of Brothers follows a company of airborne infantry--Easy Company--from boot camp through the end of the war. The brutality of training takes the audience by increments to the even greater brutality of the war; Easy Company took part in some of the most difficult battles, including the D-Day invasion of Normandy, the failed invasion of Holland, and the Battle of the Bulge, as well as the liberation of a concentration camp and the capture of Hitler's Eagle's Nest. But what makes these episodes work is not their historical sweep but their emphasis on riveting details (such as the rattle of a plane as the paratroopers wait to leap, or a flower in the buttonhole of a German soldier) and procedures (from military tactics to the workings of bureaucratic hierarchies). The scope of this miniseries (10 episodes, plus an actual documentary filled with interviews with surviving veterans) allows not only a thoroughness impossible in a two-hour movie, but also captures the wide range of responses to the stress and trauma of war--fear, cynicism, cruelty, compassion, and all-encompassing confusion. The result is a realism that makes both simplistic judgments and jingoistic enthusiasm impossible; the things these soldiers had to do are both terrible and understandable, and the psychological price they paid is made clear. The writing, directing, and acting are superb throughout. The cast is largely unknown, emphasizing the team of actors as a whole unit, much like the regiment; Damian Lewis and Ron Livingston play the central roles of two officers with grit and intelligence. Band of Brothers turns a vast historical event into a series of potent personal experiences; it's a deeply engrossing and affecting accomplishment. --Bret Fetzer

Based on the bestseller by Stephen E. Ambrose the epic 10-part miniseries Band of Brothers tells the story of Easy Company 506th Regiment of the 101st Airborne Division U.S. Army. Drawn from interviews with survivors of Easy Company as well as soldiers' journals and letters Band of Brothers chronicles the experiences of these men who knew extraordinary bravery and extraordinary fear. They were an elete rifle company parachuting into France early on D-Day morning fighting in the Battle of the Bulge and capturing Hitler's Eagle's Nest at Berchtesgaden. They were also a unit that suffered 150 percent casualties and whose lives became legend.Running Time: 705 min.System Requirements:Starring: Damian Lewis Donnie Wahlberg Ron Livingston Matthew Settle Rick Warden Frank John Hughes Scott Grimes Neal McDonough Rick Gomez Eion Bailey James Madio Kirk Acecedo Michael Cudlitz David Schwimmer Mark Lawrence Douglas Spain Michael Fassbender Jimmy Fallon Colin Hanks Tom Hanks. Running Time: 600 Min. Color. Copyright 2002 Warner Home Video.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 026359920523 Manufacturer No: 99205

And the Band Played On

A superior, made-for-cable film, this Home Box Office adaptation of Randy Shilts's chronicle detailing the emergence of AIDS in America and the fight against bureaucracy and society for a cure is a taut, outrageous, and affecting true-life drama. Matthew Modine (Birdy, Married to the Mob) is featured as a doctor with the Centers for Disease Control at the time when the first reports of a disease plaguing the gay community were heard. Modine and his colleagues embark on an investigation that resembles a compelling detective story as they try to track the source of the disease and discover a cure. Their efforts are thwarted by an ambivalent government and a turf war between French physicians and a celebrated American researcher (Alan Alda) who seems to place his own glory above the dead and the dying. Featuring heartfelt performances from a stellar cast including Richard Gere, Glenne Headly, Anjelica Huston, Steve Martin, Ian McKellen, Saul Rubinek, and Lily Tomlin, this impassioned film stands as an impressive and important document of one of the darkest eras in modern human history, and a tribute to the spirit of those who sought to save lives. --Robert Lane

Based on the bestselling book by Randy Shilts this powerful and enlightening movie tells of the discovery of the disease we now know as AIDS. An unforgettable tale of scientific struggle corruption deceit tragedy and triumph.Running Time: 141 min.Format: DVD MOVIE Genre: DRAMA UPC: 026359096228 Manufacturer No: 90962

Barbarians at the Gate

The 80's... It was a time when everybody was doing the big bucks but f. Ross Johnson CEO of R.J. R. Nabisco has every intention of making a fortune. When Johnson (James Garner) decides to buy out the Nabisco shareholders and take over his company no one is prepared for what hits the fan. Johnson is introduced to the master of the leveraged buyout Henry Kravis (Johnathon Pryce) but afraid of losing the company to this sharp dealer he decides to make his move with Peter Cohen (Peter Riegert). Kravis however is not to be outdone and begins an aggressive campaign of his own. What follows is a down-to-the-wire battle to see who's really king of the Wall Street jungle. They may look like polite well-dressed businessmen but listen hard and you can hear the pounding of BARBARIANS AT THE GATE.Running Time: 107 min.Format: DVD MOVIE Genre: COMEDY UPC: 026359083525 Manufacturer No: 90835

