A Tale of Two Cities (1935)
by John Conway
from Warner Home Video
Ronald Colman isn't even on screen for the most famous lines of his career ("It's a far, far better thing I do..."), but such is the power of the moment and the performance that everybody remembers it anyway. A Tale of Two Cities was the follow-up for producer David O. Selznick and high-class studio MGM to their hit adaptation of another Charles Dickens novel, Great Expectations. While not scaling the heights of that impeccable production, Tale gives a tight, straightforward reading of Dickens' story of the French Revolution. Colman plays the drunken romantic Sydney Carton, who pines for the lovely Lucie Manette (Elizabeth Allan) even though she marries former French aristocrat Charles Darnay (Donald Woods). Meanwhile, back in Paris, the Revolution erupts, and Darnay is fated for the guillotine... perhaps. Along with Colman's expert study in melancholy, the film is crammed with fragrant supporting players, such as Edna May Oliver, Reginald Owen, and the uniquely unsettling Blanche Yurka as the endlessly-knitting Madame Defarge. In a handful of scenes, Basil Rathbone makes the Marquis de Evremonde the quintessence of clueless privilege ("With what I get from these peasants, I can hardly afford to pay my perfume bill"). Journeyman director Jack Conway doesn't have the lovely touch that George Cukor brought to Copperfield, but Selznick hired him because "the picture is melodrama, it must have pace and it must 'pack a wallop.'" It still does. Footnote to film history: Selznick's assistant, Val Lewton, supervised the Revolutionary montage, and hired director Jacques Tourneur for the job; later they would team up on Lewton's great run of B-horror pictures, beginning with Cat People. --Robert Horton
"It was the best of times, it was the worst of times...." Charles Dickens' tale of love and tumult during the French Revolution comes to the screen in a sumptuous film version by the producer famed for nurturing sprawling literary works: David O. Selznick (David Copperfield, Anna Karenina, Gone with the Wind). Ronald Colman (The Prisoner of Zenda) stars as Sydney Carton ? sardonic, dissolute, a wastrel...and destined to redeem himself in an act of courageous sacrifice. "It's a far, far better thing I do than I've ever done," Carton muses at that defining moment. This is far, far better filmmaking, too: a Golden Era marvel of uncanny performances top to bottom, eye-filling crowd scenes (the storming of the Bastille, thronged courtrooms, an eerie festival of public execution) and lasting emotional power. Revolution is in the air!
DVD Features:
Other:Oscar?-Nominated Short Audioscopicks 2 Classic Cartoons: Hey, Hey Fever and Honeyland Audio-Only Bonus: Radio Show Adaptation Starring Colman
Theatrical Trailer
Tales of the City (Collector's Edition)
by Alastair Reid
from Acorn Media
"The City" in question is San Francisco, and the tales are novelist Armistead Maupin's, his romantic, affectionate, and spirited homage to the glory days of his hometown. Maupin's idea of SF's glory days isn't the drug-filled Summer of Love (1967), but rather the drug-filled lust-in of the late '70s. Replacing acid with coke and ludes, psychedelia for disco, this six-hour miniseries (which caused controversy for its open drug use, nudity, and direct depiction of homosexuality upon its initial airing on PBS) follows the romantic struggles and identity crises of a colorful cast of characters. The action--as addictive as the drugs the characters ingest--is seen mostly from the innocent point of view of Mary Ann, the city's newest culture-shocked resident--so its presentation is rather decadent and hedonistic. Because the story originally ran as a daily serial in the San Francisco Chronicle before being compiled into a novel, its serialized structure suffers from typical soap-opera mawkishness and the need to shock with ridiculous revelations. Thankfully, this degeneration mostly occurs during the final two hours, allowing you to just enjoy the personalities and hilarious and often-touching interactions of the richly drawn characters before they're manipulated by plot devices. The performances are all outstanding, especially Chloe Webb's spacey ex-hippie Mona, Marcus D'Amico's romantically doomed Michael, and Olympia Dukakis's Anna Madrigal, the enigmatic mother hen/landlady of many of the film's central characters. --Dave McCoy
A Tale of Two Cities
by Jim Goddard
from Image Entertainment
The ultimate tale of love honor and sacrifice during the bloodstained French Revolution is movingly brought to life in this sumptuous production. The dashing Chris Sarandon (The Princess Bride) stars in dual roles as the cynical lawyer Sydney Carton and the disenchanted aristocrat Charles Darnay both in love with the same woman (Alice Krige Star Trek: First Contact). Also starring Peter Cushing (Star Wars) this Golden Globe-nominated version of the Charles Dickens classic thrillingly captures all the drama and emotion of one of history's most explosive eras.System Requirements:Running Time: 156 Mins.Format: DVD MOVIE Genre: DRAMA UPC: 014381364026
Further Tales of the City.
by Pierre Gang
from Showtime Ent.
ARMISTEAD MAUPIN'S FURTHER TALES OF THE CITY is the third installment of Maupin's classic saga of San Francisco life. Set in 1981, the four-hour miniseries involves the residents of 28 Barbary Lane in a racy and rollicking adventure/mystery that leaps from Golden Gate Park to the home of a Hollywood icon to a remote island in the Alaskan wilderness. As usual in Maupin's world, romantic entanglements abound. Landlady Anna Madrigal (OLYMPIA DUKAKIS) is stunned by her mother's sudden arrival. Mother Mucca (JACKIE BURROUGHS) who runs a bordello in Nevada is in town to take care of personal business and meets a man from her past, Royal Reichenbach (JOHN MCMARTIN). When Mother Mucca introduces Anna to Royal, they find themselves in a rivalry over him. Madrigal's tenants have their own stories from the past to unravel. Michael Tolliver (PAUL HOPKINS) is working at a nursery called "Best Laid Plants." He tries to get over being dumped by his former lover Dr. Jon Fielding (BILLY CAMPBELL) who went off to work on a cruise ship.
Exploring his sexuality full tilt, Michael embarks on a series of sexual escapades involving cowboys, cops and Cage Tyler (JOHN ROBINSON) a closeted movie star. Michael's friend and neighbor Mary Ann Singleton (LAURA LINNEY) is challenged with a relationship problem of a different kind. Her boyfriend and upstairs neighbor, Brian Hawkins (WHIP HUBLEY) who has spent most of his adult life as a womanizer, comes to the realization that he wants to marry her. She, however, is hesitant to take the next step as she is focused on her career. Longing to become a serious reporter, but not given a chance by her station manager, she is forced to work as a daytime host of the "Bargain Matinee" show. Mary Ann's late boss' widow, socialite Frannie Halcyon (DIANA LEBLANC) is tormented by her daughter DeDe's (BARBARA GARRICK) apparent demise in the Jonestown Massacre. Living on Mai Tais and sleeping pills, she refuses to accept that DeDe and her children, Little Anna and Edgar were killed. She seeks advice from psychics to help her find her missing daughter. When a fortune-teller convinces her that DeDe is indeed alive, she asks for the support of society columnist Prue Giroux (MARY KAY PLACE) to make her story public. When Prue refuses to get involved, Frannie calls Mary Ann to share her secret. Since Mary Ann is always searching for a good story, she is eager to meet in hopes of finally getting a break on the evening news.
Meanwhile, Prue meets a mysterious homeless man, Luke (HENRY CZERNY) in Golden Gate Park. Immediately drawn to his intense charm, she falls madly in love with him. Little does she know that she's opening Pandora's Box when she attempts to bring him back to society with the help of flamboyant celebrity priest Father Paddy Star (BRUCE MCCULLOCH). Luke's past is far more sinister than Prue could ever imagine. Then it's revealed that DeDe Halcyon Day has spent three years in Cuba with her lover Dorothea (FRANÇOISE ROBERTSON) after escaping the massacre in Guyana. She ends up in a camp for gay Cuban refugees in Fort Chafee, Arkansas and finally calls her mother Frannie in San Francisco to tell her that she wants to come home. Through DeDe's unexpected reappearance and a twist of fate, the storylines begin to intertwine and all of the characters in Maupin's tales find themselves in the midst of an unpredictable adventure.
More Tales of the City
from Allumination
This 2-disc set includes the laughs, tears, and nail-biting suspense of Armistead Maupin's beloved best seller in 1970's San Francisco. Included is over 4.5 hours of running audio commentary by Maupin, stars Olympia Dukais, Barbara Garrick, and Laura Linney, deleted scenes, exclusive behind-the-scenes rehearsal & film footage, production photo and props gallery, documentary, set blueprints and video tour, and cast and prouction bios including interactive video Q&A with Colin Ferguson, Thomas Gibson, Nina Siemaszko, Whip Hubley, and Paul Hopkins.