This HBO original comedy, adapted by Larry Gelbart (Tootsie) from the book by Bryan Burrough and John Helyar, concerns one of the most compelling tales of corporate buyout madness in the go-go 1980s. James Garner plays F. Ross Johnson, CEO of RJR Nabisco. Following failed and expensive efforts to sell a smokeless cigarette to the public, Johnson decides that he's had enough of navigating around the wrath of the company's stockholders. Drawing up plans to buy RJR Nabisco outright, he soon finds himself outmatched (though still determined) in a race for the prize with takeover king Henry Kravis (Jonathan Pryce). The ensuing battle is both bitterly funny and full of acid-tinged insights into the '80s greed that changed corporate America forever. Besides Gelbart's great script and Glenn Jordan's competent direction, the star of this exciting film is Garner, who is absolutely wonderful as the gracious Johnson. --Tom Keogh

61*

61* is an endearing ode to the baseball days of yore when the press was the enemy, salaries were in check, and breaking records with bat and glove took on Ruthian proportions. In 1961 baseball expanded its season from 154 games to 162, allowing weaker pitching into the major leagues and two New York Yankees teammates--the colorless Roger Maris and golden boy Mickey Mantle--to make an assault on the sport's ultimate record: Babe Ruth's 60 home runs. To add to the stew, baseball commissioner Ford Frick announced any record set in the last eight games of the season wouldn't count toward the official record; records had to be achieved in 154 games.

Director Billy Crystal guarantees success for his movie in the perfect casting of the leads. Barry Pepper (Saving Private Ryan's religious sniper) is deft as Maris, and Thomas Jane is a perfect Mantle, a superman in a Yankee uniform. Despite the differences between family man Maris and hard-living Mantle, they form a rewarding friendship amid the media and fan frenzy. The shy Maris took the brunt of the storm, even facing boo-birds in his home stadium. Crystal and first-time writer Hank Steinberg keep the pace moving quickly between the field, the locker room, the press box, and the home front. The film never tries to dazzle with more than the facts (and it softens Mantle up a bit), yet it belongs on the short list of grand baseball movies. --Doug Thomas

The Tuskegee Airmen

This true story of the black flyers who broke the color barrier in the U.S. Air Force during World War II is a well-intentioned film highlighted by an excellent cast. Proud, solemn, Iowa-born Laurence Fishburne and city-kid hipster Cuba Gooding Jr. are among the hopefuls who meet en route to Tuskegee Air Force Base, where they are among the recruits for an "experimental" program to "prove" the abilities of the black man in the U.S. armed services. Fighting prejudice from racist officers and government officials and held to a consistently higher level of performance than their white counterparts, these men prove themselves in training and in combat, many of them dying for their country in the process. Andre Braugher costars as a West Point graduate who takes charge of the unit in Africa and in Italy (where it's christened the 332nd). The film is rousing, if slow starting and episodic, but it's periodically grounded by a host of war movie clichés, notably the calculated demise of practically every trainee introduced in the opening scenes (ironic given the 332nd's real-life combat record--high casualties for the enemy, low casualties among themselves, and no losses among the bombers they escorted). Ultimately the Emmy-nominated performances by moral backbone Fishburne and the dedicated Braugher and the energy and cocky confidence of Gooding give their battles both on and off the battlefield the sweet taste of victory. --Sean Axmaker

Featuring an all-star cast headed by Laurence Fishburne, fireballs of high speed air action explode off the screen in this exciting story of the "Fighting 99th," the first squadron of black American pilots to be allowed to fight for their country. Based on the true story.

Miss Evers' Boys

Laurence Fishburne helped shepherd this Emmy Award-winning exposé from American medical history books to the small screen. Anchored in the 1973 Senate inquiry into the infamous Tuskegee Study, the film uses a flashback structure to take us back 40 years as Nurse Eunice Evers (played with honest conviction by Alfre Woodard, who also earned an acting Emmy for her powerful performance) describes how a program designed to treat syphilis among blacks in the South was twisted into an inhuman study. Evers's conscience is torn between leaving her position on principle or remaining to give the dying men what comfort she can while they are systematically refused life-saving medicine at every turn. Fishburne costars as Caleb, a easygoing but ambitious young fieldhand who discovers the cold reality of the study while courting Miss Evers. Adapted by Walter Bernstein from a play by David Feldshuh, the film rises above the TV Movie of the Week mold with a complex moral structure that eschews (if you'll pardon the expression) black and white polarities for shades of gray as the doctors' initial compromises become a lifetime of lies. Ultimately that tone becomes the most disturbing facet of the drama: doctors and nurses so enmeshed in what is tantamount to a conspiracy they can find no way out, and a government that searches for scapegoats for its own cold-blooded research. --Sean Axmaker