Motion Picture Masterpieces Collection (David Copperfield 1935 / Marie Antoinette 1938 / Pride and Prejudice 1940 / A Tale of Two Cities 1935 / Treasure Island 1934)
by George Cukor
from Warner Home Video
MARIE ANTOINETTE The woman who was France! Norma Shearer and Tyrone Power headline an opulent saga of royalty and revolution. DAVID COPPERFIELD Based on the best-selling book by Charles Dickens. W.C. Fields is Micawber and Freddie Bartholomew is young David in a splendid version of Dickens' most autobiographical work. A TALE OF TWO CITIES From the famed author Charles Dickens. "It was the best of times it was the worst of times." Ronald Colman stars in the lavish story of the French Revolution...and one man's redemption. PRIDE AND PREJUDICE Based on the best-selling book by Jane Austen. Mr. Darcy (Laurence Olivier) sets maiden hearts aflutter - except for that of unimpressed Elizabeth Bennett (Greer Garson). Austen's masterwork! TREASURE ISLAND Based on the unforgettable book of the same title by Robert Louis Stevenson. Avast me hearties for the swashbuckler about a boy with a treasure map - and a pirate (Long John Silver) with a scheme. The Champ's Wallace Beery and Jackie Cooper reunite!Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 012569793712 Manufacturer No: 79371
For an accurate look at how things were at MGM in the glory days, go directly to Motion Picture Masterpieces, a DVD box with five literary-minded A-list productions. MGM liked to think of itself as the studio of class, and its highbrow aspirations (mixed with plenty of old-fashioned hokum) are on lavish display in this collection.
Louis B. Mayer ran the studio, and boy wonder Irving Thalberg supervised production. However, another strong-willed producer, future Gone with the Wind CEO David O. Selznick, was responsible for guiding a pair of highly enjoyable Dickens adaptations, both released in 1935. David Copperfield is a wonderful condensation of the sprawling novel, crammed with memorable evocations of Dickens' roster of eccentrics. Freddie Bartholomew, who became a star with this role, plays the young David; equally indelible are W.C. Fields as Mr. Micawber, Basil Rathbone as Murdstone, and especially Edna May Oliver as Besty Trotwood. Director George Cukor's empathy and craftsmanship keep the movie humming with Dickensian wit. A Tale of Two Cities followed shortly thereafter, with Ronald Colman in one of his signature roles as the drunken romantic Sydney Carton, whose throttled love for the beautiful Lucie Manette leads to the French Revolution's guillotine. Jack Conway directs in tight, brisk fashion, and once again the supporting cast (Oliver and Rathbone return from Copperfield) is flavorful.
The French Revolution also figures in the rather preposterous Marie Antoinette (1938), an eye-popping production about the bride of Louis XVI. The project was a pet of Thalberg and his wife Norma Shearer, and MGM proceeded with the overstuffed production even after Thalberg's early death. Marie gets an extramarital affair (with the young Tyrone Power) and an incredible parade of gowns and wigs, but not too much blame for the peasants starving. Robert Morley steals the show as Louis XVI, with John Barrymore in rascally form as his grandfather. Shearer's ordinariness somehow fits her out-of-it character.
Treasure Island (1934) casts Jackie Cooper as young Jim Hawkins and Wallace Beery as that one-legged seadog, Long John Silver (the pair had scored a huge hit in The Champ three years earlier). This is a lot of people's favorite adaptation of the marvelous Robert Louis Stevenson novel, and Victor Fleming's manly directing approach manages to take some of the sheen off the MGM house style (by the way, art director Cedric Gibbons, credited on all these films, is one of the stars of the box set).
Pride and Prejudice (1940) is a respectable take on Jane Austen's oft-filmed novel, with Greer Garson as the headstrong Elizabeth Bennet and Laurence Olivier as the difficult Mr. Darcy. MGM liked to corset Garson in fine-lady roles, but here she lets some of Elizabeth's sauciness come through; actually, Olivier's elaborate performance is the movie's too-theatrical weak spot. But boy, does this movie tell a good story--and that's rather the point of these (Marie excepted) solid literary adaptations. --Robert Horton
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