Based on the shocking true story, Miss Evers' Boys exposes a 40-year government backed medical research effort on humans which led to tragic consequences. It is 1932 when loyal, devoted Nurse Eunice Evers (Alfre Woodard) is invited to work with Dr. Brodus (Joe Morton) and Dr. Douglas (Craig Sheffer) on a federally funded program to treat syphilis patients in Alabama. Free treatment is offered to those who test positive for the disease included Caleb Humphries (Laurence Fishburne) and Willie Johnson (Obba Babatunde). But when the government withdraws its funding, money is offered for what will become known as "The Tuskegee Experiment", a study of the effects of syphilis on patients who don't receive treatment. Now the men must be led to believe they are being cared for, when in fact they are being denied the medicine that could cure them. Miss Evers is faced with a terrible dilemma-to abandon the experiment and tell her patients, or to remain silent and offer only comfort. IT is a life or death decision that will dictate the course of not only her life, but the lives of all of Miss Evers' Boys.

Truman

Harry S. Truman had a hard row to hoe as the 33rd president and he never enjoyed popularity while in office. Think about what occurred on Truman's watch: the bombing of Hiroshima, a nationwide railroad strike, the rise of the Southern States' Rights Party, integration of the armed forces, the ascendancy of McCarthyism, the early cold war, and finally the Korean Conflict and Truman's decision to fire General MacArthur. Few American presidents have been faced with more difficult and dangerous times than Truman. It wasn't until some 50 years later that Harry Truman, a farmer from Missouri, got his due appreciation in the history books. Truman follows the man from his beginnings as an artillery officer in WWI through his connections with Missouri's Pendergast political machine and onward to Washington. The always-excellent Gary Sinise is a perfect fit for the Truman character, having obviously studied the President's plainspoken Missouri twang and ramrod-straight bearing at great length. Diana Scarwid is also very good as Truman's long-suffering wife Bess; the film studies the relationship between the two in some depth, and also sheds light on the men who surrounded Truman in Washington. Truman's chief failing is that in its effort to detail 40 years of the man's life, certain historical events are given short shrift in order to fit them all in. Nonetheless, Sinise inhabits the character well; the scene where the President ruminates on dining alone in the White House (while Bess is back in Missouri) is a great, understated comment on the loneliness, isolation, and stress of the job. --Jerry Renshaw

Citizen X

Based on the true story of the hunt for the most savage and elusive serial killer on record. It started with eight bodies found murdered, raped and mutilated. A brilliant Soviet forensics expert (Stephen Rae) is put in charge of the case by his colonel (Donald Sutherland). But the investigation is buried under government red tape until a psychiatrist (Max von Sydow) is called in to create a psychological profile of the murder. With fifty-two victims to his name, the killer they call Citizen X finally takes shape before their eyes. But can they trap him before he kills again?

Gia

There's a reason why Cindy Crawford was dubbed "Baby Gia" when she first hit the modeling scene. Indeed, Crawford, now the world's best-known supermodel, greatly resembled model Gia Carangi, who went from high school to the cover of British Vogue in less than two years. Carangi appeared on many more covers of Vogue (French, British, Italian, and American) and Cosmopolitan before dying of complications from AIDs (she was an IV heroin user) in 1986. Now most people recognize Carangi's name from this powerful HBO film that stars Golden Globe-winner Angelina Jolie, who comes by her talent honestly. Jolie is the daughter of veteran actor Jon Voight, and her own training as a model serves her well--she has the moves. Throughout, she's heartbreaking--as no doubt the real Carangi was--effective, and stunning.

With good source material (Stephen Fried's A Thing of Beauty: The Tragedy of Supermodel Gia), Jolie's stunning performance, and strong directing by Michael Cristofer, the movie goes beyond the merely sensational. The script was cowritten by Cristofer and novelist Jay McInerney, whose Bright Lights, Big City covers similar territory. As a cautionary tale, Gia works. But to watch Jolie in her character's tragic self-destruction is utterly compelling. --N.F. Mendoza

In Pursuit of Honor

Based on a true story, five cavalry officers are in a race against time, risking their honor and their lives to save four hundred horses destined for destruction by the US Army.